WHITESNAKE’S VIDEO FOR “FOOL FOR YOUR LOVING” TAKEN FROM UPCOMING CD/DVD PACKAGE
“MADE IN JAPAN” DUE OUT APRIL 19th IN EUROPE AND APRIL 23rd IN NORTH AMERICA VIA FRONTIERS RECORDS
Whitesnake fans worldwide can view the video for “Fool For Your Loving,” taken from their forthcoming CD/DVD package MADE IN JAPAN below! The new DVD/live CD package is set for release on April 23rd in North America and will be available in several formats: a deluxe 2CD/DVD edition, Blu-ray and a standalone DVD. The performance footage is shot in stunning HD in 5.1 and stereo and is taken from Whitesnake’s co-headlining set at the “Loud Park” festival on October 11th, 2011 held at Saitama Super Arena in Japan during their “Forevermore World Tour.” The performance was initially recorded only for Japanese TV and future Loud Park promotions, but after three songs were broadcasted on a Loud Park highlights program in Japan, Whitesnake received unprecedented requests for this performance to be made available to the general public. Click here to check out the official EPK; click here to pre-order MADE IN JAPAN.
MADE IN JAPAN contains songs from Whitesnake’s most recent studio album, FOREVERMORE, as well as classic hits such as “Is This Love,” “Still Of The Night” and “Here I Go Again.” The bonus CD also includes never-before-heard outtakes and acoustic versions of material from the award-winning FOREVERMORE album that were recorded during soundchecks on the 2011 Japanese tour. Additional DVD content includes various band photo slideshows and fan-shot videos. Click here to download the cover art for the deluxe combo version, here for the DVD edition and here for Blu-ray edition.
Formed in 1977, and steered by the legendary David Coverdale, Whitesnake carry a rightful reputation as one of the world’s leading rock bands. Coverdale’s blues roots, combined with a feral sense of rock and roll, have consistently shaped the ‘Snake’s sound along with Coverdale’s love and appreciation of impeccable musicianship. Whitesnake’s ascent to the very top of the rock n’ roll heap was confirmed with 1987’s self-titled mega-platinum album, which saw two massive Top 10 hits, two #1 singles with “Here I Go Again” and “Is This Love” and a virtual 24-hour domination of MTV around the world. David Coverdale was recently named one of Revolver’s “100 Greatest Living Rock Stars” and the UK’s Kerrang voted Coverdale the “Last Great Rock Star.” Musicians on MADE IN JAPAN include David Coverdale (vocals), Doug Aldrich (guitars), Reb Beach (guitars), Michael Devin (bass), Briian Tichy (drums) and special guest Brian Ruedy (keyboards).
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Scandinavian Nights, In Concert 1970-1972, Live in London and MK III: The Final Concerts
Eagle Rock Entertainment is proud to announce the August 16 release of four double-discs of the deepest of Deep Purple’s onstage action: Scandinavian Nights, In Concert 1970-1972, Live In London and MK III: The Final Concerts. [MSRP $13.98]
Eagle Rock Entertainment is an international media production and distribution company operating across audiovisual entertainment programming. Eagle Rock Entertainment works directly alongside talent to produce the highest quality programming output covering film, general entertainment and musical performance. Eagle Rock Entertainment has offices based in London, New York, Los Angeles, Toronto, Hamburg, & Paris.
It’s hard to believe that a mega-rock star such as David Coverdale would have trouble finding love. He’s rich, charismatic, still decent looking, and a well known entertainer. One would think that the girls are lining up to date him and that he would be able to take his pick for a love mate.
However, on Whitesnake’s latest album, Forevermore, themes of needing love, wanting love, and stealing love are rampant throughout. “Steal Your Heart Away”, “All Out Of Luck”, “Love Will Set You Free”, and “Easier Said Than Done” are the first four tracks on Forevermore. All four songs revolve around a similar theme — love. What was going through the mind of Mr. Coverdale while writing the lyrics to these songs?
That’s not to say that Forevermore is a sappy, heartsick, school boy, love fest. It is far from that. While there are the required ballads done in Whitesnake style (ala Is This Love), the majority of the record is rooted in hard rock. And with guitarist Reb Beach lighting it up much like he did on Winger’s last album (2009’s Karma) Forevermore is a treat for both Whitesnake fans and fans of hard rock.
Songs such as “I Need You (Shine A Light)” are notable, powerful, and pleasing to the ear upon first listen. “I Need You (Shine A Light)” is a fast moving, up tempo, hard rocking song that could be the best thing Whitesnake has produced in years. Coverdale’s voice sounds like the 80s all over again and the twin guitar attack from Beach and Doug Aldrich is pure joy for the music lover. The opening riff just screams “Summertime!” and if you close your eyes, you can feel the hot sun on your face and the highway miles rolling behind you. If this song doesn’t become a huge hit, there is something wrong with the music industry. It would be in the best interest of Whitesnake’s management to make sure that “I Need You (Shine A Light)” is released as a single.
Then there is the lighter side of this album. The soft acoustic “One Of These Days” is the perfect contrast to “I Need You (Shine A Light)” and is superbly placed to follow that massive rock single. These are complete book ends in the form of musical opposites. “One Of These Days” finds Coverdale’s voice sounding sweeter than ever. With a perfect blend of acoustic guitar and a dash of electric mixed in, “One Of These Days” weaves wonderfully through the listeners ears.
It’s obvious that Whitesnake took the recording of Forevermore seriously. Their vast catalog of music has served a number of hits over the years, and the band knew that they were up against their past. Rather than shy away from that challenge and try to recreate music they’ve already done, or churn out something that is total garbage, the band worked hard to put together a spectacular collection of songs that make a fantastic record.
Make no mistake, Forevermore, is an early front runner for record of the year. I don’t say that lightly, as I take my favorite albums very seriously. However, Forevermore has earned this early nomination. The hard work and dedication to the craft clearly shows in the finished product. If you’re a fan of Whitesnake, you need to own this album. If you’re a fan of hair metal, you need to own this album. If you’re a fan of rock music, well, you know…
Notable Tracks: I Need You (Shine A Light), One Of These Days, Fare Thee Well
- Steal Your Heart Away
- All Out Of Luck
- Love Will Set You Free
- Easier Said Than Done
- Tell Me How
- I Need You (Shine A Light)
- One Of These Days
- Love And Treat Me Right
- Dogs In The Street
- Fare Thee Well
- Whipping Boy Blues
David Coverdale – Vocals
Reb Beach – Guitar
Doug Aldrich – Guitar
Michael Devin – Bass
Briian Tichy – Drums
A video interview with David Coverdale is now online at www.whitesnake.com . He talks about the making of the new album “FOREVERMORE”, working with Doug Aldrich and Reb Beach as well as the newest members of Whitesnake, Briian Tichy and Michael Devin.. and hints of more surprises.
“FOREVERMORE” has received rocking acclaim as one of the best rock albums of 2011. Some say it could be THE best Whitesnake album ever!!!
Check out the interview below!
It is hard to believe that it has already been two decades since Whitesnake’s CD, Slip of the Tongue, but 2009 marks the twentieth anniversary of this very successful release for Coverdale and company.
The funny thing is, (to me at least) this album rarely comes up in my play list, and I consider myself a pretty big Whitesnake fan. After listening to Slide it In and the self titled disc from 1987, I can understand why Slip of the Tongue is greatly missing something. It lacks that bluesy edge that made the previous two albums so great. Coverdale is the only remaining member from the previous two recordings, and Slip of the Tongue shows just that. Coverdale’s vocals are great, but his vocals alone can not carry the band.
Steve Vai is an incredible guitar player, and I loved his stint in David Lee Roth’s band, but his style of playing is so different from John Sykes that it gives Whitesnake a completely different sound. I am not knocking Vai as a player, but I am not so sure that he was the right fit for Whitesnake. There is lno bluesy element in Vai’s guitar work, and that is what Slip of the Tongue greatly needed.
Whitesnake’s lineup for Slip of the Tongue was like an all star band of hard rock musicians. Tommy Aldridge (Ozzy Osbourne), Rudy Sarzo (Ozzy, Quiet Riot), Steve Vai (Frank Zappa, Alcatrazz, David Lee Roth) all recorded with Coverdale for the first time on this release. Even with all of this talent at this disposal, Coverdale could not capture the magic from his previous two releases with this disc.
With that being said, Whitesnake still ripped out a few hits off of this CD, including “Now Your Gone”, “The Deeper the Love” and the band’s reworking of the 1980 Whitesnake classic, “Fool For Your Loving”. (Is Whitesnake the only band to cover themselves?) Some of my favorites from Slip of the Tongue, are the tunes that got less attention, including “Cheap and Nasty”, “Wings of the Storm” and “Judgement Day”.
Slip of the Tongue is far from bad. It just doesn’t quite live up to the Whitesnake legacy. From a hair metal perspective, it is very good, but as a Whitesnake release it is slightly above average. You can score copies of this CD for under $3.00 at this link.
Rating: Out of 10
1. Slip Of The Tongue
2. Cheap An’ Nasty
3. Fool For Your Loving
4. Now You’re Gone
5. Kittens Got Claws
6. Wings Of The Storm
7. The Deeper The Love
8. Judgement Day
9. Slow Poke Music
10. Sailing Ships
David Coverdale – Vocals
Steve Vai – Lead Guitar
Rudy Sarzo – Bass
Tommy Aldridge – Drums
The following video is from Whitesnake’s 1987 tour. The video features David Coverdale, Adrian Vandenberg, Vivian Campbell, Rudy Sarzo and Tommy Aldridge.
Just looking at the band roster for this album, I shake my head with the crazy amount of talent that this band had.
“Burn” was the beginning of a bluesier sound for Deep Purple, and this new direction was reportedly one of the reasons for Ritchie Blackmore leaving the band. Nonetheless, “Burn” is a very important part of Deep Purple and hard rock history. This album introduced David Coverdale to the world of hard rock, and for that I will always be forever grateful.
The title track “Burn” is easily one of the best Deep Purple songs, and top hard rock songs of all time. The mixture of Coverdale’s and Hughes vocals on this track are awesome. Not only are the vocals great, but Ian Paice may have laid down the best drum beats of his life. Jon Lord’s keyboards really drive this song as well. Ritchie Blackmore’s guitar riffs are fantastic.
While the song “Burn” is my defacto favorite, I enjoy listening to this entire disc. There is no doubt that this disc was highly influential on a large number of musicians. It is amazing how good this disc sounds when played loud today. Each member of this band is extremely proficient in the instruments that they play, and were easily some of the best hard rock musicians of this 70’s hard rock era. The music just shines when blasted through your stereo speakers!
On the 30th Anniversary Remastered edition, there are 5 bonus tracks added to this disc. “Coroniaras Redig” which was originally only available as a “B – Side” track is one of the bonus tracks, as well as remixed versions of “Burn”, “Mistreated”,”You Fool No One”, and “Sail Away”.
Sometimes in order to see what direction hard rock music is heading in, you have to go back and listen to the bands that help form it. It doesn’t get more classic than Deep Purple’s “Burn”.
2. Might Just Take Your Life
3. Lay Down, Stay Down
4. Sail Away
5. You Fool No One
6. What’s Going On Here
8. “A” 200
9. Coronarias Redig (2004 Remix)
10. Burn (2004 Remix)
11. Mistreated (2004 Remix)
12. You Fool No One (2004 Remix)
13. Sail Away (2004 Remix)
David Coverdale – Vocals
Ritchie Blackmore – Lead Guitar
Glen Hughes – Bass Guitar/Vocals
Jon Lord – Keyboards
Ian Paice – Drums
Fans are encouraged to call to speak with David by calling 1-800-344-ROCK (7625). For a station near you and for information regarding how to log onto the Internet for the broadcast go to
Whitesnake has released a new video in support of their new CD, Good To Be Bad. Good To Be Bad debuted at #76 on the U.S. Billboard Chart.
Whitesnake has returned with their first new studio album since the 1997 album, Restless Heart.
Before I go any further in this review, I will admit, I am biased towards Whitesnake. They have been one of my favorite bands for years, and I have been anxiously awaiting this disc. I am also a long time fan of guitarist, Doug Aldrich. I am quite familiar with his work prior to joining Whitesnake (Lion, Bad Moon Rising, House Of Lords, Hurricane, Burning Rain) and am also a little biased towards him as well.
With that being said, I have played Good to Be Bad several times, and have found it quite to my liking. Aldrich’s guitar sound on this record is fairly close to that of John Sykes playing on the Slide It In, and the multi-platinum, self titled album from 1987. John Sykes is not an easy guitar player to imitate, and I am not sure if that is what Adrich was trying to achieve with his playing. Nonetheless he shreds on this disc, and his guitar work is absolutely killer! He has achieved that signature guitar sound that was present on the two most successful Whitesnake albums of all time.
David Coverdale is no spring chicken at 56 years old, and yet his vocals are excellent as always.
The band could have a bunch of hits on their hands, especially with the tracks, Best Years, All I Want All I Need, All For Love and Good To Be Bad.
The song All For Love sounds so much like a lost Thin Lizzy tune, it is scary, and yet, incredibly cool. This is an amazing new song, and one of my new favorites.
I can hear some 70’s style Whitesnake in the songs, Summer Rain and ‘Til The End of Time. Both tunes have more of a bluesy feel to them. It is good to hear Whitesnake revisting their roots, even if it is an different set of musicians for this record. I can see the lighters and cell phones coming out, if the band chooses to play either one of these songs live.
The cool thing about Good To Be Bad is, I hear different things each time I listen to it. I will not tire of hearing guitar work this good in a long long time. This album is already on top of my play list and is going to take a monster of an album to surpass this disc in 2008!
Don’t hesitate to pick this one up! This is an awesome return to form for Whitesnake, and is easily one of their top discs ever! Good Job Whitesnake! Now bring your tour to the U.S. soon please!!
You can buy a copy of Whitesnake’s Good To Be Bad CD, at this link.
Rating:Out of 10
1. Best Years
2. Can You Hear The Wind Blow
3. Call On Me
4. All I Want All I Need
5. Good To Be Bad
6. All For Love
7. Summer Rain
8. Lay Down Your Love
9. A Fool In Love
10. Got What You Need
11. `Til The End Of Time
1. Burn-Stormbringer (live version)
2. Give Me all Your Love Tonight (live version)
3. Walking In The Shadow…. (live version)
4. The Deeper The Love (live version)
5. Ready & Willing (live version)
6. Don t Break My Heart Again (live version)
7. Take Me with You (live version)
8. Ready To Rock (enhanced video)
David Coverdale – Vocals
Doug Aldrich – Lead Guitar
Reb Beach – Rhythm Guitar
Chris Frazier – Drums
Uriah Duffy – Bass
Timothy Drury – Keyboards
Matthias Mineur recently interviewed WHITESNAKE vocalist David Coverdale about the band’s forthcoming album, “Good To Be Bad”. The question-and-answer session follows:
Q: Ten years between “Restless Heart” and “Good To Be Bad”: What has changed in WHITESNAKE and what is still the same?
Coverdale: I feel “Restless Heart” was more like a Coverdale solo album, which is how it started, ’til EMI told me they wanted it to be a WHITESNAKE record… so, we had to juggle it around to try and ‘SNAKE it up… whereas “Good To Be Bad” is most definately a WHITESNAKE record from beginning to end. For me, the heart and soul of WHITESNAKE remains the same. How could it not? It is, and has always been, very precious to me. It helps provide my family and I with an incredibly good life… I respect and treasure it, and I will protect it as much as I can from harm. I embrace and relish the rewards it brings. As a musical vehicle it helps me express myself, and hopefully, it’s the same for the musicians who work under its creative umbrella. It’s also an anti-aging youth serum for me!
Q: How important were the incredibly successful tours during the last three years for your motivation to write a new album?
Coverdale: Very, very important… The musicians I’m working with and the positive response from the people who come to see us and support us, has inspired and motivated me to get back in the saddle and to write and record new songs for the first time in many years. I’ve also found a new, inspiring writing partner in Mr. Aldrich. I’d allowed myself to be brought down, but, fortunately only for a short time, by the negative climate in the music business, but now I feel it’s more the major record companies’ energy, rather than the music business, that is creating a great deal of the damage. Their reluctance to move forward and embrace new approaches to business is definately creating a lot of their own problems. They just seem unable to see it. I thought, perhaps, all the magic had gone, but, I was wrong, and I’m very happy to discover live music is still very much supported by the hardcore fans… and yes… people are still buying records. Perhaps not in the millions that we became familiar with… but, nevertheless, the hardcore rock fan still wants to hold the substance of an album in his, or her hands, as opposed to simply downloading it. You have to rethink how you structure your career today and not take things for granted. You have to roll with the punches and keep an eye on everything. Not over-indulge… It is not how it used to be. But, still…it’s amazing, when I think about it. WHITESNAKE celebrates its 30th anniversary this year and is still going strong. It still has juice. I am so grateful that I can still actively work as a musician, create new music and then go on tour with a great band and play to appreciative crowds. As long as people accept that we don’t look the same as we did 20 years ago… but, we can still play our music with fire and passion, then I think we can stick around for another few years! I’m also very grateful to be involved with the record company, SPV. I work with a great, positive, supportive team there… Good, solid people.
Q: How did you write the material? How important was Doug Aldrich for you as a songwriter, musician and friend?
Coverdale: Personally, I’m always writing bits and pieces here and there, for future reference… making cassettes of ideas. It’s very natural for me to compose… I meditate before I start working and I find that helps me immensely. It helps bring out the creative spirit, I think… It helps me focus. Doug and I found it very natural to write together from the beginning. Relatively effortless and fun… It’s a 50/50 collaboration. He is a very gifted individual and very enthusiastic… he also helped engineer and mix the record, so he was involved from the very beginning of the project to the end. That is something that has never happened before. Doug‘s a welcome breath of fresh air for me. He doesn’t bring any excess baggage… No questionable agenda and no unnecessary ego to stroke… he just gets on with it. He’s very caring and passionate about what he does, and thank goodness, the passion includes WHITESNAKE. He was exposed to WHITESNAKE before we met, or worked together, so, he was familiar with the approach and the creative identities I’d established, but, he brings such an incredible energy and urgency to WHITESNAKE that it helps stretch the boundaries much further, without compromising the original attitude. He’s an electrifying guitarist, as anyone who has seen him can testify… Very inspiring to me. The other bonus, of course, is that we’ve developed a strong, supportive personal friendship.
Q: Would you say that “Good To Be Bad” is a mixture between your blues roots and a modern attitude? Any other influences?
Coverdale: For me it has all the elements, all the ingredients that I enjoy about WHITESNAKE. It’s a very solid, muscular, melodic rock record with a couple of fine ballads, so, there’s a little tenderness when the moment calls for it… and of course the ballads help balance out the chest beaters! I find it a very complete piece of work, actually. It covers a lot of musical ground… A positive chapter in the Book Of WHITESNAKE. I’m able to sing from a whisper to a scream, with all points in between, very comfortably with the new material. We also tried some new musical keys for me to sing in… which made it very fresh, interesting and fun. When Doug and I sat down to jam on each other’s song ideas the structure of the album was evident pretty much immediately… it came together very naturally. There was never a danger of compromising the acknowledged identity of WHITESNAKE for the sake of trying to be modern… or fashionable. I’d say if there was any influence it would be all the previous elements that have come together to make what is WHITESNAKE, coupled with the very welcome fresh injection from Doug, Chris, Timothy, Uriah and Reb. Chris Frazier has brought a very Paicey feel back to the band. He swings, grooves, rocks and rolls… A very pleasing foundation to build from. WHITESNAKE‘s got it’s groove back! As a band, these guys know how to tell the WHITESNAKE story very well indeed.
Q: Please comment on producer Michael McIntyre. What was his role, and in which way did he help the album?
Coverdale: Michael has been with me since 1987. He was originally a member of the WHITESNAKE crew. Then when I moved to Lake Tahoe, I found out he lived close by in Reno, so, I asked him to come and work with me as a personal assistant. He has proved so indescribably valuable to me that he has been actively involved in WHITESNAKE‘s management for many years. He oversees all aspects of my personal and business life. Not only that, but, he’s a fantastic recording engineer and has been involved in the recording of all of my albums since “Slip Of The Tongue”. We are great friends… More like brothers. I trust him with my life, so, when he’s recording my voice I have total confidence in his judgement.
Q: The album was originally announced for autumn 2007. Any reasons for the delay?
Coverdale: The recording of this album was constantly compromised by interruptions. However, it’s a testament to Doug, Mikey and I, also known as The Brutal Brothers, that we kept moving forward… “Onwards and forwards” was the motto for this project. Also, to be honest, there was no real rush for us to finish the project quickly. I’d planned to take the year off from touring to avoid too much pressure in making the record, so, whenever there were problems, we’d take a break… a little breathing space. It works wonders for fresh perspective. Also, for me, personally, it is most important I balance my working time with my family time. It isn’t always easy… even when you’re recording at home! The most important thing is… was it all worth it? And I can sincerely answer, yes! It most certainly was worth all the trials and tribulations to get to this place and simply enjoy the fruits of our labours. It’s a fun album… Great to drive to!
Q: What kind of audience do you expect for “Good To Be Bad”? Metal kids? Rock fans? Blues maniacs? Or perhaps younger people?
Coverdale: Everybody’s welcome to try a bite of this pie. There’s something here for everyone…
Q: Please comment on the tour with DEF LEPPARD. The perfect choice for a co-headlining tour…
Coverdale: Three hours of good, strong, melodic songs! What more could you want? Joe Elliott, the Lepps and I have been friends and supporters for many years. It was only logical we’d end up touring together someday. I’d like to be in the audience for the shows we’re doing together. I feel it will definitely be an event to experience… Let’s Get Rocked In The Still Of The Night… yeah baby!
Q: What can we expect of WHITESNAKE live in 2008?
Coverdale: We will be celebrating the 30th anniversary of Whitesnake with kick arse live shows… a new show, featuring songs from a new studio album. By the way, this is the 10th studio album from WHITESNAKE. There will be much fun to be had by all. Don’t miss out on the party!
Courtesy of Blabbermouth.net
No hard rock band has written about Love more than the band, Whitesnake. Just check the song titles for yourselves. The band has 19 songs with Love in the title, and that doesn’t count Fool For Your Lovin’ which makes 20. I thought some Whitesnake would be appropriate on Valentine’s Day!
The video below is a classic. It features John Sykes on guitar performing Love Ain’t No Stranger in Rio in 1985. Enjoy!