It seems for every band that got signed in the eighties, there were ten more that didn’t. Eonian Records continues to unearth some talented acts from the hair metal era, and after giving Charlotte’s Medusa Groove a few spins, I would have to say that is one of their better CD’s that they have released. The first thing I noticed is the sound quality on this disc. This is a lot better than some of Eonian’s previous offerings.
Charlotte seems to have mixed a little bit of a 70’s vibe into their style of hard rock. Medusa Groove teeters between the bluesy sounds of Led Zeppelin, and the 80’s hard rock of band’s like Steelheart, Kingdom Come and Lynch Mob. It doesn’t really matter who you compare Charlotte to though. The band flat-out rocks.
Eric Ganz has one hell of a cool voice that sounds like a blend of Lenny Wolf, Miljenko Matijevic and Terry Ilous. His voice helps set Charlotte apart from the standard hair metal offerings of the eighties. The more I have listened to Medusa Groove, I wonder how this band didn’t get signed. There is a pretty cool mix of styles on this CD, from the more hair metal flavored tunes such as “Miss Necrophilia”, “She Get It Up”, “Invisible Man”, and “All Tied Up” to the 70’s influenced numbers, “Woman Behind The Eyes”, (my personal favorite) “Siren”, and “Little Devils”. “Changes” is the type of song that would have the masses breaking out their zippo lighters (or cell phones for today’s audiences). This is one of the better ballads that I have listened to. Overall, I did not find one bad song on this CD, and I found myself hitting repeat a few times so I could listen to it again.
The bottom line: Charlotte is an above average band that didn’t get their due. Medusa Groove was a nice surprise for this listener, and is a a quality release that you should look into. I am glad that Eonian Records has given the world an opportunity to hear this cool band.
Rating: Out of 10
1. Medusa Groove
2. Woman Behind The Eyes
4. Little Devils
5. Miss Necrophilia
6. She Get It Up
7. Got Love On The Line
9. Roadhouse Of Love
10. Ocean Of Love And Mercy
11. Invisible Man
12. All Tied Up
Eric Ganz – Lead Vocals
Nick DiBacco – Guitar, Backing Vocals
Vinnie Cacciotti – Guitar
Chris Colovas – Bass, Backing Vocals
Eric D. Brewton – Drums, Backing Vocals
Eonian Records, the world’s premier hard rock and metal archive label is pleased to announce the first two titles of 2010: CHARLOTTE “Medusa Groove” and LEGACY “Self-Titled” both available worldwide on Tuesday, April 20th.
CHARLOTTE “Medusa Groove”
During the over-the-top excesses of the late 80’s, every new rock band grabbing for the brass ring went the hair-metal route, but CHARLOTTE refused to be blind little lambs led to the corporate rock slaughter, instead creating a fresh, invigorating, blues-drenched melodic metal sound that conjured up a restless, roaming, slithering rock ‘n’ roll voodoo. In other words, they said the devil be damned and marched to their own thunderous drums. And when they damned the devil, God or Fate or Lady Luck or whatever you want to call it took them on one hell of a hard rocking ride. Their mission: Play the kind of metal music that unleashes the primal beast in all of us and nails everyone to the wall with its moody aggression. They unveiled their unique style at Jezebel’s in Orange County, California and quickly garnered barrels of buzz for their Great White, Led Zeppelin, and Guns N’ Roses-influenced sound. Their popularity rose rapidly, taking them through renowned venues like The Whisky-A-Go-Go, The Roxy, and The Troubadour. But they never lost sight of their vision, refusing to follow the popular trends, always staying true to themselves while delivering vibrant, creative, unpredictable hard rock music.
For fans of Great White, Led Zeppelin, and Guns N’ Roses.
LEGACY – S/T
LEGACY was a pack of righteously rogue mousse-abuse mavericks who merged the messianic message with loud, raucous, rowdy rock ‘n’ roll. Created in 1987, the band felt a burning deep in their souls to unleash an all-cylinders-cranking metal machine that could not only rock your face off, but share a message of sacred love while doing so. The sizzling salvo of heavy guitars, thunderous rhythms, melodic hooks, and layered vocals went hand in hand with who they were as servants of faith. Citing Columbus, Ohio as their home base and bands like Stryper, Dokken, and Scorpions as their influences, the band invaded all manner of musical venues in their quest to bring their message-oriented metal to the masses. In the winter of 1989, LEGACY became the first Christian band to ever take the coveted crown in the Battle of the Bands at the renowned Alrosa Villa heavy metal club in front of nearly 10,000 concert goers. Fueled by this success and gaining momentum rapidly, they opened for several Christian rock legends, including REZ, Shout, Sacred Warrior, and Allies. Despite any obstacles thrown in their way, the band never lost faith in their mission to rock for the Rock and answer the call to dance with metal destiny.
For fans of Dokken, Scorpions and Stryper.
Both CHARLOTTE “Medusa Groove” and LEGACY “Self-Titled” will be available on TUESDAY, APRIL 20th at most any store that carries AOR, Hard Rock, and Metal worldwide, as well as at www.EonianRecords.com.
Eonian Records is now proudly distributed in Europe through Fastball Records & Intergroove. For inquiries, please contact email@example.com.
“Feed Your Hard Rock & Metal Addiction!”