Swedish Metal band FULLFORCE has released a new video clip for the song “Awesomeness” today.
A Message from the band:
As a little “Happy New Year” gift to you we’ll give you this music video of the song “Awesomeness” which was filmed and edited by Stefan Elmgren. We dedicate this song and video to you and we hope you’ll enjoy it :)! Cheers and HAPPY NEW 2013!!! 2012 was a great year for FULLFORCE. We have recorded and released our second album (Next Level) brought to you by pure inspiration and love for metal. The feedback has been great both from you and also media and we’re looking forward to see you on the road in 2013!!
Hard rock band THE CRINGE released their new video for “Deep Girl,” on VEVO which comes off of the band’s recently released record, Hiding In Plain Sight.
THE CRINGE hit the studio to record the self-produced album with renowned engineer Steve Hardy (Vertical Horizon) and recruited Hardy and Jon Kaplan (Augustana, Parachute) to mix the band’s latest full-length and fourth overall. Fronted by singer/guitarist John Cusimano, the band emits a powerful rock n’ roll energy that draws parallels to contemporaries like Foo Fighters, Velvet Revolver, and Queens Of The Stone Age. The lineup is rounded out by drummer Shawn Pelton (Saturday Night Live Band, Bruce Springsteen), guitarist James Rotondi (ex-Air, Mr. Bungle), and bassist Jonny Matias (ex-Crash Moderns).
THE NEW YORK DOLLS, THE HOLD STEADY, THE BRAVERY, and FUEL are just some of the bands that have taken THE CRINGE out on tour over the group’s 8 year career.
The band recently performed a short string of dates with TRAPT.
Check out the video here!
One of the best Swedish Metal band has returned with another fabulous album and I couldn’t be more excited. If you haven’t checked out Bullet yet, this is definitely the time to get to know the band. Full Pull is the fourth album from the Swedish hard rockers and it could be their best album yet.
Hitting with the power of a freight train at full speed, Bullet once again delivers the hard rocking antics on Full Pull. The signature stomp and wail musical style is present and accounted for. The hard rocking, metal madness is all there. And Hell Hofer’s scratchy, screaming vocals are still intact. Hell Hofer has such a unique voice that it is hard for any description to do it justice. Some would categorize it as a voice that you either love or hate, but I don’t think that is 100 percent accurate. Either way, I love Hell’s voice and I feel that it is the perfect accompaniment to Bullet’s fast paced hard rock.
The three-pack of potential hits, “Midnight Oil,” “Full Pull,” and “Running Away,” get Full Pull started with a bang. The songs feature heavy guitar work led by Hampus Klang and complimented beautifully by Erik Almstrom. The guitar playing on Full Pull makes me want to be a teenager again, so that I can perform air guitar in front of my mirror for hours on end. Almstrom and Klang may not get the recognition of a Malmsteen, or a Bettencourt, but they are just as talented, and Full Pull helps prove that. Hofer’s vocals are in fine form and by the time “Running Away” shows up on the player, long time fans will be hooked once again. Hofer’s distinctive style continues to mesmerize.
Full Pull does find Bullet slightly altering their style and direction. While their previous albums have been a lot of “more of the same” (in a very good way), Full Pull finds the band slowing the tempo down at times. I wasn’t sure if that was so old fans could keep up, or an attempt to lure new fans into the fold. Full Pull finds Bullet leaning away from the thrash slightly and creeping toward the mainstream. And while there isn’t a ballad present on Full Pull, I worry that the band may be closer than ever to writing one. That would be a shame, because Bullet is truly about raw power and hard hitting rock and roll. Leave the ballads to the hair metal bands. Please.
Overall, Bullet have delivered another fantastic gem of a record that will have feet stomping, hands clapping, and fans cheering in no time. Bullet has never disappointed with a record release and they continue to follow that trend with Full Pull. If you haven’t taken the time to seek out Bullet, Full Pull is a great album to get you invested in the band. Any true metal music lover will find nothing but redeeming qualities when listening to Full Pull.
Rating: Out of 10
- Midnight Oil
- Full Pull
- Running Away
- All Fired Up
- Rolling Home
- In The Heat
- High On The Hog
- Rush Hour
- Free Riding
Hell Hofer –Vocals
Hampus Klang – Lead Guitar
Erik Almstrom – Guitars
Adam Hector – Bass
Gustav Hjortsjo – Drums
Decatur, Illinois band Icon For Hire has just released a new video “Off With Her Head” which comes from the band’s 2011 debut Scripted. The group spent two days in Compton, CA (South Los Angeles) working with some of the hottest underground artists to create an otherworldly interpretation of the song. Frontwoman and fashion designer Ariel said recently, “We are pushing the boundaries, creatively and visually, to create a fashion-forward work that we can’t wait to share with our fans.”
The band caught the attention of Tooth & Nail Records in 2009 and signed later that year. The group then released, Scripted, in 2011 which shattered first week sales becoming the highest new artist debut in Tooth & Nail’s history.
Is this song Pop? It is it Hard Rock? Is it something in between? Icon For Hire kind of reminds me of My Darkest Days in the sense that the band’s music is hard to label.
Check out the band’s latest clip “Off With Her Head” and decide with your vote if this song and video should SINK or SWIM!
Are you ready for Alpha Tiger? This German metal band is bringing it to you old school with their new video “From Outer Space”. This song is from the band’s up and coming album, Beneath The Surface, due out January 28th, 2013!
Bang Tango has released a new video for for “Suck It Up”, from their Pistol Whipped In The Bible Belt album. You can also check out their clip for “I Like It” below. Pistol Whipped In The Bible Belt is available for purchase through Amazon.com!
Just in time for the start of the Swiss tour and on the last part of their successful “Firebirth” world tour 2012, GOTTHARD heats things up with “Give Me Real” their new fan video!
What usually requires long days of shooting with countless takes was made in Chile in an afternoon “First Take.” The result is pure emotion! Like hardly any other clip it captures the magic between the band, fans and live performance.
The video was shot spontaneously at the start of the Tour during the sound check. It was only the second show with singer Nic Maeder and is the fastest video shoot of the band’s history. The director from South America only needed one run-through. The film was shot in Chile, home of creative TV talent. In addition to the band, two known South American actors can be seen, the only 25-year-old Leon Bravo and the 24-year- old Paula Pardo.
“We were immediately enthusiastic about the idea when the director came up with the idea of making the clip on tour in Chile” says bassist Marc Lynn. “We were all curious to shoot in South America and to work with a local team. Also the fact that we were on tour and did not have two whole days as usual for a video shoot but only a few hours in the afternoon, was an exciting challenge. We got to know a lot from the people there and their sweeping, spirited way of working.”
I have been listening to Aerosmith’s Music From Another Dimension for a couple of weeks now. I was hoping that my initial opinion of this release would change with a few repeat listens. My opinion hasn’t changed at all. Music From Another Dimension is just average.
Quite frankly, I didn’t have high hopes for Aerosmith’s latest effort. With there being so much infighting in the band, and Steven Tyler’s stint on American Idol, I was doubtful that the band, in its current state of health
could deliver an album worthy of the Aerosmith name.
After listening to the CD several times, my thoughts are this: Music From Another Dimension suffers from too many ballads, too many tracks, and an overall cohesive feel. Sure there are some good songs, but nothing that will probably overwhelm you, and say OOOOOH, I have to run out and buy the new Aerosmith album. If you are an Aerosmith fan, chances are you probably have this in your collection already anyway.
On a positive note, the band has brought in Jack Douglas to produce the album, and the overall production is very good.
The album starts off strong enough, but about midway through it starts to taper off, and suffers from far too many ballads.
The opening track “Luv XXX” sounds like a classic Aerosmith track, and that is great, but the lyrics are just stupid. The song does grow on you though.
“Oh Yeah” sounds like it could have been on Get A Grip. This is a pretty catchy, yet simple tune.
“Beautiful” could possibly be a hit for Aerosmith, but time will tell on this one. The jangly guitars give this song a feel more akin to Aerosmith’s later material, but I am a fan of all eras of Aerosmith so that isn’t a problem for me.
“Out Go The Lights” might just have one of the best Aerosmith riffs in recent years, the problem with this song is the background singers. I think the background singers weaken the track with their vocal piece on the lyrics “If You Want to Take A Lookie, Cookie Tonight Might Be Your Lucky, Nighty Nite Nite”. I think it could have been a stronger song without this. The song seems to go on forever too. It is about two minutes longer than it needs to be. This song could have been one of Aerosmith’s biggest hits, but it is overall a let down.
“Legendary Child” was the first single from the album, and this song is actually pretty good. I think this song could have easily been on Pump, but the song is a leftover demo from “Get A Grip”. I am glad they decided to use this song. I like this one pretty well.
“What Could Have Been Love” is the first sappy Aerosmith ballad, and this song will likely be a COUNTRY hit for Aerosmith. One word defines my opinion of this song, “BLECH”!!!. I skip this song every time. (You can check it out in the video below).
Every time I listen to “Street Jesus” I start thinking “Sweet Emotion”. I guess it is the vocal part on the chorus that is similar between the “Street” and “Sweet”.
I like this song a lot, even if it does somewhat borrow from one of Aerosmith’s biggest hits.
“Can’t Stop Lovin’ You” features a duet with Country superstar Carrie Underwood. I have to question Aerosmith’s sanity on this one. Are they looking to recreate some magic, the way they did with RUN DMC in the 80’s? If you wanted to gain a bunch of new country fans, bringing in Carrie Underwood is probably a great idea, but not so much for the rock crowd. I don’t have any problems with Carrie Underwood. She is a hell of a singer. It just seems odd to have a country singer on an Aerosmith album. Oddly enough, this song has less of a country feel than “What Could Have Been Love”. I think this song would have been better suited on a Steven Tyler solo album, than an Aerosmith album, but that is just me.
After a few non-Aerosmtih sounding tracks, we finally get another rocker with “Lover Alot”. This one is pretty catchy, and ought to translate well live.
Joe Perry handles the vocals on “Freedom Fighter”, and as much as I love Joe’s guitar work, I don’t care for his voice very much. The lyrics on this song are pretty good. It is a shame that Steven didn’t sing on this one. It could have been much better. The same goes for the song “Something”. I love the bluesy music on this song, but Joe’s voice just doesn’t do it for me.
The album closes with another sappy ballad “The Last Goodbye”. I think the album, could have been better served by ending with another rocker. It doesn’t and it ends on a weak note in my opinion.
The special edition from Music From Another Dimension includes three bonus tracks, “Up On The Mountain” (sung by Tom Hamilton), “Oasis In The Night” (Sung by Joe Perry) and “Sunny Side of Love” (Sung By Steven Tyler). “Sunny Side of Love” is the best song out of the three. It is a little more pop than rock, but it is still better than a few of the songs that made it on the main track listing of Music From Another Dimension.
Am I being too critical of Aerosmith? Perhaps! I just don’t believe the music from Music From Another Dimension is as good as past Aerosmith releases, and that is disappointing. This is the type of CD that I probably won’t reach for in my collection very often, but won’t turn it off if I hear it on the radio either.
Rating: Out of 10
01. LUV XXX
02. Oh Yeah
04. Tell Me
05. Out Go The Lights
06. Legendary Child
07. What Could Have Been Love
08. Street Jesus
09. Can’t Stop Lovin’ You (Duet With Carrie Underwood)
10. Lover Alot
11. We All Fall Down
12. Freedom Fighter
15. Another Last Goodbye
01. Up On the Mountain
02. Oasis In The Night
03. Sunny Side of Love
Steven Tyler – Vocals, Guitars, Keys, Percussion, Harmonica
Joe Perry – Guitars and Vocals
Tom Hamilton – Bass and Vocals
Brad Whitford – Guitars and Backing Vocals
Joey Kramer – Drums, Percussion and Backing Vocals
Pasadena, CA’s Gypsyhawk have released a new video “State Lines” in support of their recently released CD, Revelry & Resilience. Check it out below!
Columbus, Ohio rockers XFACTOR1 have released a new video for their cover of Billy Squier’s “The Stroke”. “The Stroke” is on XFACTOR1’s recently released album, Famous.Last.Words. which is available for ordering here!
Hard Rock Hideout has a great giveaway for this Black Friday! Hard Rock Hideout has three copies of the CD, Bad Decisions from The Last Vegas, as well as the brand new Loudness CD, Eve to Dawn. All you have to do is enter you name, email address, the CD of your choice to enter the drawing, and LIKE us on Facebook!
Can’t make up your mind which one you want? Check out the video clips below!
Enter the Drawing below!
Italian metal band MOTUS TENEBRAE have released a new video “The Last Days of December”. This video was directed by FraterOrian/ Andrea Falaschi(OFFICIAL VIDEO). This song is taken from the band’s album “Double Black” which is available now via Revalve Records. Check it out!
For more information on Motus Tenebrae, check the links below!
Have you ever yearned to hear hard rock music that hits you so hard, your fist is in the air by the second song? If so, then Sister Sin’s Now And Forever is a record that you must listen to. Filled with nothing but hard rocking, pulse pounding, kick ass, hard rock music Now And Forever is a gem of an album.
Sweden has become a hot bed for some great glam metal over the last few years, and Sister Sin is one more addition to that list of awesome. Their latest album, Now And Forever, is another fabulous ride through some ripping glam metal.
Sister Sin has been making hard rocking music since 2002, and making it well. For their fourth album, the tradition of great, glam metal continues. The first single and one of the best tracks from Now And Forever is “End Of The Line.” Showing off all of Sister Sin’s strengths, “End Of The Line” is the song that will have listeners falling in love with the band. Fantastic guitars with great solos, a heavy, steady drum beat, and excellent vocals from lead singer, Liv Jagrell, make “End Of The Line” one of the greatest rock songs that I’ve heard in a while.
The hard hits just keep on coming after that. “Fight Song” delivers the goods with hard hitting drums courtesy of Dave Sundberg, and some excellent guitar work via Jimmy Hitula. And anytime a song starts with a big loud “Fuck You!” from a vixen of a lead singer, well, you can consider me hooked. And the good news is that “Fight Song” has more than just a cool intro. It has balls that last throughout the entire track.
“In It For Life” picks up right where “Fight Song” left off. More loud, hard rocking guitars, devious drum beats, exceptional bass lines from Strandh, and being told to kiss Liv Jagrell’s ass in the first thirty
seconds. Sounds like something I’m going to jam out with for a long time. And with the incredible raw power that is captured on “In It For Life,” I’ll be hitting my repeat button quite a few times.
Every other song on the record follows this same pattern. That’s the greatest thing about Now And Forever — the raw power that it packs. After one listen to this disc if you aren’t rocking out harder than
ever before, well, you may not be a metal head. Sister Sin is the real deal and Now And Forever is their strongest effort yet. The guitar solos are well thought out and perfectly placed with some amazing finger
picking by Hitula. He is a great guitarist and if Sister Sin gets the recognition that they deserve, Hitula will be mentioned in the same paragraphs as some of the greats of our time. Add in the amazing ability of Liv
Jagrell to front the band and you’ve got a deadly combination waiting to explode.
If you haven’t checked out Sister Sin yet, this is the perfect album to get to know them. Now And Forever will leave you hooked and wanting to hear more. The great news about that is that there is plenty of
back catalog to pick up after you’ve worn out your copy of Now And Forever. You can pick up a copy of Now And Forever at this link!
Rating: Out of 10
- End Of The Line
- Fight Song
- In It For Life
- Hearts Of Cold
- The Chosen Few
- Hang ‘Em High
- I’m Not You
- Running Low
- Shades Of Black
- Morning After
Sister Sin Is:
Liv Jagrell – Vocals
Jimmy Hitula – Guitar
Strandh – Bass
Dave Sundberg – Drums
Reviewed by Ryo Vie
When former Guns N’ Roses drummer Steven Adler comes back from the dead, he means it. When Adler’s new CD hits the stores on 11/27, prepare to be BLOWN AWAY! Back From The Dead is packed with great songs, and some killer guest appearances from John 5, Slash and Jeff Pilson. I have been looking forward to Adler’s solo debut for quite some time, but I didn’t expect it to be THIS good.
I had high hopes for this album after hearing “The One That You Hated” a few months ago. Back From The Dead does not disappoint one bit!
Jeff Pilson produced the album with Adler, and also handles all of the bass work on the CD. When you have a rhythm section that is Steven Adler and Jeff Pilson, can you really do wrong?
Steven Adler scored big when he got Lynam’s Jacob Bunton to join his band. No only does Bunton handle the vocals for Adler, but is also the lead song writer. Bunton has written a bunch of quality songs, and delivers what could be the vocal performance of his career.
The opening song “Back From The Dead” almost has a Cinderella like opening, but once this song kicks into gear, it is a take no prisoners, head-banging tune.
“Own Worst Enemy”, “Another Version of The Truth” and “The One That You Hated” are three more killer tracks stacked up back to back.
I was excited to learn that John 5 is one of the guest guitarists on Back From The Dead. If you are familiar with John 5, then you will recognize his playing on “Good To Be Bad”. His guitar work is amazing on this song!
I figured that “Just Don’t Ask featuring Slash would be a real ripping track, and I was very wrong about that one. This is a slower track, but Slash’s fretwork shines. This is a great song!
“Blown Away” is a real rocker that ought to be a radio single for Adler. This song is going to take the world by storm.
“Your Diamonds” has a 70’s classic rock feel, while the album closer “Dead Wrong” has a more of a modern feel to it.
Back From The Dead is easily one of the biggest surprises, and strongest albums of 2012. I love this album, and I think you will too! Don’t miss this!
Rating: Out of 10
Back From the Dead will be released on November 27th, 2012. You can preorder the CD here!
1. Back From The Dead (Paul, Pilson, Bunton)
2. Own Worst Enemy (Paul, Bunton)
3. Another Version Of The Truth (Bunton, Paul, Pilson)
4. The One That You Hated (Bunton, Paul)
5. Good To Be Bad (Paul, Bunton)
6. Just Don’t Ask (Bunton)
7. Blown Away (Bunton)
8. Waterfall (Paul, Bunton)
9. Habit (Paul)
10. Your Diamonds (Bunton)
11.Dead Wrong (Paul, Bunton)
Jacob Bunton -lead vocals, guitar, mandolin and piano
Lonny Paul – guitar and vocals
Steven Adler- drums, cowbell, shakers, tambourine, crowbar, shovel and screams
Johnny Martin – bass and vocals
Jeff Pilson – bass on all tracks, 6 string guitar, keys and vocals
Slash – Lead guitar on “Just Don’t Ask”
John 5 – Lead guitar on “Good To Be Bad”
Michael Lord – Piano on “Waterfall”
All That Remains’ new music video for “Stand Up,” the first off their new album A War You Cannot Win. The video was directed by P.R. Brown (Slipknot, Bullet For My Valentine, Marilyn Manson) and filmed on location at Phil’s ranch in New Hampshire. Check it out below!
Catch All That Remains on tour on one of the dates below!
Dethklok, All That Remains, and The Black Dahlia Murder
11/20/2012 Denver, CO @ Fillmore
11/21/2012 Salt Lake City, UT @ Great Salt Air
11/23/2012 Seattle, WA @ Showbox SODO
11/24/2012 Portland, OR @ Roseland
11/26/2012 Oakland, CA @ Fox Theater
11/27/2012 Hollywood, CA @ Palladium
11/28/12 Tempe, AZ @ Marquee Theatre
11/30/2012 Dallas, TX @ House of Blues
12/1/2012 Austin, TX @ Stubb’s
12/2/2012 Houston, TX @ House of Blues
12/4/2012 Orlando, FL @ House of Blues
12/6/2012 Chattanooga, TN @ Track 29
12/7/2012 Charlotte, NC @ Fillmore
12/8/2012 Atlanta, GA @ Tabernacle
12/11/12 Philadelphia, PA @ Electric Factory
12/12/12 Norfolk, VA @ The Norva
12/13/12 Ft. Wayne, IN @ Piere’s
12/14/12 New York, NY @Roseland Ballroom
12/15/12 Wallingford, CT @ Oakdale Theatre
12/17/2012 Cleveland, OH @ Peabody’s
12/19/2012 Battle Creek, MI @ Planet Live Music
12/20/2012 Flint, MI @ The Machine Shop^
12/21/2012 Ft. Wayne, IN @ Piere’s^
12/22/2012 Dayton, OH @ McGuffy’s House of Rock
^ = festival date
Teen rock sensation Cherri Bomb has released a new video “Too Many Faces”. The video clip was shot in Los Angeles and directed by Lisa Mann (Apocalyptica, The Used).
“Too Many Faces” is the first single from Cherri Bomb’s full-length debut album, THIS IS THE END OF CONTROL, the disc Revolver Magazine called “a defiant blast of teenage rebellion that suggests a cross between Halestorm and the Foo Fighters.”
Though the girls’ ages range from 14 to 16, their album is the product of years of work. It begins with guitarist/vocalist Julia Pierce, who found her musical calling when she was very young. Her talent was undeniable, and her commitment was so unwavering that her parents were persuaded to uproot the family and move from New Jersey to Los Angeles – where they believed that she would have more opportunities to pursue her music. “When I got an electric guitar,” she says, “I realized that I wanted and needed to start my own band. I posted ads online and in local music shops around LA, looking for girl musicians my own age who were as passionate about music as I was. At the time it was hard to find girls my age who could even play instruments.”
Once the lineup was solidified (Nia Lovelis on drums, Miranda Miller on guitar and keys, Rena Lovelis on bass), the quartet hit the ground running. Over the course of the past two years, Cherri Bomb opened for a Foo Fighters’ arena show in Germany, performed at all the major European festivals, including Reading, Leeds, Rock En Seine, Oxegen, Highfields and Lowlands, and tore up Australia’s Soundwave festival. They’ve also shared stages with Bush, Staind, Lostprophets, Buckcherry and performed on this year’s Warped Tour. The all-girl rock band from Los Angeles not only held their own, but they won new believers at every stop.
Debut album THIS IS THE END OF CONTROL was released earlier this year. The album includes notable tracks such as “Raw. Real,” “Let It Go,” and “Shake the Ground,” which was also featured on Marvel’s AVENGERS ASSEMBLE movie-inspired soundtrack.
Century Media Records is proud to announce the signing of the BUTCHER BABIES to their worldwide family of artists. Hailing from Los Angeles, the BUTCHER BABIES have emerged as one of the biggest draws on the Sunset Strip, their incendiary blend of heavy metal and horror-inspired theatrics inciting crowds worldwide.
Fronted by Carla Harvey and Heidi Shepherd – named two of the year’s ‘Hottest Women In Rock’ by Revolver Magazine – the blood-splattered band left their mark on the United Kingdom in June, appearing on the Download festival and supporting Anthrax in Cardiff. They returned to America as direct support for Otep in fall, and are wrapping up their first headlining tour tonight in front of a hometown crowd at the Roxy on the Sunset Strip. The band – vocalists Harvey and Shepherd, guitarist Henry Flury, bassist Jason Klein and drummer Chris Warner – will be performing with labelmates In This Moment tomorrow night in Las Vegas.
“Century Media has been a huge supporter of BUTCHER BABIES for a long time, and it feels natural to join their tight knit family,” said the band of their signing. “It’s an honor for us to be on a roster amongst many other bands that have inspired us for so long. We couldn’t be more excited about the future of this union.”
The Butcher Babies’ track “Axe Wound” is currently in rotation on Sirius XM Liquid Metal, and their short movie/video fo the track “Mr. Slowdeath” can be watched here: http://www.youtube.com/watch?v=YttVe6v31Yk.
The band are currently at work on their full-length debut, which is slated for worldwide release in summer 2013 via Century Media Records.
11/19/12 – Hollywood, CA @ The Roxy
11/20/12 – Las Vegas, NV @ Vinyl (with In This Moment)
For more information on BUTCHER BABIES, please visit:
Helsinki vampire rock outfit, The 69 Eyes, has posted its latest music video for the song, “Borderline,” on YouTube. Check out the video, shot in New Orleans, La. with acclaimed producer, Patric Ullaeus.
The video starts with a scene in which the local vampire tour legend Lord Chaz draws five X’s on the crypt door of the Voodoo Queen Marie Laveau’s resting place in Saint Louis Cemetery #1. “Easy Rider’s” famous psychedelic scene was also filmed there.
Commented lead vampire Jyrki9, “It’s like our ‘Love Me Tender’ – a soft, timeless ballad. But it also has that dark, mystic Southern vibe (some said ‘True Blood’), so naturally we had to go to Louisiana to shoot the video! Mark Twain’s books, Elvis, ‘King Creole,’ ‘Easy Rider,’ blues, jazz, voodoo, vampires – so many reasons for The 69 Eyes go to N’awlins. We’ve played there twice; I’ve hosted two DJ club nights there called “Fangtasia” over the last two summers. The leading rock/metal video director of these latter days, Swedish Patric Ullaeus was also interested in coming to NOLA to make this masterpiece, so all was set for it! The mid-October was perfect for a long-lost weekend in the South.”
“Borderline” appears on the band’s 10th studio album, X, which hit stores last month via Nuclear Blast Records.
Fans can order the new album online via iTunes at: http://bit.ly/69xitun, complete with the bonus track “Rosary Blue” featuring Kat Von D, the “Red” music video plus digital booklet. Physical copies of X can be ordered via the Nuclear Blast web-store at: http://bit.ly/69eyesxlp.
To purchase X in person, head over to: http://www.facebook.com/the69eyes/app_190322544333196 for more information on how to find a local retailer.
Drowning Pool first struck paydirt in 2001 when their “Bodies” single had its way with rock radio stations throughout the globe. Now featuring former The Suicide Hook singer Jasen Moreno, Drowning Pool – to quote the mighty Dokken – is back for the attack!” – via AOL Noisecreep
Check out the premiere of the new single, “Saturday Night” at Noisecreep TODAY!
Soundgarden’s new CD King Animal will be released next Tuesday, November 13th. You can check out the brand new video for the first track on the CD, “Been Away Too Long” below!
BIG WRECK ANNOUNCE FEB 19 RELEASE FOR LONG-AWAITED NEW ALBUM ALBATROSS
BAND SIGNS WITH ZOE/ROUNDER RECORDS FOR FIRST NEW ALBUM IN 10 YEARS
ALBUM FEATURES THE NO. 1 ROCK RADIO HIT, “ALBATROSS”
Critically acclaimed rock band BIG WRECK have signed with Zoe/Rounder Records for the U.S. release of their long-awaited new album, ALBATROSS. The album is set for a February 19th release.
Co-produced by Big Wreck vocalist/guitarist Ian Thornley and Eric Ratz (Billy Talent, Cancer Bats) and executive-produced by Nick Raskulinecz (Foo Fighters, Rush, Alice In Chains), ALBATROSS was released in Canada earlier this year and debuted at No. 5 on SoundScan’s Top 200 Album Chart. The album’s early success was fueled by its blistering lead single/title track “Albatross,” which held the No. 1 spot on the Canadian rock radio charts for six weeks.
The album and single were also big winners at the recent CASBY Awards in Canada, earning “Favorite New Album” and “Favorite New Single” honors. CASBY winners are determined by fan voting via the website for popular Canadian rock station, 102.1 The Edge.
When we last saw Big Wreck, the band was touring in support of 2001’s sophomore album, The Pleasure and the Greed. Outside pressures and a major label machine whose parts were no longer in sync led to a band break-up one year later. It was a disappointing end for the group, who had formed in Boston after Thornley and guitarist Brian Doherty met as students at the Berklee College of Music. After several years of gigging around the area, the band signed a record deal and released debut album In Loving Memory Of… in 1997.
So what led to the reunion? The simple answer is the rekindled friendship between Thornley and Doherty, who hadn’t spoken in years. “I just missed him,” says Ian. “I called him just to hang out but of course knew the chemistry would be there.” Brian echoes the sentiment: “We got together and started doing the same things as when we first met, on both a personal and musical level. It seemed to make complete sense.”
Returning to that place where like-minded musicians communicate is to return to the wellspring of inspiration and creativity. With Big Wreck, that translates into an outpouring of rock music direct from the subconscious heart, and lives in the interplay of controlled horsepower and unbridled virtuosity. Big Wreck remains faithful to the Big Rock playbook but isn’t necessarily interested in the “so big it will eat your children” flavors of today. “I went for all the good stuff that’s missing on rock records these days,” says Ian in describing the recording process. “I wanted to avoid falling into the formulaic cookie-cutter trap. That’s not going to interest me so how can it interest the listener? I have to go with my gut, which means longer songs, intros and bridges which explore strange territories, more room for breathing and a different dynamic range or sonic palette altogether.” While contemplating the studio sessions, Ian was listening to Dire Straits, Fleetwood Mac and Thin Lizzy, finding a love of the textures in clean guitars against dry drums to create a sonic backdrop that’s rare today.
One listen to ALBATROSS and it’s clear that Big Wreck is picking up where it left off. There’s no mistaking the voice, the virtuosity of playing or the pen with which it was written. Ask Ian Thornley if Big Wreck of 2012 (rounded out by guitarist Paulo Neta, drummer Brad Park and bassist Dave McMillan) is the Big Wreck that called it a day back in 2002 and he sees this as a natural extension. “It’s still the same thing,” he says. “I’m still looking to get off and get that feeling. I’m still searching for the perfect thing. I hope I never find it.”
Big Wreck will be touring Canada with Theory of a Deadman from Nov 16 through December 18, to be followed by a U.S. tour in early 2013.
Fans can also download a free copy of “Albatross” via the band’s website, www.bigwreckmusic.com
Check out Big Wreck’s video for “Albatross” below!
For more information on Big Wreck, check out the links below:
On November 9th, the new live documents of German’s Metal icon#1, Udo Dirkschneider, and his band will be released. “Live In Sofia” also marks the end of an era somehow, as the stable U.D.O. lineup that performed together for many years will be shown for a last time. As it became public that guitarist Stefan Kaufmann will be no longer available for the band due to health reasons, “Live In Sofia” will be the last U.D.O. DVD with Stefan.
Check out the preview video for “Heart of Gold” below.
Massacre Records is proud to release the sophomore album from German/Italian melodic metal outfit LOVE.MIGHT.KILL in North America this November.
Featuring drummer Michael Ehré (Firewind, Uli Jon Roth, Metalium) and the brilliant singer Jan Manenti, LOVE.MIGHT.KILL appeared virtually out of nowhere in 2011 with their Brace For Impact debut, an album which perfectly combined the enthusiasm of a first appearance with the experience of a long songwriting career, instantly winning over a solid fanbase within the European hard rock/power metal scene.
One year later, LOVE.MIGHT.KILL are about to release their second opus, 2 Big 2 Fail, to North American audiences, following its very recent release in Europe. Boasting nearly an hour of incredibly hard-hitting, melodic power metal with a dozen anthems, 2 Big 2 Fail was produced by Michael Ehré, as with their first album. Being around for years as the drummer in bands like Gamma Ray, Firewind, Metalium or with artists like Uli Jon Roth, Matt “Gonzo” Roehr, Vinnie Moore and Kee Marcello, Ehré has made a strong impact in the national and international scene. The songs were then mixed and mastered by Markus Teske (Spock´s Beard, Saga, Vanden Plas) at his own Bazement-Studio.
Check out Love.Might.Kill’s video “XTC” below!
2 Big 2 Fail Track Listing:
1. Save My Soul
3. Burn The Night
4. The One
5. Restless Heart
7. The Great Escape
8. Too Big To Fail
9. We Fall
10. Big Screen Pleasure (And Pain)
12. The Perfect Mistake
Jan Manenti – vocals
Christian Stöver – guitars
Stefan Ellerhorst – guitars
Jogi Sweers – bass
Sascha Onnen – keyboards
Michael Ehré – drums
For more information on Love.Might.Kill check out the sites below!
I have to admit that the first couple of times that I listened to Jackyl’s latest effort Best in Show, I wasn’t that impressed. I thought a band that I have often compared to Jackyl, SNEW, out did Jackyl on their latest effort.
I do love the song “Screwdriver”, but I thought the rest of the CD was hit & miss. Last Friday night (at The Inner Circle), I saw the band perform several of the songs live, and my opinion changed 100%. You see, a few of the songs on Best in Show translate better live than they do in the studio. After seeing the band perform the songs live, I have grown to appreciate Best in Show much more than I did originally.
The album starts off with a real face melting rocker with “Best In Show”. This is one of the many songs that translate better live, although I like the version on the CD a lot.
“Screwdriver” and “Better Than Chicken” are a couple of tongue-in-cheek tracks that borrows from the Steel Panther playbook. Jesse James Dupree and company truly deliver these songs live. These may not be the type of songs you want to play around your young children, but I doubt you play Jackyl around your kids anyway.
Jackyl has crafted an almost perfect stripper pole anthem with their song “Encore”. This song came as completely unexpected when I heard it the first time but this one is a real party starter in Jackyl’s live set. I am sure this song will find its way into Gentemen’s clubs nationwide soon.
“Horns Up” is a fun little rocker that has a little Nazareth influence on it. I absolutely love the groove on the song “Golden Spookytooth”. This is quickly becoming one of my Jackyl favorites.
“Walk My Mile” is the longest track on Best in Show, and shows Jackyl taking a more serious approach to their music. This is a heavy tune, and a good one at that.
“Open Invitation” would have had a lot more impact, if it would have been released before Bin Laden’s death. While the man will be hated forever, this song was obviously written before he was killed.
The only band that has successfully pulled off the rap/rock thing was Aerosmith in my opinion. Needless to say, I still question why Jackyl covered “It’s Tricky” on this album. I am not a fan of the rap/rock hybrid, and I thought this cover was silly at best. For me that song ended the album on a down note. Nonetheless, Jackyl has delivered another solid album.
Best in Show is exactly what you would expect from a Jackyl CD. It is raw, raunchy and anything but subtle. Most importantly, it is a hell of a lot
of fun to listen to. The more I have listened to Best in Show, the more I have enjoyed it. It isn’t a perfect CD, but I think it is easily the band’s best effort since their 1992 self titled debut. Check it out!
Rating: Out of 10
1. Best in Show
3. Screw Driver
4. Horns Up
5. Golden Spookytooth
6. Cover of the Rolling Stone
7. Walk My Mile
8. Favorite Sin
9. Better Than Chicken
10. Don’t Lay Down On Me
12. What I Do
13. Open Invitation
14. It’s Tricky
Jesse James Dupree- Vocals & Chainsaw
Roman Glick- Bass
Chris Worley- Drums
Jeff Worley- Guitars
Nov 02 – Battle Creek, MI – Planet Rock
Nov 03 – Rockford, IL – Bar Three
Nov 07 – Lee’s Summit, MO – Jerry’s Bait Shop
Nov 08 – Colorado Springs, CO – The Union Station
Nov 09 – Idaho Falls, ID – The Celt Bar
Nov 10 – Spokane, WA – The Hop
It’s amazing that Rush has been around for almost 40 years and are still making significant music. Their last studio album, Snakes And Arrows, was a great disc filled with solid, enjoyable rock songs. Earlier this year, the band released their 19th studio album, Clockwork Angels. This album is a testament to the fact that Rush still has what it takes to make a great record worthy of fan consumption.
Clockwork Angels reminds me a lot of the very underrated Presto, which is one of my favorite Rush albums. While most fans think Presto is a decent record, it never quite got the attention it deserved. Clockwork Angels falls into a similar category. It is an amazing record that may not get the attention it is due.
These days, Rush fans are mostly about the nostalgia of the band. On their last tour, Rush played Moving Pictures in its entirety, and a plethora of their hits that had the crowd ecstatic. When it came time to play the new songs from their forthcoming album (which would be Clockwork Angels) a lot of fans tuned out, even though the songs were fantastic. “Caravan” and “BU2B” were played live for every concert performance and gave us a taste of what was to come. And that taste left me wanting the full meal. Now that Rush has delivered Clockwork Angels, they have not disappointed.
“Caravan” and “BU2B” start the record off and their studio incarnation is even better than their live counterparts. Building in intensity as the songs progress, both “Caravan” and “BU2B” are great openers for Clockwork Angels. Both of these songs are short, enjoyable bursts of hard rock music that could be released as radio singles with no qualms.
The rest of Clockwork Angels is not short and sweet like the opening tracks, and that is great news for Rush fans everywhere. Rush works the rest of the album in their typical style, with much progression, chord changes, multiple arrangements, and mini operatic songs. Acoustic guitars and strings are plentiful, as well as deep, thought provoking, lyrics that can only be written by Neil Peart.
“Halo Effect” is a magnificent ballad. Opening with a nice acoustic riff from Alex Lifeson, the song builds in intensity when the strings arrive for the chorus. The string section blends together with the acoustic guitars to make a harmonious delight. “Halo Effect” is a fantastic song, even though it is one of the quieter moments on Clockwork Angels.
“The Wreckers” is the song that most reminds of Presto era Rush. With strings, acoustic guitars, a simple drum beat and intense lyrics, “The Wreckers” takes me back to the late 80s when I was dissecting Presto for every fantastic nuance that it contained. The lyrics for “The Wreckers” do not reflect the most positive light, but tell a real message. “Sometimes you have to be weary of a miracle that is too good to be true.” Geddy Lee’s voice is at its finest for “The Wreckers.” While he can’t hit the high notes like it was 1974, Lee still delivers the vocals with pure passion that will have fans truly believing in “The Wreckers” as a huge hit song.
“Wish Them Well” is the strongest song on Clockwork Angels. Opening with a great pounding simple drum beat that bleeds into a typical, complex Peart percussion, “Wish Them Well” captures the ear from the first note of the song. “Wish Them Well” is Rush at their finest. Three guys making music and having fun. There are no strings, no acoustics, and no additives. “Wish Them Well” is Geddy Lee, Alex Lifeson, and Neil Peart showing what they can still do when the three of them get together to make a great song. This is classic Rush with a modern contemporary twist, and it is beautiful.
With Clockwork Angels, Rush have delivered one of their best albums to date. Even after 38 years of making music, this band still has something to say and it is worth listening to. If you haven’t yet picked up a copy of Clockwork Angels don’t delay any longer. This could be the best record you will hear all year.
Notable Tracks: The Wreckers, Wish Them Well
Rating: Out of 10
03. Clockwork Angels
04. The Anarchist
06. Halo Effect
07. Seven Cities of Gold
08. The Wreckers
09. Headlong Flight
11. Wish Them Well
12. The Garden
Geddy Lee – Bass, Vocals
Alex Lifeson – Guitar
Neil Peart – Drums
Swedish blues rock superstars, GRAVEYARD, recently shot a new music video for the second single off the album, “Endless Night”. The video was directed by Artur Wolgers & Dea Saracevic and features vocalist and guitarist Joakim Nilsson cruising in a killer Pontiac GTO. Check it out below!
You can also check out Graveyard’s new song “Goliath” below!
Bloodbound is about to release their new album “In The Name Of Metal” on November 9th, 2012. Check out the video for the title track below!
I have been listening to Dokken for over 30 years now, and I have to admit that I have some extremely strong opinions about the band. I chose not to review Broken Bones when it first came out, as I didn’t want to deter or sway those fans that would purchase Broken Bones. I didn’t like the band’s last album Lightning Strikes Again very much, and I didn’t expect Broken Bones to be much better. The video for “Empire” was released, and I have to admit that I had a glimpse of hope for the new album. Jon Levin’s guitar is shredding, “Wild” Mick Brown is sounding great on the skins, and Don Dokken surprisingly pushes his voice in this song. With that being said, I decided to spin Broken Bones, and give the band another chance.
Broken Bones starts off strong enough. The first three songs, “Empire”, “Broken Bones” and “Best of Me” have that classic Dokken feel. It certainly isn’t Back For The Attack era stuff, but it is solid enough to keep me interested.
At this point the album shifts into a bunch of mid tempo songs that honestly work a lot better with Don Dokken’s voice. Don’s voice hasn’t aged well, but the songs were smartly crafted to take advantage of his diminished range. Some of the songs have a more modern approach, but Jon Levin keeps it very Dokken like with his Lynch style noodling.
One song that I typically won’t expect to like at all, “Victim of the Crime” has grown on me the most. The song has a little middle eastern flair, mixed with a little Sabbath like heaviness. Levin throws in a little Dokken style flash to keep the song honest. I think this might be the most creative song on Broken Bones.
The album closes out in good fashion with a flashy rocker “Tonight” that is more in the classic Dokken style. I thought this song helped to bring the whole album together. It is a very smartly mixed album in my opinion. Heavy rockers up front, mid tempo stuff in the middle, and a classic Dokken style rocker to close it out.
Overall, I didn’t expect to like Broken Bones at all, and after giving it a few spins, I have really enjoyed this album. I think it is Dokken’s strongest album since 1999’s Erase The Slate. If you go in expecting Under Lock and Key, or Back For The Attack you may be disappointed. If you listen with an open mind, you might be greatly surprised.
Give Broken Bones a chance! I they can win over this Dokken critic, they can certainly win you over too!
Rating: Out of 10
02. Broken Bones
03. Best of Me
06. Victim Of The Crime
07. Burning Tears
09. For The Last Time
10. Fade Away
Don Dokken – vocals
Mick Brown – drums
Jon Levin – guitar
Sean McNabb – bass