On June 19, Deadline Music/Cleopatra Records will release a special 3-disc audio/video deluxe collection of Lynch Mob’s REvolution.
The set features the full-length studio album Revolution with killer, supercharged renditions of classic Dokken/Lynch Mob tracks such as “Tooth And Nail,” “Breaking The Chains,” “Wicked Sensation,” and more. It also includes professionally filmed live performances recorded during the 2005 REvolution Tour, mixed in 5.1 surround sound.
George “Mr. Scary” Lynch cemented his legendary role in the heavy music community in the early 1980s when he joined forces with Don Dokken. For almost a decade with Dokken, Lynch was able to develop a groundbreaking brand of guitar virtuoso that would also earn a Grammy nomination. In the early 1990s, Lynch launched his own project, Lynch Mob, which released several well-received records in between Lynch’s eclectic other solo works.
But in 2003, the Mob reassembled to rework Dokken and Lynch Mob material. The result was a decidedly darker, heavier, and very experimental reinvention that fans of all iterations of George Lynch appreciated. They took it on the road for a series of fierce concerts that left audiences jaw-dropped at the band’s creative live presentation
“This is a fine slab of metal.” Metal-Reviews
“…some of the heaviest sounding tracks that I have ever heard George Lynch play on.”
Hard Rock Hideout
“The high-octane result is a straight-ahead hard-rock album that manages to sound
neither dated nor contrived.” Sea of Tranquility
Along with the legendary George Lynch on guitar, this iteration of Lynch Mob features the return of Robert Mason on vocals after nearly a decade absence, original bassist Anthony Esposito, and Michael Frowein on drums.
REvolution will be available at record stores and online, MSRP $16.98.
DISC 1: REvolution
1. Tooth And Nail
2. Tangled In The Web
3. All I Want
4. Kiss Of Death
5. She’s Evil But She’s Mine
7. Cold Is The Heart
8. Breaking The Chains
9. When Darkness Calls
10. River Of Love
11. Wicked Sensation
12. Paris Is Burning
13. The Secret
DISC 2: REvolution Live! CD
2. Paris Is Burning
3. Dance Of The Dogs
4. Tangled In The Web
5. All I Want
6. Kiss Of Death
7. She’s Evil But She’s Mine
8. Cold Is The Heart
9. When Darkness Calls
10. River Of Love
12. Hell Child
13. Breaking The Chains
14. Wicked Sensation
15. Tooth And Nail
DISC 3: REvolution Live! DVD
1. Paris Is Burning
2. Dance Of The Dogs
3. Tangled In The Web
4. All I Want
5. Kiss Of Death
6. She’s Evil But She’s Mine
7. Cold Is The Heart
8. When Darkness Calls
9. River Of Love
10. Hell Child
11. Breaking The Chains
12. Wicked Sensation
13. Tooth And Nail
THE OTHER is considered to be Europe’s most famous Horrorpunk-Band. THE OTHER covers a wide range of fans from the Goth Scene to Rock and Metal fans. After the very successful release of New Blood in 2010 the band is now coming back with their new album called The Devils You Know. Once again THE OTHER worked with well known producer Waldemar Sorychta for this release.
The Devils You Know will be released July 17th in North America and will be available in a standard jewel case and digital download version. The artwork and track listing have been revealed today.
1.) The Devils You Know
2.) My Home Is My Casket
3.) Take You Down
4.) Skeletons In The Closet
5.) Fright Night
6.) Puppet On A String
7.) In My Veins
8.) Nice Day For A Funeral
9.) Nightmare On Halloween
10.) The Phantom Of The Opera
11.) Fire From Outer Space
12.) Where Is Your Saviour Now
13.) Hell Is A Place On Earth
14.) In The Shadows
2004 They`re Alive
2006 We Are Who We Eat
2008 The Place To Bleed
2010 New Blood
2012 The Devils You Know
Rod Usher – vocals
Sarge von Rock – guitars
Victor Sharp – bass
Dr. Caligari – drums
For More Info Visit:
Black Sabbath released the following regarding Bill Ward’s recent statement:
We have decided not to make any detailed comment on Bill’s latest statement. There are two sides to every story. We have been working hard at rehearsals making excellent progress after Tony’s treatments and we have engaged a substitute drummer for the forthcoming shows. See you at Download.
–Black Sabbath, 5/17/12
The following is Bill Ward’s Statement about his status in Black Sabbath:
Dear Sabbath Fans and Fellow Musicians,
I sincerely regret to inform you that after a final effort to participate in the upcoming Sabbath shows a failure to agree has continued. At this time I have to inform you that I won’t be playing with Black Sabbath at the Birmingham gig dated May 19th, 2012, nor will I be playing at Download on June 10th, 2012. Further, I will not be playing at Lollapalooza on August 3rd, 2012.
It is with a very sad heart that I bring you this news. I am sincerely passionate in my desire to play with the band, and I’m very, very sorry that it’s fallen to this. This statement is even more painstaking to write, as I was particularly excited to play alongside Tony Iommi after the recent treatments he underwent. I wanted that to become a reality.
To express my thoughts about you, the Sabbath fans, I’m going to speak to you all through an experience my brother James had recently. My brother Jimmy lives in the UK. When speaking with him a couple of days ago, he told me that an acquaintance had stopped him on the street and confronted him, “is your brother playing Birmingham? What’s going on? I waited in line with my son and paid x amount for the concert tickets.”
The man’s son is a young drummer. He’s going to see Sabbath, and he wants to see Bill Ward play drums. Upon hearing this news, I felt horrible. I couldn’t help feeling some resentment towards the failure to reach an agreement, the failure to remember where we came from, the failure to be as brothers, as we once were. To be clear, I’m not blaming the other guys or finding any faults with them. I would think it can’t be easy for them either, but this situation is just really sad. It’s sad that it’s come to this. “This” will surely leave a mark and be unwelcome to the memory. Hopefully “this” will heal and pass in time.
My heart sank when Jimmy told me about this young boy. I know this boy is going to be disappointed, and I don’t know how to amend it, other than to put my arms around the boy and tell him I love him. Sabbath fans have a voice and a face, to me you’re human, you have families and despair. You have ferocity and emotions and graciousness, and at this moment as far as I’m concerned you are also that young boy in England. I don’t know how to amend my part in these failings other than to put my arms around you and say I love you and let you know I’m very, very sorry.
Throughout this process, which began over a year ago, I have had to stand up for myself time and time again. I have had to stand up for myself and in doing so realize my actions indirectly, although unintentionally, are upsetting and hurting a lot of you. I know in my heart I couldn’t have done these concerts by agreeing the terms suggested. I made a solemn vow after the last European and Ozzfest concerts that I would never again enter into what was, in my opinion, a totally unsatisfactory contract. I have to stand for something, and as painful as it is, I’m doing it.
Earlier in April 2012, I’d been asked to participate “minimally” in the Download festival. I believe I’d been offered no more than three songs to play while another drummer presumably played the rest of the show with Black Sabbath. I was not willing to participate in that offer. I was not prepared to watch another drummer play a Sabbath set, while I was to play only three songs.
I found out about the Birmingham gig on Monday, April 30th through the Internet ad. I was taken aback somewhat by the date, and the fact it was Birmingham. Knowing the “signable” contract negotiations were at best in shreds, I was upset by the idea that the band was going to play Birmingham and play it assumedly without me. I had no prior knowledge of the date and location, and I felt totally excluded. We contacted the representative for Black Sabbath to see if something could be worked out. In the meantime my drum crew and I, along with our US endorsers, finished all the necessary planning for a swift departure to the UK. There wasn’t a whole lot to complete; we’d all been on standby more or less since mid-January 2012. The remaining work in the UK was confirmed done by our European and UK endorsers and we were good to go by Friday, May 4th 2012. There were two stress points: firstly, getting an agreement in place, and secondly, getting to England in a timely manner. Jetlag time was taken into account as well as drum practice, a drum practice room in the heart of Birmingham, accommodation, and travel arrangements were all in place to meet with any band rehearsals that may have transpired before the Birmingham show. So far everything that had been arranged was on my dime, but we didn’t move ahead without a realistic confirmation.
Communications between the representative and my lawyer continued through the weekend of May 5th finalizing on Wednesday, May 9th. The offer we received on May 9th was, “come to the UK, play for free and see how the first show goes.” I was tempted. Playing for free would not have been a problem for me, but “seeing how the first show goes” left an element of risk which could have affected Download. My ideal thought was to play in full the Birmingham show, in full Download, and in full Lollapalooza.
I had notified the representative that May 10th was my cutoff day in order to have good lead-in time for England. On the night of May 9th I asked for a brief letter to be sent to the representative asking to find out if we were at an end. On the morning of Thursday, May 10th, I received a reply in the affirmative. After consulting with my advisors and crew a decision was made to let go and stop.
I can’t prioritize the Sabbath fans making one show more important than the other. I can’t do that. All of you are important. It’s all the gigs or none at all. I can’t come to Birmingham and “see what happens” knowing there is a risk of not being able to play Download or Lollapalooza. Again, for me, it’s all or nothing. I had to say “no” to Birmingham on the principle of wanting to play all the shows. Saying no to Birmingham is very difficult for me. My family grew up in Birmingham. Black Sabbath grew up in Birmingham. It’s still my hometown and I resent having to arrive at such a difficult choice.
Although the statement was made that, “the door is always open” for me, as explained above, walking through that door is not always as easy as it sounds. There are many complicated issues and unseen and unspoken agendas on hand. I can assure you, my criteria for a “signable” contract is based in mindful principles, respectability, and acknowledgement of my history within the band.
I hold no malice or resentment towards the other band members. I love them; I’m tolerant of them; I’m frustrated with them, as they may be with me. My fight has never been with them. I’ll love them forever. In my opinion, nobody wins this time; the band doesn’t win; the fans for an original lineup don’t win. Nobody wins, nobody. Even the ones who thought they did.
I didn’t want to make this decision, but I have to be honest and transparent. This is the statement I didn’t want to write; it’s the last thing I wanted to do. But, I have written it, and now it can go into the universe.
Since spring of 2011, I’ve waited patiently and hopefully for a signable contract, you know the rest. I stand for the boy in the U.K., for the coming drum student, for all the drummers, who write their parts out and get stiffed on the publishing, I stand with the Sabbath fans chanting “Bill Ward” and asking “why?” and I stand with Tony and Geezer and Ozzy.
On a final note, even though I’m at an end with the upcoming announced concerts, I will remain with an open mind and a position of willingness to negotiate “signable” terms with Sabbath’s representatives in the future.
Stay strong. Stay safe.
With all my heart and strength, I love you,
Another M3 Festival has come and gone leaving behind only the memories. 2012 was once again a great year for the M3 festival, and although Saturday’s portion of the show had a few hiccups and missed cues, overall, the festival was fantastic. A fun filled day of hard rocking, hair metal music, after a fun filled night of the same. As usual both days of the festival flew by and before I knew it, I was on my way home with a music hangover.
As with any major music production, there were plenty of highs, a few lows, and some pleasant surprises. Let’s look at each of these in a little more detail, shall we? Welcome to this very special 3-part edition of Vie’s Verses.
Let’s start with the good stuff. There were a lot of great things to see at the 2012 M3 Festival, but one of the most immediately noticeable was all of the beautiful women. It’s great to know that hair metal still has women who love the music and look terrific. It’s also great to know that there are younger women who love hair metal and look terrific! Now granted, I am a happily married man, but if I wasn’t, the M3 festival is where I would go to find the next love of my life. These beauties were absolutely stunning! As Steve Whiteman said from the stage, “There are no ugly women here!” Well stated, Steve.
For the second year in a row, KIX headlined night one (dubbed the Kix-Off Party) and once again produced an amazing performance. I am always in awe of the energy that Steve Whiteman and Kix bring to the stage each time they perform live. This latest performance was no exception. Whiteman and company brought the goods in both the songs they played and the energy they performed them with. Classic Kix hits were all done to perfection, including surprises like “Lie Like A Rug.” And while Whiteman stated that Night Ranger should have headlined the show, there is no replacement for Kix. They were the true headliners of the evening.
One of the best performances at this year’s M3 was also one of the shortest (see Part Two: The Lows). Stryper came on during the early part of Saturday and after having to do a quick live sound check, they kick-started their 6-song performance with passion. Reach Out, Free, Calling On You, To Hell With The Devil, Soldiers Under Command, and Sing-Along Song were all performed during the condensed set. Each song was performed note perfect and Michael Sweet still has the range to hit all of the notes on every song. And while I would have loved to hear him sing Honestly (to truly test his range), the M3 guffaw to start the Saturday show prevented that from happening. All in all though, Stryper was the best performance of day two. I hope that they return next year as headliners.
Wow! Geoff Tate not only looks great, but the man can still sing too! Queensryche absolutely blew me away during their performance. I had never been a huge Queensryche fan, I only own two albums and one of them is Hear In The Now Frontier, so I did not know a lot of the songs they performed. However, that didn’t matter. Their performance was so mesmerizing and intense, that I was mystified by all of the songs. And while I may not run out and buy their entire back catalog, if Queensryche were to schedule a future show near me, I would certainly have to check it out. Having never seen Queensryche before, my first experience was a grand one.
Once again, Warrant with Robert Mason made me a believer and renewed my membership in the Warrant fan club. This is the best that Warrant has sounded since Cherry Pie. Warrant not only performed all of their massive hits, they also took the time to play new material from their latest release, Rockaholic. The new songs sounded as fantastic as the classic material and if you’re a Warrant fan, I hope that you have a copy of Rockaholic. If not, you need to purchase it. Robert Mason looked as buff and beautiful as ever and his voice and energy has not shortened one bit. The rest of the band seemed rejuvenated by Mason’s lead and they all brought the energy of the early 90s with them. By watching Warrant perform, you would have sworn they were headlining a huge arena, not serving as a middle act for the M3 Festival. In a perfect world, Warrant would be one of the top bands on next year’s bill, perhaps co-headlining with Stryper. Hmmmm, maybe these two bands should get together for a summer tour? I know that I would go see that.
Be sure to check back tomorrow for part two…The Lows.
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Slash’s new video,”You’re A Lie” is finally available. The single has been out for a few weeks now. Slash’s new album, Apocalyptic Love featuring Myles Kennedy and the Conspirators will be released on May 22nd. You can pre-order it from Amazon.com at this link!
What can I say about Kix that hasn’t already been said? They are the only band that has played each and every year at M3, and I can’t imagine this festival without them. They proved once again why they deserve the headlining slot at M3 on Friday night, by turning in another energetic set of kick ass rock and roll. Kix blasted out the tunes “Hot Wire”, “Heartache”, “The Itch”, “Same Jane”, “Cold Shower”, “Girl Money”, “Don’t Close Your Eyes”, “No Ring Around Rosie”, “Lie Like a Rug”, “Midnite Dynamite”, “Cold Blood” “Blow My Fuse” and an encore with the crowd favorite “Yeah, Yeah, Yeah”. I am pretty sure 80% of the folks in attendance were singing along. (It sounded that way anyway.)
Overall, I thought the Kix off party was a big success for M3. This show seemed to have a lot more people in attendance than the Kix off party (Friday Night) in 2011. I hope M3 will bring Kix back again in 2013. My only disappointment was, I thought Kix’s set could have been a little longer. I was hoping they would at least play a couple of extra songs on their encore, but they only played one. I missed hearing “Red Light, Green Lite, TNT”, and “Sex”, but their set was still great, and I am extremely glad I got to see Kix again. They were easily one of the best bands of the M3 Rock Festival in 2012.