EAGLE TO RELEASE WILD SET OF BLUES, LENNON, DYLAN AND MORE BY PHENOM GUITARIST
RECORD BREAKING ATTENDANCE OF OVER 35,000;
FESTIVAL RAISES MORE THAN $10,000 FOR
AMERICAN RED CROSS JOPLIN TORNADO RELIEF
A record-breaking crowd of over 35,000 fans were on hand May 27-29 to celebrate at ROCKLAHOMA 2011, the Memorial Day Weekend camp and rock festival that features a mix of the best classic bands and today’s top rock artists. ROCKLAHOMA guests enjoyed ideal mild sunny weather throughout the festival at “Catch the Fever” Festival Grounds in Pryor, OK. In addition, over $10,000 was raised at ROCKLAHOMA for the American Red Cross Joplin Tornado Relief.
“When we got involved with ROCKLAHOMA last year, the goal was to try to help reinvent the festival without alienating the long-time fans or losing the ‘magic’ that had been created,” commented Joe Litvag, executive producer of ROCKLAHOMA for AEG Live. “In 2011 we proved that the plan is working, as the festival saw its highest attendance to date and the fans’ experience was even more over-the-top than they thought possible. Now we’ve got to focus on topping it next year!”
ROCKLAHOMA 2011 featured performances from top rock artists including: Mötley Crüe, Poison, Staind, Whitesnake, Seether, Papa Roach, Hinder, Saving Abel, Skillet, Sick Puppies, Sebastian Bach, Black Label Society, Drowning Pool, My Darkest Days, Rev Theory, All That Remains, Escape The Fate, Cavo, The Gracious Few (featuring members of Live and Candlebox), Hail the Villain, Pop Evil, Jonathan Tyler & the Northern Lights, Taddy Porter and many more.
“ROCKLAHOMA is a great rock n’ roll event,” noted Vince Neil of Mötley Crüe. “I played it in ‘07 and it was great to be back there and have Mötley Crüe do it. After getting warmed up at ROCKLAHOMA and in South America and Mexico we’re excited to launch this new, huge production on our headlining run in the U.S. this week.”
“We had a blast playing for the ROCKLAHOMA crowd,” said Whitesnake’s David Coverdale. “We hope we get invited back…Too much fun! Our thanks to all involved for such great hospitality.”
Staind guitarist Mike Mushok agreed: “It was really an honor to be able to play with such a diverse group of bands and be one of the headliners for what turned out to be a record-breaking year for the festival. We would like to thank both ROCKLAHOMA and especially the fans for making the night an unforgettable experience for us.”
The media also raved about ROCKLAHOMA. John Hall of TulsaToday.com wrote that “festival organizers saved the best for last as the festival grounds were packed throughout the day on Sunday…As the sun began to set, a quick look around the festival grounds revealed a sea of people as far as the eye could see…With the festival gaining momentum each year, one can hardly wait to see what organizers have in mind for Rocklahoma 2012 (May 31, 2011).”
ROCKLAHOMA also used the mass gathering of rock fans to generate some community awareness and good will. The festival is proud to have raised over $10,000 for the American Red Cross as part of their tornado relief efforts in nearby Joplin, MO. Litvag added, “Not an hour went by the entire weekend where our thoughts didn’t go back to our friends in Joplin. We’re proud of their courage, and every person on site, each fan, each worker, each artist, is happy we could do something to assist them.”
Stay tuned to www.rocklahoma.com in the coming weeks for photo galleries of the festival. In addition, fans who missed the opportunity to buy a t-shirt or other souvenir at the ROCKLAHOMA merch booth can purchase items online at www.rocklahoma.com.
ROCKLAHOMAis held just 45 minutes northeast of Tulsa, in Pryor, OK. The “Catch the Fever” Festival Grounds is a premier destination for a multi-day festival and includes onsite camping with access to restrooms and shower house, a general store for campers, VIP reserved seating, hospitality areas and much more.
Established in 2007 as a classic rock destination festival with the motto “life, liberty and the pursuit of rock,” ROCKLAHOMA was revamped for 2010 as organizers teamed with AEG Live to create an event encompassing a much broader mix of classic, current and up-and-coming rock artists. ROCKLAHOMA is proud to be presented by Bud Light.
ROCKLAHOMA – Life, Liberty & the Pursuit of Rock!
Check out our Photo Gallery from the Firehouse Live Performance at the M3 Rock Festival on May 14th, 2011!
I can’t believe it has been three weeks since M3, but our coverage continues………..
When I last saw Firehouse back in 2007, at the Cherokee, NC they were one of the better bands of the weekend. Needless to say, I was really looking forward to seeing Firehouse play live again. With a short set, but band played everything I expected them to, but it would have been nice to see a song or two off of their last album Primetime. Their set list included the songs “Shake & Tumble”, “All She Wrote”, “When I Look Into Your Eyes”, “Overnight Sensation”,”Love Of A Lifetime”, “Reach For The Sky”, “and Don’t Treat Me Bad”. I thought Firehouse sounded good, but nowhere near as good as the last time I saw them. They still brought it, and that is all I can ask for!
The band did mention that they have a new greatest hits CD, Full Circle (released June 1st; available at iTunes, CDBaby & Amazon.com) so if you are looking for a cool compilation with all of Firehouse’s hit tunes (re-recorded), you may want to check that out. Also CJ Snare has a new side project called Rubicon Cross with Chris Green from Furyon. You can check out the samples here.
Check out our Firehouse Photo Gallery at this link.
I am still not sure what to make of the band Black Veil Brides yet. If they keep making videos like “The Legacy” they are going to win me over.
Their new album, Set the World on Fire, will be release on June 14th. This one may be one worth checking out.
The Moondance Jam, the country’s pre-eminent classic rock festival, has announced the final line-up for this year’s festival, which takes place July 13-16, 2011. Legendary glam rock band KISS, along with Three Doors Down and Stone Temple Pilots, will serve as the headliners for this year’s three-day party. Tickets are available now at www.moondancejam.com or by calling 1-877-MOONJAM.
The final running order for each day is listed below:
Wednesday July 13( pre-Jam Party)
9:00 pm-Mountain Ash
5:00 pm-Bad Animals
Thursday July 14
11:00 pm-Three Doors Down
9:00 pm-.38 Special
7:00 pm-Great White
Friday July 15
9:00 pm-Paul Rodgers
7:00 pm-Eddie Money
5:00 pm-The Outlaws
3:00 pm-Belfast Cowboys
Saturday July 16
11:00 pm-Stone Temple Pilots
9:00 pm-Joan Jett and the Blackhearts
5:00 pm-Burton Cummings
Tickets are now available in a variety of packages. Concert goers can purchase Rockstar All Access, three-day VIP, three-day general admission, weekend packages and single day admission, as well as camping sites and parking passes by contacting the Jam office in Walker.
The Moondance Jam has been held at the same location in Walker since 1992. This year marks the 20th edition of the festival, which was started by resident Bill Bieloh. This year’s event will serve as a tribute to Bill, who passed away last September. The Moondance Jam and its sister festival, Moondance Jamming Country Fest, help bring thousands of music fans to the Walker area every summer. Its bucolic location, situated near a huge lake on a site located three hours northwest of Minneapolis, houses thousands of camping sites during the festivals, and has been cited by many as to why they return year after year to Walker for the shows.
Want to hear Black Country Communion’s new song, “Outsider”? Please visit this link where you can get a free MP3 download of the band’s new song!!
Night Ranger is BACK, and sounding better than ever!! Check out their new video clip “Growin’ Up in California” below!!!
How is it that a CD can make me smile and scream at the same time? I have been waiting for May 31st to come around for quite a while. I have been quite anxious to hear Black Stone Cherry’s third effort, Between the Devil and the Deep Blue Sea. Let me preface this review by stating that I am a big Black Stone Cherry fan. I have been from the beginning, and probably always will be.
Between the Devil and the Deep Blue Sea is a very good CD, however I feel like the band’s latest effort has been Bensonized. What does that mean? Howard Benson is the producer on this CD. He has produced CD’s for many successful modern rock acts including Saliva, Seether, Three Days Grace and many more. The problem being is that Black Stone Cherry has never been a 100% Modern rock band. On their past releases, they have had one foot in the Southern Rock camp, and the other in modern rock. It is the blend of these two sounds that makes their sound a unique one, and makes Black Stone Cherry one of the more interesting bands to come along in the last 5 years. With that being said, Howard Benson has pushed Black Stone Cherry’s sound more towards the modern side, and I couldn’t be more frustrated. The mix on this record has Ben Wells guitar work practically mixed out of existence. It sounds like the Marshall stacks are set on 10 for the bass and 6 for the guitars. Ben is one hell of a guitar player, and when he does cut loose on Between the Devil and the Deep Blue Sea, he shines. Unfortunately, he doesn’t get to do so anywhere near enough. With no disrespect to the bass playing Jon Lawhon, he does a fine job, but this CD sounds as if Benson tried to modernize Black Stone Cherry’s sound more down the well beaten and tired path of Nickelback, Theory of a Deadman and Saving Abel. The whole down tuned guitar thing is WAY overdone. Quite frankly, Black Stone Cherry is a much better band than this, and deserved much better from the production and mixing side. Oddly enough, the Clear Channel family of radio stations will probably eat this up, and this could be Black Stone Cherry’s most successful CD to date.
Ok, now that I have gotten that off of my chest, aside from the production qualities of this CD, I do like Between the Devil and the Deep Blue Sea. There are plenty of cool songs worth checking out, from “White Trash Millionaire”(see video below), “Blame It On the Boom Boom”, the future hit “In My Blood” the cover of the Marshall Tucker Band song “Cant You See”, the future stripper anthem, “Let Me See You Shake” and “Like I Roll” are amongst my favorites.
Lzzy Hale from Halestorm sings back up vocals on the CD, and does a great job. Her voice is very good pairing for Chris Robertson. I would love to see these two do a duet on a future BSC or Halestorm song. I can’t say enough good things about Chris Robertson on this disc. His voice IS the most powerful instrument to be found on Between the Devil and the Deep Blue Sea, and he has never sounded better than he does here.
Don’t let my mini rant scare you away from Between the Devil & The Deep Blue Sea, this is a very good CD, and maybe Black Stone Cherry’s best yet. With a little bit of tweaking it could have been even better.
Rating: Out of 10
1. White Trash Millionaire
2. Killing Floor
3. In My Blood
4. Such A Shame
5. Won’t Let Go
6. Blame It on the Boom Boom
7. Like I Roll
8. Can’t You See
9. Let Me See You Shake
12. All I’m Dreamin’ Of
Black Stone Cherry is:
Chriss Robertson – Lead Vocals, Guitar
Ben Wells – Guitar
Jon Lawhon – Bass Guitar
John Fred Young – Drums
Veteran road warriors, KITTIE will be hitting the road this summer on a headlining run spanning the entire US including the notorious “Gathering Of Juggalos” festival. DIRGE WITHIN and DIAMOND PLATE will offer support.
The band has been in the studio since April recording their yet untitled new record. What promises to be a grittier record than their previous effort “In the Black,” front woman Morgan Lander offers her own words.
“We have been working exceptionally hard, crafting what is to be our 6th full length release, and our second for eOne. In some cases these new songs are faster, darker and much more sinister than our previous release. It contains some of the most difficult and personal subject matter I have had the pleasure (or displeasure) of writing.”
Once again the band has enlisted the producing talent of Siegfried “Siggy” Meier at Beach Road Studios in Goderich Ontario, Canada. “The girls have written some incredible and personal songs this time around. They’re heavy as shit and relentless. It’s a pleasure and an honor to be doing another record with one of the best metal bands of our time,” says Meier. The new record will be released later this year.
KITTIE released “In the Black” in 2009 to critical acclaim, “Kittie’s fifth record sees the gals back in heavier form, with Morgan’s much-improved clean vocals soaring alongside mountain-sized riffage.” says Revolver Magazine. Blabbermouth.net even hailed the record as the “biggest metal shock of the year.” The girls spent the next two years on successful tours with acts like DEVILDRIVER, ICP and last year’s THRASH AND BURN TOUR. Multiple music videos were shot for singles like “Sorrow I know” and “Die My Darling”, all can be seen HERE
KITTIE is: Morgan Lander (guitar), Mercedes Lander (drums), Tara McLeod (guitar) and Ivy Vujic (bass).
Nazareth is back with the 22nd (gasp!) effort Big Dogz, and their first since 2008’s excellent, The Newz.
It blows my mind that Nazareth has been rockin’ since 1968. Dan McCafferty and company proves there is plenty of fire left in this awesome rock n’ roll band.
The Big Dogz that are Nazareth start howling right out of the gate with the song, “Big Dogs Gonna Howl”. This rocker gets better every time I listen to it. (It sounds great when blasted loudly on a car stereo I might add.)
McCafferty’s whiskey stained vocals really drive home the tune “No Mean Monster”. This is the type of rockin’ tune I have grown to expect from Nazareth over the years.
“When Jesus Comes to Save the World Again” starts off as a slow acoustic number that wouldn’t sound out-of-place in your local coffee shop. The song eventually breaks into a hard as nails number that eventually reverts back to its acoustic beginning. This a well written tune, and a an enjoyable listen in my opinion.
I would expect that my favorites off of Big Dogz would be one of the heavier numbers, but I absolutely love the song “Radio”. ‘Radio” is a very catchy mid-tempo number that could be an honest hit for Nazareth, if the boneheaded DJ’s of radio today still played their songs.
“Time and Tide” and its main lyric “Where does the time go” makes a lot of sense for a band that has been rocking as long as Nazareth. The older we get, the years just seem to disappear faster and faster. That lyric can pretty much apply to anyone at anytime, and it certainly makes you think, each time you hear it. I can just picture Dan McCafferty and Pete Agnew sitting around with a cocktail in their hands, reminiscing about the good old days .
“The Toast” is a fun, upbeat rocker, with a tongue in cheek ending, that is worth a lot of repeat plays.
“Butterfly” is a sad, but memorable piano based number that tells the tale of a lost loved one. It is a real tear-jerker, but a very powerful and emotional tune. This is song is one of the highlights of Big Dogz.
Big Dogz ends in an a great fashion with the upbeat rocker “Sleeptalker”. This is an infectious number that could easily become a fan favorite.
Overall, I have found Big Dogz to be an enjoyable record. It isn’t perfect by any means, and if you are expecting a repeat of Hair of the Dog, or No Mean City, you won’t find it here. If you are a Nazareth fan, and you enjoyed the band’s comeback effort, The Newz, you ought to check out Big Dogz. I think you will enjoy it!
Rating: Out of 10
- Big Dog’s Gonna Howl
- No Mean Monster
- When Jesus Comes to Save the World Again
- Time and Tide
- The Toast
- Watch Your Back
Dan McCafferty – Vocals
Pete Agnew – Bass, backing vocals
Jimmy Murrison – Guitars
Lee Agnew – Drums
In case you were not aware, Iron Maiden is set to release another greatest hits compilation on June 7th (June 6th in the UK). This compilation is titled From Fear To Eternity and features the best of Iron Maiden from 1990 to 2010. No doubt conjured up to coincide with their current tour, in which Iron Maiden is performing mostly their latter day material, From Fear To Eternity is a 2-disc best of that spans No Prayer For The Dying through The Final Frontier.
While it’s great to see a compilation of the later material from the band’s storied career, this album still arrives with disappointment. I was saddened to learn that the tracks from The X Factor and Virtual IX will only be the live versions that Bruce Dickinson sang on concert releases. Why is this happening and who made this decision? It’s bad enough that the fans are brutal when it comes to Blaze Bayley, but now to see that Maiden won’t even include Bayley’s vocal version of “The Clansman,” “Man On The Edge,” or “Sign Of The Cross” is just a slap in the face to a great singer.
Why is Iron Maiden completely ignoring Blaze Bayley? Is it because the fans never really warmed to him? Is it that Steve Harris wants to show the songs from both The X Factor and Virtual IX are great songs, but he thinks the fans won’t pay attention unless Bruce sings them? As far as I know, Blaze and Maiden parted ways on amicable terms and it’s a shame that they seem to write him out of the band’s history. It’s almost as if they are trying to fool fans into thinking that Bruce Dickinson never left.
I’ve always felt that Blaze Bayley got a bum rap. This is a talented singer that had to step in and fill the lead vocalist slot for one of the most beloved bands in all of metal history. There is no one that could compete with Bruce Dickinson, and yet Blaze jumped in and rose to the challenge. When Maiden and Dickinson parted ways in 1993, it was not a pretty departure. Dickinson believed that he would do better as a solo artist and Maiden was understandably put off by this. Dickinson clearly suffered from “Lead Singer’s Disease” if he felt that he would be better off without Steve Harris. The fans were upset, the band was disappointed, and the stage was set for failure no matter who took over the lead vocals.
Enter Blaze Bayley. He worked his ass off and tried his hardest to be an exceptional lead singer for one of the world’s greatest heavy metal bands. However, the fans never gave Bayley a chance. Immediately they shunned The X Factor and the new lead singer for no good reason. The fans were just upset that it wasn’t Bruce and the haters couldn’t wait to get their pot shots in. Everything from the artwork to the length of songs was over scrutinized when The X Factor was released.
Personally, I think that both of the Blaze Bayley albums are excellent. Are they some of the best Iron Maiden albums in the catalog? No. Are they two of the worst? No. They are just solid hard rock records that reflect a certain period in Iron Maiden history. Yet, to not include songs from those albums on a retrospective collection is ridiculous. Perhaps the band is trying to eliminate that portion of their history altogether, or they think their fans are naïve. Either way, it’s wrong.
Blaze Bayley is a talented lead singer who had huge shoes to fill. I can’t think of anyone who would have done any better in that situation. He handled the transition like a true professional, gave his all on both studio albums, and delivered as best he could during the live concerts. He certainly wasn’t Bruce Dickinson, but not many are. Should Iron Maiden ever decide to release a box set, I can only hope that not only will they include the Blaze Bayley studio versions of some of these songs, but also his live renditions of other Maiden classics. That would be a real treat to this Iron Maiden lover.
Accept’s has released a new animated video, “Pandemic” . “Pandemic” is easily my favorite track off of the awesome Accept album, Blood of Nations. Check it out!
Make your appointment with death this summer with Lizzy Borden
Lizzy Borden and his band of Abnormals: Joey Scott, Marten Andersson, Dario Lorina and AC Alexander have confirmed they will be touring the USA this summer on the Lizzy Borden summer of blood tour (USA) 2011.
The summer tour will feature songs from the latest release Appointment with death. and with the back catalogue well represented with songs like “Me Against the World”, “American Metal”, “Master of Disguise”, “There will be Blood Tonight” and many more, this will be pure American metal summer fun in the USA!
July 2 (Saturday) San Antonio, TX tba
July 3 (Sunday) Oklahoma City, OK
July 7 (Thursday) Greensburg, PA 42nd Street
July 8 (Friday) Towson, MD Recher Theatre
July 9 (Saturday) Clifton, NJ Dingbatz
July 10 (Sunday) Toronto, ON Rock Pile
July 13 (Wednesday) Cleveland, OH Peobody’s
July 14 (Thursday) Indianapolis, IN Rock House Cafe
July 15 (Friday) Crest Hill, IL Bada Brew (facebook – myspace)
July 16 (Saturday) Westland, MI The Token Lounge
July 17 (Sunday) St. Paul, MN Station 4
July 20 (Wednesday) Denver, CO tba
July 21 (Thursday) Salt Lake City, UT Club Vegas
July 22 (Friday) Las Vegas, NV tba
July 23 (Saturday) Garden Grove, CA The Can
August 6 (Saturday) Seattle, WA El Corazon
When does a re-release get better? When it is packed with bonus tracks, and a Live concert DVD “Live at the Garage” from the Glasgow, UK show on September 22nd, 2008. The DVD also includes the promo video for “No More” and all of the band’s previously released Webisodes.
Sick is easily my favorite work from Duff McKagan since he left Guns N’ Roses, and that includes the Velvet Revolver records. I loved the original version of Sick, and this version is even better with the bonus track “Roll Away”, and the acoustic version of “Wasted Heart”. Every time I listen to this CD, I hear elements of Guns N’ Roses & the Rolling Stones in the song writing. The music has a slight punk rock edge, and even the slower track “Mother’s Day” is extremely cool.
If you haven’t picked up Sick, this is the best way to experience the CD. The DVD adds a ton of a value to a cool CD that should already be in your collection. The live show is shot at the Garage, a small 500 seat (est.) club in Glasgow. The footage is great, and Loaded sounds amazing. I wish I could have experienced a Loaded show in a small venue like this. It was a packed house for the show, and I bet it is almost as much fun to watch the show on DVD.
I haven’t seen Duff McKagan’s Loaded Live, and unless they schedule some East coast shows (rare) I may never get the chance. Until then, I will enjoy watching this live concert footage on the DVD. The CD & DVD offers over 2 1/2 hours of entertainment, and is a great value to all McKagan & Guns N’ Roses fans alike!
You can pick up the special edition CD/DVD Set of Sick for the price of a regular CD in the HRH music store at this link. Check it out, you will be glad you did!
Rating: Out of 10
CD Track Listing:
- Sleaze Factory
- The Slide
- Mother’s Day
- I See Through You
- Forgive Me
- No Shame
- Blind Date Girl
- Wasted Heart
- No More
- Roll Away
- Wasted Heart [Acoustic Version]
Duff McKagan’s Loaded is:
Duff McKagan – Vocals & Guitars
Geoff Reading – Drums & Vocals
Jeff Rouse – Bass, Vocals on Translucent
Mike Squires – Guitars & Vocals
MONSTER” EP OUT NOW ON SOUNDMINE MUSICWORKS
Fresh off of their successful tour with Nonpoint, Chicago hard rockers HEART-SET SELF-DESTRUCT have confirmed that they will be taking part in the “Under The Skin of Angels Tour” presented by Alt Revolt Magazine. HSSD will be touring alongside Filter, Saliva and Anew Revolution. The tour kicks off July 17 in Dubuque, IA, a list of confirmed dates can be found below. More dates are expected to be confirmed in the coming days.
HEART-SET SELF-DESTRUCT frontman Dave Naruszewicz spoke about the band’s participation in the upcoming tour:
“We are extremely excited about having the opportunity to share stages across the US this summer with Filter, Saliva, and Anew Revolution. We are getting ourselves geared up and prepared for an intense experience!!!
7/17: Dubuque, IA @ Courtside
7/19: Grand Island, NE @ Heartland Events Center
7/20: Wichita, KS @ Cotillion
7/21: Denver, CO @ The Summit Music Hall
7/22: Colorado Springs, CO @ The Black Sheep
7/24: Idaho Falls, ID @ The Tropics
7/25: Spokane, WA @ Knitting Factory
7/27: Portland, OR @ Hawthorne Theater
7/28: Pasco, WA @ Trac Center
7/30: Orangevale, CA @ The Boardwalk
7/31: West Hollywood, CA @ Key Club
8/2: Anaheim, CA @ The Grove
8/4: El Paso, TX @ Speaking Rock Entertainment Center
8/5: Lubbock, TX @ Jakes
8/6: Dallas, TX @ Trees
8/7: Abilene, TX @ Lucky Mule Saloon
8/9: Pharr, TX @ Pharr Entertainment Center
8/10: Houston, TX @ Scout Bar
8/11: Tulsa, OK @ Osage Million Dollar Elm Casino
Since their formation during the spring of 2005, HEART-SET SELF-DESTRUCT has become a staple in the Chicago Hard Rock scene. Melodic lead vocals combined with elements of punk and metal influence the band’s heavy driven sound. After playing several successful gigs in Chicago at the Double Door, Subterranean, and the Beat Kitchen, the band headed into the studio at the end of 2006 to record their debut album “Victims Like Me” with Producer Dan Malsch (Framing Hanley, Tantric) at the Soundmine Recording Studio in East Stroudsburg, Pa.
“Victims” was released on May 12th, 2007 and would later prove to be a success for HSSD going on to independently sell over five thousand copies and landing the band several dates on the Vans Warped Tour in 2008. Since then the band has played all over the Midwest with national acts Powerman 5000, Cold, Red, Saliva, Flyleaf, Framing Hanley, Soil, Story of the Year, The Veer Union, Taproot, Flaw, The Exies, Trust Company, Janus, and Pop Evil. While touring the Midwest regionally, the band was still able to maintain a presence in Chicago playing to packed houses with regular appearances at the Cubby Bear, Metro, House of Blues and the Beat Kitchen.
Their new full length record “Of Nightmares” will be released later this year on Soundmine MusicWorks. With a massive buzz following their recent success, HEART-SET-SELF-DESTRUCT looks to bring their intense energy driven show to world.
For more info visit:
The newly announced Monsters of Rock Cruise has announced more acts for their 2012 voyage. Kix, Stryper, Faster Pussycat, KEEL and Bang Tango have included an amazing lineup which includes Tesla, Y&T, Black N’ Blue, Cinderella, Lynch Mob, Firehouse, John Corabi, Eric Martin, plus special guests Big John from Rock of Love, and every hard rock fan’s favorite DJ, Eddie Trunk.
The Monsters of Rock Cruise takes place on February 25th – 28th, and tickets go on sales on June 13th at Noon!
More details are available at the Monsters of Rock Cruise website.
PROGRESSIVE ROCK ICONS YES RETURN
WITH FIRST STUDIO ALBUM IN TEN YEARS
THE TREVOR HORN PRODUCED FLY FROM HERE SET FOR RELEASE IN EUROPE ON JULY 1ST AND NORTH AMERICA ON JULY 12TH
VIA FRONTIERS RECORDS
Debut single “We Can Fly” to be released digitally on June 13th
The most influential and ground-breaking progressive rock ‘n’ roll band in history, legendary rockers and Grammy Award winners YES, will release their first studio album in a decade, Fly From Here, on July 1st in Europe and July 12th in North America through Frontiers Records. Their long awaited 20th studio album is the follow up to 2001’s Magnification and marks the band’s return with producer, Trevor Horn, who produced the band’s chart topping album, 90125, in 1983 and also sang for YES on the Drama album in 1980. YES is Benoit David on vocals (his first studio recording with YES), Steve Howe on guitars/vocals, founder Chris Squire on bass/vocals, Geoff Downes on keyboards and Alan White on drums. Roger Dean, creator of a number of YES’ most memorable album covers, also returns with his signature style for Fly From Here.
“At last we have some shape and dynamics within these tracks that are truer to the original idea of what a YES recording is about,” proclaims Howe.
“The new album represents the best of YES from the 70s and the 80’s with a current twist,” Squire adds.
All of the songs on Fly From Here embody that classic and now iconic YES sound and style. The first single, “We Can Fly,” (to be released digitally on June 13th) is borne from a piece of music that was written prior to the Fly writing sessions – an idea that has now grown into an overture and 5 subsequent movements that feature the unparalleled musicianship and virtuoso talents that are synonymous with YES. From the first chord of “Fly From Here – Overture” to the last note of the album’s closer “Into The Storm,” there is no question that the unmistakable technical proficiency of YES carries on.
“It’s awesome working with Trevor Horn again, he pays a lot of attention to detail. It was a great pleasure in the studio to play some incredible music with some great players,” says White.
First formed in 1968, YES’ remarkable career spans over 40 years and the band has time and again redefined the boundaries of rock music. YES has sold nearly 50 million albums worldwide and continues to stretch the boundaries of progressive art-rock with their symphonic use of sound and innovative musical styles. This summer, YES will return to the road to bring Fly From Here as well as some of their classic hits to their loyal following. European tour dates are scheduled for the fall.
Fly From Here track listing:
1. Fly From Here – Overture
2. Fly From Here – pt I – We Can Fly
3. Fly From Here – pt II – Sad Night At The Airfield
4. Fly From Here – pt III – Madman At The Screens
5. Fly From Here – pt IV – Bumpy Ride
6. Fly From Here – pt V – We Can Fly
7. The Man You Always Wanted Me To Be
8. Life On A Film Set
9. Hour Of Need
11. Into The Storm
Fly From Here will be released in 4 different configurations: cd, cd plus a bonus DVD including a documentary “Making of the Album” in digipak edition, a gatefold vinyl and a Special Box set limited edition including the cd, DVD, vinyl, t-shirt, poster, sticker and a lithograph of the cover art.
For more official YES news and information, go to http://www.yesworld.com
The YES EPK discussing Fly From Here can be seen at
YES & Styx North American Tour 2011
Date City Venue
July 4th Camden, NJ Susquehanna Bank Center
July 5th Holmdel, NJ PNC Bank Arts Center
July 7th Canandaigua, NY CMAC Performing Arts Center
July 8th Mashantucket, CT Foxwoods Resort Casino
July 9th Gilford, NH Meadowbrook U.S. Cellular Pavilion
July 11th Wantagh, NY Nikon at Jones Beach Theater
July 12th Bethel, NY Bethel Woods Center for the Arts
July 14th Alpharetta, GA Verizon Wireless Amphitheatre
July 15th Orange Beach, AL Amphitheater at the Wharf
July 16th Nashville, TN Woods Amphitheater at Fontanel
July 18th Kansas City, MO Starlight Theatre
July 19th Noblesville, IN Verizon Wireless Music Center
July 20th Clarkston, MI DTE Energy Music Theater
July 22nd Thackerville, OK WinStar Casino
July 23rd Oklahoma City, OK Zoo Amphitheater
July 24th Maryland Heights, MO Verizon Wireless Amphitheater
July 26th Morrison, CO Red Rocks Amphitheatre
July 28th Eagle, ID Eagle River Pavilion
July 29th Redmond, WA Chateau Ste. Michelle Winery
July 30th Goldendale, WA Maryhill Winery
August 2nd Los Angeles, CA Greek Theatre
August 3rd Mountain View, CA Shoreline Amphitheatre
American rock band POP EVIL have signed a world wide record deal with eOne Music. Their new long awaited album “War Of Angels” will be released on July 5, 2011. Grammy Award nominated producer/engineer Johnny K is producing.
The band even went as far as to tear up their old record contract on stage during their performance at Rock On The Range festival earlier this month before announcing their new home. Watch the video of front man Leigh Kakaty doing so HERE.
SPIN.com hailed it one of the “10 Best Moments of Rock on the Range.”
The band has enjoyed early success with their hit single “Last Man Standing” which peaked at #5 on the active rock charts. That single can be heard HERE. War Of Angels will be the follow up to Lipstick on the Mirror which was released in 2008. The band will continue their co-headline run with CROSSFADE. Click HERE for tour dates!
POP EVIL is Leigh Kakaty (lead vocals) Dylan Allison (drums) Davey Grahs (guitar) Tony Greve (guitar) and Matt DiRito (bass).
PHIL COLLEN – Most famous for his career with Def Leppard and the English Glam Metal band Girl, guitarist and vocalist Phil Collen has quietly carved out a legendary Hard Rock career for himself and he’s not about to slow down. Debuting his diverse Rock outfit Man Raze back in 2005, with lifetime friend and bassist Simon Laffy (Girl) and legendary (Hall Of Famer) Sex Pistols drummer Paul Cook, Phil has fulfilled a lifelong dream of being in a three piece. The energy that Man Raze exhibits through their brand of Rock and Roll is stuff of old school and Phil Collen isn’t making any excuses about it.
With the sophomore release from Man Raze upon us, the excitement that Phil Collen speaks about “punkfunkrootsrock” is outright contagious. This second offering from Man Raze sets into motion that this is a band and not just a one-off project. With the Def Leppard engine still firing on all cylinders, Phil Collen is on the move and ready to Rock at a moments notice. Hard Rock Hideout was very fortunate recently, to catch Phil sitting down and willing to answer whatever question was thrown at him. Just as the music he’s played all through his stellar career, Phil was up-tempo and thoroughly genuine. Here is what Phil had to say:
HRH: Man Raze has a strong Punk Rock backbone, yet that isn’t everything about this band. How do the three of you agree on playing so many different styles of Rock?
PHIL: Agreeing on different styles is one of the things that has drawn the three of us together. We’re all around the same age, from the same town, listen to the same records and are inspired by them. We share this West London “thing” with the Sex Pistols and The Clash. Everyone in the band has that open channel to express themselves. When we got together and started playing, we expressed our influences. Paul (Cook) and I love Reggae, the Trojan Reggae stuff. It took thirty something years for natural inspiration to happen like this. I’ve felt a flash of inspiration like when you were a kid, it makes you feel like a child again, wanting to pick up a guitar and start playing!
HRH: Phil, you sound so excited about Man Raze and what you guys are creating here! Do you have a feeling of new found freedom with Man Raze?
PHIL: Always! The whole thing feels magical, it’s just there. It’s such an amazing thing, playing with Paul. I never thought it would happen, it’s a dream! Even lyrically, some songs reference things, it’s not obvious stuff, just enough to make an impression. Our song “Lies” references all the lies through history. We just tried to develop “that sound” with no restrictions, not genre specific and just really enjoy the multi-genre influences and let it all happen! I see so many artists my age that are jaded and can’t find where they are. Not us, we have this boatload of energy! To express art through words and music is so rewarding.
HRH: What can you tell the fans about this new and forthcoming Man Raze album?
PHIL: My wife had asked what’s it all about? So Paul said it kind of has some Punk, Funk and Rock. (laughs). So we named the album “punkfunkrootsrock”. It’s all one word! I’m totally pumped and excited about this new record! Some of the songs we’ve never played live together, so they are brand new to us too. This new album has Funk, Sixties and Seventies Rock and Soul inspired by Sly and the Family Stone, Otis Redding and Marvin Gaye.
HRH: That’s very diverse and downright cool, Phil!
PHIL: Making this new album has been a liberating experience! This new album is artistically a representation that I’m extremely proud of. As an artist, you can’t describe how good it feels to have no restrictions. Each song is different. That’s the great thing about it, when you write a song and it becomes it’s own. “All I Wanna Do” is a song on the album that reminds me of Hendrix and Otis Redding doing a song! That’s the vibe I get from it!
HRH: You guys can utilize improvisation.
PHIL: Yes we can! No one song ever ends the same when we are playing live!
HRH: Each time the Rock and Roll of Man Raze hits me, the vibes and feeling of “real” sets right in. How do you guys capture such a raw and real Rockin’ sound like you do?
PHIL: I approach it very differently than from, let’s say, Def Leppard. We do one take for start offs and put no restrictions on what we do. It’s Punk, Rock and Funk. When we do one or at most two takes, the energy is captured on the songs. If you’re too meticulous and precise and spend too much time on it, then you lose the realness of it. We get goose bumps and excited about what we play among the group. You know, it took us three years to record “Animal” for “Hysteria”.
HRH: Whoa! It took three years to record just “Animal”?
PHIL: This was a magical and best time while we recorded “Hysteria”. We had the great vocal, only “Mutt” Lange said the backing tracks did not sound good! So, Joe (Elliott) and I went back and re-recorded not only the backing tracks, we re-recorded the vocals too! (laughs).
HRH: (laughs). That’s a fun story to know Phil. So that energy I hear and feel from Man Raze is real after all!
PHIL: Totally! You know, Paul has the same cymbal as he used on that great Sex Pistols album! (laughs). I’m like, wow! (laughs).
HRH: That’s unreal and very cool! (laughs).
PHIL: “Mutt” (Lange) and I would talk about Paul Cook’s drumming and the sound of his cymbals when we recorded “Hysteria”. We wanted to capture Paul’s cymbal sound on the Hysteria album. I think we did.
HRH: “Surreal” is as dynamic and quality strewn as any debut album can be. How and what was your approach to creating the new album like?
PHIL: A very natural flow was the way it all went together. It reminds me of Iggy and the Stooges and Bowie, we just go with it! Like a production line, we never got stuck on anything, it really flowed. We had about twenty songs or parts of twenty songs to start. We have a record label, let’s scramble together! We recorded the album in two weeks in London. It was an enjoyable experience in the studio, plus we were budget minded about it.
HRH: When you guys are writing songs, do you aim for equality when it comes to representing respective styles or does it just flow and go?
PHIL: It absolutely flows and goes! These new songs are more closer to me than the last album we did. We maybe went too commercial and could not get it right. On this second record we have it right. Some things work out better the second time around. We just captured that flow and played these songs.
HRH: Your new single “Over My Dead Body” will be released on iTunes may 31, (2011), with both an electric and acoustic version. (Doubleheader). How difficult is it to choose the lead single for the forthcoming album?
PHIL: Everyone was involved in choosing the first track. “Over My Dead Body” is about death. It’s a cross between the Sex Pistols and The Rolling Stones. This song comes across very raw with loud vocals. There is a uniqueness to it, it’s very Rock and Roll. I’ve been waiting to hear something like that for years.
HRH: How rewarding is it to have your music of Man Raze included in the soundtrack for “I, Superbiker”?
PHIL: It’s such a compliment to us. Mark (Sloper) is a champion of the band and has a t.v. show in London. (Mark Sloper is the writer, director and producer of I, Superbiker). It’s a documentary movie on super biking, real guy stuff!
HRH: How often do the three of you agree to disagree?
PHIL: Actually, we don’t. All three of us have valid and amazing insight to stuff. We are three grown men with massive experience. There was one thing brought up. The Def Leppard backing vocals is not what we wanted to be incorporating into our music. In Def Leppard, the backing vocals are like an instrument. The guys say it gets away from the essence of what is us (Man Raze). Vivian (Campbell) and I can do so many things together in Def Leppard, I will say that.
HRH: Do you ever step back and marvel at the profound Rock sound that is created by a classic power trio such as Man Raze?
PHIL: I do actually. With all the experiences I’ve had, playing all around the world and being on t.v. and all that, being a lead guitarist and lead singer of a three piece is so liberating. With Def Leppard, it’s a totally different format with two guitarists. With Man Raze, we can end songs with different lengths. We never play a song twice the same. With other bands, we rehearse over everything and play the same bars. In Man Raze, we experiment and if it doesn’t work, you then take the song somewhere else. This all takes you on a journey, one I’ve never experienced until Man Raze. I’m bummed I never experienced this before.
HRH: It’s so great that Def Leppard and Journey are still around!
PHIL: It’s magic that makes it all happen after all these years. Journey, on stage they go off on a tangent and listen to each other!
HRH: There’s nothing like improvisation with Rock and Roll.
PHIL: Jazz musicians have always done this. Jimi Hendrix and Mitch Mitchell! Mitch would be going somewhere and Jimi would go somewhere with what Mitch was doing. Journey is a great band with that! They can take it to a different place, if they wanted to with their music.
HRH: What can fans expect from Def Leppard’s first live album “Mirrorball”, which releases this Summer?
PHIL: It’s such a long time coming! We’ve done the live DVD and all that. There’s twenty one tracks with three new studio tracks on “Mirrorball”. Rick, Joe and I wrote a song each. It was recorded during the last two tours. We record every show and I asked our producer to catch the audience reaction for this live album. I love all that kind of stuff! For thirty years Def Leppard was in a cycle of album, tour, album and tour. We never had that time set aside for doing a live album. We finally took our first year off in 2010, worked on “Mirrorball” and I got married!
HRH: You got married? Congratulations Phil!
HRH: Will Man Raze be playing some festivals this Summer?
PHIL: I’m not sure. In August, in the States, it would be just L.A.. It would be super cool to do some festivals though!
HRH: Going back to influences, anymore you want to share?
PHIL: The Jimi Hendrix Experience, Nirvana and The Police. The Police being my favorite band ever! When I first heard Steve Jones (Sex Pistols guitarist) and Steve Stevens (Billy Idol and countless other recordings) I could not believe what I was hearing! The attitude and involvement with their playing just blew me away!
HRH: Is Man Raze a lifelong dream of yours that has come to pass?
PHIL: It is actually. I always wanted to be in a three piece band! I’ve known Simon (Laffy) all my life, we were in Girl together. Five years ago, my Dad was in the hospital, I was visiting him quite a bit. One day I saw Paul Cook literally on a London street. I asked him to check out my music, to see if he’s interested and what he thought.
HRH: That’s such an incredible story, how you just actually bumped into Paul Cook on a London street and exchanged an invitation to him like that!
PHIL: In the super big cities like New York, London and Paris, they each have a scene going on. You bump into people of all Rock genres. I knew Billy Idol back in the 70’s! (laughs). What I love about London is I can walk from my house to Paul Cooks house in ten minutes, with my guitar under my arm and a studio in-between. All these years I never realized Paul Cook lived so close by! I asked Paul Cook on that street one day to check out my music and to come down… and click!
Check out the new video clip, “Fields of Fire” from Seven Witches. “Field of Fire” is from the up and coming CD, Call Upon the Wicked due out June 28th!
The Track Listing for Call Upon the Wicked is:
1. Fields of Fire
3. Call Upon the Wicked
5. End of Days
6. Mind Games
7. Harlot of Troy
8. Eyes of Flame
9. White Room
10. Metal Tyant
11. Metal Asylum