At the M3 rock festival Ryo Vie and I, had the opportunity to meet and interview Kix front man, Steve Whiteman, before their show Friday night. Kix will be releasing their first new album since ’95 later this year, and we couldn’t be more excited to hear new music from Kix. Check out what Steve Whiteman had to say about the new album, and more!
Ryo Vie: I saw your show at Starland Ballroom at the beginning of April. Great Show!
Steve Whiteman: Oh Thank you, that’s a cool room. I love to play that room.
Ryo Vie: I loved your rant about Youtube, how there is no surprises anymore.
Steve Whiteman: That’s true, we are playing some new songs, and everyone will have them downloaded…next, bring on the new shit.
Rob Rockitt: Kix is going to release their first new album since 1995.
Steve Whiteman: We took a ten year break as we really thought the music was dead. Our genre of music was totally flushed. There was a new party in town and we were not invited. So we had to just move on and do other things with our lives. In the meantime, I started a band named Funny Money. We put out five CDs. It is not like we weren’t doing anything. four studio albums and one best of CD. Brian was in Rhino Bucket, and they put out a CD about every other week (laughs), and Ronnie has Blues Vultures. We were all writing and doing things but just not collectively. It is not like we weren’t producing music, but this whole concept of new record came from that live DVD, Live in Baltimore. The label we were with at the time, Frontiers, requested a studio album. We hadn’t really thought about it. All the fans, they don’t want to hear new shit.
Rob Rockitt: Yes we do!
Steve Whiteman: I know that now, but our train of thought they just want to see and hear the old shit that they grew up with. cause that’s the case with most bands. We wouldn’t go out and play a new album. We wouldn’t get out-of-town without doing “Yeah, Yeah, Yeah”, “Don’t Close Your Eyes”. That stuff is staples of our live show. Probably a good year went by and we were trying to find Taylor Rhodes, trying to track him down thinking he would be perfect to get involved to steer us in that Kix direction. He was a co-producer on a couple of records and a co-writer on some of the records with Donnie. Since Donnie wasn’t involved anymore. I don’t write like Donnie. That is why my songs weren’t on Kix records.
Rob Rockitt: I know Donnie was your primary song writer on past albums
Steve Whiteman: By command, not by choice
Rob Rockitt: so moving on to your new album, what was the song writing process like
Steve Whiteman: We were always writing, so when time came. We sent 40 songs to Taylor that we all put together and we left it up to Taylor to go through them, and listen to them and narrow it down to 15. We all go together and worked on the 15 as a band in the studio for the first time in twenty years. That was cool. There wasn’t one person running the show. It was everybody’s input and contribution. We worked on those songs, and in about a week’s time, they fell together nice. We thought yeah, we think this will work, let’s do it.
Rob Rockitt: The album has been done for a while hasn’t it.
Steve Whiteman: It has been done since the end of last summer, last fall.
Ryo Vie: What has caused the delay in getting it out.
Steve Whiteman: probably the whole Frontiers situation. They were being sued by the American Frontiers. It wasn’t a label but someone who owned the copyright to the name. Everything was pretty much on hold. We knew Tom Lipski from CMC, that is why we signed with Loud & Proud. We knew Tom would give us tender loving care and that we be a much better situation.
Ryo Vie: There were no ownership rights issues where Frontiers could have said hey those are our songs?
Steve Whiteman: There could have. We had to work out the legality thing to get that shit off the table.. It takes a really long time. Lawyers go back and forth, and back and forth. By the time we got off of it, we will probably pay the lawyers more than we make. But hey, the fans get new music.
Rob Rockitt: Does the album have a name?
Steve Whiteman: We are throwing that around now. We haven’t named it yet. I suggested New Shit.
Rob Rockitt: I love that!
Steve Whiteman: Everyone likes that but the record label. We are a funny band. What you gonna name the album…New Shit. I am campaigning, I don’t know if it will happen or not, but I am campaigning.
Ryo Vie: Switching gears, last year at M3 Kix did not headline that Friday night slot, and the fans were not happy.
Steve Whiteman: That was pretty much W.A.S.P.’s request. It wasn’t a demand on their end. We really don’t care. We have no ego’s whatsoever. We will go on third, we don’t give a shit. As long as we can get up in front of our fans and give them a good show, we know that our fans are going to be out there regardless. At their request, they would like to close the show. It was a little more firm than that, but we said ah go ahead. No hard feelings.
Rob Rockitt: Once the album hits, what are you planning to do touring wise.
Steve Whiteman: It is going to depend on the demand. The demand tells you where to go. If it doesn’t get any airplay, which I don’t know if it will or not. XM will jump on it. Some of the harder edged stations will jump on it. Trunk will play it. It is really going to get mainstream radio interested. I seriously doubt it. Kix? I didn’t play them when they were out the first time. (lots of laughter) I don’t know what to expect. We will go where the demand takes us.
Rob Rockitt: With so many of the classic bands with new music coming out in 2014, I am surprised that a multi-bill shed tour hasn’t been planned.
Steve Whiteman: I guest it costs too damn much to get on the road these days. Say if you put Tesla, Kix and Great White on the same bill, which is the tour we did 20 years ago, you could put that on a tour today and it would be really good. I don’t think the venues could pay us enough to keep hotels, crew, bus. I don’t think there is enough money to be made to do that. That is why we do the fly dates. You fly out the day before, they supply everything. The drums, backline, we fly home. Its simple, and its better than trucking around in a tour bus.
Ryo Vie: What about doing a residency at Hammerjack’s or somewhere in Baltimore.
Steve Whiteman: Hammerjack’s isn’t even real yet. I keep hearing about Hammerjack’s. It is someone’s dream at this point. We have been playing Ram’s Head for the last five years. It is a great venue with great crowds.
Rob Rockitt: One thing I have been curious about is, what is your work out regimen. You are in great shape.
Steve Whiteman: P90X. I’ve always worked out, and I got tired of doing the same thing. I kept hearing the ads for P90X. Mark, our bass player, his neighbor gave it to him, and he was doing it, and he said you should try this, since you are looking for something new. He gave it to me, and i’ve been doing it for three years. It is vigorous, but it works. I am in better shape now than I have ever been in my life.
Rob Rockitt: It has been well publicized that you were the teacher for Lzzy Hale.
Steve Whiteman: Yeah, I get way too much credit for that.
Rob Rockitt: How do you feel about that? Halestorm is doing great
Steve Whiteman: I am so proud of them. Don’t give me too much credit. The girl has all the talent in the world. She didn’t know how to put it together, how to prepare, or how to warm herself up, how to protect herself, and she didn’t project very well. That is really what I worked on with her.
Rob Rockitt: Do you have other students that you are working with now that could be the next big thing?
Steve Whiteman: I have some female students that are really talented that are 14-15 years old. Just like when Lzzy came to me. That is a special situation with Halestorm as their parents were so behind them. The parents home-schooled them, their whole career, they all worked together as a family to make that happen.. Most kids don’t have that. That is kind of a special story. It sure did pan out well.
Ryo Vie: Yes it did, indeed!
Rob Rockitt: What is the latest music you are listing to?
Steve Whiteman: The Winery Dogs. They blew me away on the boat. They were so good. I have had their CD for a while, but once I saw them , I said oh, now I really get it. It was like when I saw the Stones for the first time. I like the Stones, but when I saw them, whoa. How has anyone not heard Richie Kotzen at this point. He is phenomenal. He had his solo band on the ship, and they were almost as good as the Winery Dogs. They were just amazing.
Rob Rockitt: 35 years!
Steve Whiteman: Yeah so what (laughs)
Rob Rockitt: Did you ever think when you started out in the Shooz that you would still be doing it this long?
Steve Whiteman: that is kind of like saying, when am I going to die. You don’t put a time limit on it. As long as people are digging it, and you are doing it, and having a good time doing it, and making a living at it, you keep going. Stones, Aerosmith, all those bands that continue to do it, cause there is a love and a passion for it. Of course, they make a hell of a lot more money than they do, but they don’t need the money at this point in their life. They just do it because they love it. You don’t put a door or a window up. You just keep going forward. When nobody wants you anymore, I guess its done.
Rob Rockitt: There is an alarming trend right now, where a few bands from the 80’s are starting to put in their retirement notices, and starting to call it quits.
Steve Whiteman: That is because they are old and out of shape (laughs), they don’t do P90X. Going back to your other question, a band that my kids turned me on to, is a band called Fun.
Ryo Vie: That’s a good band.
Steve Whiteman: I really love that band. I’ve seen them live a couple of times. They are amazing. That guy (Nate Ruess) sings better than anybody I have ever heard. He is amazing, he is a good front man, the band is phenomenal. They play great songs. I hear my kids play their music all of the time, so I am real familiar with it. I drove them to the 9:30 club in D.C., I didn’t want them to drive to D.C. by themselves. When I got there, I was blown away. I had a great time. We saw them again here, when they played at Merriweather.
Ryo Vie: So you were the coolest dad in the world.
Steve Whiteman: Absolutely, for that evening anyway. It was a night like tonight, it was sold out. 20,000 people.
Rob Rockitt: In closing,the new album is coming out, what does the future hold for Kix?
Steve Whiteman: I don’t think of it like that. Whatever comes our way, if it makes sense we will do it. If we would get some airplay in Europe or Japan, we would probably hop over and do some shows there. You gotta wait and see what it brings, at this point, we won’t know until its out there an how it is accepted. It may tank, or it may slowly do something. If it does anything like the Winery Dogs, we would be blessed, but those guys are kinda good.
Ryo Vie: You guys are kinda good too.
Rob Rockitt: Get on a bill with them.
Steve Whiteman: We are label mates so that could be a possibility.
Ryo Vie: Kix, Winery Dogs and Halestorm
Steve Whiteman: Wouldn’t that kill!
Ryo Vie: That would be an awesome tour!
Grand Rapids, Michigan’s sons POP EVIL have landed their THIRD #1 SINGLE with their heartfelt mega-hit “Torn to Pieces,” from their most recent LP ONYX. The band saw two previous singles peak at #1 on the Active Rock charts last year, first with “Trenches” followed by “Deal with the Devil.” “Words can’t explain the feelings I have after finding out and realizing we’ve just accomplished such a rare feat,” says frontman Leigh Kakaty. This marks one of the few times in chart history that an artist on an independent record label has landed three number one singles off the same LP.
The song is one that hits close to home. “Torn to Pieces” is a heartfelt tribute to Kakaty’s late father, who passed away around the time the album was being made. He concludes, “It’s been a roller coaster ride of emotions for me. Through all the outpouring of support from our fan base, we’ve realized that our music can share common ground and help others during rough times.” The band also saw success around an Instagram campaign where they encouraged fans to tag their own stories of loved ones lost with #petorntopieces, using the song. The response was overwhelming.
Pop Evil would like to thank their management team, radio promotion team, record label, rock radio itself, and all the fan support for making this song their 3rd #1 single off Onyx.
The band recently performed in front of 40,000 fans at ROCK ON THE RANGE FESTIVAL held in Columbus, OH. There the band performed “Trenches” with the legendary rapper Darryl D.M.C. McDaniels, who remixed the single for a bonus track on a deluxe edition of ONYX. During the song, the band was honored to have 13 Marines showcasing the Lima Company Eyes of Freedom Memorial standing behind them during its performance.
POP EVIL released Onyx, their third studio LP this time last year and has taken the band on their wildest ride yet. The LP debuted at #39 on the Billboard Top 200 and #9 on the Independent Chart and has since gone on to sell over 85,000 copies in the U.S. alone. The band attributes their success to non-stop hard work, constant touring and writing great songs. The Aquarian weekly put it best when they said, “This group is the average American heavy rock fan’s dream.”
Catch Pop Evil on the road right now with label-mates AVATAR, tour dates can be found here.
Scandinavia’s leading all-lady hard rock/heavy metal outfit, Crucified Barbara, has launched a music video for the new track, “To Kill a Man,” on YouTube.Check it out below!
“To Kill a Man” is the first single from the band’s upcoming fourth studio album, In the Red, to be released on August 20 via Despotz Records.
“One fifth of all the world’s women have been raped or assaulted in their lifetime,” commented the band. “The dark statistics became the basis for the song ‘To Kill a Man’ and our most important message of the video. The production company 11Frames has captured our vision perfectly, and we are proud that we take the opportunity lifting heavy topics such as violence and sexism with a really heavy hard rock video.”
“To Kill a Man” can be purchased on iTunes at: https://itunes.apple.com/us/album/to-kill-a-man-single/id860702559 and streamed on Spotify at: http://open.spotify.com/track/2ajQRO5ArXqfBSFCKFufvG.
Crucified Barbara is currently putting the finishing touches on its Despotz debut, which was recorded at Studio Music A Matic, Gothenburg with producer, Chips Kiesby, and engineer, Henryk Lip, and follows 2012’s acclaimed, The Midnight Chase.
“The signing of Crucified Barbara fits perfectly in line with our strategy and goal to be a choice for Sweden’s biggest rock bands, where they can work closely with a local Stockholm-based music company on a global basis with an international PR and distribution network,” said Ömer Akay, Despotz Records co-founder and partner. “We are incredibly proud that these wonderfully gifted musicians chose to sign with Despotz.”
Crucified Barbara formed in 1998 in Stockholm, Sweden with punk as a first inspiration, which can still be found as a presence today. However, throughout the years the quartet has evolved towards a harder, heavier and more contrast-filled rock sound, mixing elements of thrash, sleaze and hard rock.
Over the course of its 15-plus year existence, Crucified Barbara has toured alongside and supported such acclaimed acts as In Flames, Sepultura, Motorhead, Backyard Babies, Doro and more, while touring extensively across Europe. The band has also visited Russia, Australia and both South and North America.
Stay tuned for more information on Crucified Barbara and In the Red, out this summer on Despotz.
Crucified Barbara is…
Mia Coldheart – Vocals, guitar
Ida Evileye – Bass
Klara Force – Guitar, backing vocals
Nicki Wicked – Drums, backing vocals
Crucified Barbara online…
Despotz Records online…
SLASH FEATURING MYLES KENNEDY AND THE CONSPIRATORS
‘WORLD ON FIRE’
NEW ALBUM AND SECOND WITH CURRENT LINE-UP TO BE RELEASED
TITLE TRACK WILL ARRIVE AT RADIO FRIDAY, JUNE 13TH
COVER ARTWORK DESIGNED BY RON ENGLISH
GROUP ANNOUNCE HEADLINING SUMMER 2014 TOUR DATES
ALONGSIDE “LET ROCK RULE” TOUR WITH AEROSMITH
TOUR STARTS JULY 10 IN NEW YORK
SLASH AND MYLES KENNEDY TALK ABOUT
‘WORLD ON FIRE’
SLASH and his bandmates Myles Kennedy and The Conspirators will release their new album WORLD ON FIRE on September 16 via SLASH’s own label Dik Hayd International distributed through Caroline. The group revealed the cover artwork for WORLD ON FIRE designed by American contemporary artist Ron English today.Featuring the blazing title track as the first single—arriving at radioFriday, June 13th—the disc marks SLASH’s third solo album and second one with his band featuring MYLES KENNEDY (vocals), BRENT FITZ (drums) and TODD KERNS (bass). **See a Q&A with SLASH and MYLES KENNEDY below.
For WORLD ON FIRE, SLASH and his band tapped Michael “Elvis” Baskette (Alter Bridge, Falling In Reverse, Incubus) to produce. Among the 17 songs is an instrumental–a powerful new turn for the band. WORLD ON FIRE is the follow-up to 2012’s Apocalyptic Love which debuted at #4 on the Billboard Top 200 chart and earned SLASH two No. 1 U.S. rock radio hits–his first-ever solo–with “You’re A Lie” and “Standing In The Sun.” SLASH officially began recording as a solo artist with his self-titled 2010 debut album which employed a different vocalist on each track of his first album including Ozzy Osbourne, Fergie and Myles Kennedy among others.
Following are song titles for WORLD ON FIRE:
“World on Fire”
“30 Years to Life”
“Bent to Fly”
“Too Far Gone”
“Beneath the Savage Sun”
“Iris of the Storm”
SLASH and Myles Kennedy and The Conspirators have announced additional solo dates in between their summer tour withAerosmith. The group will preview new songs for fans on the trek which kicks off Thursday, July 10 at Nikon at Jones Beach Theatre in Wantagh, NY (see the full itinerary below). Special ticket packages include: amazing seats (Level 1 tickets), an exclusive autographed SLASH lithograph, a Digital Download of the new SLASH album WORLD ON FIRE and a merchandise voucher worth $50, redeemable in the SLASH Exclusive Online Store. For all packages, visit: http://slashonline.com/tour.
Check out the exclusive behind-the-scenes documentary SLASH’s “Real To Reel” at: www.slashonline.com. The innovative online series documented the entire in-studio recording process from the first day of recording to the last; the multi-segment fly-on-the wall series follows Slash and The Conspirators from pre-production at NRG Studios in Los Angeles to Studio Barbarossa in Florida, as they write, play, create and record WORLD ON FIRE from start to finish.
SLASH and MYLES KENNEDY talk about the album and the forthcoming tour dates in this Q&A:
WORLD ON FIRE marks your second album with your band MYLES KENNEDY (vocals), BRENT FITZ (drums) and TODD KERNS (bass). How do you feel the dynamic between the four of you has evolved?
SLASH: We had a natural chemistry from the very beginning. The longer we have been together the more it has blossomed. And because of all the touring and the different situations we have been thrown into as a band and as players, we have all subconsciously learned from that. It shows up when we’re writing and when we’re recording. It’s sort of an unsaid thing, but I can sense it. It’s a natural evolution for a bunch of musicians in a band together.
MYLES: Over the last four years we have definitely evolved into a band. Utilizing Todd’s vocal prowess and Brent’s ability as a multi-instrumentalist definitely highlights what the Conspirators are capable of. I feel like it adds to what Slash and I do as songwriters. Not to mention they are both a big part of the arrangement process. Todd even brought in a cool progression that we used for the verses in “Shadow Life” and he added an great intro to “The Dissident” which is really fun.
What are the biggest differences between the last album Apocalyptic Love and the new album WORLD ON FIRE?
SLASH: The biggest difference is that the band has also has naturally evolved with so much touring and all of these different things. There’s a difference in musicianship that shows on this record and the songwriting skills especially.
The other difference is the fact that we recorded both albums live, but we kept the first one (Apocalyptic Love) just live. That was it. There was no over-dubs or layering or any kind of studio techniques. With WORLD ON FIRE I wanted to do guitar harmonies and double up parts and just create sounds. It’s a little more produced record in that sense.
MYLES: We didn’t spend as much time fine-tuning arrangements as a unit during the Apocalyptic sessions. I think that’s part of the reason this record sounds as cohesive as it does. Slash spent a lot of time with Todd and Brent working on arrangements while I was on tour with Alter Bridge late last year. When I got off the road, I met up with them in LA so they could get a feel for how the songs felt with vocals.
Another difference is that Slash played all the guitars on WORLD ON FIRE. During the Apocalyptic sessions I sang and played guitar which was fun, but it definitely cut into the amount of time I had to focus on lyrics, etc. Not playing guitar on WORLD ON FIRE gave me additional time to fine-tune lyrics and melodies which improved the songs in the end. I’m very happy with how it turned out.
For WORLD ON FIRE you teamed up with producer Michael “Elvis” Baskette (Alter Bridge, Falling In Reverse, Incubus). What do you feel he brought to the table?
SLASH: Elvis is very conscious about guitar and guitar tones as well as drums, bass and vocals. For me, it is important to work with somebody who is very dialed-into guitar sounds. In this particular day and age it’s a rarity to find someone who really understands guitar sounds. Elvis is an extremely hard-worker. I consider myself a hard worker as well as Myles. He was somebody that, over the course of making the record, gave me an even more of an extra push in some moments. So he brought out the best in me as well as Myles and the drums and everything. He was a pleasure to work with.
MYLES: Elvis is brilliant. It’s the fifth record I have had the pleasure of recording with him. His ability to get the best out of a rock band is pretty special. He always seems to be aware of what the fans want to hear from an artist. He did a great job documenting Slash’s tone and sound. I remember the first time I heard the solo for “Battleground”–I was blown away. Elvis captured the sonic hallmarks that made Slash’s playing resonate with me 25 years ago.
Elvis is hands-on with every element of the recording process. From the arrangements to the final mix, he is relentless at making sure that the record is everything it should be and more.
Did you guys experiment with any new sounds with the production?
SLASH: Yes and no. The whole record sounds new compared to the last album. Yes we did do a lot of tonal and EQ and guitars. I can’t say we were looking to break ground with new technology, because we did this to tape. But from a tonal and equalization point of view, we definitely broke a lot of new ground.
MYLES: That would be a question for Elvis or Slash. I can definitely hear some new approaches that I haven’t heard on the last two records.
What makes “World on Fire” the perfect single choice?
SLASH: I think there’s a lot of singles on the record, but it’s a good kick-off song. It’s up-tempo, aggressive, it’s a fun song. I love the whole world on fire, larger-than-life kind of vibe that the title and lyrics have.
MYLES: It’s got a certain intensity and drive that made it a compelling choice for the lead-off track.
In what ways are we all suffering from a World on Fire?
SLASH: To be literal about it, we have the global warming thing. But that’s not the catalyst for the title. “World on Fire” is more of a tongue-in-cheek, positive, fun thing– it has a lot of sexual connotations in the actual song itself. It’s a euphemism for going a little bit crazy and pulling out all the stops.
MYLES: “World On Fire” isn’t necessarily a profound statement about where we are as a planet. It’s about living life to the fullest….carpe diem. Some might perceive the track as carnal in nature, but the idea of seizing the moment and doing what makes you happy is the overall theme. Then again, it’s not up to me to dictate what a song will mean to everyone. All I can do is tell you what was going through my head as the lyrics were being written.
What are a couple of other songs that you feel are highlights for you right now?
SLASH: When doing a record I hate to identify with any one particular song or two particular songs. It’s not like the record is written with one great song and the rest are filler. They all mean as much as the others. There are a few songs that are very different than what we did on the last record. There’s a song called “The Unholy” which was influenced by my work in film. There’s another song called “Thirty Years to Life” which is a little bit of a departure. There’s another song that sticks out in my mind called “The Dissident” that’s a little bit unpredictable compared to stuff that people would expect from us.
You’re touring with Aerosmith this summer for the “Let Rock Rule” tour. It feels like true rock is needed more than ever in a very pop-driven landscape. How do you guys feel about this?
SLASH: I am a Rock n’ Roll guy. The music business has become a pop-oriented sort of thing and all of the different music genres have become pop. I love the fact that I am doing Rock n’ Roll and have always done the same thing from a very heartfelt place. Aerosmith has represented that to me ever since I was kid. The two of us going out there and doing this big tour and holding that banner and doing it as sincerely as it can be done is something that I can be proud of.
MYLES: Though rock is not the force that it once was in America, it still has a loyal fan base that always seems to continue regardless of what popular culture deems as the “cool thing.” It’s great because you go to a rock show and you know folks aren’t there because they are following trends, they aren’t fair weather fans, they’re following their heart and listening to music that they love. People have been saying rock is dead for years but the reality is that it just falls out of favor with pop culture from time to time. The rock fans are still out there and that’s why a tour like this is so important.
SLASH featuring Myles Kennedy and the Conspirators tour datesare as follows:
|Hampton Beach, NH||Hampton Beach Casino Ballroom|
|Wantagh, NY||Nikon at Jones Beach Theatre|
|Ottawa, ON, Canada||Ottawa Bluesfest (non-headlining)|
|Kitchener, ON, Canada||McLennan Park|
|Mansfield, MA||Xfinity Center|
|Northfield, OH||Hard Rock Live|
|Cincinnati, OH||Riverbend Music Center|
|Tinley Park, IL||First Midwest Bank Amphitheatre|
|N. Kansas City, MO||Harrah’s N. Kansas City – Voodoo Lounge|
|Inglewood, CA||The Forum|
|Scottsdale, AZ||Talking Stick Resort & Casino – Ballroom|
|Las Vegas, NV||MGM Grand Garden Arena|
|Stateline, NV||Lake Tahoe Outdoor Arena At Harvey’s|
|Concord, CA||Sleep Train Pavilion|
|Coquitlam, BC, Canada||Hard Rock Casino – Vancouver|
|George, WA||The Gorge Amphitheatre|
|Denver, CO||Pepsi Center|
|Dallas, TX||American Airlines Center|
|The Woodlands, TX||The Cynthia Woods Mitchell Pavilion|
|Atlanta, GA||Phillips Arena|
|Hollywood, FL||Seminole Hard Rock Hotel & Casino|
|Atlantic City, NJ||Boardwalk Hall|
|Newark, NJ||Prudential Center|
|Bristow, VA||Jiffy Lube Live|
|Clarkston, MI||DTE Energy Music Theatre|
|Sydney, NS, Canada||Open Hearth Park|
|* Indicates Headlining Shows.|
SLASH has amassed album sales of over 100 million copies, garnered a GRAMMY Award and seven GRAMMY nominations and was inducted into the Rock N Roll Hall of Fame. Time magazine named SLASH #2, behind Jimi Hendrix, on its “The Ten Best Electric Guitar Players of All-Time” list. SLASH helped create signature sounds like the guitar riff on #1 hits for Guns N Roses “Sweet Child o’ Mine” and “Welcome To The Jungle.” After leaving the band, SLASH went on to critical acclaim with SLASH’s Snakepit and global success with the supergroup Velvet Revolver. SLASH’s self-titled biography critically well-received, climbed the bestseller list in both the U.S. and U.K. hitting #8 on the NY Times Bestsellers List. SLASH landed on the top of the charts with his first solo album, Slash (2010) which featured Ozzy Osbourne, Fergie and more. SLASH and his band featuring Myles Kennedy and The Conspirators released the critically acclaimed Apocalyptic Love (2012) which stormed the Billboard Top 200 Albums Chart at #4 as the top rock debut and produced his first-ever #1 rock radio solo hits: “You’re A Lie” and “Standing In The Sun.” SLASH released Nothing Left To Fear (2013) the first-ever motion picture he co-produced from Slasher Films, his film/TV production company. SLASH and his band will release their new album WORLD ON FIRE September 16 2014. www.slashonline.com.
SLASH featuring Myles Kennedy and the Conspirators:
UK rockers Screaming Eagles have released a new video “All The Way” in support of their debut album, From The Flames. Check out the clips “All The Way” and “Rock N Roll Soul” below.
All The Way
Rock N Roll Soul
For more information on Screaming Eagles, check out the band’s facebook page!
You can get get a copy of From the Flames at the Amazon UK website here.
30 years ago Twisted Sister released what would become their most well known album, Stay Hungry. The record achieved massive success, selling more than 3,000,000 copies and spawning two signature hits: in “I Wanna Rock,” and “We’re Not Gonna Take It.” It was those two singles that made Twisted Sister a household name in the headbangers community.
Stay Hungry will always have a place reserved in my music loving heart. It was the first metal record that I purchased upon release. After hearing “We’re Not Gonna Take It” on the radio and seeing the video several times, I knew that I had to own this record. And while Kiss’ Destroyer was the first hard rock record I ever owned, that was purchased used at a garage sale, and only because Scott Thornton couldn’t stop talking about this band called Kiss. He raved about them so much that I had to check out their work. Stay Hungry was different. The purchase of that cassette was entirely my decision and influenced by no one other than me. Purchasing Stay Hungry was one of the best decisions I ever made in my music loving life.
My decision and my cassette tape are now 30 years old. It’s amazing how quickly time goes by. It’s also amazing how well Stay Hungry has held up over the years. Every song on the record was fantastic in 1984 and every song on the record still sounds fantastic to this day. Stay Hungry is a metal masterpiece and should be higher on the list of greatest rock records of all time than it is usually placed. With classics like the aforementioned “I Wanna Rock,” and “We’re Not Gonna Take It,” in addition to the amazing power ballad “The Price,” and fan favorite “S.M.F.,” how could Stay Hungry not be considered one of the greatest rock albums?
This hard rocking masterpiece has aged well and if Stay Hungry were released today, I’m betting that it would still be considered a classic. The music is timeless and the themes span generations. There will always be kids that want to rock and everyone feels that they aren’t going to take it anymore, no matter what age. Hell, I still blast that song in my car from time to time when I’ve had a rough day at work. The beauty of the anthem is that it can be appreciated by almost anyone.
In 2004, Twisted Sister tried to capitalize on the 20th album, adding additional tracks, and titling it Still Hungry. The re-recorded songs did not sound as good as the originals and the album was panned by most critics. There were a lot of rumors that the album was re-recorded because it was the only record that Twisted Sister did not hold the rights to and the re-recording would change that, paving the way for a proper re-mastered version.
In 2009, for the 25th anniversary of the album, the re-mastered anniversary edition was released and included a bonus disc of early demos and unreleased tracks. This version of the record sold much better than the Still Hungry fiasco, which five years later, was still being snubbed by critics and fans alike. It was also for the 25th anniversary that Twisted Sister first played Stay Hungry in its entirety. This was a watershed moment in the band’s career as songs like “Don’t Let Me Down” and “Street Justice” had never been performed live before.
Even now in 2014, songs from Stay Hungry are a staple of live Twisted Sister shows. “We’re Not Gonna Take It,” “I Wanna Rock,” and “The Price,” are almost always played in concert. And every time they are performed, the audience sings along at the top of their lungs. After 30 years, Stay Hungry is still one of the best rock records ever recorded. To me, the album doesn’t get the proper recognition that it deserves, but that’s fitting in the world of Twisted Sister, as the band never got the recognition they deserved either.
Founding KISS guitarist and 2014 Rock and Roll Hall of Fame inductee, Ace Frehley has tapped long time friend and artist Ken Kelly to create the album cover for his upcoming LP SPACE INVADER, due out July 8th. The reveal comes exclusively through Rolling Stone today. Kelly, who created the iconic cover art for two of KISS’s best selling LPS, Destroyer (1976) and Love Gun (1977), says, “It was very exciting when I was approached with the idea of doing an album cover for Ace.”
Ken Kelly is also widely known for his paintings in the sword and sorcery and heroic fantasy sub genres, most notably for the Conan the Barbarian novels. He continues, “I had spoken to Ace on a few occasions about the possibility, so I was delighted when it actually happened.”
Ace Frehley himself comments, ”I’ve been talking with Ken Kelly since 2007 about painting a CD Cover for me and it has finally happened! I couldn’t be more excited about the new Space Invader cover and the music behind it is also going to rock your world!”
With nearly 35 years between projects, KISS fans will surely be excited about this long-time duo working together again. Kelly concludes, “I am very pleased with the results and proud to play a part of Ace’s continuing successful career!”
ACE FREHLEY will release SPACE INVADER, his first new solo album in five years, via Entertainment One Music (eOne Music) on July 8th, 2014. The album will include at least nine brand new original songs as well as a cover of Steve Miller’s “The Joker.” This album is the first release under Frehley’s new universal deal on eOne Music.
Widely known as the original “Space Ace” and founding guitarist for 16 cumulative years (over 2 tenures) of the multi platinum selling rock band KISS, Frehley is demonstrably the most popular original member. In addition to having the best selling solo album career (vintage or current) among the original foursome, Frehley’s self titled Ace Frehley, released in 1978, went on to sell over one million copies, producing the only Top 40 single, “New York Groove,” from any of the legendary KISS solo albums; (peaking at #13). The massive hit was most recently featured in an episode of cult show Entourage and was also KISS’ second best selling download in 2012, besting such KISS Army anthems as “I Was Made For Lovin’ You,” “Beth” and “Calling Dr. Love” even after 36 years.
Since departing from KISS, Frehley went on to release four more solo albums and one live EP including his most recent effort, Anomaly in 2009, which debuted at #27 on the Billboard Top 200 chart and received a welcoming response among critics. “’Anomaly’ shows why many rock and metal guitarists list ‘Space Ace’ as a prime six-string influence,” said Rolling Stone.
You can catch Ace Frehley accepting his award at the 29th annual Rock and Roll Hall of Fame induction Ceremony on May 31 at 8pm on HBO
Vancouver rockers The Veer Union have released their new music video for the single “Borderline” featuring Art of Dying’s Jonny Hetherington. The Veer Union will set out on their Beyond the Blackened Sky Tour in continued support of Divide The Blackened Sky Deluxe Edition dropping June 10th and featuring 3 brand new songs! Special guests on the Beyond the Blackened Sky tour include mates Righteous Vendetta, as well as Blacklite District, Black Oxygen and Syndrome of Fire.
Watch “Borderline” here: http://www.revolvermag.com/?p=59105
The Veer Union was founded in 2004 by singer/songwriter Crispin Earl from Vancouver, Canada. The band made their mark in 2009 with the top 10 hit single “Seasons” off their debut album Against The Grain,which peaked at #7 and was the longest charting rock song for a new artist all year. It became the theme song for the 2009 Stanley Cup winners, the Pittsburgh Penguins. “Seasons” was also featured in all Major League Baseball postseason telecast as well as NFL, NASCAR, ESPN, WWE, NHL and more.
Pavement Entertainment now brings you the “Deluxe Edition” of Divide The Blackened Sky which includes three new songs and re-mastered tracks. Frontman Crispin Earl said of the album,“Divide The Blackened Sky,is a much darker and heavier effort than our previous works. It depicts all the hard times we have been through over the last couple of years.” The band will be supporting this effort with a full tour, a new single and video for the single “Borderline” which can be viewed at Revolvermag.com.
Beyond the Blackend Sky Tour Dates:
28 Seattle, WA – El Corazon
29 Yakima, WA – Seasons Performance Hall
30 Spokane, WA – The Knitting Factory
01 Billings, MT – Railyard
03 Greeley, CO – Moxie Theatre
04 Denver, CO – The Roxy
05 Merriam, KS – Aftershock
06 Tulsa, OK – Undercurrent
07 Dallas, TX – Boiler Room
08 Houston, TX – Scout Bar
09 Tupelo, MS – Good Time Charlies
10 New Orleans, LA – Southport Music Hall
11 Pascagoula, MS – Thunders Tavern
12 Montgomery, AL – Rock Bottom
13 Birmingham, AL – Iron Horse
14 Clarksville, TN – The Warehouse
15 Bowling Green, KY – Spillway Bar and Grill
18 Memphis, TN – New Daisy Theater
19 Elizabethon, TN – Bonnie Kate Theater
21 Pontiac, IL – Freakers Roadhouse
25 Warren, MI – The Ritz
26 Louisville, KY – The Phoenix Hill
27 Joplin, MO – Rock 3405
28 St. Louis, MO – Mad Magician
29 Kokomo, IN – Centerstage
04 Mt. Vernon, NY – Nothing Fancy Bar & Cafe
05 White Marsh, MD – House Of Rock
09 Myrtle Beach, SC – House Of Blues*
10 Atlanta, GA – Masquerade*
11 Orlando, FL – House Of Blues*
12 St. Petersburg, FL – State Theatre*
13 Pensacola, FL – Vinyl*
15 Baton Rouge, la – Varsity Theatre*
17 Dallas, TX – Trees*
18 San Antonio, TX – Backstage Live*
19 Houston, TX – Scout Bar*
20 Abilene, TX – The Lucky Mule*
22 Ft. Smith, AR – The Rib Room*
24 Arlington Heights, MI – Home Bar*
25 Detroit, MI – Diesel Lounge*
26 Cleveland, OH – Rover Fest*
29 Indianapolis, IN – Deluxe**
31 Ft. Wayne, IN – Piere’s*
01 Morristown, TN – Jefferson Federal Ampitheatre*
02 Clarksville, TN – The Warehouse*
03 St. Louis, MO – Firebird*
05 Sturgis, SD – Easy Rider Saloon*
07 Minot, ND – The ‘O’riginal Bar and Nightclub*
09 Minneapolis, MN – First Avenue*
13 Rockford, IL – The District*
14 Peoria, IL – Crusens*
15 Fon Du Lac, WI – The Shack Event Center*
16 Glen Flora, WI – Northwoods Rock Rally*
17 Lincoln, NE – Bourbon Theatre*
**with 10 YEARS
Marcus Hook Roll Band
Featuring Malcolm, Angus & George Young
with Harry Vanda – Release Rare 1973 Studio Recording
Song Premieres on Rolling Stone, Billboard, MSN & Guitar World
Tales of Old Grand-Daddy
CD/vinyl/digital download * Release date – June 3
Just before Malcolm and Angus Young took us on a debaucherous decent down that Highway to Hell, they joined with their talented brother, George Young and guitarist Harry Vanda, to form the brief, yet musically significant group, The Marcus Hook Roll Band. Back then, there was no such person as Marcus Hook, nor did the ‘band’ originate from the borough of Marcus Hook in Pennsylvania. George and his fellow musicians only ever existed as a band in studio, releasing three singles and one album in the early ’70s. When any of these tracks turn up on internet auction sites today, collectors bankrupt their PayPal accounts to win them. Now, The Marcus Hook Roll Band is releasing their one and onlyalbum, 1973’s Tales of Old Grand-Daddy, on June 3 through Parlophone as CD/vinyl/digital download.
Song premieres began rolling out last week with Rolling Stone giving fans a taste with “Louisiana Lady”, following with today’s on MSN and in Billboard where writer, Gary Graff spoke to original producer Wally Waller for his insight into the recording sessions with the Young Brothers.
Rolling Stone – “Louisiana Lady”
MSN – “One of These Days”
Billboard – “Ride Baby Ride”
Guitar World – “Natural Man” …premiere coming next week…
The truth is, if the Marcus Hook Roll Band had ever come out of the studio and played live, then the AC/DC phenomenon that electrified the rock ‘n roll landscape for decades, might never have gotten off the ground. Do we have your attention now? The Marcus Hook Roll Band is one obscure, but significant, persona of the legendary partnership of Harry Vanda and George Young. Their better known personas are the ‘60s beat phenomenon The Easybeats, and later the mysterious entity Flash and The Pan. Dutchman Harry Vanda and Scotsman George Young first met as displaced teenagers in an immigration hostel in Sydney, Australia.
CD & DD:
1. Can’t Stand The Heat
2. Goodbye Jane
3. Quick Reaction
4. Silver Shoes & Strawberry Wine
5. Watch Her Do it Now
6. People and the Power
7. Red Revolution
8. Shot in the Head
9. Ape Man
10. Cry For Me
11. One Of These Days (Previously Unreleased)
12. Natural Man (1972 A-Side of Regal Zonophone RZ 3061)
13. Moonshine Blues (1974 B-Side of ‘Can’t Stand The Heat’ BASF – 06 19196-0)
14. Louisiana Lady (1973 A-Side of Regal Zonophone RZ 3072)
15. Ride Baby Ride (Previously Unreleased)
1. Can’t Stand The Heat
2. Goodbye Jane
3. Quick Reaction
4. Silver Shoes
5. Watch Her Do it Now
1. People And The Power
2. Red Revolution
3. Shot In The Head
4. Ape Man
5 Cry For Me
Gilby Clarke embarks solo on a worldwide summer tour – kicking off in London, England at The Underworld. Before Clarke crosses the pond, he will deliver to all the fans a new track, which will be announced in the weeks to come.
Recently, Clarke released a new video Tijuana Jail – Originally released in 1994, Clarke updated this fan favorite with a 2014 video version that can see here: http://youtu.be/74-pGsvqnvE.
Best known for his tour of duty with Guns n’ Roses, Gilby Clarke was 17 when he traded Cleveland for Hollywood. A troubadour in the Ronnie Wood tradition: a barroom brawler with attendant Stonesy swagger, plus a catalog of well-written ditties. Clarke joined Guns in the early 90’s as the Use Your Illusion tour kicked off. He appeared on the bands Spaghetti Incident, Live Era ’88-’91 & Greatest Hits albums. Surviving the longest tour in history – Clarke went solo & came out swinging with PawnShop Guitars. A catalog of rock n roll purity: Tijuana Jail, Cure Me… Or Kill Me… & The Stone’s Dead Flowers put this record on many year-end top 10 lists.
Along the way Clarke split time producing worthy bands: LA Guns & The Bronx while touring/recording with Heart, The MC5, Nancy Sinatra & Slash’s Snakepit. Clarke also starred in the CBS TV show Rockstar Supernova with Tommy Lee and joined his new bandmate for an all-star VH1 Rock Honors appearance. Recently, Clarke & his GNR alumni pulled off an amazing Rock N’ Roll Hall Of Fame performance when the band was inducted in 2012 & continues to play with the ex-gunners from time to time in Kings Of Chaos.
TOUR DATES – ALL U.S.A. DATE W/QUIET RIOT EXCEPT HERE NOTED:
06.12.14 LONDON, U.K. THE UNDERWORLD
06.13.14 ANTRIM, N. IRELAND BALLYMENA DIAMOND ROCK CLUB
06.14.14 GRIMSBY, U.K. YARDBIRDS
06.15.14 BUCKLEY, FLINTSHIRE, U.K. THE TIVOLI
06.16.14 MADRID, SPAIN WE ROCK
06.17.14 OURENSE, SPAIN BERLIN
06.18.14 ZARAGOZA, SPAIN EXPLOSIVO
06.20.14 SZOLNOK, HUNGARY TISZAVIRAG FESZTIVAL
07.10.14 SAN DIEGO, CA HOUSE OF BLUES
07.11.14 BEVERLY HILLS, CA SABAN THEATRE
07.12.14 ANAHEIM, CA HOUSE OF BLUES
07.16.14 GOLDEN, CO BUFFALO ROSE **NO QUIET RIOT
07.19.14 EFFINGHAM, IL EFFINGHAM PERFORMANCE CENTER
07.20.14 JOLIET, IL MO JOE’S MUSIC VENUE
07.22.14 PORTLAND, ME ASYLUM BALLROOM
07.23.14 HUNTINGTON, NY THE PARAMOUNT THEATRE
07.24.14 BOSTON, MA THE WILBUR THEATRE
07.25.14 HAMPTON BEACH, NH HAMPTON BEACH CASINO BALLROOM
07.26.14 WAYNESBORO, PA THE BALLROOM **NO QUIET RIOT
07.27.14 BRISTOL, CT BLEACHERS BAR **NO QUIET RIOT
08.01.14 STURGIS, SD GLENCOE PAVAILION ** BULLETBOYS TO OPEN
08.02.14 STURGIS, SD GLENCOE PAVAILION **FASTER PUSSYCAT TO OPEN
08.15.14 SIOUX CITY, IA HARD ROCK HOTEL & CASINO W/ QUIET RIOT
08.16.14 RINGLE, WI Q & Z EXPO CENTER W/QUIET RIOT
08.31.14 NEW ALBANY, IN RUSTIC FROG W/ QUIET RIOT, FASTER PUSSYCAT & THE BULLETBOYS
For more information on Gilby Clarke, tour and new music go to: www.facebook.com/gilbyclarkefanpage
Pearl Jam announced today that they will perform 10 additional concert dates this October around their previously announced headlining slots at the Austin City Limits Music Festival. The tour kicks-off in Cincinnati, OH on October 1st and wraps up in Denver, CO on October 22nd.
DATE CITY VENUE
Oct-1 Cincinnati, OH US Bank Arena
Oct-3 St Louis, MO Scottrade Center
Oct-3-5* Austin, TX Austin City Limits Music Festival
Oct-8 Tulsa, OK BOK Center
Oct-9 Lincoln, NE Pinnacle Bank Arena
Oct-10-12* Austin, TX Austin City Limits Music Festival
Oct-14 Memphis, TN FedEx Forum
Oct-16 Detroit, MI Joe Louis Arena
Oct-17 Moline, IL iWireless Center
Oct-19 St. Paul, MN Xcel Energy Center
Oct-20 Milwaukee, WI BMO Harris Bradley Center
Oct-22 Denver, CO Pepsi Center
*Pearl Jam will be headlining both weekends of the Austin City Limits Music Festival (October 3-5 and October 10-12). ACL will release further details about the band’s exact performance dates over the coming months. For tickets and more information, visit: http://www.aclfestival.com.
I knew when I saw the announcement for the lineup at M3 in 2014, it was going to be an awesome show. As Friday night, and the first half of Saturday had already proved at M3, this was the Festival show to be at this year.
One of the acts that I was most anxious to see at M3 was Red Dragon Cartel. This return of Jake E. Lee to the big stage is something that I could not miss, and judging from the capacity crowd at the second stage, Jake E. Lee’s fans were in full force. Red Dragon Cartel did a great selection of tunes including music from Ozzy Osbourne, Badlands and of course Red Dragon Cartel. Darren Lewis did a fine job on vocals, and Jake E. Lee was freakin’ amazing, just as I had expected. As great as Red Dragon Cartel was, the evening was only going to get better from there.
Next up on the main stage was Queensryche. This was Queensryche with Todd La Torre on vocals in case you were wondering which version. I have not seen Todd LaTorre with Queensryche before, but I recall Queensryche’s last appearance at M3. It was obvious there was tension in the band at the time, and it ended up being one of the band’s last shows with their former singer Geoff Tate. With that being said, this was a different Queensryche than the one I saw previously, and I gotta say, I was impressed as hell. Queensryche was on fire at M3. They came out with all guns blazing, and Mr. LaTorre was absolutely incredible. As soon as I heard the opening riffs of “Nightrider” I was hooked. I haven’t heard Queensryche do this song in years. I was also super excited to hear “Queen of the Reich”. Man…oh Man, Queensryche practically stole the show, and I am pretty sure Todd LaTorre made about 10,000 new believers at the M3 Rock Festival. They were fantastic! A couple of days after M3, it was announced that Geoff Tate will and Queensryche have come to an agreement, and that Tate will no longer use the Queensryche name. This is good news, and I look forward to supporting both Queensryche and Geoff Tate in the future.
Our day was super packed, and I am sad to say that I missed Autograph. This was due to a conflicting schedule for an interview that we had lined up with Brad Gillis and Kelly Keagy from Night Ranger. (coming to HRH soon).
Next band up was Sebastian Bach and his solo band. As much as I love Sebastian, his performance at M3 this year was not my favorite. He kept going on and on about how his new album was # 1 on iTunes, and while I think that is great, and a hell of a hard accomplishment for any hard rock / musician from the 80’s, it came across kind of douchey. Sebastian seemed upset that folks still want to hear Skid Row songs, and while he did them and sound great, it kind of set the mood for his show. He was good, but he could have been so much better. He was amazing at the 2012 M3.
L.A. Guns was up next on the second stage. Aside from Kix, L.A. Guns has probably played more M3 Rock Festival’s than any other band, and always enjoy their shows. This year the band has a new guitarist, former Endeverafter frontman and guitarist Michael Grant. I have been fortunate enough to see Michael play with his former band, and I already knew that he is one bad ass dude. Grant does a great job as the band’s latest Axe slinger, and of course Phil Lewis and company were great. I can’t understand why they were on the second stage, but I digress.
I am embarrassed to say that the first time I saw Night Ranger live was at the 2012 M3 Rock Festival. Since then, I have made up for lost time and have seen them play live several times. The reason why I have gone, and will continue to go to Night Ranger concerts is that the band puts on an incredible live show. Brad Gillis and Joel Hoekstra really tear it up on stage, and are a blast to watch play. Jack Blades and Kelly Keagy still deliver some of the best rock vocals on the planet. Night Ranger’s set was far too short, but their condensed set was damn impressive, and I thought they were easily the best band of the day. The joy of music always comes out on the faces of Night Ranger. They always seem to enjoy playing as much as I do hearing and seeing them. Night Ranger also debuted their new song “High Road”, and I gotta say the new song is pretty good. I look forward to hearing the rest of the new album soon.
I didn’t make it over the hill again for Slaughter as the sky had opened up and turned what was an awesome weather day, into a rather soggy evening. I chose to protect my gear from the rain, and hung near the main stage for Tesla.
Tesla has been one of my favorite bands for a long time, and it has been a couple of years since I have seen them play (ironically Night Ranger opened up for them then too!) Night Ranger is always a tough act to follow in my opinion, but Tesla lived up to the challenge. Not only did Tesla debut a new song “MP3” off of their soon to be released album Simplicity, they also played killer set of tunes that covered the majority of their discography. I was a little disappointed that I didn’t hear “Song and Emotion” (one of my personal favorites) or Cumin’ Atcha Live, but it was still a great show. The Merriweather Post Pavilion was jam packed to one of the biggest crowds that I have ever seen for M3, and Tesla kept them all standing. This was a true testament to one great band.
Of all of the M3 Rock Festival’s I have been to, this one was by far my favorite. It was a great time with my good friend Ryo Vie, packed with awesome music and memories that I will never forget. I am already counting the days until M3 Rock Festival # 7 in 2015. I don’t know how they will top this lineup next year, but I have a feeling the next M3 Rock Festival is going to be even better!
Ronny Munroe’s Electric Wake is by far his best work to date! Produced by Bruce Bouillet and mixed by Jon Wyman, this 3rd offering from the Metal Church front man truly captures all the magic of the classic metal genre! “I wanted to create something that was totally new, but at the same time allow all my influences to shine through” states Ronny on the recording of the CD. “I put two years into the writing process of this album, but when it came time to start recording, I threw everything out the window and just went with my gut and it worked out better than I could have imagined” Ronny further states. Electric Wake also features collaborations with guitar legend George Lynch, Tesla guitarist Dave Rude, Pamela Moore (Queensryche’s “Sister Mary”), Paul Kleff (ex Firewolfe), Dan Donigian, Sean Baker and Tony Rossi. Ronny Munroe’s Electric Wake delivers a healthy dose of fist-pumping, guitar-driven, well-conceived classic style heavy metal music and is a must-have for all fans of the genre! Three videos have been shot for this release, “United”, “Pray” and “The Others (Long Live Heavy Metal)” which features a duet with Pamela Moore, and Tesla‘s Dave Rude on guitar which will debut in the coming weeks. Official release date is set for Tuesday June 24, 2014
Ghosts (Featuring George Lynch)
Turn To Stone
Not You Not Me
The Others (Long Live Heavy Metal) featuring: Pamela Moore and Dave Rude (Tesla)
BONUS TRACKS (deluxe version)
Total Eclipse (Iron Maiden cover)
sim·plic·i·ty noun \sim-‘pli-s?-te, -‘plis-te\
: the new album by TESLA
: the quality of being easy to understand or use
: the state or quality of being plain or not fancy or complicated
: something that is simple or ordinary but enjoyable
Check out the debut single “So Divine…” here!
Simplicity is something we all strive for in a modern world filled with technology and stress, it is also the title of the new album by TESLA, and it describes the formation of the music it contains.
The band locked themselves away for weeks in isolation with long time co-producer and A&R man Tom Zutaut’s on his 150 acre ranch in the woods of Virginia. There the band discovered and wrote the music that was still inside their imagination and quickly allowed the ideas to flow, transforming those ideas into 14 powerful tracks filled with emotional, powerful subjects relevant to the band’s current state.
From the opening track “MP3” to the explosive “TIME BOMB,” the music takes the listener on a journey with its songs about the ups and downs of life. The lighthearted “CROSS MY HEART” tells the story of a musician on the road proclaiming his commitment to love, while the songs “RISE AND FALL” and “SO DIVINE” speak of the supernatural and the loss of special friends.
The tracks “FLIP SIDE” and “LIFE IS A RIVER” give a lyrical look at the dualities in life, one being humorously about hippies smoking weed for medication, and the other being almost spiritual, suggesting that we just “Let it Flow…”
TESLA immediately jumped into the Brian Wheat’s Sacramento recording studio after returning from Zutaut’s ranch to record one song a day. The idea was to capture the moment rather than spend weeks overdubbing after the fact.
As soon as the band had something recorded, guitar textures and vocals were added. The music was then sent to the legendary mixing engineer Michael Wagener (Metallica, Skid Row, Motley Crue) to put the final touches on the final product.
Ultimately the process of making the album was very simple on a production level, but complex emotionally as the band and co-producer Tom Zutaut poured every ounce of passion and thought into the process during the two month period. This resulted in hours and hours of listening and collaborating over every detail but usually ending up being the most obvious choice; the simplest thing was always the best.
SIMPLICITY: the new TESLA album.
The title of A.Z.’s sophomore full-length, ‘Brutally Beautiful,’ could not have been better titled. Upon listening to the disc, you will automatically pick up on the fact that the band are masters at penning tunes that manage to be heavy yet melodic at the same time. Case in point, such instant A.Z. classics as “Reflux,” “Drive the Nails,” and “Lucky Day,” among countless others.
The band – which consists of Clark Walker (vocals/guitar), Josh Smith (guitar), Josh Thompson (guitar), Buck Gillispie (bass), and Drew Hobbs (drums), and whose name is an abbreviation for “Absolute Zero” – issued ‘Brutally Beautiful’ this past Valentine’s Day, and the feedback from fans has been outstanding, as evidenced by comments the band has received upon posting the new album on YouTube:
“‘Brutally Beautiful’ is exactly that!!! Seriously wicked album!! LOVE IT!!!”
“I could never say enough about this album❤ 7 years of waiting over!”
“Finally had the chance to listen all the way through…the energy on this is great, never let’s down. Can’t wait to have you guys on the show and dig into this!”
Influenced by a wide variety of modern day and classic hard rock/heavy metal bands (Metallica, Led Zeppelin, Lynyrd Skynyrd, Staind, Sevendust, Mudvayne, etc.), it all comes together within the grooves of ‘Brutally Beautiful.’ And Walker has a few personal favorite tracks of the bunch – “‘Drive the Nails’ and ‘Lucky Day’ would be two of my top song picks for A.Z.. They both tap into the raw emotion and anger that I know fans can connect with on many different levels. ‘Drive the Nails’ is about being hurt, being abused, being mistreated, but in the end all this misfortune makes you stronger as a person. Coming out on the other side better, stronger, more focused than before. ‘Lucky Day’ is about someone’s luck finally turning on them after a long run of mistreating and taking others for granted. Two songs that most everyone can relate in one form or another.” And in addition to the strong tunes, A.Z. also brings the thunder live, and the band will be criss-crossing America through the summer and into the fall.
And fans can expect to witness the new tunes being taken to a whole other level, when A.Z. rocks a venue near you soon. A.Z. is wall-to-wall heaviness, in store for those courageous enough to brave the music of A.Z. Hard rock and heavy metal fans will find plenty to adore in A.Z.’s music, plenty of reasons to raise the horn fingers. Exquisite guitar riffs, metallic melodies, and blazing chunks of musical energy all come blistering out of the speakers in a fury of rock-n-roll.
‘BRUTALLY BEAUTIFUL’ TRACK LISTING:
1. Four Brothers
3. Drive the Nails
6. Lucky Day
7. Who Will Save You?
10. Three Days
11. Never Broken
12. 36 & 4
14. Six Feet Away
15. Sin Again
17. Better Place
It’s been 40 years strong and Y&T has had their share of trials, but on the 2014 World Tour, Dave Meniketti shows that what started as a ground breaking effort four-decades ago continues to be the leader in what makes American Hard Rock the legendary sound fans clamor to witness live on stage. Y&T has pulled out all the stops and is packing venues across the USA and around the world!
With the scheduled dates shown on the band’s website at www.yandtrocks.com, the band has performed over 600 shows in all the prime locations major market rock bands have performed in the past decade, including the past three Monster’s of Rock Cruises, and they continue to sell albums from their recorded history with 28 releases and nearly half a dozen DVD’s showcasing what makes the band’s music a fan favorite in the hard rock genre. Songs penned by the band have been placed in film; national commercial spots and they continue to play on FM radio and across the Internet on a vast array of rock stations that keep Y&T in rotation year after year. So one may ask, how does a band classified as “hair metal” continue to thrive in today’s pop driven market? The answer is revealed in the band’s 40-year history.
In 1974, an Oakland, California based cover band rearranged their line-up and put pen to paper to write original material that spoke of rock and roll interests and featured hard driving guitar licks, straight forward drum beats and lyrical content that fans could sing along to as the band performed. It’s true, rock and roll existed and the band wasn’t re-inventing the wheel – but Y&T were driving that wheel harder and faster. The result would eventually sign the band to A&M Records where Y&T would produce 8 anthemic hard rock albums that would secure their name as a cornerstone in the market that would later bring out bands including Motley Crue, Cinderella, Skid Row and even Metallica! It’s a proven fact, written in black and white; throngs of successful hard rock artists cite Y&T as an inspiration that led them to write and perform the music they do, offering that Y&T paved the way for the So-Cal hard rock explosion … from far up north in Oakland, CA a decade earlier than bands like Guns n’ Roses, Bon Jovi and Poisonstarted popping up on MTV.
Re-launching the 2014 tour after a two week reprieve, Y&T took the stage at the Canyon Club in Agoura Hills, CA just before9:00pm announcing to the audience that they were granted a full two hours to perform and would be extending their live set to accommodate the time allotment. Opening the show with a recorded track of ripping guitar leads as the lights went down, the band walked on stage to a thundering applause. Interacting on a personal level from the stage with stories from behind the music and an extreme showing of gratitude to fans that have supported the continued success of the band since their inception, Dave Menikettiand the band even spent well over an hour after the show meeting fans and taking photos, signing albums and CDs and reminiscing with fans that told their favorite stories from seeing the band perform over the years.
The band’s line-up since the untimely passing of founding bassist Phil Kennemore in 2011 has included Dave Meniketti (Lead Vocals/Lead Guitar), John Nymann (Rhythm Guitar and Backing Vocals), Brad Lang (Bass Guitar and Backing Vocals) and Mike Vanderhule (Drums/Percussion and Backing Vocals). On stage during the May 8th show, the band offered a 20-song set that covered their musical history, as follows:
01. Open Fire (1982)
02. Mean Streak (1983)
03. Lipstick And Leather (1984)
04. Don’t Stop Running (1984)
05. Don’t Be Afraid Of The Dark (1990)
06. Dirty Girl (1981)
07. Midnight In Tokyo (1983)
08. Black Tiger (1982)
09. Winds Of Change (1982)
10. I’m Coming Home (2010)
11. Eyes Of A Stranger (1987)
12. I Want Your Money (2010)
13. Contagious (1987)
14. I’ll Cry For You (1987)
15. Rock & Roll’s Gonna Save The World (1984)
16. Rescue Me (1981)
17. Summertime Girls (1985)
18. I Believe In You (1981)
19. Barroom Boogie (1982)
20. Forever (1982)
Upcoming tour dates for Y&T’s 2014 world tour as well as the incredible 2013 Box-Set release titled “Earthquake,” featuring nearly 70 songs from the band’s illustrious career can be found online at www.yandtrocks.com.
Review and Photos courtesy of Joe Dolan.
AXS TV HONORS ROCK N’ ROLL HALL OF FAME INDUCTEES WITH A MEMORIAL DAY MARATHON ON MONDAY, MAY 26
The Day-Long Event Features Over 15 hours of Concert Specials From Nine Industry Icons Including Bruce Springsteen, KISS, The Rolling Stones, and More
LOS ANGELES – May 12, 2014 – Celebrate the past and present of the Rock N’ Roll Hall of Fame, as AXS TV–the premiere destination for live music—presents a colossal Memorial Day concert marathon on Monday, May 26. The unprecedented event features over 15 hours of iconic music from nine of the Hall of Fame’s most influential inductees.
The day kicks off at 1pE, with the MusiCares® Person of the Year 2013: Bruce Springsteen, as the industry’s best and brightest take on the Boss’ biggest hits. Jon Stewart hosts this unforgettable evening, boasting performances from Elton John, Patti Smith, Neil Young, Sting, and many more. The guest of honor closes out the evening with a raucous five-song set that concludes with the night’s performers joining together for an epic collaboration of “Glory Days.”
The marathon of music continues as rock mainstays The Rolling Stones strut onto the scene at 3:30pE, then “Rock and Roll All Nite” with KISS at 5:05pE. AC/DC delivers classic rock tracks at 7:10pE, followed by Led Zeppelin at 8:20pE, Fleetwood Mac at 10:35pE, “Good Vibrations” from the Beach Boys at 12:35aE, and fan-favorites Tom Petty & the Heartbreakers at 1:55aE. Ringo Starr and the Roundheads bring the evening to an end at 4:05aE, as the group performs with special guest Colin Hay.
The complete broadcast schedule is as follows:
1pE – MusiCares® Person of the Year 2013: Bruce Springsteen
3:30pE – The Rolling Stones – At The Max
5:05pE – KISS MONSTER WORLD TOUR: Live From Europe
7:10pE – AC/DC Live At River Plate
8:20pE – Led Zeppelin: Celebration Day
10:35pE – Fleetwood Mac, Live In Boston
12:35aE – The Beach Boys 50 – Live In Concert
1:55aE – Tom Petty – Live from Gatorville
4:05aE – Ringo Starr and the Roundheads with Special Guest Colin Hay
ABOUT AXS TV
Launched in July 2012 by visionary entrepreneur Mark Cuban, AXS TV is dedicated to providing the best in music programming and festivals, comedy performances, current events and mixed martial arts promotions. AXS TV is a partnership between Mark Cuban, AEG, Ryan Seacrest Media, Creative Artists Agency (CAA) and CBS. The network is available in the United States via AT&T U-verse, Charter, Comcast/Xfinity, DIRECTV, DISH, Suddenlink, Verizon FiOS, and other cable, satellite and telco providers. The network is also distributed in Canada and the Caribbean. For more information, visit the website, www.axs.tv; go to the Facebook page here and follow the company on Twitter, @axstv; on Instagram; Tumblr and YouTube.
Enter To Win A Limited Edition Premium Bundle & Lifetime Access To Saliva Headline shows!!!
Enter NOW and don’t forget to pick up a copy of the new Saliva Album, Rise Up!! Contest ends 5/31/14
Yesterday on the I-93 in New Hampshire on the way to Quebec City for their show with Avenged Sevenfold and Hellyeah the members and crew from ADRENALINE MOB suffered a near fatal car crash. The accident destroyed the band’s gear and their van. Fortunately, everyone survived and the injuries are temporary.
At this point the band is forced to cancel the tour and return home to recover and rest. Remaining shows were with Avenged Sevenfold and Hellyeah as well as headlining shows up until June 8.
The band band made this statement on their Facebook page:
“We are sad to announce that the band has been in a serious accident yesterday traveling to Canada on the current A7X/Hellyeah Tour. The band & crew are pretty beat up but by the grace of God there’s no serious injuries & everyone is ok. Unfortunately the trailer flipped & equipment has been destroyed but they are figuring out the next move in hopes to continue on. Thank you all so much for your kind thoughts & prayers!!!”
We will keep you posted on any developments and re-scheduling.
After a fantastic night of hard rock on Friday night, it was going to take a lot to top Friday night’s performances.
One big surprise this year was the new permanent side stage that was erected for this and other festival shows. The new second stage is far bigger than the original side stage at M3, and its placement at the base of a hill gave a better vantage point for the fans in attendance. This was the beginning of a day of surprises at M3.
When the M3 Rock Festival began late Saturday morning, Heavens Edge quickly set the stage with a blistering performance of their biggest songs, most of which came from their outstanding 1990 debut. Much to my surprise, this wasn’t a bunch of hired hands playing with Heaven’s Edge singer Mark Evans, this was the original band. Evans voice was in perfect form, and Reggie Wu was delivering with all of these heavy riffs that I expected from Heaven’s Edge. I have always loved this band, and thought their debut was severely underrated. Their debut album/CD has been reissued for Rock Candy records, and I highly recommend that you check it out.
Shortly after Heavens Edge’s set, KEEL was ready to rock on the main stage, and they came out all guns firing. Ron Keel looked and sounded great, as did Marc Ferrari, Brian Jay, and company. One of my favorite KEEL albums is their 1987 self titled disc on MCA records. Needless to say I was very happy to hear “Somebody’s Waiting”, but I would have loved to have heard a couple of more from this album. KEEL’s set was way too short in my opinion, but they were great, and I enjoyed their music.
Next up on the second stage was former The Scream, Union and Motley Crue front man John Corabi. I had no expectations with John’s set whatsoever, but I have never seen him live, and was greatly looking forward to his set. I thought he may just do his acoustic thing that he has been doing in the clubs, but he had with him a full electric band. John’s set list made me very happy. I was excited to hear one of my all time favorites”Man in the Moon” (from the Scream), and lost Motley Crue tunes “Uncle Jack” and “Hooligan’s Holiday”. It is a shame that Motley Crue has forgotten about that great album with John Corabi. I am so glad that Corabi still does this music. I really dig Corabi’s new look too.
On the main stage, Jack Russell’s Great White was next, and this was another band that my expectations were kind of low on. I gotta say, Jack Russell’s Great White is far better than I expected them to be. While I thought Jack Russell was looking a little frail on stage, his voice was in great form, and I gotta give him a lot of credit. This version of Great White may not have all of the original members, but I gotta say this version sounds the most like the band I remember from my late teens and beyond. I don’t know where Jack Russell found his guitarist Robby Lochner, but this guy is great, and a lot of fun to watch perform. Kudos to Great White for bringing it at M3, and putting on a great show. I hope I can catch this band live again soon.
Femme Fatale is another band that I never got to see back in the day. I still remember the day when I found their out of print CD in a local record shop. I squealed like a school girl when I found it. I was tickled to death to see Lorraine Lewis and company perform. This was obviously not the original band. Lorraine brought an all female band with her and I gotta say they definitely rocked. Lorraine Lewis was having a great time, and the fans seemed to love the band’s set as much as I did.
Moving back to the main stage was Stryper. I still remember their last appearance at M3 vividly, and I was kind of miffed by their shortened set that year. 2014 made up for that show with a longer set. Of course I gotta hear a bunch of my Styper favorites including “To Hell With The Devil”, “Soldiers Under Command”, “Free”, “Calling On You”. One of the nice surprises, was Stryper doing a a cover of “Shout It Out Loud” from KISS. I love their version on their CD The Covering, but it was awesome to see them do this live. Stryper set was one of the highlights at the 2014 M3 Rock Festival, but the best performances of the day were yet to come.
More on those later in our Saturday Review part 2.
A more detailed report on the guitar’s discovery can be read in a yesterday’s story in the Chicago Tribune.
Black Label Society have been announced as the musical guest on Late Night with Seth Meyers on Tuesday, May 6. The band will perform “Angel of Mercy” from their recently released album Catacombs of the Black Vatican, which debuted at #1 on the Independent, Rock and Metal charts and #5 on the Billboard 200.
Zakk recently took part in the REVOLVER GOLDEN GODS AWARDS, paying tribute to long time friend Dimebag Darrel by performing “In This River.”
Catch Zakk Wylde on tour with Black Label Society, and special guests Down, at the following shows:
4 – Silver Spring, MD – Fillmore
5 – Clifton Park, NY (Albany) – Northern Lights
7 – Philadelphia, PA – Electric Factory
8 – Worcester, MA – The Palladium
9 – Sayreville, NJ – Starland Ballroom
10 – New York, NY – Best Buy Theater
12 – Norfolk, VA – Norva
13 – Stroudsburg, PA – Sherman Theater
15 – Pittsburgh, PA – Stage AE
17 – Ft. Wayne, IN – Piere’s
19 – Sioux Falls, SD – The District
20 – Chicago, IL – House of Blues
21 – St. Paul, MN (Minneapolis) – Myth
23 – Grand Prairie, TX (Dallas) – Verizon Theater
27 – New Orleans, LA – House of Blues
28 – Houston, TX – House of Blues
1 – Denver, CO – Ogden Theater
2 – Salt Lake City, UT – The Complex – Rockwell
4 – Tempe, AZ – Marquee Theater
5 – Las Vegas, NV – Brooklyn Bowl
6 – San Francisco, CA – Regency Ballroom
7 – Los Angeles, CA – Fonda Theater
If you live on the West Coast, you are in luck. Soundgarden & Nine Inch Nails have announced three new dates to their summer tour.
Pre-sale begins Monday, 5/5 at 10 AM using the password ‘MYWAVE’
Tickets go on-sale to the general public on 5/9 at 10 AM
For complete tour dates visit soundgardenworld.com/tour
The annual M3 Festival has come and gone for another year leaving me to once again reflect in its magnificent rearview mirror on all the great bands and events witnessed over the two day performing period. Year six of the M3 Festival proved to be one of the strongest yet with a solid line up of amazing bands. And even though the weather was a little chilly (and rainy for day one) it was still a fantastic experience witnessing the magic that is the M3 rock festival. Join with me now as I look back on all the highs, lows, and in-betweens of M3: 2014.
Extreme: Without a doubt, Extreme was one of the best bands to perform at M3 this year. Hard Rock Hideout editor, Rob Rockitt, and I argued if they were the best band of the weekend, and while a case could be made for Night Ranger, Tesla, and Red Dragon Cartel, I would not shun anyone for picking Extreme. I will admit this was the first time that I ever saw Extreme in concert, but my first view bias does not take away from their stellar performance.
This was the first time that Extreme performed in America since 2009 and they really made up for lost time. They opened their set with a blistering performance of “Decadence Dance” that tore open the crowd. Things only took off from there. Gary Cherone looked and sounded phenomenal, Nuno Bettencourt proved that he still has the chops, and the rhythm section of Pat Badger on bass and Kevin Figueiredo on drums kept a steady backbeat. Extreme was nothing short of amazing.
The band carved their way through all of their hits including “Kid Ego,” “Rest In Peace,” “More Than Words,” “Cupid’s Dead,” “Hole Hearted,” and “Get The Funk Out,” which had the entire audience on their feet and screaming along. I was absolutely blown away by Extreme’s performance and if I ever get the chance to see them again, I would gladly pay top dollar.
Night Ranger: As usual, Night Ranger gave a brilliant performance, reminding everyone what a fantastic live act they are. And even though they did not perform two of my favorites, “Sentimental Street” and “The Secret Of My Success,” they did pull out two Damn Yankees songs—“Coming Of Age,” and “High Enough.” Both sounded exceptional and it was a nice treat to hear Night Ranger perform Damn Yankees.
Night Ranger also performed a new song, “High Road,” which sounded as spectacular as their classic hits and has me excited for their new album, due out on June 10th. It’s amazing that after thirty-plus years, Night Ranger still sounds magnificent in concert. Jack Blades and Kelly Keagy still have strong voices and they, along with the rest of the band, provide plenty of
energy and antics for rock fans to enjoy. Their stamina would stagger most bands half their age, and the pure joy that they get from being on stage together clearly shows in their performance. The bottom line is that after seeing Night Ranger at M3, I want to seek them out locally so that I can see their full headlining set.
Red Dragon Cartel: As most fans know, it’s been years since Jake E. Lee has been in the public eye. This year he has resurfaced with a brand new band and they are embarking on an extended tour in support of their debut album, which is superb. One of their key stops in support of the album was the M3 festival and I was extremely happy that they made the visit.
With lead singer DJ Smith at the helm, Red Dragon Cartel performed Jake E Lee hits from Ozzy Osbourne, Badlands, and this new band. The performance was tight and grand. The Badlands and Ozzy tunes sounded terrific, but the Red Dragon Cartel material really garnered the spotlight, especially, “Deceived” which is just earth shattering live. If you haven’t picked up a copy of Red Dragon Cartel yet, do it and do it now. No metal fan should be without this record.
Queensryche: This was the first time that I got to witness Queensryche with Todd La Torre on vocals. I was absolutely enthralled. He made me forget who Geoff Tate was. Todd La Torre was simply incredible. His vocal range was outstanding, he hit the note to every song performed, and best of all, Queensryche went deep into their catalog of fan favorites. “Eyes Of A Stranger,” “Queen Of The Reich,” and “Warning” were all performed to perfection and could not have sounded better. If you have not had the chance to see Queensryche with Todd La Torre, do yourself a favor and go. You will be absolutely blown away.
Slaughter: The last time I wrote about Slaughter it was for their last performance at M3 which I gave a painfully truthful review—Slaughter just could not bring it. That was three years ago, so I figured I would give the band another try and hope for the best. I was praying that 2011 was an anomaly and that Slaughter would deliver this time around. Much to my disappointment, that did not happen. Yes, they were better this year than their last trip to M3, but they still fell short of the bar. Way short.
The bottom line is that Slaughter is a frail shell of what they used to be. Mark cannot sing the songs that made his band famous, he is still painfully out of shape, and their stage show delivered no energy at all. Add in the fact that the band took the stage 20 minutes late (the only band at M3 to go on late), and it adds up to a recipe for disaster. From now on if I want to enjoy Slaughter, I will just pull out my CDs, put on my headphones, and close my eyes.
Lita Ford: Yes, I know I was tough on her last album (which I still don’t think was that good). And yes, I know that some fans may think I have something against Lita (I don’t). She just isn’t that good of a performer, and she doesn’t have the same talent she did oh so many years ago. Age has not been kind to Lita, and that’s a shame, because I really wanted her to have a rocking set.
Lita resorted to an old gimmick by bringing Cherie Currie out on stage to perform with her for multiple songs. And yes, from a rock historians perspective, that was a very cool moment, especially since it was only the second time these two have been on stage together in more than 30 years. Yet, after one song with Cherie Currie, I found myself getting bored and just wishing Lita’s set would end already. That is never a good sign, and truth be told, Lita Ford may have had the worst set at M3.
The Odds & Ends
Sebastian Bach: I can’t really categorize this as a low, because overall, Bach’s performance was a strong one. However, his ranting at the crowd and his apparent anger onstage was annoying at best. Bach seemed pissed off that the fans wanted to hear the classic Skid Row songs, angered that they wouldn’t cheer his newest song (“All My Friends Are Dead” – which was a highlight of his set as far as I am concerned), and was just generally a douche. Perhaps Bach is still mad about the fact that he fired Nick Sterling (the best guitarist he has played with in over 20 years and who was sorely missed in concert), or maybe he’s just angry in general. Whatever the case, Bach’s sour attitude and desire to constantly remind us that his album was number one on I-Tunes was a complete turn off. Even though his overall performance was great, his overall antics left me wondering what the hell is wrong with this guy?
John Corabi: I don’t think there were many fans happier to see John Corabi take the stage than I was. It was my first time ever seeing the crab live in any capacity. I never saw him with the Crue, or Union, or Ratt, or solo, so to see him live at this festival was a great moment for me. Corabi was sporting a shock of blonde hair at the front of his head and a big bushy beard that made him appear to be more of a Grateful Dead member than a hair metal rocker. Looks aside, Corabi sounded great, performed songs from his entire career, including “Love (I Don’t Need It Anymore)” one of my favorite Corabi songs. It also happened to be Corabi’s birthday which was celebrated by the road crew presenting a birthday cake onstage and having the crowd sing out a rambunctious “Happy Birthday.”
New Stage Set-Up: The second stage drew a lot of attention this year. Normally, fans who are seated in the pavilion area leave their seats, walk up the hill, and are in view of the second stage where the other acts perform. This year, the acts on the second stage included Heaven’s Edge, John Corabi, Red Dragon Cartel, and Slaughter, just to name a few.
For this year’s M3, fans had to do a little extra walking, as the second stage was no longer at the top of the hill—this time around it was nestled up the hill, past the pavement, and a few hundred feet into the woods. That’s right, the second stage was set up in the woods, surrounded by trees. While it was additional walking time and the trees blocked out the view of the stage depending on where you were standing, I thought it was a neat new setting for the second stage, and more fans were able to gather and see the second stage. All in all, I thought that it was a great new way to showcase stage two.
The Lovely Ladies: Once again, the beautiful female fans proved that you can get older and still look awesome in leather pants, tight skirts, and/or low tops. There were several female head bangers in attendance, and each was more beautiful than the last. No wonder these bands keep coming to rock. They’re hoping to make a memory after the show!
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