Apparantly the rumors of Avenged Sevenfold and Bullet For My Valentine taking part in Gigantour were just that after all…
Megadeth drummer Shawn Drover has shot down rumors that Avenged Sevenfold and Bullet For My Valentine are in talks to take part in next year’s North American Gigantour — the acclaimed traveling heavy music festival launched by MEGADETH mainman Dave Mustaine.
Posting in the “Forums” section of the band’s official web site in a thread where fans were discussing the above-mentioned rumor, Drover simply wrote “No” in response to the online chatter.
No official announcement has yet been made regarding the lineup of the fourth edition of Gigantour, which will once again feature MEGADETH in the headlining slot.
AceFrehley.com has been officially launched, here is “Space” Ace’s introductory message
I’m happy to say that I finally got a good internet connection up here on Jendell and can now present to you my official website- AceFrehley.com! Thanks for your patience and support over the years… it’s meant everything to me.
Now, let’s ROCK!! AceFrehley.com is going to provide a link between us & be something unique & different from the “usual” website. What you will see is exclusive pictures & video clips from my archives, news, tour dates & appearances announced here first, and a chance for you to be a part of this website by sending me your photos & questions. I’ll be emailing all my members very cool “extra stuff,” so don’t forget to sign up! And despite the rumors, you’ll be hearing my new cd real soon… Stay Tuned. I hope you have as much fun on AceFrehley.com as I’ve had putting it together…
You can catch me this weekend on VH1 Classic’s THAT METAL SHOW hosted by my friend Eddie Trunk. I’m told that it premieres this Saturday night Dec. 20th at 11pm. It’s suppose to repeat several times in the upcoming weeks. VH1 Classic was cool enough to send me all the times it’s gonna repeat. Check it out the Getaway page!!!
IMPELLITTERI will release its long-awaited new album, “Wicked Maiden”, in Japan on January 21, 2009 via Victor Entertainment. The CD, which had the working title of “Good and Evil”, was mixed in Vancouver, British Columbia with Greg Reely (DEVILDRIVER, FEAR FACTORY, etc.) and is “by far the most amazing recording I have been involved with,” according to IMPELLITTERI mainman/guitarist Chris Impellitteri. “It is filled with amazing riffs, fast shredding solos, screaming vocals, and, of course, a brutal rhythm section.”
He added, “The goal of this record was to make a historic album that will rival ‘Van Halen 1′, OZZY’s ‘Blizzard of Oz’, PANTERA’s ‘Cowboys from Hell’, YNGWIE’s ‘Rising Force’, METALLICA’s ‘Master of Puppets’, and even new artists like CHILDREN OF BODOM and AVENGED SEVENFOLD.”
“Wicked Maiden” marks the return to IMPELLITTERI of the band’s former singer Rob Rock.
The track listing for the CD is as follows:
01. Wicked Maiden
02. Last Of A Dying Breed
04. Garden Of Eden
05. The Vision
06. Eyes Of An Angel
07. No More School
08. Wonderful Life
09. Holy Man
10. Battle Rages
Courtesy of Blabbermouth.net
Ex-GUNS N’ ROSES Guitarist Buckethead has surfaced with the band SCIENCE FAXTION, also featuring bassist/vocalist Bootsy Collins and vocalist/producer Greg Hampton. The debut album, Living On Another Frequency, is out now in North America and will be released in Europe on January 26th. The tracklist is as follows: ‘Sci-Fax Theme’, ‘Lookin’ For Eden’, ‘At Any Cost’, ‘Chaos In Motion’, ‘Famous’, ‘L.O.A.F.’, ‘Gone Tomorrow’, ‘Life-IS IN-DeLiver’, ‘Take You Down’, ‘What It Is’, ‘Fatally Flawed Flesh’, ‘I See Rockets’, ‘Zion Planet 10′.
Audio samples are available at this location. The band’s official bio is available below:
Whenever bass legend Bootsy Collins and guitar shredder extraordinaire Buckethead get together, it’s a given that new sonic ground will be broken. And this certainly proves to be the case on their latest project, Science Faxtion, which will be issuing their debut full-length, ‘Living on Another Frequency,’ via Mascot Records (distributed by Sony MRI). Also included is singer/guitarist/producer Greg Hampton, and longtime Bootsy/Buckethead ally Brain on drums, as well as contributions by Chris Collier and Bootsy himself on drums.
“Originally, it was Bootsy,” explains Hampton, when asked to retrace the moment Science Faxtion was hatched. “We were going to be referencing more of his old-school and historical funk elements, that we all grew up with. Then he had the epiphany of us doing a group project – having me sing and play guitar, and bringing in Buckethead and Brain. We had a few different guys get involved – but that was primarily the core of the record. DJ Botieus – he does a lot of programming, he’s definitely a secret weapon.”
Immediately, there was a chemistry between the band members that was unmistakable. “One thing lead to another, and then Buckethead, Bootsy, and I wrote the songs. There’s twelve songs on the record, and the thirteenth is more of a ‘musical theme,’ with no vocals – it’s a dialogue piece. Seven of the songs I’m singing the lead vocals on, some songs Bootsy and I share some of the vocals, and then there are other songs where Bootsy sings. As far as musically, it grooves, but it’s definitely a serious rock record.”
And when Hampton says the album grooves and rocks, he’s not kidding, as evidenced by the album’s lead-off single, ‘Looking for Eden’.
“‘Looking for Eden’ was really the first song we had written – it just grooved. It’s like Audioslave meets Nine Inch Nails 2009. It has some dialogue with Bootsy and it has Bootsy singing the bridge. And Buckethead plays the most amazing lead parts on that song. The whole song has everything you need from a great rock song. The hook in the lyric and the vocal, great singing, but amazing guitar parts throughout it. Buckethead absolutely shreds on it, but he plays some really tasteful stuff.”
Other standouts include “Life is in Deliver” (“Buckethead plays a crazy solo on it at the end – it’s a real chuggin’ song”),”What It Is” (which features a special guest appearance from Public Enemy’s Chuck D), and “I See Rockets” (a track which Hampton compares Buckethead’s playing to the great Jimi Hendrix), among others.
Metallica has finally confirmed “the worst-kept secret in rock’n’roll” and unveiled details of the upcoming “Guitar Hero” game devoted to the band.
According to Metallica’s Web site, the game “allows you to play as us in either single instrument or band career game modes” and will likely be released in the first half of next year.
Adding to the atmosphere will be famous setting associated with the band’s career, including Moscow’s Tushino Airfield, the site of the 1991 Monsters of Rock concert, and “new venues with in-the-round staging.”
There will be 28 Metallica songs in all, although the full list has not yet been announced. Songs from Alice In Chains, Foo Fighters, Slayer, Machine Head and Queen can also be played.
Lastly, in a feature sure to thrill Lars Ulrich devotees, “Guitar Hero: Metallica” will boast an “expert” difficulty level that employs two bass drum kick pedals. The Metallica edition follows an Aerosmith-dedicated “Guitar Hero,” which was released in June.
Saliva is back with their first new album in almost two years, “Cinco Diablo”. I liked Saliva’s last album, “Blood Stained Love Story” even though it wasn’t well received by the masses. Their last album saw the band moving away from their nu-metal sound into a more mainstream approach. With Cinco Diablo, Saliva continues to spread their wings with an album that blends hard rock, metal and pop. At times some songs feel like like past Saliva tunes, and other songs show the band moving into a different direction once more.
“Family Reunion” is the first single released to radio. If you are familiar with Saliva’s past work, this song will feel somewhat familiar. If you have heard their songs “Click Click Boom” and “Ladies and Gentleman” you will probably like the familiar “BOOM” in the lyrics. It is a good opening song for this disc, even though the lyric is getting a little tired and over used in my opinion.
“My Own Worst Enemy” is a mid tempo hard rocking song that adds a layer of industrial sounding keyboard in the background of the tune. The more I listen to this song, the more I like it.
“Best of Me” keeps the heavy rock going. This is a pretty good rocker that ought to be Saliva’s next single. This is my favorite cut on “Cinco Diablo” so far.
With three hard tunes in a row, Saliva smartly breaks up the pace with “How Could You” . This is a tune that will likely have radio appeal for fans of bands like Nickelback and 3 Doors Down. It has a few hard guitar parts, but is light enough that is could find its way onto pop rock radio.
The hard rock continues with “Hunt You Down”. This tune has a beat that reminds me a little bit of older Nine Inch Nails material. I like the old NIN stuff, so I though that was kind of cool. This is a good song that Saliva needs to make one of their concert staples.
“Judgment Day” has grungy guitars and occasional harmonics that are reminiscent of the songs Alice in Chains was doing in the 90’s. I think there are some cool guitar parts in this song, but I don’t think there is enough to really set this tune apart from a lot of the other mainstream radio tunes. This song needs something to push it over the edge, but it never quite gets there.
‘Forever And A Day” is the closest thing to a power ballad that you will hear from Saliva. This is another really good song that has major hit potential.
“I’m Coming Back” feels like a filler tune to me. I am sure that isn’t what the band was trying to achieve, but this song does nothing for me.
The song “Southern Girls” took me by surprise. This is kind of a nu-metal meets southern rock song. I don’t remember Saliva doing anything like this before, but I like this song a lot. The chorus on this song kind of has a Motley Crue like feel to it. Cool stuff!
“So Long” closes out “Cinco Diablo” with a piano based number that sounds as if it should have been on a Coldplay CD. Yes, that is right, I said Coldplay. This is a really good song, but it seems out of place on this disc. I think Saliva fans are going to be shaking their heads when they hear this.
As a whole, I think “Cinco Diablo” is a better than Saliva’s last album, “Blood Stained Love Story” but I still don’t feel this is their best stuff. This album shows a little more growth and more experimentation with Saliva’s sound. It is definitely a strong album for the band, and this disc is a cool way to close out a killer year of hard rock music.
Josey Scott – Vocals
Wayne Swinny – Guitars
Jon Montoya – Guitars
Dave Novotny – Bass
Paul Crosby – Drums
Dave Mustaine from Megadeth posted the following update online last night:
Its time to tell you the truth about what is happening in the studio.
We are trying really hard to come up with a record that will satisfy our new fans that love Megadeth, and that have not had to deal with the ‘ups and downs’ of being a fan whilst line-up changes took place. Trust me, I know that this sucks for you, because you get close to someone, or you get familiar with a certain musician and then he may be gone.
It is sad to think like that, but it is like I said before, “We really only have just this moment together, don’t we?” We have had so many different musicians in this band that when I was trying to make my point, it took quite some time to run down the list of players. You see, I was trying to tell Justis that he needs to do certain things with his band, and that he needs to be able to make the tough decisions that most ‘leaders’ don’t have to make. And sometimes it results in line-up changes.
I told him about the very first group of people that I played with in my first setting, all the way through my first real band, through Panic and Metallica, ending with the long line-up list from Megadeth.
I started playing with my sister’s ex-husband’s (douche bag) little brother and a few guys, and switched around in that band until I met Dave Harmon and created Panic and the several line-ups with that band. Then there were the changes within Metallica that people don’t know about, like ‘Damien’ the feminine guitarist with the feather earring and the eyeliner and the red and white striped girl’s shirt; and last but certainly not least, there have been more changes in Megadeth than I would like to count.
So, here we are in the studio with three other talented men and a fantastic engineer and producer that is recording and co-producing the record with me. And if you think about it, Andy has made several of the hottest new metal records out currently, and he is one of the few people that I listen to without prejudice, so I listen to him with very honest ears.
We have 11 ideas, I think that we have four of those arranged or close to being arranged and of those 11, several of them are complete songs. i am also waiting to hear from Shawn, James, and Chris. James had something that was really great and is going to make it onto this record. Shawn had some stuff from long ago and I asked him to try to re-record it because we have been together for four years now, and since he is the second longest drummer in Megadeth, only second to Nick Menza, I feel that he deserves to have his music on this record; besides he is really good and has great chops and songwriting skills.
Sundays we take off from the studio, and Shawn and Andy go five blocks from my beach house to the sand and sunbath for the day. They’ve also been getting familiar with the surrounding area. I am going to head in today and work around Justis and his band (they go in on the weekend after they finish all of their school work) until we are finished with this record. I have some renewed vitality and I have been going in early and just playing my guitar by myself. But first, I have a massage for my physical therapy on my degenerative disk disease and arthritis in my neck.
Please send me more messages on our widget on our homepage, and leave me messages at TheLiveLine.
Wish me well today, you know that I am doing the same for you, and I hope that you are enjoying the site and all of the improvements that our beloved webmaster and crew are making. That is it for me!
I love you all
The following video is from Whitesnake’s 1987 tour. The video features David Coverdale, Adrian Vandenberg, Vivian Campbell, Rudy Sarzo and Tommy Aldridge.
AVENGED SEVENFOLD and BULLET FOR MY VALENTINE are rumored to be in talks to take part in next year’s North American Gigantour — the acclaimed traveling heavy music festival launched by MEGADETH mainmanDave Mustaine.
No official announcement has yet been made regarding the lineup of the fourth edition of Gigantour, which will once again feature MEGADETH in the headlining slot.
Conceived in 2005, Gigantour — proclaimed “the mother of all shred fests” by Revolver magazine — resurrects metal’s focus on stellar musicianship.
The third installment of the North American Gigantour officially launched on April 12, 2008 in Denver, Colorado with headliner MEGADETH, Swedish metal band IN FLAMES, Finland’s CHILDREN OF BODOM, Arizona’s modern extreme act JOB FOR A COWBOY and Oakland, California heavy power trioHIGH ON FIRE. The 29-date trek criss-crossed North America and wrapped May 22 in Phoenix, Arizona.
The “Gigantour 2″ DVD and CD, which contains footage from the second coming of Gigantour, arrived on April 22 via Image Entertainment.
“Gigantour 2″ features over an hour of blistering performances by iconic and influential heavy metal pioneers MEGADETH — who have sold more than 20 million albums worldwide in a career now spanning 25 years — along withLAMB OF GOD, OPETH, ARCH ENEMY, OVERKILL, THE SMASHUP, andINTO ETERNITY. Recorded in DTS 5.1 surround sound, the DVD version also features a behind-the-scenes look at the 2006 tour, while both the DVD and CD offer a hidden bonus track — MEGADETH‘s ever-relevant “Peace Sells”.
The “Gigantour 2″ DVD and CD follow Image Entertainment‘s fall 2006 release of the debut “Gigantour” CD and DVD which featured unforgettable performances by MEGADETH, DREAM THEATER, FEAR FACTORY,ANTHRAX (CD only), NEVERMORE, LIFE OF AGONY, SYMPHONY X, DRY KILL LOGIC and BOBAFLEX.
According to GigWise.com
Guns N’ Roses will not stage a reunion with their former members, the band’s manager has said.
Ex-guitarist Slash and bassist Duff McKagan have both been linked to a possible return alongside Axl Rose since the release of ‘Chinese Democracy’ in September.
However, in a statement, manager Irving Azoff said: “There are no plans for a reunion, nor have there been any discussions of a reunion, with former Guns N’ Roses band members. In the future, we hope that if media have any questions concerning GN’R, they’d at least check their facts before running inaccurate stories for their own benefit.”
Azoff made no comment on whether Rose planned to return to the road in 2009.
Slash embraced the recent release of ‘Chinese Democracy’ in a recent interview but said he didn’t know about any reunion plans.
Sales of of the album, which arrived after a fourteen year wait, have continued to fall below expectations in the US, where it failed to claim the number one position.
Label bosses at Geffen Records are understood to have shouldered much of the blame on frontman Axl Rose, who has been out of contact for two months.
Classicrockmagazine.com is reporting:
Phil Conalane, singer with Irish rockers MILLION $ RELOAD, has responded to speculation that he is about to join VELVET REVOLVER as their new frontman.
Speaking exclusively to Classic Rock, Conalane interestingly did not issue an outright denial.
He commented: “I’m guessing you were pretty surprised when your ‘source’ informed you that I was to be the new Velvet Revolver singer. So was I! This rumour was certainly NOT started by me nor anyone within the Million $ Reload camp.
“I don’t regard your original story as nonsense. Since Duff [McKagan] remarked to an Irish newspaper that he had been keeping an eye on an Irish singer, but that he wasn’t too keen on disturbing the band he was in, the story has been going around – Ireland’s a small island, so not too many rock singers!
“Most of the stuff that has been written about us is true. Kerri Kelly [SLASH’S SNAKEPIT] is a buddy, we’ve played with Steven Adler and Gilby Clarke, and most of the other stuff that’s been said.
“But it is sad to hear that some people regard this story as a cynical publicity stunt by Million $ Reload. After all it is quite unsettling for the rest of the band to hear your singer could be leaving, with tours in Europe and the US planned for 2009.
“Although having said that, I have received hundreds of emails from all over the world this week, the US, Brazil, Australia etc, from VR fans giving me support. Some of the comments that fans have been posting on various forums are amazing . It’s all quite flattering, really.
Read more here.
Former VAN HALEN bassist Michael Anthony has issued the following update:
“Whew, is it Holiday season again already?? I hope all of you had a great year, and are ready to finish it off in grand style!! First, I want to wish everyone out there Happy Holidays, and a Happy New Year!! Party hard, but party safe. Second, I want to update you on the status of CHICKENFOOT. Chad (Smith – RED HOT CHILI PEPPERS drummer) and I just got back this week from recording in the San Francisco area, and I am pleased to say that the basic tracks are finished and smokin’!! Right now Joe is sprinkling some guitar magic on everything, and next week Sam will be doing vocals. Then I’ll be back up there to slather some backround vocals on everything. I can’t wait for all of you to check it out!! Look out 2009!!!!”
Chickenfoot also features guitarist JOE SATRIANI and former Van Halen singer SAMMY HAGAR.
Guitar World magazine has just published its picks for the “100 Worst Guitar Solos” on its web site, GuitarWorld.com.
The list includes tracks by Jimmy Page, Jimi Hendrix, C.C. DeVille, Eric Clapton, George Harrison and more.
Below is an excerpt of that post:
“After two decades of kissing ass, Guitar World tips over a few sacred cows in a definitive guide to guitar parts that blow.
“Guitarists, no matter how good they are, are bound to have the occasional bad night or hit the odd bum note. Legends like Hendrix,Page, Hammett and Harrison have had their share of uninspired moments and times where ambition exceeded their technique. It’s really no big deal.
“Unless you’re caught on tape, that is.
“In a rare moment of pure spite and malice, Guitar World asked several contributors to identify those instances when our greatest guitar heroes took their biggest pratfalls. And, boy, rarely have we seen our writers take to an assignment with greater gusto. It seems that nothing gets a journalist¹s creative juices flowing like asking them to spill a big bucket of bile on a beloved icon. While our writers tended to save most of their venom for undeniably cruddy and inept solos, some had fun throwing darts at performances that were technically adept but which they deemed boring, self-indulgent or just plain absurd. Another favorite pastime was picking on anything remotely involving the talents of POISON‘s C.C. DeVille.
“Now, we enjoy the colorful Mr. DeVille, but unfortunately somebody¹s gotta be the whipping boy, and we guess it’s C.C.‘s turn to feel the lash. But he shouldn’t take it too hard. The flamboyant, hair-sprayed rocker can take solace in the fact that he’s in some rather good company. So pull out the knives, put on the lobster bib and dig in. No one, but no one, gets out of this alive.”
Top 10 “Worst Guitar Solos,” according to Guitar World:
01. POISON – “Guitar Solo” (from “Swallow This…Live!”, 1991)
Guitarist: C.C. DeVille
02. BLUE CHEER – “Summertime Blues” (from “Vincebus Eruptum”, 1968)
Guitarist: Leigh Stephens
03. CARLOS SANTANA – “The Game of Love” (from “Shaman”, 2002)
04. CREAM – Falstaff beer 1967 radio spot
Guitarist: Eric Clapton
05. THE BEATLES – “All You Need Is Love”
Magical Mystery Tour (1967)
Guitarist: George Harrison
06. BLACK FLAG – “Thirsty and Miserable” (from “Damaged”, 1981)
Guitarist: Greg Ginn
07. TED NUGENT – “Wango Tango” (from “Scream Dream”, 1980)
08. THE ROLLING STONES – “Ain’t Too Proud to Beg” (from “It’s Only Rock ‘n Roll”, 1974)
Guitarist: Keith Richards
09. MANOWAR – “Sting of the Bumblebee” (from “Kings of Metal”, 1988)
Bassist: Joey DeMaio
10. LENNY KRAVITZ – “American Woman” (from “5”, 1998)
Go to GuitarWorld.com to see the entire list.
Tonight on Hard Rock Nights, we break out some lost tracks from Trixter, Lita Ford, Enuff Z’nuff, and David Lee Roth, while playing some new stuff from Sammy Hagar, Extreme, Joe Satriani, and Overloaded. Classics abound with AC/DC, Poison, Guns N’ Roses, and Mötley Crüe. There’s a whole lot more, too…don’t miss it! Listen to Hard Rock Nights 9-11 pm eastern on classxradio.com!
Bo Bice wants you to have a Very Merry Christmas. He has posted a free mp3 download on his website”Very Merry Christmas”, that is available to anyone that signs up for his mailing list. This is a southern rock Christmas tune, and a rocking tune at that.
Visit this link to get the free download.
One of my all time favorite songs from Switzerland’s Gotthard, is the song “Lift You Up”. This song is about as infectious as it gets. This is from Gotthard’s outstanding 2005 album, “Lip Service”.
When does a Ted Nugent CD not sound like a Ted Nugent CD? When Ted brought in Brian Howe (Bad Company) to sing on this record, it completely changed the sound of the music. The music on “Penetrator” is completely different from the hard rock most folks recognize as Ted Nugent’s. In fact, this disc treads the melodic rock/aor fence with its layered keyboard tracks. Nugent’s blazing guitar is here, but they keyboards really tone it down.
At times the style of Penetrator reminds me a lot of the band Bad English with its pop/rock tendencies.
Nugent rips it up on the song “Tied Up In Love”. I wish they would have left the keyboards off of this song. It really takes the song down a notch, and it doesn’t blend well with Nugent’s acrobatic guitar licks. This is a good song that could have been even better.
Once again, the ultra cheesy keyboards are back on” (Where Do You) Draw The Line”. The keyboards really date this song badly. Nugent’s playing is the best thing about this tune.
“Go Down Fighting” sounds like a lot Survivor tune. In fact, I thought I could hear parts of “Eye of the Tiger” in here. I think it is that same bass sound and rhythm. Aside from that this song is completely different, but it still doesn’t work for me.
The one song on “Penetrator” that does sound like classic Ted Nugent is the tune “Thunder Thighs”. This is the album’s one redeeming song, that I like quite a bit. In the CD booklet, Ted Nugent calls “Thunder Thighs” a career high point. I don’t know if I can completely agree with that statement or not, but it is high point of this album.
I can’t imagine what producer Ashley Howe was shooting for by adding all of the keyboards to the tracks on this song. Did he want the songs to be played on MTV or something? Ted Nugent is a great guitar player, and his style of music hard rock, not pop. It almost seems as if they were trying to have some crossover success with this album. The keyboards really messed up the sound of this record badly.
Brian Howe sounds great, as does Ted Nugent on guitar. If you can get over the cheesy keyboards on this disc, you might like it. This isn’t a Nugent record that I can listen to very often. I will stick with the classic stuff from the 70’s.
1. Tied Up In Love
2. (Where Do You) Draw The Line
3. Knockin’ At Your Door
4. Don’t You Want My Love
5. Go Down Fighting
6. Thunder Thighs
7. No Man’s Land
8. Blame It On The Night
9. Lean Mean R&R Machine
10. Take Me Home
Ted Nugent – Guitars
Brian Howe -Vocals
Doug Lubahn – Bass
Bobby Chouinard – Drums
Alan St. Jon – Keyboards
Peter Wolf – Percussion & Sequences
Background Vocals: Alan St. Jon, Kevin Russel, Todd Howarth, Cynthia Shiloh, Xoe Fox, Rahni Raines
Hosted by Rob Halford and members of his new solo band Resurrection World Tour Documents each new Halford musician as they find themselves in a fast-paced world of Heavy Metal greatness after being selected to write, record and tour the world with Metal’s most revered songwriter / vocalist.
Exclusive to Halford’s first Blu Ray release is a rare 5.1 Hi Definition Surround Mix of Halford Live Insurrection, a 28 song full-length concert from Halford’s 2000 / 2001 Resurrection World Tour including a slide show of rare and un-seen Halford images. Halford Rock In Rio Special Edition Blu Ray will begin shipping February 10, 2009.
Also debuting on CD in jewel case February 10, 2009 are: Halford Resurrection Remastered and Halford Live Insurrection Remastered.
Resurrection, Halford,s 2000 release, signaled The Metal God’s glorious return to the metal scene, and featured a duet with Iron Maiden’s Bruce Dickinson, The One You Love To Hate. The ensuing tour was faithfully documented on Live Insurrection, which combined new Halford and Fight tracks with such Priest classics as Stained Class, Genocide, and Breaking the Law.
Rob Halford’s original 1999 demonstration recording of Silent Screams is bundled with three additional Halford versions of Rob’s epic power-ballad. For a limited time, all Pre-Orders will include a bonus CD Promo: Halford Silent Screams, The Singles.
AC/DC is bringing their Black Ice Tour to Europe.
The following dates have been announced:
Show Date City Venue
5/13/09 Leipzig, DE Zentralstadium
5/15/09 Munich, DE Olympic Stadium
5/17/09 Gelsenkirchen, DE Veltins Arena
5/19/09 Cologne, DE Stadion
5/22/09 Hockenheimring, DE Formula 1 Racing Track
5/24/09 Vienna, AT Ernst-Happel Stadium
6/12/09 Paris, FR Stadt de France
6/15/09 Oslo, NO Valle Hovin
6/17/09 Helsinki, FI Olympic Stadium
6/19/09 Copenhagen, DK Parken
6/21/09 Gothenberg, SE Ullevi Stadium
6/23/09 Amsterdam, NL Amsterdam Arena
6/26/09 London, UK Wembley Stadium
6/28/09 Dublin, IE Punchestown Racetrack
6/30/09 Glasgow, UK Hampden Park
Buckcherry have just released a live video performance of their new single, “Rescue Me.” The clip was filmed in Japan during their recent tour there supporting Black Butterfly. “Rescue Me” Building on the success of their current co-headlining tour, Avenged Sevenfold and Buckcherry have announced the next leg beginning on January 28th in Salt Lake City, UT. The next dates on the arena tour include Papa Roach and Saving Abel, offering fans 4 bands for under $40.00. The Buckcherry and Avenged Sevenfold package is considered to be one of the three major successful rock tours of the season, along with AC/DC and Metallica.
Check out “Rescue Me (live in Japan)” here:
Check out the tour announcement video here:
BUCKCHERRY/AVENGED SEVENFOLD 2009 TOUR DATES
With Papa Roach and Saving Abel
* Buckcherry/Avenged Sevenfold and Papa Roach only
28 Salt Lake City, UT “E” Center
30 Phoenix, AZ Jobing.com Arena
31 Albuquerque, NM Tingley Coliseum
2 Bakersfield, CA Rabobank Arena
3 Oakland, CA Oracle Arena
5 Yakima, WA Yakima Valley SunDome
6 Portland, OR Memorial Coliseum
7 Tacoma, WA Tacoma Dome
9 Spokane, WA Star Theater at Spokane Arena
12 Rapid City, SD Rushmore Plaza Civic Center
14 Council Bluffs, ID Mid America Center *
17 St. Louis, MO The Family Arena *
20 Cleveland, OH The Wolstein Center
21 Battle Creek, MI Kellogg Arena *
23 Cincinnati, OH The Bank of Kentucky Center *
24 Pikeville, KY Eastern Kentucky Expo Center
25 Pittsburgh, PA The Peterson Events Center
Throwdown and KOCH Records have joined forces. The band will begin recording “Deathless,” their first album under this new deal, in early 2009.
“Signing with KOCH Records is a breath of fresh air for us,” said Throwdown frontman Dave Peters. “KOCH looks at their artists in a progressive way and can see that what we’ve given a decade of our lives to build is still far from completion. It’s no mystery that the music industry is caught in upheaval right now. We’re confident in the mutual autonomy of KOCH and Throwdown to come together and not only weather the storm, but thrive in it.”
“I am thrilled to add Throwdown to the growing KOCH Metal roster and am looking forward to putting out what is surely one of the most anticipated releases of 2009,” says KOCH Records VP of Metal Scott Givens. “The band is poised to claim a major stake in the American metal scene and we are thrilled that they have chosen KOCH to be their partners.”
The largest independent record label in the United States, KOCH is home to recent releases from Throwdown’s friends and touring mates In Flames and Hatebreed, and has recently signed both Satyricon and High On Fire.
“We look forward to the continued development of our relationship with KOCH and the opportunity to be included with the wealth of talent on their roster,” added Throwdown bass player Mark Mitchell.
Throwdown recently completed touring behind their last album, “Venom & Tears,” which was produced by the band with Mudrock (Avenged Sevenfold, Chimaira). The past two years saw them on the road with Korn (Australia), Killswitch Engage (Canada), Cavalera Conspiracy (U.S.), Machine Head / Arch Enemy (U.S.), headlining the Ernie Ball stage on the Vans Warped Tour, hitting major European festivals like Download UK, and headlining a U.S. tour of their own.
Revolver called Throwdown’s last album the band’s “most metallic,” combining “the hateful groove of Sepultura and Pantera.” Outburn elaborated further: “This is a much more expansive, daring record, featuring longer songs and a greater diversity of influences while retaining that core pummeling heaviness the band has built its rep upon.”
The band is in the writing stages now for “Deathless,” which promises to be even more dynamic and pulverizing than the last one. “Deathless” will be the band’s fourth album with Peters as frontman and primary songwriter, its second with Choiniere (who joined the band in 2005) and first with Mitchell. Drummer Jarrod Alexander (ex-Death By Stereo), who performed on the band’s breakthrough “Haymaker” album in 2003, will return to work on “Deathless.”
“Mark Choiniere and I have been writing material on our own time for months now,” Peters explained. “We have a great head start on the writing process. It’s always hard to say how the songs will ultimately evolve. You think it’s going one way and the slightest idea or change turns it into a whole other animal. The mix of riffs and loose song skeletons we have right now is a lot more eclectic at this phase than it was for any of our other records.”
Throwdown has spent the last several years touring relentlessly. Ozzfest (2004), Sounds Of The Underground (2005), Vans Warped Tour (2006 & 2007), Black Dahlia Murder (co-headline), and several other headlining and support tours across the globe including packages with Lamb Of God, Fear Factory, As I Lay Dying and more.
In the coming weeks, the band will announce who will be producing and mixing “Deathless.”
The Melodic Rock and AOR scenes are both made up of legendary albums and bands, which, as time goes by, become even more respected among the community of fans. Balance are exactly one of these bands, whose name and reputation, like good wine, has stood the test of time for more than two decades. Formed at the end of the 70’s by three promising talents out of the NY music scene: singer Peppy Castro (formerly of The Blues Magoos, Wiggy Bits and Barnaby Bye), the classically trained keyboardist Doug Katsaros and guitarist Bob Kulick (who had already appeared as a guest musician on KISS recordings and on the Paul Stanley solo album in 1978 as well as playing in Meat Loaf’s band), Balance soon inked a deal with Portrait Records who released the band’s first eponymous album in 1981.
While the song writing and production quality shone all over the record and the band were immediately on the same level as contemporary luminaries such as Toto, Survivor or Journey, the album for which Balance are still today highly regarded is the follow up “In For The Count” released in 1982. The line-up was completed by former Speedway Blvd. member (the band that also featured the future Dream Theater keyboardist Jordan Rudess) Dennis Feldman on bass and Chuck Burgi (ex Brand X and later with Rainbow and Red Dawn) on drums. On “In For The Count” the band kicked in with heavier guitars and outstanding production skills, with a song writing talent that was not afraid to experiment while still keeping their strong Melodic Rock trademark intact.
In a perfect world that record should have catapulted Balance to the same level of popularity as Journey, Foreigner or Survivor, however fate and the label’s lack of support decreed the end of the band. As proof of the multi-talented artists involved in Balance, all members went on to brilliant careers in music in the following years. Kulick, continued collaborating with the members of KISS and Meat Loaf and went on to form Skull and Murderer’s Row, before becoming a Grammy Award producer in LA. Katsaros played, sang & arranged for KISS, Rod Stewart, Cher, Bon Jovi, Sinéad O’Connor and Aerosmith among others and worked in several rockin’ Broadway shows, including The Rocky Horror Show and Footloose. Peppy collaborated and sang on records by Diana Ross, KISS, Laura Branigan and Michael Bolton before starting to work in the jingles business.
The three of them kept in touch and had the chance to work together on several projects, however they could never resume the Balance concept and complete their musical circle, so as soon as they got a proposal from Frontiers Records, and after the recent reissue of their classic “In For The Count” album on Rock Candy / Universal, they decided the time was right to start working again, in Doug Katsaros words, on “tunes mostly originally written for a third album, and shelved at the collapse of the record company”.
Completed with the help of Bret Chassen on drums (who also co-produced the album together with Bob Kulick), the resulting album “Equilibrium” is truly a labour of love: a record written and crafted with the highest respect for the fans and the same enthusiasm as the old days, bringing back the trademark sound and updating it to the production techniques and taste of the new millennium. “All the guitars, vocals, synths and mix sounds are based on the original two records”, explains Katsaros, “we took great care in making certain there was nothing that could not have been performed in the 1980s, even the sequences. Also, the songs are authentic to the time period, since most of them were written in the time period! And we always had astonishing background harmonies and Peppy and I worked hard to keep that up as well. And you can’t beat using the original members to get an authentic sound! It was also great fun to recreate the whole blend of a tight intricate keyboard part as a counterpoint to Bobby’s brilliance.”
“Equilibrium” final tracklisting will include: Twist of Fate; Breathe; Old Friends; What Have You Done; Winner Takes All; Crazy Little Suzie; Liar; Walk Away; Who You Gonna Love; Forever; Rainbows End.
Reclusive GUNS N’ ROSES singer Axl Rose broke his silence last night (Thursday, December 11) by answering fan questions on the message boards of two of the most popular GUNS N’ ROSES fan sites on the Web — MyGNR.com and Here Today… Gone To Hell!
BLABBERMOUTH.NET has collected some of the more interesting bits from the question-and-answer session and is re-posting them here for your reading enjoyment. (Note: Some of Axl‘s responses were slightly edited for clarity.)
Q: How come you always come on stage so late at gigs?
Axl: “I’ve been an after-midnight type since I was sneakin’ out of my house in junior high [school]. With [the] old GUNS [lineup], we preferred [to take the stage at] 12:00 a.m. or so. When we moved to theaters etc., obviously that changes but it’s never changed inside me. Doesn’t matter what I do, so generally that’s when I’m more myself. This isn’t to mess with anyone that has an early schedule to keep, it’s just personal preference. And in regard to the size [of] venues, I’m on record as preferring whatever venues allow for our schedule, but management and promoters can do a lot in their own interests behind the scenes that can rarely be avoided and their greed or whatever leads to a lot of double talk and ugly behind nonsense that generally eventually ruins things for everyone. Translated: once a tour is scheduled, however, it’s like parting the seas to change. As far as being late, I’ve been that way my whole life. It drove Izzy [Stradlin] crazy but he would check himself and freely admit I was generally actually doing something that had to get done rather than watching basketball, etc.”
On a video for the new GUNS N’ ROSES song “Better”:
Axl: “The ‘Better’ music video will be out in a week or so. Monumental promotion will start very soon!”
Q: Who do you listen to for hardcore blues? I’m a blues singer and I can tell from your work that you have at least got way into a couple of blues records.
Axl: “BESSIE SMITH, ZEP 1, ROBERT JOHNSON, TUMBLEWEED CONNECTION, JANICE [presumably referring to JANIS JOPLIN — Ed.].”
Q: Axl, do you really have two or three other albums of material?
Axl: “For now, we’ll concentrate and keep our focus on this album, but I will say I’ve always thought of it as a double. And no offense, but no one’s trying to talk in parables. The issues are a bit more complex than anyone would like.”
Q: Hey, Axl, is the [unreleased GUNS N’ ROSES] song “Atlas Shrugged” as epic as the book? Who is your favorite character from the book?
Axl: “Song doesn’t have all that much to do with the book other than trying to do what you believe in and a line about shoulders not being wide enough.”
Q: Axl, was there ever a cover B and cover C for “Chinese Democracy”?
Axl: “Yes, there are. There are two more covers/back-cover combos and the real booklet that is all artwork that will be out shortly in some form. It’s been an ugly battle that hasn’t made any sense to anyone and whether anyone cares about such things the booklet or artwork has always been something I’ve been passionate about and to release the album with unapproved and unseen final artwork with a first work-only error-filled draft when others more recent were readily available still has not been explained but is finally getting cleared up. My fave is the ‘How Are You’ grenade cover.”
Q: Axl, how do you feel about KANYE [WEST‘s new album] outselling “Chinese Democracy”? Do you like KANYE‘s music?
Axl: “I met Kanye at the Versace awards. He was very gracious. I love ‘Gold Digger’ and told him so. I’m a big fan of his stage performance as he seems to go for it physically which I relate more to. Before our release, I sent him a message that any nonsense from the media had nothing to do with us and wished him the best. I’m humbled we’ve done as well as we have considering.”
Q: Just wanted to ask if you had any fond memories from the U.K. leg of the tour from 2006, particularly the concert in Glasgow in July?
Axl: “Glasgow was great. I think that’s where I got to do a lot of slides on the stage. Was like a race track or something, right?”
Q: Axl, thanks for “Chinese Democracy”, which I personally think is your best work. What’s your pick for album of the year? And have you heard the new METALLICA album [“Death Magnetic”]?
Axl: “Ours, of course!! Yes, [I have heard the new METALLICA]. I like it.”
Q: Axl will you tour Australia next year, and when are you looking at doing so? If you could work with [former GUNS N’ ROSES guitarist] Buckethead again, would you have him just in studio, or also would you welcome him in the touring lineup?
Axl: “Austrailia’s great and the crowds are really alive. No plans [to tour there] yet but I’m sure there will be.
“I have no issues with Bucket. It’s hard to tell what was real or not in things we were told by Merck [former GUNS N’ ROSES manager Merck Mercuriadis, who was fired by Axl Rose in December 2006 — Ed.]. He’s more than welcome to tour with us in some form or other provided we’re both interested at the time and come to some type of reasonable terms. Personally, I have a blast with Bucket on tour and get a big kick out of the guy. A lot of feelings were hurt on this side of the fence in how things went down, and unfortunately, others used our silence and the public’s not knowing for their own purposes at both Bucket‘s and our expense.”
Q: Now that you said that, please tell us if Robin‘s [Finck, GUNS N’ ROSES guitarist who is currently on the road with NINE INCH NAILS] out or not… because, otherwise, we’ll be reading several “Axl wants Bucket back and Robin/Bumble/Richard out”-type of threads for the entire ’09 year and these threads annoy us, the new lineup fans.
Axl: “It really is what it is. No decisions have been made by either him, I or us that I’m aware of. When we’re touring or working in the studio, or there’s social things like a friend’s dinner or party, whatever, we would hang. But as people get older, they have their own lives. The STONES aren’t going bowling every Tuesday, etc.
“Robin leads one of the most different lives I know of, starting with the trapeze in his backyard to the TV in his closet.
“Robin‘s work on the next is done so there’s not lots for him to do here except the elusive promo and he’d rather be on stage. It’s more about seeing where things are when GUNS decides it’s right for a tour and if we’re able to make agreements we both are comfortable and can live with at that time.”
Q: As a native Colombian, I must ask: In 1992, while performing “November Rain” in Bogota (in November), it rained. Wait no….it poured. How weird was that, eh?
Axl: “Very surreal and religious feeling. So was being chased by the military in our plane down the runway gettin’ outta Dodge there!!”
Q: Just wondering what stops you from playing more guitar live?
Q: Axl, I’m fixing to pack everyhting I own into my car and drive out to L.A. from Arkansas to give a career in music a shot. Any advice? Or should I just shit in my pants, dive in and swim?
Axl: “Follow your heart, don’t sell out, and read every book on the bix [music business] you can find.”
Q: “Catcher N’ The Rye” is one of the best songs on the [“Chinese Democracy”] album. Why no Brian? [QUEEN guitarist Brian May recorded a guest appearance on the track back in 1999, but his contributions were removed from the final album version of the song.]
Axl: “There’s a few reasons, and none of them all that big and definitely not in spite or to slight anyone.
“First off, obviously I knew people liked the song, but the Brian appreciation really only showed up in force publicly after we had moved on in GUNS. In fact, not many seemed to care and most comments were aimed at why Slash, in their opinions, should be here.
“Brian‘s solo itself is a personal fave of mine and I really couldn’t understand, as he’s such a rock legend, why it wasn’t openly appreciated more at the time.
“In actuality, all that feel and emotion referred to now had a lot to do with Sean [Beavan, one of the producers who worked on ‘Chinese Democracy’] and I and the parts I chose out of Brian‘s different runs, versions, practice runs, etc., to make sure we had those elements in one version. It’s entirely constructed from edits based around one specific note Brian hit in a throwaway take. And though Brian seems to have warmed a bit to it, at least publicly, he was unfortunately none too pleased at the time with our handiwork. I remember looking at Brian standing to my left and him staring at the big studio speakers a bit aghast saying, ‘But that’s not what I played.’
“Sean Beavan and I were not in any way tring to mess with Brian, we just did what we do and then try and do our best to stand up for our decisions.”
Go to this link at Blabbermouth to read the rest!
EA Partners has rescued publisher-less game Brutal Legend, the next project from celebrated developer Tim Schafer and Double Fine Productions.
Brutal Legend had been in Sierra’s stable, but was dropped during the Activision Blizzard merger. The Xbox 360 and PS3 game will now be released in autumn 2009.
Brutal Legend tells the story of heavy metal roadie Eddie Riggs, who is dragged into a fantasy world based on rock culture, where metal titans once ruled and power chords rung from the hilltops.
Armed with a lifelong knowledge of the subject, Riggs sets about returning the world to its former glory, calling forth an army of axe-wielding rock-strocities to help.
“In Brutal Legend you’ll go into a world you haven’t gone into before, which is combinations of every single thing I’ve ever thought was cool in the world altogether in one place,” Tim Schafer told Eurogamer in an interview published today.
Heavy metal stars Rob Halford (Judas Priest), Lemmy Kilmister (Motorhead) and Ronnie James Dio (Dio/Black Sabbath) will all lend their voices to the game.
But it’s Jack Black, voicing Eddie Riggs, who Tim Schafer feels is the real star of the show.
“From the beginning, before I even dreamed of having someone of that caliber on the game, we were hoping that we were making a game Jack Black would like,” said Schafer.
“And he’s contributed a lot; he improvises dialogue, he really brings a lot to the character. So he’s been great to have. Not just for the participation, but contributing to the energy and enthusiasm of the project overall.”
Double Fine, of course, was responsible for Psychonauts, the game Eurogamer felt was the best of 2005. So how much better will Brutal Legend be?
“Brutal Legend is the natural evolution of awesome. I think you must take the next step, even if it is a giant step… The next logical, enormous step towards awesomeness that we’ve made,” explained Schafer, not really explaining anything at all. What a talent.
For more information on Brutal Legend, check out this link.
Relapse will handle the North American distribution for the reissue of SACRED REICH’s classic album “The American Way”. With upgraded layout, to-the-point remastering plus unreleased pre-production demo bonus tracks and a video clip, this new and improved CD reissue will be an essential addition to every thrash metal collection!
Due on February 16 via Displeased Records, the “The American Way” reissue will be made available in a limited digipack version and standard jewel case version. The first 2,500 copies come with a free logo patch.
The track listing is as follows:
01. Love… Hate
02. The American Way
03. The Way It Is
04. Crimes Against Humanity
05. State Of Emergency
06. Who’s To Blame
07. I Don’t Know
08. 31 Flavors
09. The American Way (demo)
10. Love… Hate (demo)
11. Crimes Against Humanity (demo)
12. State Of Emergency (demo)
13. I Don’t Know (demo)
14. The American Way (video clip)
See what Ryan and Joel O’Keeffe have to say about the follow up album to Runnin’ Wild in the video interview with Metal Hammer magazine at the link below.