WHITESNAKE’S VIDEO FOR “FOOL FOR YOUR LOVING” TAKEN FROM UPCOMING CD/DVD PACKAGE
“MADE IN JAPAN” DUE OUT APRIL 19th IN EUROPE AND APRIL 23rd IN NORTH AMERICA VIA FRONTIERS RECORDS
Whitesnake fans worldwide can view the video for “Fool For Your Loving,” taken from their forthcoming CD/DVD package MADE IN JAPAN below! The new DVD/live CD package is set for release on April 23rd in North America and will be available in several formats: a deluxe 2CD/DVD edition, Blu-ray and a standalone DVD. The performance footage is shot in stunning HD in 5.1 and stereo and is taken from Whitesnake’s co-headlining set at the “Loud Park” festival on October 11th, 2011 held at Saitama Super Arena in Japan during their “Forevermore World Tour.” The performance was initially recorded only for Japanese TV and future Loud Park promotions, but after three songs were broadcasted on a Loud Park highlights program in Japan, Whitesnake received unprecedented requests for this performance to be made available to the general public. Click here to check out the official EPK; click here to pre-order MADE IN JAPAN.
MADE IN JAPAN contains songs from Whitesnake’s most recent studio album, FOREVERMORE, as well as classic hits such as “Is This Love,” “Still Of The Night” and “Here I Go Again.” The bonus CD also includes never-before-heard outtakes and acoustic versions of material from the award-winning FOREVERMORE album that were recorded during soundchecks on the 2011 Japanese tour. Additional DVD content includes various band photo slideshows and fan-shot videos. Click here to download the cover art for the deluxe combo version, here for the DVD edition and here for Blu-ray edition.
Formed in 1977, and steered by the legendary David Coverdale, Whitesnake carry a rightful reputation as one of the world’s leading rock bands. Coverdale’s blues roots, combined with a feral sense of rock and roll, have consistently shaped the ‘Snake’s sound along with Coverdale’s love and appreciation of impeccable musicianship. Whitesnake’s ascent to the very top of the rock n’ roll heap was confirmed with 1987’s self-titled mega-platinum album, which saw two massive Top 10 hits, two #1 singles with “Here I Go Again” and “Is This Love” and a virtual 24-hour domination of MTV around the world. David Coverdale was recently named one of Revolver’s “100 Greatest Living Rock Stars” and the UK’s Kerrang voted Coverdale the “Last Great Rock Star.” Musicians on MADE IN JAPAN include David Coverdale (vocals), Doug Aldrich (guitars), Reb Beach (guitars), Michael Devin (bass), Briian Tichy (drums) and special guest Brian Ruedy (keyboards).
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Reb Beach has reformed the Reb Beach Project after a 12 year absence.
The Reb Beach Project’s first gig will be at Stage AE in Pittsburgh, opening for Tesla on August 15. The Reb Beach Project features, David Throckmorton on drums, and Tommy Bellin on bass. Throckmorton and Bellin both played on Reb’s 2001 Solo CD, Masquerade.
Infinity is a monster project that was recorded back in 1986/87 featuring AOR star vocalist
Mitch Malloy and Red Dawn/Rainbow/Billy Joel keyboardist David Rosenthal. For one
of the many reasons seen in the music industry, the record was never released at the time,
but after 20+ years will finally see the light of day.
The 9 tracks that make up this lost classic are nothing short of blinding keyboard driven 80s
melodic hard rock, with vocals that need to be heard to be believed!
The rest of the line-up consists of various session guys, including one very young Reb Beach
What’s special about this release is the fact that the ninth track didn’t really exist until last
month. The song Liar was never completed back in 1986, but the song was recently
resurrected from the original tape it was recorded on, repaired enough to become a true
backing track, with Mitch Malloy adding a brand new lead vocal and drum track from his
studio in Nashville.
Mitch Malloy comments: “I nfinity was basically me and Dave and we used different guys to
play on the tracks. It was 1986-87. I was a kid. So was Dave. I was singing in clubs in Jersey
and making a name for myself and looking for a real band and he was looking for a singer.
R ainbow had just broken up and he was wanting to be in his own band. I was sick of playing
the clubs and looking to step up and it worked out. We had some fun and wrote some songs
and never got signed so we both moved on to different things. It’s exciting for us that this 22
year old music is finally going to be heard. We worked hard on it and were very proud of it.
And for how old I was and for the time I am still very proud of it. It’s really my first real
recording sessions ever. Dave and I had a lot of laughs and a lot of fun and we worked very
hard to make out music as good as we could possibly make it. And I think it shows.”
Infinity will finally see the light of day in October. All of the tracks are exclusive to this
release and have never been released before.
INFINITY IS: Mitch Malloy (Vocals), David Rosenthall (Keyboards), Reb Beach, Dave Gellis &
Mike McConville (Guitars), Donnie Kisselbech & Rob Jeffries (Bass), Mike Kaplan (Drums)
It’s hard to believe that a mega-rock star such as David Coverdale would have trouble finding love. He’s rich, charismatic, still decent looking, and a well known entertainer. One would think that the girls are lining up to date him and that he would be able to take his pick for a love mate.
However, on Whitesnake’s latest album, Forevermore, themes of needing love, wanting love, and stealing love are rampant throughout. “Steal Your Heart Away”, “All Out Of Luck”, “Love Will Set You Free”, and “Easier Said Than Done” are the first four tracks on Forevermore. All four songs revolve around a similar theme — love. What was going through the mind of Mr. Coverdale while writing the lyrics to these songs?
That’s not to say that Forevermore is a sappy, heartsick, school boy, love fest. It is far from that. While there are the required ballads done in Whitesnake style (ala Is This Love), the majority of the record is rooted in hard rock. And with guitarist Reb Beach lighting it up much like he did on Winger’s last album (2009’s Karma) Forevermore is a treat for both Whitesnake fans and fans of hard rock.
Songs such as “I Need You (Shine A Light)” are notable, powerful, and pleasing to the ear upon first listen. “I Need You (Shine A Light)” is a fast moving, up tempo, hard rocking song that could be the best thing Whitesnake has produced in years. Coverdale’s voice sounds like the 80s all over again and the twin guitar attack from Beach and Doug Aldrich is pure joy for the music lover. The opening riff just screams “Summertime!” and if you close your eyes, you can feel the hot sun on your face and the highway miles rolling behind you. If this song doesn’t become a huge hit, there is something wrong with the music industry. It would be in the best interest of Whitesnake’s management to make sure that “I Need You (Shine A Light)” is released as a single.
Then there is the lighter side of this album. The soft acoustic “One Of These Days” is the perfect contrast to “I Need You (Shine A Light)” and is superbly placed to follow that massive rock single. These are complete book ends in the form of musical opposites. “One Of These Days” finds Coverdale’s voice sounding sweeter than ever. With a perfect blend of acoustic guitar and a dash of electric mixed in, “One Of These Days” weaves wonderfully through the listeners ears.
It’s obvious that Whitesnake took the recording of Forevermore seriously. Their vast catalog of music has served a number of hits over the years, and the band knew that they were up against their past. Rather than shy away from that challenge and try to recreate music they’ve already done, or churn out something that is total garbage, the band worked hard to put together a spectacular collection of songs that make a fantastic record.
Make no mistake, Forevermore, is an early front runner for record of the year. I don’t say that lightly, as I take my favorite albums very seriously. However, Forevermore has earned this early nomination. The hard work and dedication to the craft clearly shows in the finished product. If you’re a fan of Whitesnake, you need to own this album. If you’re a fan of hair metal, you need to own this album. If you’re a fan of rock music, well, you know…
Notable Tracks: I Need You (Shine A Light), One Of These Days, Fare Thee Well
- Steal Your Heart Away
- All Out Of Luck
- Love Will Set You Free
- Easier Said Than Done
- Tell Me How
- I Need You (Shine A Light)
- One Of These Days
- Love And Treat Me Right
- Dogs In The Street
- Fare Thee Well
- Whipping Boy Blues
David Coverdale – Vocals
Reb Beach – Guitar
Doug Aldrich – Guitar
Michael Devin – Bass
Briian Tichy – Drums
Whitesnake’s Reb Beach talkes about the new album, Forevermore in this video interview.
Check it out!
I wasn’t quite sure what to expect with Winger at the M3 Rock Festival. The last time I saw Winger perform a few years ago, it was in support of their album IV. I don’t know if it was the small crowd at my local venue, the blazing set that was done by Frank Hannon beforehand, or just an off night, but Winger was just OK that night. I was hoping for more at M3 and I got it! I don’t know if it was the unspoken competition between bands, but Kip Winger and company were great at M3. They put on a great set, and were much more lively than the last time I saw them.
I have seen Reb Beach play several times in the past, not only with Winger, but also with Dokken & Whitesnake. He never disappoints, and was quite fun to watch. Winger’s second guitar player John Roth got his chance to strut his stuff too, and he proved to be a very good player as well. Kip Winger’s voice is still in fine form after all of these years, and he still sounds great on all of those classic Winger tunes. Winger’s set included the songs, “Seventeen”, “You are the Saint, I am the Sinner”, “Headed for a Heartbreak”, “Down Incognito”, “Deal With the Devil”, “Can’t Get Enough” and more. I truly enjoyed Winger’s set, and I hope they return to another M3 Rock Festival in the future! Check out the video clip and pictures from the show below.
In 2009, Winger released one of their strongest albums to date with Karma. I am excited to see Winger perform some of the new songs at the M3 Rock Festival this weekend. “Deal with the Devil” and “Stone Cold Killer” are two of the new songs off of Karma that the band has performing in their live sets. Both songs are some of the hardest songs that Winger has done in recent years.
WINGER announced the second leg of the European tour dates :
19/03/10 Leknes, Norway – Lekneshallen (small sports arena)
20/03/10 Norway/Denmark – Rock the Boat
22/03/10 Bristol, England – Academy 2
23/03/10 Portmouth, England – Wedgewood Rooms
24/03/10 Manchester, England – Academy 3
26/03/10 Dudley, England – JB’s
27/03/10 Belfast, Northern Ireland – Spring & Airbrake
28/03/10 Glasgow, Scotland – Cathouse
30/03/10 Newcastle, England – Academy 2
31/03/10 Leeds, England – Rio’s
02/04/10 Sheffield, England – Corporation
03/04/10 Nottingham, England – Rock City
04/04/10 London, England – Islington Academy
06/04/10 Bochum, Germany – Matrix
07/04/10 Berlin, Germany – Columbia Club
08/04/10 Munich, Germany – Backstage
10/04/10 Achaffenburg, Germany – Colos Saal
In related news Kip Winger and Reb Beach have recently recorded their participation to THAT METAL SHOW on VH1. The show will be aired on April 3rd 2010 at 11.00 PM.
2009 was a pretty good year for Kip Winger. He released not one, but two great CDs with Blackwood Creek and Winger’s Karma, he was honored by the U.S. Government, and recently had one of his compositions performed by the Tucson Symphony. Kip took a few minutes to talk with Hard Rock Hideout about his current projects, as well as little of the history of his music career. Enjoy!
HRH: I recently listened to the Blackwood Creek CD, and thought it had a very cool 70’s kind of vibe to it.. What you can you tell us about your band Blackwood Creek.
Kip Winger: That is exactly it. We were together in the 70’s. When we got back together to jam, it sounds like the 70’s basically. My oldest brother Paul was in and out of the band. The main guitar player was Peter Fletcher. He was my first song writing partner. We just got back together. We were really just going to jam, but some of the stuff came out really cool, so I decided to finish making the album. It has an updated feel, but it sounds a lot like what we used to sound like when we were playing Grand Funk and stuff. We worked on it on for a while in the off time of Winger. I thought it sounded unique enough and the chemistry was still there to do the record.
HRH: Are you going to play live with Blackwood Creek?
Kip Winger: We don’t know what our touring schedule is. We have to work around Winger. We are trying to figure that out right now. We will probably play at some point.
HRH: Let me ask you a couple of questions about your new CD Karma. This record seems much heavier than the previous Winger albums. Was it your intention to record a heavier record?
Kip Winger: It is actually the same as all of our other records. I just turned the guitars up basically. Honestly, Reb and I take the same approach on everything we do. We write riff oriented tunes. If you listen to any of them, you will hear a guitar riff, we will write the melody over them. I recorded the guitars a little bit different this time. I really wanted to crank them in the mix and give them more of an edge. I think this is what is working in our favor for the heavier kind of vibe. It seems like a moot point, but I used a different microphone on my voice that I nomally use. It has a much grittier sound to it. I really was happy with the way it came out. This album and Pull is really what the band sounds like. If you go see us live, it really sounds a lot like Karma. I was really wanting to do an up tempo heavy record for us to play live. A lot of our songs are in the mid tempo range, and doesn’t rock the house as much as I would have liked. Now we can do four of five tunes from the new record. It is a much more up set, and it really is more representative of who we are as a live band.
HRH: I noticed that PJ had some song writing credits on both the Karma and Blackwood Creek albums. What was the song writing process like for the records?
Kip Winger: It is really simple. If I am stuck for lyrics, I will hand it to my wife and ask her to finish the songs from me. She is an amazing song writer. She knows the exact elements I need to finish a song. She wrote “Supernova”. I will handle her the lyrics when I am stumped. I passed out the lyrics to a few guys on this. Donnie Purnell from Kix, and Bobby Huff is a song writer here in Nashville, and is really talented. I think the result is really good. I think it is the best elements of the band combined. I think in many ways it is our best album just in terms of who we really are. We have had a lot of songs that I am really proud of. I think people forget that we have written a lot of decent songs.
HRH: How did Reb Beach have time to do this album with all of the time he spent in Whitesnake in 2008 – 2009?
Kip Winger: We wrote the ten songs in ten days. Reb came back to do rhythms, and then came back to do solos. Reb spent about a month on it. It took me about eight months to finish it.
HRH: What are your touring plans for the album?
Kip Winger: Yeah, we just got back from Europe. We are going back in March. We are hoping to get some summer stuff happening in the States soon.
HRH: I noticed on your touring schedule that your music”Ghosts” is going to be performed by the San Francisco Ballet in February. What can you tell me about that?
Kip Winger: I have been working on classical music my whole life and finally wrote a big piece of music. It was performed by the Tucson Symphony last month and now. The premiere will be in February, and their will be seven performances of that. You can see it on the website at SanFrancisco Ballet.org.
HRH: You have to be pretty excited about that.
Kip Winger: This is the hugest thing in my life. I have been working on that for years. I am really excited about it.
HRH: I watched the trailer for the movie Four Months, and I immediately recognized your voice in the song they are playing on the trailer.
Kip Winger: Yeah, I don’t really have anything to do with that movie. They are using “Nothing” (from Kip’s solo album, From The Moon To the Sun) on the trailer. They bought the rights to use the song in the movie. It looks cool.
HRH: Back in February you were honored by the U.S. Government with a plaque and a flag for your song “Blue Suede Shoes”. What is your feeling about that? That had to be a pretty incredible experience.
Kip Winger: It was absolutely amazing. I was initially writing it from the idea of a soldiers perspective. Blue Suede Shoes is a song why someone would enlist. Not the stupid version, the real heartfelt version of why. Certain people who I have talked to applying it on a military basis over the years have talked to me about their experience. I did a TV show called Legends & Lyrics, and they presented that to me on that show. It was a great honor and very humbling.
HRH: Do you feel like this was a little vindication against all of the people that were targeting Winger in the 90’s? It seems like Winger was the butt of a bunch of bad jokes., from the Beavis & Butthead show etc. This seems to have taken you full circle.
Kip Winger: Music was always the thing that I was concentrating doing the best job I could do. The Beavis & Butthead show & Metallica, they all took the first punch. Whatever. I have never met any of them. My whole world has been to write better music. Having a ballet done by the San Francisco ballet, or getting an award by the U.S. Government, I guess yes it is vindicating. It is all a by product of me trying to do what I do best, which is write music. I am not writing music to sell a t-shirt, I am writing music to write the best music I can write. What I do for myself is to try do the highest art I can do. I don’t dig the name slagging and cutting other bands down. That happened to us for whatever reason. You just deal with it. People have asked me that for twenty years. Someone should call Mike Judge and ask him why (laughs).
HRH: I have to ask you about your time with Alice Cooper. What was that experience like to go out with Alice on tour and to play on his records so early in your career?
Kip Winger: That was a dream come true as a kid. I was a big Alice Cooper fan, huge actually. I was really lucky to get that gig. That was really special. I learned a lot from him. He is an amazing celebrity. He is more than a rockstar. He has this whole world un to himself. For me I was 24, I was a waiter before that. I was very lucky. Right place at the right time. You have to give credit where credit is due. Kane Roberts was very influential in me getting that gig. I still talk to Kane a lot. I haven’t talked to Alice in a while.
HRH: What has Kane Roberts been up to? He has been out the music business for a while.
Kip Winger: He does a lot of different stuff. He is a computer artist. He has written a couple of screen plays. He is an incredibly talented dude. He is one of the smartest people I have ever met.
HRH: A few years ago you produced the album for The Mob that Reb Beach played on.
Kip Winger: Yeah, that was a fun project. They brought me in to help finish the album for them. There is some great music on that album. Dug Pinnick, he is a great singer, I love him.
HRH: Is The Mob something that you and Reb would like to revisit sometime?
Kip Winger: The record company is begging us to do another one, but I don’t think it will happen any time soon.
HRH: Where is the best place for your fans to find your new Winger and Blackwood Creek albums?
Kip Winger: 400 Best Buys just picked it up, you can also download it off of iTunes.
HRH: Thank you for taking the time out to do this interview.
Kip Winger: Thank You!
Winger is back with a brand new album, Karma and they are ready to kick your ass. While they may have been the butt of some heavy metal jokes back in the day (thanks Beavis & Butthead), Karma is no laughing matter. I don’t know what Kip and the band have been doing over the last couple of years, but I know this, they’ve worked hard to put out an incredible new record.
Karma opens with the hard hitting “Deal With The Devil”. The drums and guitars kick in immediately, and then Kip launches into the vocals. The first thing noticeable about Kip’s voice is that it sounds eerily like David Coverdale’s. This happens throughout most of the record. Kip is older now, so his voice probably changed over the years, but the high notes are no longer his friend.
“Big World Away” is a heavy rock song with a touch of grunge and a lot of grit. Beach’s stand out guitar is felt immediately, and Kip’s “David Coverdale” voice really gives this song a Whitesnake feel with a Winger chorus. It’s a song that gets your feet tapping and will have you listening over and over again. “Big World Away” will definitely hook you on Karma and have you proclaiming what an excellent record this is.
The guitar work on this record is nothing short of fantastic. Even the songs that aren’t spectacular (fortunately that’s just a couple) are saved by the guitar solos. It’s amazing the amount of work that went into the guitar playing for this record. Reb Beach should be celebrated for the amazing work he has done. His guitar licks are all over this record and every one of them sounds incredible. Beach really makes this disc shine.
“After All This Time” is a great power ballad, part of the 1-2 set of ballads to close the album. This is a slow, melodic rocker with balls. The heavy blues influence can be felt in this song about still being in love after many years have passed. Once again, Beach’s guitar solo is fantastic and inspiring. If I was a teenager hearing this for the first time, it would force me to get a guitar and learn how to play.
Karma closes with the absolutely stunning “Witness”, an amazing power ballad with the emphasis on power. Witness is a closer that leaves you wanting to hear more. This is one of the few songs on Karma where Kip Winger’s voice shines through. The feature guitar solo to close the track is one of the greatest I’ve heard in a long time. Simply breath taking and it totally fueled my desire to hear this song live.
With incredible guitars, solid lyrics, and well written, beautifully crafted songs, Karma is poised to thrust Winger back into the spotlight and the center of the mainstream. If they team up with another 80s hair metal act for a summer tour, expect sellout crowds at most stops along the way. Winger is back, let the party resume!
Karma will be released on October 27th in the United States.
Rating: Out of 10
- Deal With The Devil
- Stone Cold Killer
- Big World Away
- Come A Little Closer
- Pull Me Under
- Always Within Me
- Feeding Frenzy
- After All This Time
Kip Winger (bass and vocals)
Reb Beach (lead guitars)
Rod Morgenstein (drums)
Cenk Eroglu (keyboards, rhythm guitar)
John Roth (rhythm guitar)
Kip Winger posted an update on the Winger blog yesterday:
Sorry for all the confusion about Winger news. As for touring i have not received confirmed dates and until I do i wont post anything. Yes I’m almost done mixing the new Winger Record. And it will come out in Oct. I still have not heard from the label about the exact release date for Blackwood Creek. As soon as i confirm the actual information I will post it.
I started off the new year wanting to hear some Twisted Sister. After playing “Stay Hungry” for the umpteen millionth time, I broke out my reissued copy of Twisted Sister’s “Love is For Suckers” from 1987.
I remember this album getting a lot of bad reviews when it first came out, and I can understand why some Twisted Sister fans hated this disc. “Love is For Suckers” was supposed to be released as a Dee Snider solo album. Atlantic suggested this be out under the Twisted Sister moniker and as they say, the rest is history.
“Love is For Suckers” was not supposed to sound like a Twisted Sister album, and for the most part it doesn’t. This is more of a pop metal album, than the hard rock and metal sounds of previous Twisted Sister albums.
The first track “Wake Up (The Sleeping Giant)” is the heaviest song on this disc, and the most Twisted Sister like. For the rest of the album, producer Beau Hill managed to make Twisted Sister sound like Winger with Dee Snider on vocals. With no surprise, Reb Beach does play guitar on this album, and Kip Winger sings back up vocals. The songs aren’t bad, but most of them just aren’t very memorable.
The best cuts on Love is For Suckers are “Wake Up” and “Me And The Boys”. The reissued copy of this CD has four bonus tracks: “Feel Appeal”, “Statutory Date”, “If That’s What You Want” and “I Will Win”. If you don’t have this CD, this is the version to pick up. The song “Statutory Date” is probably the best song out of the four bonus tracks. If you listen close enough, you can hear Kix frontman Steve Whiteman singing back up vocals on this song.
As a whole, I didn’t care for this poppy version of Twisted Sister. The band was best when playing their heavier edged material, and although I am a fan of hair/pop metal, this disc didn’t cut it for me. “Love is For Suckers” is a disc for hair metal fans and Twisted Sister completests only.
1. Wake Up (The Sleeping Giant)
2. Hot Love
3. Love Is For Suckers
4. I’m So Hot For You
6. Me And The Boys
7. One Bad Habit
8. I Want This Night (To Last Forever)
9. You Are All That I Need
10. Yeah Right!
13.If That’s What You Want*
14.I Will Win*
Twisted Sister is:
Dee Snider – lead vocals
Eddie “Fingers” Ojeda – lead guitar
Jay Jay French – rhythm guitar, backing vocals
Mark “The Animal” Mendoza – bass, backing vocals
A. J. Pero – drums, percussion
Reb Beach – guitars
Kip Winger – backing vocals
Jimmy Chalfant – backing vocals
Steve Whiteman – backing vocals
Beau Hill – keyboards, backing vocals
The New West Horns – horns
Frontiers Records is pleased to announce the European release of NIGHT RANGER latest double live album “Rockin’ Shibuya 2007” on September 19th 2008.
Night Ranger is a band that left an indelible mark with a string of best-selling albums that sold more than 16 million copies worldwide. The band’s popularity was fuelled by an impressive string of instantly recognizable hit singles and signature album tracks, including “Sister Christian”, “(You Can Still) Rock In America”, “When You Close Your Eyes”, “Sentimental Street”, “Goodbye” and “Don’t Tell Me You Love Me”. Harnessing the frenetic drive of heavy metal to hook-laden rock songs, throwing in a stunning twin lead guitar team and melodic radio-friendly power ballads, Night Ranger inspired new descriptive phrases such as “melodic metal” and “metal power pop”.
Following a seven-year absence, Night Ranger reunited in 1996 for a tour of Japan and a summer US tour. Fans proved that they still loved the music and the band. Also that year, the band released “Neverland”, and the following year, “Seven”, studio albums that set the standard for the 80s rock revival. Nearly every summer since, Night Ranger has toured across the country, sharing stages with such acts as REO Speedwagon, Styx, Journey, Bad Company, Pat Benatar, Loverboy, Poison, Cinderella, Boston, Heart, Sammy Hagar, Cheap Trick and Kansas.
2007 proved to be another busy year for Night Ranger with a successful new studio album, “Hole In The Sun” released in Europe in April 2007. The band also embarked on a new Japan tour with Reb Beach filling in for long-time member Jeff Watson on guitar. The result is this exciting brand new Live album release which includes audio from the band’s June 2007 show at the C.C. Lemon Hall in Shibuya, Tokyo on two CDs. The tracklisting includes all the classic hits from the band plus a handful of songs taken from the newest album “Hole In The Sun” and a driving rendition of Deep Purple’s “Highway Star” incorporated in the concert opener “This Boy Needs To Rock”.
Full tracklisting includes:
Cd1: This Boy Needs To Rock / Highway Star; Tell Your Vision; Sing Me Away; Touch Of Madness; Drama Queen; Rumours In The Air; Seven Wishes; The Secret of My Success; There Is Life; Eddie’s Comin’ Out Tonight.
Cd2: Sentimental Street; Forever All Over Again; Goodbye; Whatever Happened; Four In The Morning; When You Close Your Eyes; Don’t Tell Me You Love Me; Sister Christian; You’re Gonna Hear From Me; (You Can Still) Rock In America.
The bright lights and rock ‘n’ roll nights never end for Night Ranger. You can still Rock in America!
Whitesnake has released a new video in support of their new CD, Good To Be Bad. Good To Be Bad debuted at #76 on the U.S. Billboard Chart.
Whitesnake has returned with their first new studio album since the 1997 album, Restless Heart.
Before I go any further in this review, I will admit, I am biased towards Whitesnake. They have been one of my favorite bands for years, and I have been anxiously awaiting this disc. I am also a long time fan of guitarist, Doug Aldrich. I am quite familiar with his work prior to joining Whitesnake (Lion, Bad Moon Rising, House Of Lords, Hurricane, Burning Rain) and am also a little biased towards him as well.
With that being said, I have played Good to Be Bad several times, and have found it quite to my liking. Aldrich’s guitar sound on this record is fairly close to that of John Sykes playing on the Slide It In, and the multi-platinum, self titled album from 1987. John Sykes is not an easy guitar player to imitate, and I am not sure if that is what Adrich was trying to achieve with his playing. Nonetheless he shreds on this disc, and his guitar work is absolutely killer! He has achieved that signature guitar sound that was present on the two most successful Whitesnake albums of all time.
David Coverdale is no spring chicken at 56 years old, and yet his vocals are excellent as always.
The band could have a bunch of hits on their hands, especially with the tracks, Best Years, All I Want All I Need, All For Love and Good To Be Bad.
The song All For Love sounds so much like a lost Thin Lizzy tune, it is scary, and yet, incredibly cool. This is an amazing new song, and one of my new favorites.
I can hear some 70’s style Whitesnake in the songs, Summer Rain and ‘Til The End of Time. Both tunes have more of a bluesy feel to them. It is good to hear Whitesnake revisting their roots, even if it is an different set of musicians for this record. I can see the lighters and cell phones coming out, if the band chooses to play either one of these songs live.
The cool thing about Good To Be Bad is, I hear different things each time I listen to it. I will not tire of hearing guitar work this good in a long long time. This album is already on top of my play list and is going to take a monster of an album to surpass this disc in 2008!
Don’t hesitate to pick this one up! This is an awesome return to form for Whitesnake, and is easily one of their top discs ever! Good Job Whitesnake! Now bring your tour to the U.S. soon please!!
You can buy a copy of Whitesnake’s Good To Be Bad CD, at this link.
Rating:Out of 10
1. Best Years
2. Can You Hear The Wind Blow
3. Call On Me
4. All I Want All I Need
5. Good To Be Bad
6. All For Love
7. Summer Rain
8. Lay Down Your Love
9. A Fool In Love
10. Got What You Need
11. `Til The End Of Time
1. Burn-Stormbringer (live version)
2. Give Me all Your Love Tonight (live version)
3. Walking In The Shadow…. (live version)
4. The Deeper The Love (live version)
5. Ready & Willing (live version)
6. Don t Break My Heart Again (live version)
7. Take Me with You (live version)
8. Ready To Rock (enhanced video)
David Coverdale – Vocals
Doug Aldrich – Lead Guitar
Reb Beach – Rhythm Guitar
Chris Frazier – Drums
Uriah Duffy – Bass
Timothy Drury – Keyboards