A few months ago, my best friend asked me if I had ever heard of a band called Taddy Porter. When I told her no, she went on and on and on about how amazing they were. She had just seen them open up for some big time band at a little, local venue in our hometown. To make a long story short, she said Taddy Porter blew that big time band away. That was enough to peak my interest.
This quartet from Stillwater, Oklahoma consists of Andy Brewer on vocals/guitar, Kevin Jones on bass, Joe Selby on lead guitar/vocals and Doug Jones on drums. It may look like they’re not quite old enough to buy beer, but they sound like they skipped right over the beer and started guzzling Jack Daniels many, many years ago. Their Facebook bio confirms that their sound “hold[s] you at gunpoint and command[s] that you shake your ass.” That is an understatement.
They draw their influence from the Black Keys, Led Zeppelin, Creedence and Jethro Tull, to name just a few, but I hear some other good things going on. There’s a little AC/DC hiding in there, along with some 80’s rock and a touch of the south and some blues. Their sound is definitely fortified in classic rock with a fresh twist that makes it current and not just another lame, copy cat. This album is just heavy on one of my favorite things: sweet, sweet, good ol’ fashioned, bang your head, get down and dirty rock & roll…and it’s sounds SO good.
For some guys who’ve only been together since 2007, they have a feel that is well beyond their years. It’s so nice to know that these gentlemen take their music seriously; they’re not just a bunch of dudes trying to make it big and get laid (although I’m sure they don’t mind that perk). They actually care about their music. Brewer even took guitar lessons to improve his playing and learn slide. The guitars aren’t overworked or super fancy; they’re simple, dirty and work well together. The drums and bass are heavy and solid. Brewer’s voice is strong and clean, which plays well against all of the dirt the rest of the band is delivering.
The first track, “Whatever Hurts You,” starts off with a slow groove and then blasts your face with rock; it’s a pretty sweet introduction to what’s ahead for your listening pleasure. Their single, “Shake Me” is hot, sexy, loud and rough. There’s enough energy in this song to keep you partying for days, maybe even weeks. The album continues in this rocking fashion with only a couple slower tunes that let you catch your breath.
I could sit here and describe every song on the album to you, but all you really need to know is that it rocks. If you don’t like to rock, then there’s something wrong with you. Can I say “rock” or “dirty” any more in this review? Yes. Make sure your dirty ass buys this album when it comes out because it rocks.
Check out Taddy Porter online at this link! Taddy Porter’s CD hits stores today!!
Rating: Out of 10
- Whatever Haunts You
- Big Enough
- Shake Me
- Gotta Get You Back
- Long Slow Drag
- I Gotta Love
- Mean Bitch
- Bringing Me Down
- In The Morning
- Fire In The Streets
- Railroad Queen
- King Louie
Taddy Porter is:
Andy Brewer – Lead Vocals
Joe Selby – Lead Guitar
Kevin Jones – Bass
Doug Jones – Drums
When settling in to listen to the new Crazy Lixx album, My Religion, I had an idea of what was in store for me but wasn’t fully expecting what I got. Upon the first few notes hitting my ears, I was immediately taken back to a time when music was great and big hair reigned supreme. Get out your Aqua Net and your spandex, folks; these Swedes are going to rock you like it’s 1987.
Although the throw back to the 80’s is right up my alley, there were qualities about it that didn’t always sit well with me. Don’t get me wrong, I love, love, love 80’s rock, but with current bands, I appreciate a little more
updated take on it. Taking influence from the bands of the 80’s is great; however, at times the influence was over-saturated on this album. For instance, “My Medicine” sounds like Poison and Def Leppard had a torrid love affair together and “My Medicine” was the result of that union. The similarities between this song and Poison and Def
Leppard are uncanny.
That being said, this album still rocks. Killer guitars and vocals set this off and make you bang your head. From hot chicks (“She’s Mine”) to staying young and having fun (“21 ‘Til I Die”), it’s got all elements of rock ‘n roll covered. Just to mix it up a little bit, they throw in “Desert Bloom,” a little bluesy interlude with some kick ass slide guitar. And don’t think for one second that Crazy Lixx will leave you without a ballad! No way! “What of Our Love” is a heart breaking, please come back to me love song that would make any girl rethink why she left.
If you’re feeling nostalgic for the good ol’ days, then put this in your MP3 player and crank it. My Religion doesn’t stray from the 80’s rock recipe at all, but it’s a solid recipe and Crazy Lixx has perfected it.
For more information on Crazy Lixx, check out the band’s myspace page. My Religion will be released in United States on April 20th. For those of you not wanting to wait, you can buy it from CD Inzane now!
Rating: Out of 10
01. Rock And A Hard Place
02. My Medicine
03. 21 ‘Til I Die
04. Blame It On Love
05. Road To Babylon
06. Children Of The Cross
07. The Witching Hour
08. Lock up Your Daughter
09. She’s Mine
10. What Of Our Love
11. Desert Bloom
12. Voodoo Woman
Crazy Lixx is:
Danny Rexon – vocals
Andy Dawson – guitar
Luke Rivano – bass
Joey Cirera – drums
Would she follow in her father’s operatic rock footsteps? Or would she venture into metal alongside her husband, Scott Ian? Pearl Aday did neither on her first, full length album, Little Immaculate White Fox. She followed her own road to rock, and it’s good.
With such a colorful musical upbringing, there was no way this lady wasn’t destined for rock greatness. Meatloaf is her father, whom she performed and toured with. That was followed by a stint as a back up singer for Motley Crue (call me jealous). And now Pearl is taking her well deserved position at center stage.
The first track, “Rock Child,” establishes all this and more. From being a “little girl living center stage” and “sleeping in a guitar case,” this song is a rock anthem about her life. She comes out wailing and comes out with a bang that makes you stop and take notice.
She follows that up with a rockin’ rendition of Tina Turner’s “Nutbush City Limit,” which is a perfect selection for her voice and would definitely make Ms. Turner proud.
Although it’s easy to spot all of the different musical influences in her music, the one influence that isn’t overly stated is the influence from her father. The one song that really has that Meatloaf vibe to it is “Whore.” From the harmonies to the musical and vocal phrasing, it just screams Meatloaf . Whether she meant to do it or not, it is quite an excellent homage to her father.
Pearl wasn’t messing around when putting together musicians for this album. Her band consists of guys from Mother Superior, who have backed The Rollins Band and U2. Husband Scott Ian plays guitar, and there are a couple of other tasty guitar players who also make appearances.
First up, Ted Nugent. Yeah, you just can’t go wrong with Uncle Ted. And the second you hear “Check Out Charlie,” there’s no denying that Ted Nugent guitar sound. The song is heavy and solid and Pearl proves that she can stand her ground in the rock world.
At the opposite end of the spectrum, Pearl can slow it down and croon a touching ballad too. With Jerry Cantrell’s guitar mastering on “Anything,” Pearl’s soft, sweet vocals blend perfectly with his soulful sound. It was the perfect way to end the album. Some may question ending an album with a ballad, but this worked well for me, like a moment of zen after rockin’ out for almost an hour.
Song after song, your ears are bombarded with great rock and roll. Sometimes it’s hard for me to really get into an album. With this one, there was no problem at all. I can’t tell you how many times I’ve listened to it already and it hasn’t grown old. Why? Because it’s real. Rock is in her heart, her soul and her blood and it’s obvious when you hear her voice. There are plenty of decent rock singers and rock bands out there, but there are very few that make you feel it. Pearl makes you feel it.
Rating: Out of 10
1. Rock Child
2. Nutbush City Limits
3. Broken White
4. Check Out Charlie
6. My Heart Isn’t In It
8. Worth Defending
9. Love Pyre
Pearl Aday – Vocals
Scott Ian – Guitars & Background Vocals
Jim Wilson – Guitars & Background Vocals
Marcus Blake – Bass & Background Vocals
Matt Tecu – Drums
Sex. Drugs. Rock and roll. That’s what the music we love is all about…or at least was all about. From Led Zeppelin and the infamous mud shark story to Def Leppard having groupies beneath their stage to all the drugs and alcohol ingested by Nikki Sixx alone, the days of true rock and roll debauchery are disappearing. Somewhere between grunge and now, these notorious ingredients seemed to have slipped out of the rock and roll recipe one by one.
These days, bands still like to sing about sleeping around and downing a bottle of Jack Daniels, but I certainly haven’t witnessed any of it happening. I’ve been backstage at quite a few shows and I haven’t seen any of the legendary debauchery that rock and roll is so well known for. And for the record, I didn’t get backstage by getting on my knees; I either lucked out or knew someone who was nice enough to hook me up. It’s honestly quite shocking how tame backstage really is. Aside from my Dave Navarro incident (which really wasn’t that crazy), I have yet to see anything really, really crazy go down after a show. I’ve even been backstage at a Motley Crue show and…NOTHING.
Why such a drastic decline in after show indulgence? Perhaps a lot of these rock stars are older and wiser and know better now. Or maybe it’s that we live in a more health conscience world and rock stars want to take better care of themselves. I mean, not all of them can be like Keith Richards, right? It could be that with the birth of the internet and cell phone cameras, rock stars are afraid that actual evidence/footage of their debauchery could be spread to millions with the just a click of a button. Perhaps it’s because rock stars, old and new, are recovering addicts. Or maybe these newfangled rock stars know that there’s NO WAY they could ever live up to the likes of Motley Crue or Led Zeppelin, so why even bother? Or maybe I’ve been backstage at the wrong shows at the wrong times. Or maybe I’m just stupid and blind.
Don’t get me wrong. I am well aware that the rock stars of today drink and do drugs and sleep with hundreds of women, but it just doesn’t seem to be as in your face as it used to be. Back in the day, I envisioned liquor flowing freely, half naked groupies running around and servicing roadies, and rock stars snorting coke off of the asses of strippers in front of god and everyone. Today, it’s either not happening or it’s happening behind closed, locked and protected doors. The only current band I’ve heard any bad stories about is Hinder, but I’ve never been backstage at one of their shows so I can neither confirm nor deny those rumors.
Years go by and times change. I suppose sex, drugs and rock and roll couldn’t sustain themselves at full throttle forever. They were bound to shift back down to first gear at some point. So will debauchery continue to decline? Or will it make a resurgence in the next few years?
It’s been five years since the metal world was changed forever. Five years since we sat in stunned silence at the tragedy that befell one of the greatest metal guitarists of our time. On December 8, 2004, Dimebag Darrell and three others were abruptly and brutally taken from us. It’s a moment I will NEVER forget.
As I sat on the couch with my boyfriend (who is now my husband) watching TV, the phone rang around 11pm. It was strange that anyone was calling this late. My boyfriend answered and it was his mother in total hysterics trying to figure out if we were OK. I saw the look on his face change immediately as he grabbed the remote and changed the channel to the local news. Looking at the TV I thought, “Hey, why is the Alrosa on TV?” Then the little details started coming and my jaw dropped to the floor. The Alrosa is five minutes from our house. My husband grew up there (literally). We go to shows there all the time. Our friends’ bands play there. We were supposed to be there that night. What the fuck just happened at our bar?
At that time, there were no confirmed details about who was dead. We just knew there was a shooting and people were dead. Witnesses were giving their tear filled accounts to the press and my heart just sank. I just kept thinking to myself, “Don’t let it be Dimebag. Don’t let it be Dimebag…” But the next morning, my worst fears were confirmed.
As I drove to work, I listened to Vulgar Display of Power, cried and hit my steering wheel over and over and over again. Throughout the course of the day, I found out that we had friends there who were on the stage when it happened…who witnessed it all. One of the guys who died, Erin Halk, was a good friend of one my friends. Eventually it hit me that we were actually supposed to be at that show but for whatever reason, we didn’t make it. We were a couple of the lucky ones who missed this carnage, but the effects of this on our lives were like we were right there in the thick of it.
Pantera was one of those bands that changed my life. I saw them on the Cowboys from Hell tour opening up for Skid Row. Then I saw them live twice a year for the next few years. They are one of my all time favorite bands. To have one of the members brutally killed and taken from us WAY too early at a venue that I frequent on a regular basis by a mentally unstable asshole who deserved his ending, was devasting for me and for the metal community. It’s a piece of music history that didn’t need to be written.
On this day, let’s celebrate Dimebag, his life and his music. His guitar playing and his music changed the face of metal and changed lives. Let’s celebrate the lives of the others who died in this tragedy: Jeff Thompson, Nathan Bray and Erin Halk. And let’s thank Officer James Niggemeyer for putting an end to this before it got any worse.
Five years later…and it still hurts like a fresh wound. R.I.P Dimebag. We miss you.
When you think of southern rock, a few legendary names come to mind: Lynyrd Skynyrd, ZZ Top, the Allman Brothers. There’s no doubt that Blackberry Smoke will climb the ranks and land on this list one day. This quintet from Atlanta, Georgia is taking the southern rock world by storm with their authentic, down home southern rock. Their sophomore release, Little Piece of Dixie, is 11 songs of good ol’ fashioned rock with just enough outlaw country to make it twang. I recently caught up with singer/guitarist, Charlie Starr, in between recording with “The Possum” himself and a sold out show in Ohio.
HRH:. Tell me about how you guys all came together. Were you guys in different bands? Did you always play southern rock?
BBS: Brit, Richard and I were in a band for a few years with another singer. That situation didn’t work
out, so we left his band and started banging around as a trio. We quickly realized that it would be hard for a three piece band to win a fight with a five or six piece, so we added another guitar player. I ran into Paul, my old goofball buddy, playing in a little bar in LaGrange, Ga. He joined the band and here we are. We’ve all played different types of music, I guess, but this is pretty much the sound that is made when we play together. It just kinda comes naturally I guess. We play the sounds to fit the songs and if it’s comfortable, we roll on.
HRH: How did you come up with your name?
BBS: We were having problems coming up with a name and asked our long time friends Steve Gorman and Chris Robinson to help. After several weeks of both ridiculous and hilarious suggestions, Chris came up with THE BLACKBERRY SMOKE. So we were off and running.
HRH: Tell me about your new album, Little Piece of Dixie. How would you compare it to your first album, Bad Luck Ain’t No Crime?
BBS: I’d say the new album is us picking up where we left off. Once again we didn’t spend a lot of time over thinking the recording process. I’m afraid of what might happen if we find ourselves with a shit load of time to spend in the studio! Maybe a triple concept album.
HRH: Blackberry Smoke is a good mix of good old fashioned rock & roll and good old fashioned country. Who are some of your influences from both genres?
BBS: Short list: Stones, Little Feat, Skynyrd, Allman Bros., Marshall Tucker, Gram Parsons, Crowes, Satellites, Four Horsemen, Free, Humble Pie, Frankie Miller…Bill Monroe, Jimmy Martin, Stanley Bros., Hank Williams, George Jones, Waylon Jennings, Merle Haggard, Willie Nelson, Steve Earle, Flatt n Scruggs, Johnny Cash, Marty Stuart!
HRH: Do you think this sound has hindered you in any way since some may feel the band is too country for rock and too rock for country?
BBS: It has kept the people away that we really shouldn’t be working with anyway.
HRH: You recently recorded a song with George Jones and Jamey Johnson. What song did you record and how did this come about? How was it working with country legend George Jones?
BBS: We recorded “Yesterday’s Wine.” I was listening to Merle and George’s duet of the song, and I called Jamey and asked if he would record it with us. He said he would love to! I called the guys from Bama Jam records and told them about the idea. They loved it and said they would mention it to Mr. George Jones. They did and he loved it! He showed up at the studio, and the rest is history. Unbelievable. Thank you Mr. Jones and Mr. Johnson!
HRH: You have had the opportunity to work with a lot of legends. You’ve toured with Lynyrd Skynyrd and ZZ Top. You’ve shared the stage with tons of people including Ricky Medlock and Slash. And now you’ve recorded with George Jones. Does working with such amazing artists intimidate you or just make you work harder? Is there one moment that stands out from the rest?
BBS: All of those opportunities are so amazing, it’s impossible to single one out. I love the fact that all those guys are still such music lovers.
HRH: You are going over to Europe in December. Have you played over there before? Are you excited?
BBS: We are VERY excited to go and play Europe. We have never played in Europe before and feel like it is time to go over and do some exploring.
HRH: You have been on the Lynyrd Skynyrd Simple Man cruise and the Rock Boat and seem to be permanent fixtures on both. How did you guys get on these cruises and what do you think is the secret to your success since you are one of the very few bands who are invited back every year? Are there any other cruises in your future? Do you like one cruise better than the other?
BBS: We were asked to be on the cruise by the great Lynyrd Skynyrd band. We had such a great experience the very first time and were asked back on the next Skynyrd cruise and offered a spot on the ROCK BOAT!
HRH: You have quite a nice collection of guitars. Can you tell me how you acquired some of them? For example: the Les Paul Jr., the carved Telecaster, and the Dan Armstrong.
BBS: I bought the Junior about 15 years ago. It was one of Rick Richards from the Georgia Satellites’ guitars. The carved Tele came from my old buddy Ted Lathangue in Atlanta. He got it from Haggis of The Four Horsemen. I’ve since become friends with Haggis and he told me the story of when the guitar was built and later carved. If I told you, I’d have to kill you. The clear Dan Armstrong is a gift from the coolest guitar player on the planet, the one and only Rev. Billy F. Gibbons! Thank you Billy G., Haggis and Rick!
HRH: What made you decide to add Brandon on the keys?
BBS: We have always wanted keyboards on recordings and as a permanent fixture. All of our favorite bands have piano and B-3 throughout their songs. We just couldn’t fit anyone else in our van in the beginning!
HRH: Who does most of the writing? And what is your writing process? Do you actually sit down with the intent of writing a song, or does it just come to you?
BBS: I write most of them at my house, then take em to Brit’s house where we all arrange them in ‘lectrified form. The last couple of years, we’ve made some great songwriter buddies and have all collaborated and written a bunch of great songs, in my opinion. I guess there’s no specific process, they just come when they come. Whether we’re all together, or with a collaborator, or I’m by myself.
HRH: Which one of your songs is your favorite and why?
BBS: I have several favorites at any given time. Today they are “We Got Company”, “I’d Be Lyin”, “Everybody Knows She’s Mine”, and “Ain’t Much Left of Me”.
HRH: What bands/music are you listening to you now?
BBS: Frankie Miller live @ the BBC. Grateful Dead Europe ’72. Jimmie Rodgers Standing on the Corner. Willie and the Family Live. And always, Exile on Main St.
Check out Blackberry Smoke at http://blackberrysmoke.com/. Their new album, Little Piece of Dixie, is available at Best Buy and Walmart. Thanks to Charlie Starr for taking the time to answer these questions. Hope you guys kick ass in Europe!
On one lovely 4th of July in 2007, my husband’s band, Snowblynd, was playing a show at a local bar. Some band from Atlanta that no one had ever heard of was headlining and none of us really cared. When the band showed up, a bunch of long-haired, bearded dudes in good jeans rolled out of the van. My first thought? Wow…these guys look interesting. Then they started rolling all of their gear out of the trailer. My husband’s first thought? Wow…they have good gear; there’s a possibility they could be decent at least. After Snowblynd played, we went outside to hang out. Then all a sudden we heard the headlining band start playing and we stopped what we were doing. We all looked at each other and just hauled ass back inside the bar to see what the hell was going on. The headlining band was blowing our minds and it was Blackberry Smoke. It’s not very often that a band comes out of nowhere and knocks me flat on my ass, but Blackberry Smoke did exactly that and I’ve been hooked ever since. With their sophomore release, Little Piece of Dixie, the Blackberry Smoke boys are out to knock you on your ass too.
Little Piece of Dixie is 11 songs of solid and real southern rock. There’s something very authentic about these guys; they’re not putting on their costumes to pretend to be something they’re not. They are all incredibly talented and serious musicians from the south who have worked their asses off to get to where they are today, and they deserve every ounce of success that is headed their way.
Their chemistry is undeniable. Charlie’s vocals have a unique vintage quality that really stands out, and his guitar is playing is stellar. Paul Jackson’s guitar playing and harmonies are the perfect complement to Charlie. Brit Turner’s drums are always steady and in the pocket all while making it look completely effortless. Richard Turner may be the quiet one in the band, but his bass playing speaks way louder than words. And the recent addition of Brandon Still on the keyboards is the perfect finishing touch to round out their sound. I’m convinced that their long hair, beards and sideburns have super powers that make them sound so incredible.
The album starts off with the first single, “Good One Coming On”, which is about “drinking tequila and skinny dippin'” Charlie would say as he introduces the song at their live shows. It’s a good summertime, have fun with your friends kind of song and was featured in the Kevin Costner movie, Swing Vote. “Good One Coming On” is also the band’s first full length video.
If you’re into video games or Nascar, you may have heard “Up in Smoke” on the Nascar ’08 video game. And if you like things with engines that go fast, then you probably watch the Speed channel and may have heard “Up in Smoke” on an episode of Drag Race High. From the moment you hear Richard’s bass intro, you’ll want to hop in your car and tear down the road like the cops are chasing you. The song just has that get up and go kind of feel.
Just because these guys have a bit of that country twang to them, doesn’t mean they can’t, or don’t, enjoy some of the staples of the rock and roll life. Since they’ve already covered liquor, they had to write a song about…what else but strippers! “Shake Your Magnolia” is probably one of my favorite songs on the album. It’s a sweet little diddy about a guy falling for a stripper, and it does make you want to get up and shake it a little bit for the boys.
These days, it’s extremely rare to find such talented musicians making such amazing music. If you want to hear some really kick ass, genuine southern rock that doesn’t sound like any of that crap you hear on the radio, then pick up Little Piece of Dixie. There’s not a bad song on it. From start to finish, it’s strong and impressive. If you like southern rock, then you’ll love this album. If you don’t like southern rock, then this album will make you change your mind.
Rating: Out of 10
1. Good One Comin’ On
2. Like I Am
3. Bottom Of This
4. Up In Smoke
5. Sanctified Woman
6. Who Invented The Wheel
7. I’d Be Lyin?
8. Prayer For The Little Man
10. Shake Your Magnolia
11. Freedom Song
Blackberry Smoke is:
Charlie Starr – Vocals, guitar
Paul Jackson – Guitar, vocals
Richard Turner – Bass, vocals
Brit Turner – Drums
I can’t lie. I’m a sucker for lists and surveys. When friends send those stupid email questionnaires, I’m always the first to respond. It’s really hard for me to resist all the stupid surveys on Facebook. So when trying to decide what to write for Rock Whiplash, I decided to create my own little survey of sorts. It’s short and sweet and to the point: What are your top 5 favorite songs of all time?
Why favorite songs? Because I’m pretty sure I did a list of the top 10 most influential albums. Why just 5? I don’t know…because I just felt like making it difficult. I know I could list WAY more than 5. So without further ado, here is the list of my top 5 most favorite songs of all time.
1. Kashmir – As far as I’m concerned, this is the greatest rock song ever written by one of the greatest rock bands to ever exist, Led Zeppelin. The song is big, full, rich and kick ass. This song is just f-ing amazing. It’s rock & roll at it’s finest.
2. Home Sweet Home – Did you really think I’d get through a musical list of any kind without including Motley Crue? Not a chance. Although many would argue that Motley Crue has many songs that are better, this is the song that is closest to my heart. It reminds me of childhood and running home from school every day to watch the video on MTV. To this day, I get all girly and teary eyed whenever I hear it live.
3. Stranglehold – In my opinion, it may be Ted Nugent’s greatest song. The guitar is SO f-ing incredible and memorable. This song just oozes sex from beginning to end. From the sound to the tempo…it just makes me want to get it on. Was that too much information? Sorry. What can I say? Guys watch porn and I listen to Stranglehold.
4. Don’t Cry – A Guns N’ Roses masterpiece. Although Welcome to the Jungle put the boys on the map and is probably the most recognizable of all their songs, Don’t Cry is my favorite. It’s pure genius and it’s beautiful.
5. I Want You to Want Me – I know, I know. It’s cheesy and it’s most likely every girl’s favorite song. But I can’t help but bounce around and sing along when it comes on the radio. It just makes me happy.
So go ahead and list’em folks! I want to know what your all time favorite songs are. After you share your list, go on over to my blog and read my interview with the lovely Ms. Lita Ford.
Kid Rock and Hank Williams, Jr. Bon Jovi and Sugarland. And now Sebastian Bach and Big and Rich. Rock’s going country, folks. Get ready for it.
Kid Rock and Hank I get. He’s always had a bit of a outlaw country, red neck attitude about him. Bon Jovi and Sugarland I didn’t really get, and I’m not sure many people did. Yes, they had a catchy, hit tune but here is my issue with it: Sugarland wasn’t featured in the version that was played on pop/rock stations, but they were featured on the version that was played on the country stations. What the hell is that all about?
After winning CMT’s Gone Country, Sebastian Bach is now setting his sights on taking over Music City like he did with Detroit Rock City. With his winnings from Gone Country, Bach made a video for his song Battle With the Bottle. Yes, it’s been out for a while, but I was reintroduced to it after reading Bach’s latest interview on Noisecreep. In all honesty…the song’s pretty good. I’m not a fan of all this new country bullshit; however, I am a fan of old school, outlaw country. According to the Noisecreep interview, Bach is a fan of the same kind of country I am, and I believe that’s what lead him to writing a pretty decent country song. It still has an air of modern day country to it, but I think that’s hard to avoid with his stellar and legendary voice.
My only gripe about Bach’s venture into country music (aside from the cowboy hat he wears in the video…really? You couldn’t find a better cowboy hat?), is his partnership with John Rich. It was only natural for him to work with Rich since he was the judge on Gone Country, but for me, Big and Rich and Cowboy Troy are part of what’s wrong with country music today; they make pop country, not real country. Save A Horse Ride A Cowboy is crap.
However, I will give John Rich credit for seeing the talent in Bach and taking him under his wing and helping him develop it. Without that help, I don’t think Bach would be able to navigate his way through the country roads as successfully. I’m not saying that Bach will be the next biggest country star, but he certainly has the potential to do very well. He’s made guest appearances at a couple of Big and Rich shows and may end up going full time on their Canadian tour starting in January.
How do you feel about rock stars making the cross over to country? Love it? Hate it? And do you think country stars could make the cross over to rock? I believe Garth Brooks tried with his alter ego, Chris Gaines, and that went terribly wrong.
For a song that is NOT terribly wrong, check out my blog for a FREE download from the band, Strung Out!
There’s no doubt in my mind that most of you guys out there have no interest whatsoever in reading about a wedding. However, I ask that you keep reading this post because you may just be interested in reading about mine. See, I didn’t have an ordinary, traditional wedding. Oh no, that’s just not my style. Instead, I had an all out, full blown rock & roll wedding from start to finish. It rocked so hard we blew fuses. Beat that!
First of all, my husband proposed to me on the Lynyrd Skynyrd Simple Man cruise in January 2008. Seriously…does it get any more rock & roll than that? From that point on, I was in total wedding mode and the gears in my mind were spinning on how I could make my wedding kick ass. Since he and I are both music fiends and he is the guitarist in the greatest band you’ve never listened to, the only option for our wedding theme was rock & roll all the way.
Usually, it’s the bride who gets crazy and goes overboard trying to find the perfect dress. Not this bride! Instead, it was the groom who went all out on his outfit. My husband got a one of a kind, custom made jacket made by the legendary Manuel from Nashville, TN. Manuel has made outfits for Gram Parsons, Keith Richards, Johnny Cash and Kid Rock…just to name a few. Needless to say, his jacket was a show stopper and completely stunning. Not as stunning as me, of course!
Instead of wasting hundreds of dollars on fancy shmancy wedding invitations, we decided to get…what else but concert tickets! Yeah, these were real, bonafide concert tickets with the bar code and the shiny seal on the back. To continue with the concert theme, our RSVP’s asked, “Are you on the guest list?” Our guests could then choose, “YES! I’m ready to rock & roll all nite!” or “No, I’m staying Home Sweet Home.” And there was a +1 after their name for their guest. And of course the font used for the RSVP was an AC/DC font. Other rock & roll touches included VIP laminates for our wedding party, custom made guitar picks for wedding favors, and vinyl records incorporated in the centerpieces.
Guests were greeted at the venue and given a “set list” instead of program. Inside the set list, each member of the bridal party was given a special title from lead guitar to sound engineer. As guests were being seated, our good friend, Charlie Starr from Blackberry Smoke, serenaded everyone and played acoustic guitar.
Our musical selection for the entire wedding was crucial and was the only thing my husband and I argued over. We
both had our own ideas and our own suggestions, so it took a lot of compromising before we settled on the perfect play list. The Moms walked down to Love Me Tender by Elvis (my man is a HUGE Elvis freak). The bridal party walked down to Loving Cup by the Rolling Stones. And I walked down the aisle as my big brother played the intro to Tesla’s Love Song on his acoustic guitar. For the recessional, we all walked to Thank You by Led Zeppelin.
The musical overload doesn’t stop there. My husband and I were announced into the reception by our family friend, Rick Catuela – the Rock & Roll Reverend and owner of the Alrosa Villa, as Motley Crue’s Kickstart My Heart blasted. Our first dance was to Johnny Cash’s Rose of My Heart. For the Mother/Son dance, Blackberry Smoke played Lynyrd Skynyrd’s Simple Man. And for our cake cutting, we played Cups and Cakes by Spinal Tap. Our cake topper…a miniature replica of Waylon Jennings’ guitar.
We couldn’t have a wedding without having a band play. And since the guys in Blackberry Smoke were there for our proposal, we asked them to play at our wedding. Yes! Blackberry Smoke played at our wedding! They treated our guests to some kick ass southern rock and everyone loved it! There were even people on the band’s message board trying to find the location of our wedding so they could crash it and see them play! We also had Rosie, a well known local band from the 80’s, get up and play a quick set.
We tried to incorporate rock & roll into every aspect of our wedding, including our wedding party. One of the groomsmen, Mark Chatfield, is the guitarst for Bob Seger and was also the guitarist for a band called The Godz. Mark and another groomsman, Ed Means, were also members of Rosie. Our officiant, Mike Nugen, used to play for McGuffy Lane and is currently on tour with Jonalee White playing guitar.
The whole day pretty much kicked ass. It couldn’t have been more perfect and everyone had a blast. Our wedding was totally unique, which made it even more special for everyone, including us. So if you’re planning on getting hitched anytime soon, make sure you go the rock & roll route with your wedding. It’s A LOT more fun.
Make sure you check out my blog for my Cruefest 2 review! Even though Rob Rockitt has way better pictures from Cruefest than I do, you should still read my review…just for entertainment purposes only.😉
I’ve heard rumors about this phenomenon. It’s something I can’t quite wrap my mind around and don’t know why anyone lets it go on. The first rumblings I ever heard were last year: None of the guys in Hinder actually played on their album, excluding Austin Winkler for obvious reasons. I’m not a huge Hinder fan to begin with, but this just gave me one more excuse to dislike them. Who the hell puts out an album recorded by other musicians…and still has the balls to put their own names on it? Granted, I don’t have any proof whatsoever to prove any of this, nor do I have a Hinder album in my possession to check the credits, but I just wouldn’t put it pass them.
And while on my honeymoon, I was informed by a very good, dear friend who’s worked in the music industry for years that there is a certain VERY well known 80’s rock band who didn’t record their first album. I was in complete shock and was utterly disappointed. Although I have no hard evidence to prove this either, my friend’s word is good enough for me.
Can someone please explain to me why this happens? Why is it that perfectly capable rock stars allow other people to record their albums? It doesn’t make one ounce of sense to me. If these rock stars have to go out on tour, they have to play to a live audience. So why not play on their own album? Regardless, it does make me question the talent of these rock stars since what I hear on the album is a facade. It also makes me doubt whether or not some of my favorite albums were actually recorded by my favorite artists.
And what about the studio musicians who are responsible for these recordings? The problem is that no one will ever know it’s them. And as a musician, how could you let someone else take credit for your hard work? Sure it’s a paid gig, but is it worth it? Perhaps they gain exposure. Maybe it’s the break they need to get their foot in the record company’s door. I just don’t think I’d be able to do the same to get ahead.
Maybe someone out there who knows more about the ins and outs of the music industry can tell me more about this. Or maybe someone can dispel these horrible rumors so I can feel better about the world and regain what little faith I have left in the music industry. I know that the music industry is corrupt, but this is insane.
To break up the monotony of my work day, I like to listen to talk radio. Sure, I listen to music too, but there’s something about talk radio that I thoroughly enjoy. No, I don’t listen to Air America or Rush Limbaugh or NPR. I listen to podcasts that I download for free from iTunes. There’s a great variety of stuff to choose from, including podcasts about metal and rock. One of the podcasts that I listen to daily is the Radio Chick with host Leslie Gold (she dates Carmine Appice, drummer for Vanilla Fudge, brother of Vinny Appice and creator of the drum show SLAMM!). She’s witty, funny, smart and often talks about music and life with Carmine.
In one of her latest podcasts, Leslie raised a very intriguing question: If you could bring back dead rock stars to form a super group to play for you for two hours, who would you bring back? Sound easy? Well, there are rules you must follow. 1. You can only pick one singer, one lead guitarist, one rhythm guitarist, one bass player and one drummer. 2. Whoever you bring back will be brought back at their time of death (ex: If you bring back Elvis, you get fat Elvis, not cool, young Elvis).
There is no rhyme or reason to my choices. I didn’t choose people who would work well together (although they just might). I chose the people I never got to see live and wanted to see.
Drummer – This one is a given…John Bonham. If you don’t pick John Bonham, you may need to get your head checked. He is one of the greatest rock drummers to ever exist. I’d give my first born to see this man play live. OK, maybe not my first born, you get the idea.
Singer – I’m picking Freddy Mercury for the job. What an amazing voice this man had, and I’d be stoked to finally hear it live and in person.
Lead Guitar – Jimi Hendrix is the man. Is there anyone else? He helped change the face of guitar playing as we know it today and he’s a freaking badass.
Rhythm Guitar – Backing up Jimi will be Randy Rhoads. He died way too early. God only knows what potential he had hiding in him.
Bass – On bass will be Cliff Burton, another one who died before he should have.
Stevie Ray Vaughn
Dimebag (I’ve seen him a million times live, but I’d love to see him again)
So who would you choose for your super dead group?
Be sure to check out my blog for my interview with Heather Luttrell who was a contestant on Rock Star INXS. She’s one of the most talented female vocalists I’ve ever heard and her voice reminds me of a dead rock star I’d bring back for a super group…Janis Joplin.
My first reaction was to vomit but now that I can pee on Gene Simmons’ face, I will most certainly do that instead. The business mogul and money hungry musician is the proud owner of his very own urinal cake that has been distributed to bathrooms all over the country. The urinal cake is an advertisement for his reality show, Gene
Simmons’ Family Jewels. That’s right. So now all you guys won’t be bored when you’re taking a leak; you can read the urinal cake to find out when and where to tune in. And that’s not all folks. This urinal cake talks to you. Yes! If your stream hits Gene just right, you’ll get to hear him talk. Will this man stop at nothing to make a buck?
I’m up for new marketing schemes, but this is just freaking ridiculous. Yes, Gene is the king of merchandising from the coffin to the condoms to god knows what else, but a freaking urinal cake? Come on! And the urinal cake doesn’t advertise KISS; it advertises his show that includes his family. Isn’t that a little offensive to his family? If I were his kids or Shannon, I’d be pissed that he would stoop this low just to gain a few extra viewers. I thought maybe, just maybe Gene had some sort of limit to what he would and wouldn’t do; apparently I was very, very wrong.
Does Gene even have a soul anymore? What’s next? A bidet that cleans my ass to a KISS tune? Thank god I’m a woman and have no business doing my business in a urinal. I don’t want that man or his urinal cakes anywhere near my pee hole.
Do you think Gene Simmons is an idiot for letting these urinal cakes be distributed? Or do you think he’s a marketing genius?
And for fun, can you come up with a KISS urinal song title? Check out Classic Rock Magazine for a pretty funny list. My favorites: Christine Latrine and…Lick It Up.
In an interview with Gibson Guitars, guitar god Zakk Wylde called Aerosmith “as phony as Britney Spears” because they used outside songwriters. That’s a pretty big slap in the face to a pretty big, legendary rock band, but does Zakk have a point? He references bands like Led Zeppelin and Jimi Hendrix who didn’t need outside writers, so why does Aerosmith need songwriters? Zakk even brings up a disappointing moment when “professional” song writers were brought in for Ozzy.
I see Zakk’s point. True musicians should be able to write their own music, especially if they’re at the level of Aerosmith. With all those years of experience, why would they need help writing music? Some music elitists would argue that bands who use outside writers aren’t nearly as talented, worthwhile or legitimate. Think about it for a minute…would you consider Britney Spears a REAL artist? Sure, she looks smokin’ hot, she can dance, and she’s got an incredible career, but how many songs has she written all by herself without any help from anyone? Let’s not even mention the fact that I’m not even sure she can really sing. Yes, I catch myself bobbing my head to her tunes when they come on the radio, but I’m not sure I’d be so quick to call her an artist. So if there are all these “artists” out there who sing other people’s songs and make millions and we don’t think that highly of them, then where does Aerosmith fall in this complicated equation?
Aerosmith is one of the greatest rock bands ever. They’ve written incredible music over the years, but are they “phony” because someone helped write some of their songs? I’m not so sure about that. Although I’m not a huge Desmond Child fan (that song he wrote for Vince Neil was AWFUL), he did co-write Angel and that song is amazing. Another favorite Aerosmith tune of mine is Cryin’ which was co-written with Taylor Rhodes. But Aerosmith’s demise was Don’t Want to Miss A Thing. For me that was Aerosmith’s lowest musical point, and that’s probably because they didn’t even write this song; song writing credit goes to Diane Warren (rumor has it the song was originally intended for Celine Dion…Yikes!). I don’t think Aerosmith, or any band for that matter, has any business performing songs that they didn’t at least help write.
Perhaps that’s what Zakk was talking about, that sappy, crappy musical moment where Aerosmith gave in and performed a song that wasn’t theirs; maybe he’s not even talking about songs that were co-written with other people. There are plenty of bands out there who use co-writers. Does that make them any less credible? According to Zakk, “If you can’t write songs you’re just a puppet as phony as Britney Spears and all those boy bands. If you can’t sit behind a piano or pick up a guitar and write a song, then you don’t have any business making records.” What do you think?
And check out the latest post on my blog about my ridiculous night with Dave Navarro of Jane’s Addiction.
American rock music has seen better days. Indistinguishable, mediocre bands are bountiful in our country, and more and more of them keep becoming mainstream. Most people eat this crap up and truly believe that these bands kick ass, when in fact…they don’t. There are a handful of bands out there that are talented and actually worth listening to. Meanwhile, there are hundreds of amazing rock bands in the United States who go completely unnoticed here or don’t get any of the recognition they deserve. Yet, the Europeans LOVE them.
What is it that the Europeans know that we don’t know? Do they posses some sort of super sonic hearing that enables them to distinguish kick ass rock from crap? Granted, I have no doubts that most radio friendly American bands are popular overseas, but a lot of unknowns are successful over there as well. Take a look at American Dog. Huge in their hometown of Columbus, OH, but probably couldn’t tour the U.S. with any great success. However, they can tour Europe and kick ass. Same goes for my fiance’s band, Snowblynd. Although their success in the U.S. is minimal, the Germans freaking love them and they’ve sold a ton of CD’s over there. And lets not forget all of the amazing metal that comes from Europe and Scandinavia; those bands would never be as successful in the U.S. Luckily with the internet and word of mouth, we Americans get introduced to these European bands and don’t have to suffer through the mediocre bullshit that the American radio pumps out.
As I was making my daily rounds on various music blogs, I came across a very interesting article at Classic Rock Magazine: “Will Velvet Revolver’s New Singer Be An American Idol?” There are two reasons I enjoy this website: 1) It has great information and 2) People use words like “bollocks” and that’s awesome. The general consensus from readers was that Adam Lambert is terrible and he’d be a horrible choice for Velvet Revolver. This got me thinking because about 99% of Americans who watch American Idol think Adam Lambert is the new rock and roll savior and has one of the greatest rock voices of today. There’s no question that I am an Adam Lambert fan, but why doesn’t his appeal translate overseas? The Brits aren’t fond of him at all.
Which brings me back to my question: What is it that Europeans know about music that average Americans don’t know or realize? Why is it that Europeans seem to have a deeper appreciation for really good rock & roll and metal? And for a little extra credit…do you think Adam Lambert is a good fit for Velvet Revolver? Although I think Adam has an incredible voice, I’m not so sure he’s the one for Slash, Duff and company. It would interesting to hear though.
Led Zeppelin reunion tour…I get it. Creed reunion tour…not so much. Does anyone even want to see this band reunite? Perhaps I’m in the minority here, but I think Creed blows ass.
When news broke in 2004 that this band was parting ways, I couldn’t have been more excited. Sure they sold millions of albums and went platinum a few times over, but I couldn’t get past how overrated they were. There was nothing that they brought to the table that really blew me away. They were decent musicians, but Scott Stapp killed it for them.
Not only was Scott Stapp’s voice incredibly annoying to me, but he was a douchebag to boot. Rumors were flying about what a jerk he was and his substance abuse problems certainly didn’t help him at all. I have no idea what caused the demise of this band, but I have a feeling that Scott Stapp was at the core of the break up.
Then enter Alter Bridge. I have to admit, I had my doubts about them only because they were former members of Creed. Then I heard them for the first time at Rock on the Range and was pretty impressed. It was nice to see that the ex-Creed members actually could rock with a kick ass front man, Myles Kennedy. At times I wondered if the rest of the world’s Creed haters would be as open to Alter Bridge as I was and actually give them a chance. Apparently they were because Alter Bridge has done pretty well for themselves.
Which brings me to this question: Why reunite with Creed when they’ve had so much success with Alter Bridge? Maybe Alter Bridge hasn’t achieved platinum status, but I truly believe they’re a much better band than Creed ever was or ever could be. Then there’s Scott Stapp. Why would you want to reunite with this douche? If he was hard to work with before, he’s going to be just as hard to deal with now.
Is it money? Perhaps, although I don’t tend to think so. I’ve heard from a reliable source that those boys in Creed are LOADED beyond their wildest dreams. I suppose money is the ultimate deal closer and in the economic times we’re enduring now, no one is going to say no to a few extra bucks.
Is it demand? I highly doubt it. When’s the last time you heard someone say, “Man…I REALLY wish Creed would get back together. They were so bad ass.” Actually, I’ve never even heard anyone use the words Creed and bad ass in the same sentence before.
Is it just for the love of music? I guess Scott Stapp did tell Rolling Stone that they all apologized to each other for being jerks and sat around and jammed together and that he “missed [his] boys and wanted to create music with them again.” I suppose I could see that to an extent, but their music sucked to being with. Plus, I’m sure Scott Stapp will regress back to his old ways and just turn into a jerk again. Look at Van Halen. Every time they reunite with David Lee Roth, something goes wrong. But the difference here is that it’s Van Halen. They are legendary and people want to see David Lee Roth with them. Creed will never be legendary and no one cares about Scott Stapp.
I’m interested to see how well this Creed reunion tour will do. I’ll be keeping an eye on it, that’s for sure. Perhaps they will prove me wrong and sell out some arenas. Then Scott Stapp can tell me what an idiot I am…and I’ll still call him a douche.
When given the opportunity to do some music reviews for Hard Rock Hideout, I jumped at the chance. This was my chance to expand my horizons and discover some new kick ass music. I’ve been really bad about listening to new stuff lately. I either listen to the same old stuff or go straight for the classic rock. I’ve been really out of the loop on new metal, and I’m a bit ashamed of myself for it. So I’m jumping in head first with Primal Fear’s 16.6 (Before the Devil Knows You’re Dead).
I’ll let you all know up front that I’d never heard of this band and didn’t know one freaking thing about them, so I listened to the album with a completely open mind, no preconceived notions, ideas or thoughts. I did do a little research on the band (after listening to the album first) just to familiarize myself with them. The German metal band formed in 1997, has many albums and has had many line up changes over the years. Lead singer, Ralf Scheepers, was even considered for Rob Halford’s replacement in Judas Priest, which comes as no surprise.
The first thing to punch me in the face was Sheepers’ voice. It’s SO reminicsent of Bruce Dickinson and Rob Halford. I didn’t realize how much I missed that kind of singing until I listened to this album. It may be the most poignant part of the music for me. His voice is so strong and so solid. Not many people can sing this well, and although many try…most fall short. Sheepers’ is definitely powerful and a force to be reckoned with.
The other stand out point about this band is that it’s so guitar driven. There are furious, noodley guitar solos that grab you. That is definitely something that is missing from today’s rock that drives me insane. Very few people appreciate a good guitar solo and have almost let the art die off. Thank god metal keeps it alive!
High points for me include “Six Times Dead (16.6)” and “Killbound”. They’re both heavy and brutal.
There were only two negatives on this album. The first is “Soar”. The weird electronic intro and Marilyn Manson like sounds were odd and misplaced. And then there’s “Hands of Time”, which is a ballad. A ballad? I don’t get that at all. I suppose “every bad boy still has his soft side,” but this song totally threw me off and confused me. It just doesn’t fit at all.
If you like classic, straight forward metal, then you’re going to like this album. I have no idea if this is what’s normally expected of this band, but I kind of have a feeling that it is. There’s no denying the Iron Maiden and Judas Priest influence throughout with a little Pantera thrown in for good measure. I’m not saying that in a bad way but in an appreciative way because it’s really been so long since I’ve heard anything like this. It was really refreshing.
01. Before The Devil Knows You’re Dead
02. Riding The Eagle
03. Six Times Dead (16.6)
04. Black Rain
05. Under The Radar
06. 5.0 / Torn
09. No Smoke Without Fire
10. Night After Night
11. Smith & Wesson
12. The Exorcist
13. Hands Of Time
Primal Fear is:
Ralf Scheepers – Vocals
Mat Sinner – Bass & Vocals
Henny Wolter – Guitars & Vocals
Magnus Karlson – Guitars
Randy Black – Drums
Reviewed by Christine Sixx
It’s a question that I’ve heard before when listening to podcasts of the Classic Metal Show, but the interview that I listened to today with singer Glenn Hughes struck a chord. Are there any current bands that will stand the test of time, that will reach legendary status like their predecessors Led Zeppelin or Black Sabbath? Hughes’ answer was simple: No. According to Hughes, “Metal is a dead animal in America.”
Why? Because there’s nothing really timeless or impressive about today’s rock bands. No one is breaking any boundaries or blowing us away. It’s heartbreaking and sad to watch this genre waste away to become corporate generated, money making, cookie cutter bullshit. As I’ve said a million times over, there is no soul in today’s music. There’s not one current band that has the balls to fill the shoes of its forefathers.
I’m not sure when the decline of rock started, but for me it started in the 90’s with the birth of bands like Limp Bizkit and Puddle of Mud. The 80’s still produced legends like Metallica and Motley Crue, but after grunge came and went, it felt like the driving force of rock left right along with it.
Did Limp Bizkit sound different than any other rock band I’d heard before? Yes. Did I like it? No. Was there any part of me that thought for one second that this band was creating some of the greatest music ever? Not a chance in hell. There weren’t any bands from then or now who I believe are creating one lick of music that will carry on the rock torch.
Chris Akin from the Classic Metal Show brought up a very good point during his interview with http://www.heavymetal.about.com, “When you think about when we grew up, how many bands did you discover simply by seeing them open for a big band? For me, the list is long, and encompasses almost every band that is part of my day to day listening. But now, there’s nothing on the horizon.” I guess I never stopped to think about how many great opening acts I used to see at shows compared to today. I went to see Motley Crue a couple of months ago and wasn’t impressed by any of the opening acts. But when I was in 9th grade, I went to see Skid Row and this kick ass band called Pantera opened. And Pantera may be one of the only bands from the 90’s who I would even consider an exception to the rule; they are legendary.
So what do we do? Where do we go? How do we save rock? I’m not so sure there’s an answer. My suggestion is to open your mind and ears to bands you’ve never heard before, underground bands, local bands and give them a chance and support them. I’m trying to expose myself to as much music as I can and trying to find new channels to find that music. Take a few minutes and listen to that band that’s trying to add you as a friend on myspace. Take a friend’s suggestion and listen to the band he saw the other night at some bar. If they’re worthy, pass the info on.
There’s got to be a band or two out there who has it in them to create some kick ass music that 50 years from now can at least rock at the same level as AC/DC or Aerosmith. I’d hate for future generations to look back on the 1990’s and 2000’s and think that Nookie was one of our greatest contributions to rock.
Am I totally deaf and stupid? Do you know of any bands who you think can carry the rock torch?
With VH1’s Do It for the Band: The Women of the Sunset Strip set to premiere on Friday, April 3rd, I thought it was only fitting to discuss the pivotal role we ladies played in the life of rock & roll. Without us, the genre of 80’s rock as we know it may have never existed.
Most of us affiliate the women of rock with groupies. That’s probably correct about 90% of the time. I mean, seriously, who doesn’t want to get down and dirty with a rock star? I know I do (Nikki Sixx, I’m talking to you.) But for some of these ladies, it wasn’t just about putting another notch in their up and coming rock star belt; it was about helping the up and coming rock star make it big at any cost. The Band Aid.
If any of you have read The Dirt, then you know the low down, dirty, filthy, disgusting, vile behavior the rockers on the Sunset Strip lived. They were out to use whoever, whenever as long as it meant furthering the career of the band. The whoever in this case usually happened to be a hot girl who was willing to fuck and give a buck all for the cause. These women gave it all: sex, drugs, booze, food, clothes, money, apartments, cars. Why? They did it to support the men and the music they believed in.
Imagine if no women supported Nikki Sixx or Bret Michaels or Stephen Pearcy or Slash? Let that soak in for a minute…now imagine a world without their bands. AHHHHH!!!!!!!!!!! Frightening, isn’t it? Supporting these broke musicians helped an entire genre of music be born. They allowed all of these amazing talents to progress and thrive, no matter the cost to them. Had they not given these guys a place to crash or $20 for a beer run, I may be writing a blog about Flock of Seagulls right now.
And what did these ladies get in return? Love? Devotion? Absolutely not. They got treated like trash, cheated on, and probably got a venereal disease or two. Did that stop them from supporting any of these wanna be rock stars? Absolutely not. I’m sure some of them cheated on their wanna be rock stars and moved on to support other wanna be rock stars. In the end, these ladies sacrificed almost everything to be left in the dust while the men they loved rose to the top.
Thank you ladies for giving it up and giving everything to let these men succeed. Without you, we may have missed out on one of the greatest periods of rock & roll, and I may have missed out on my obsession with Nikki Sixx.
Check out my latest blog and see which rock stars I would have supported back in the day had I been old enough.
The Prince of Darkness may have his title revoked after this one. What was he thinking? What the hell is so metal about a freaking comedy hour on Fox TV? Holy hell! I don’t know if he’s totally lost his mind or if Sharon has completely taken over ALL decisions for the entire honorary family of rock.
Sure, the initial Osbournes reality show on MTV was an intriguing look into this family, but haven’t we had enough? After Sharon’s health problems and the rehab sessions of both Jack and Kelly, shouldn’t we just turn the light off on this whole reality gig Osbournes? Apparently not. Perhaps they’re bored because Ozzfest just isn’t enough to keep them all occupied. Is Ozzfest even happening this summer?
I can’t help but feel that Sharon is the one at the helm of this downward spiral into reality television hell, and she’s not taking Ozzy’s reputation into consideration at all. He’s the Prince of f-ing Darkness for crying out loud. I don’t think there’s anything evil or dark about watching them work in fast food restaurants or watching mini Osbournes with foul mouths. A curse word here and there on public television doesn’t make you dark. Yes, playing silly pranks on people for television is funny, but not when it’s coming from the Prince of Darkness and his family. It’s funny when Ozzy is biting heads off of fake (or real) bats but not when Ozzy is getting a pie in the face.
Maybe that’s what it is. It’s the dichotomy of this “evil” family and comedy. It’s not what you would neccessarily expect from a family of rockers, so the general public would be drawn in to see how they handle all of this. Of course, silliness and mayhem will ensue around this cast of hooligans, and then everyone will laugh.
Will I watch it? Probably. Will I laugh? Probably not. Do I think a little less of Ozzy because of this? Maybe a little.
Is there a rock & roll handbook/rule book anywhere? If not, perhaps I should write one. Or maybe I could write the 10 Commandments of Rock & Roll. One of those rules would be, “Rock stars shall not do reality TV!” And that means you too Bret Michaels.
While scouring the internet looking for something to write about, I ran across a blog that sparked my interest: The Singers Who Didn’t Quite Work Out (www.classicrockmagazine.com/blog). Line up changes are a never ending constant in the world of rock & roll, but the loss of a lead singer is often detrimental and hard to come back from. The contributors of the blog had great suggestions and some that I didn’t even think of. Of course this got me thinking, so here is my list.
1. Gary Cherone and Van Halen – This was also the first one listed on ClassicRockMagazine.com’s list, and I mentioned it on a previous post for the moment Van Halen jumped the shark. It was just a weird combination that didn’t work well or fit naturally.
2. John Corabi and Motley Crue – I think everyone agrees that John Corabi did a fine job on the Motley Crue album but it still didn’t work. Why? The band sounded great, but it just wasn’t Motley Crue. One of the major distinctions in Motley Crue’s sound is Vince Neil’s voice. Without it, it’s not Motley Crue. The fans and record label realized that. I’m not saying that John Corabi sucked at all. If they would have slapped a different name on that album, it would have worked.
3. All Singers and Journey – I don’t care how much you sound like Steve Perry…you’re not Steve Perry.
4. Ripper Owens and Judas Priest – Please see explanation for #3. He’s not Rob Halford.
It’s not always all bad. There are a few bands that have actually stood the test of time with a new singer.
1. Brian Johnson and AC/DC – After the tragic death of Bon Scott, I’m sure it was difficult for anyone to think that AC/DC could go on without him. Thankfully, the band took the bold step and replaced him with Brian Johnson, and they lived happily ever after. This is probably the best success story of them all.
2. Johnny Van Zant & Lynyrd Skynyrd – Like AC/DC, it was death that brought a new lead singer to Skynyrd. A 1977 plane crash took the lives of six people, including Skynyrd’s singer, Ronnie Van Zant. About 10 years later, Ronnie’s brother, Johnny, stepped up to take over the the lead singer spot and Skynyrd’s been rocking ever since.
God knows I’ve missed some on each list, and there were others whom I didn’t know where to place (ex: Johnny Solinger and Skid Row). Replacing a singer is a ballsy move for any band. In the end, it’s usually the fans who decide if it’s a hit or a miss. So how do you feel? Who didn’t work and who did?
On Facebook, I get bombarded with various lists that I must fill out about myself from 25 things most people don’t know about me to listing memories from high school. There are many other lists that I tend to ignore, but this one I couldn’t get out of my mind: 15 albums that changed your life. The challenge presented before me was much more difficult than I had anticipated.
Naming 15 artists that changed my life would have been a lot easier, but narrowing it down to specific albums was nearly impossible. Actually, it was impossible because I only came up with 10. Perhaps it should have been named 15 albums that influenced your life, then I would have been able to complete the challenge. So here is my list of 10 albums that changed my life.
1. Motley Crue – Theater of Pain: It was my first introduction to Motley Crue and it changed my life forever. There are very few bands that influence almost every part of your being, and Motley Crue is that band for me. When “Smokin’ In the Boys Room” hit my little ears for the first time, I was hooked. I remember staring at my brother’s Theater of Pain album in awe of them and slowly but surely becoming obsessed. I would run home from school every day to see the video for “Home Sweet Home” on the Dial MTV countdown. I cried for an hour on the way to the venue when my older brother and his friend got to see Motley Crue in concert and I couldn’t (because I was too young).
2. Guns N Roses – Appetite for Destruction: I really don’t think I even need to explain myself on this one. This album changed not just my life, but the life of rock & roll as a whole.
3. Skid Row – Skid Row: I was sitting in my kitchen watching MTV when the video for “Youth Gone Wild” came on. I sat there watching with my jaw open and hitting the floor. Afterwards, I ran to my room, grabbed my English folder and wrote down the lyrics to the chorus on the front of it. It was my anthem. Sebastian Bach’s voice was like that of a rock angel and was like nothing I’d ever heard before.
4. Social Distortion – Social Distortion: I was introduced to Social Distortion later in my life by a good friend of mine. In college, I’d been getting my feet wet in punk rock, and Social Distortion won me over immediately. Mike Ness’ rough and tough voice was a drastic change to the melodic rock singers I had been listening to throughout middle school and high school.
5. Pantera – Vulgar Display of Power: The first time I saw Pantera was when they opened up for SKid Row while promoting Cowboys from Hell. But Vulgar Display of Power changed rock and metal forever. It was HEAVY, rude and in your face. It’s not like metal didn’t have any bands that represented heavy, rude and in your face, but Dimebag’s guitar shredding was a force to be reckoned with. That album is simply amazing.
6. White Zombie – La Sexorcisto – Devil Music Vol.1: While watching my local cable access metal show one Friday night, the video for “Thunderkiss ’65” was thrown in my face. There was a crazy dready guy growling lyrics I could barely understand and a hot chick bass player. It was like a bad B horror movie and I instantly fell in love with it. I also fell in love with Rob Zombie. Yeah, I think he’s smokin’ hot. Call me weird.
7. Chris Isaak – Heartshaped world: All I have to say is “Wicked Game.” That video is HOT. Chris Isaak’s voice just oozes sex and romance. I’m a sucker for romance, and this album introduced me to the king.
8. Ryan Adams/Whiskeytown: Take your pic. I can’t choose Ryan Adams or Whiskeytown (or a specific album for that matter); they’re a package deal for me. In case you aren’t familiar, Whiskeytown was an alternative country band, and Ryan Adams was the singer/songwriter. Ryan left to go solo and his solo music is just as incredible. He’s a musical genius.
9. Blackberry Smoke – Bad Luck Ain’t No Crime: My fiance’s band was opening for some band I’d never heard of a couple years ago. After his set was done, we went outside to hang out for a minute while the headlining band set up. Once they started playing, we all ran back inside because we just couldn’t believe how amazing the band was. That band was Blackberry Smoke from Atlanta, GA. They’re southern rock at its finest. It’s very rare that unknown bands impress me, and these boys blew me away. Their album, Bad Luck Ain’t No Crime is full of great tracks, but it seriously doesn’t do them justice.
10. Get Up Kids – Four Minute Mile: Yeah, their kina indi, emo-ish…and I love them. Among all the rock and metal that I was filling up on, this album was a nice little break. It rocks but in a totally different way. Wish I could explain it to you…but I can’t. It’s fierce in its own trendy hair, tight shirt and tight jeans kinda way.
What are the 15…or 10 albums that changed your life?
Also, check out my blog for a review of the Motley Crue show in Grand Rapids, MI.
It’s never a good feeling when one of your favorite bands takes a turn for the worse. I don’t mean health wise…I mean music wise. They put out an album or release a song that just makes you go, “What the f*ck were they thinking?” More commonly known as “jumping the shark,” these moments (or periods) of musical farts can make the most loyal fan turn their nose up in digust.
While sitting at work the other day amidst a snow storm from hell, my friend (who remained in the comfort and warmth of his own home to work), sent me an interesting article about musicians who have jumped the shark:
The list was interesting and humorous for sure, but it left me pondering (instead of working), “What bands whom I love have jumped the shark?” And so the list starts…in no particular order:
1. Metallica – Once you go Black, you can’t go back. That’s right, Metallica took a nose dive into the toilet after this album. I HATE everything they released after the Black album. The exception of course is their newest album, which surprisingly doesn’t suck as badly as I thought it would. I think they finally came to the realization that they rocked A LOT harder back in the day and (to the glee of most music fans) decided to turn back the hands of time and produce an album that sounded a lot more like the old Metallica we know and love. Kudos to them for trying to right their wrongs.
2. Van Halen – Look, it’s never an easy task to replace your lead singer. As far as I’m concerned, a band should call it quits if their singer bails. There are very few cases in rock & roll history where a new lead singer has been able to continue carrying the torch of his predecessor. Van Halen surprisingly made things work with Sammy Hagar, but I have no idea what the hell they were thinking when they tried to replace both David Lee Roth and Sammy Hagar with Gary Cherone. After Sammy, they should have just stopped. Continuing on with Gary Cherone was like trying to fit a square peg into a circle; it just wasn’t going to work. And it didn’t. Gary Cherone was bad and that album was bad. I’m even a huge fan of Gary Cherone; I’m just not a huge fan of him in Van Halen.
3. KISS – There are SO many “jump the shark” moments to chose from. Some of you would pick the moment KISS took off their make up. Or maybe you would chose when KISS went disco. Perhaps Gene Simmons doing his reality show really set you off. Whatever it is, take your pick. My jump the shark moment for KISS may not be a moment so much as a whole period. There is no doubt that KISS is legendary, amazing, and one of the most influential bands in rock history. However, it’s heartbreaking for me when KISS the band decides to turn into KISS the money making machine. Is it even about the music anymore? Was it ever about the music? Or was it just about how many KISS condoms or KISS coffins they could sell?
4. Kid Rock – One of the reasons I actually like Kid Rock is because of his fusion of rock and country. He’s shared the stage with the likes of some of country music’s most influential musicians like Hank Jr., but Mr. Bawitdaba threw me for a loop when he recorded a duet with Kenny Chesney for a Waylon Jennings tribute album: I’ve Always Been Crazy. These guys covered “Luckenbach, Texas” and Kenny Chesney ruins it. I HATE Kenny Chesney. I think he’s a hack and a joke. His music is crap, and it’s hard for me to understand why Kid Rock thought he was good enough to collaborate with. I hope it was the workings of some music industry kooks who threw these two together, and that it wasn’t by choice.
5. Bret Michaels – This one is a no brainer. The second this guy signed on to do Rock of Love, he also jumped the shark. Now that it’s dragged on for three seasons, I’m almost positive that he’s trying to ruin his career…or make the entire world think he’s a douchebag. Either way, it’s working.
6. Nikki Sixx – He went straight from jumping the shark to jumping Kat Von D (and not me). Damn it. What does he see in her? She’s smokin’ hot, almost half his age, uber cool, super successful, and is an incredible tattoo artist. What man looks for those qualities in a chick? Now I have to witness their over indulgent love fest while I’ll cyber stalking him on myspace. It’s disgusting. I wish he’d go back to his womanizing ways.
I’m sure some of you will agree, and a lot of you will disagree (especially with #3). So what do you think? Did I leave anyone out? Did I include anyone who should have been left off the list? Who do you think has jumped the shark?
If you live in the Midwest like I do, you’re probably pretty freaking sick and tired of the freezing cold and snow.
Imagine if you could get away on a cruise to some place warm and beautiful. Now imagine you’re on a cruise with Lynyrd Skynyrd. I didn’t have to imagine it; I lived it. This was my second year in a row going on the Lynyrd Skynyrd Simple Man Cruise, and it was just as amazing as the the first year. Well…maybe not as amazing because the first year, my fiance proposed to me, but you know what I mean.
There are SO many great highlights from this year’s cruise, but with this post, I just wanted to stick to one thing: Leslie. No, it’s not a girl. Leslie is one of the most amazing bands that I was introduced to on this cruise. Sure, there was Skynyrd and .38 Special and Molly Hatchet and Marshall Tucker, but there were tons of other amazing bands on the cruise as well. Leslie just happened to be one of those kick ass other bands.
Hailing from South Carolina, this trio returned to the Simple Man cruise this year with their dirty, classic rock. I have no f-ing idea how I missed Leslie last year (I totally remember seeing them running around the boat, but I never got a chance to see them live), but boy am I glad I saw them this year! There was quite a buzz about them from the moment I stepped on the boat and got my fruity drink with the umbrella. Everyone was telling me how great they were. These boys also did a fine job of promoting themselves; I’m pretty sure they put flyers on just about every other cabin door on every floor. This year, there was no way anyone was stepping off that boat without knowing who they were. And everyone should know who they are because they are THAT good.
I wasn’t sure what to expect from three long haired, skinny white boys, but what I got was a slap in the face. It’s very rare that I go see a band I’ve never heard of and am actually impressed. Leslie impressed the pants right off of me. They attacked their instruments like freaks and made some incredible music. In my last post, I asked the question, “What rocks?” There is no doubt in my mind that these boys f-ing rock. I don’t know how else to describe their music to you except to tell you that it sounds like they took the basic elements of everything you love about classic rock as you know it and made it dirrrrrty. It doesn’t really sound like anything you’ve heard on the radio, and that’s another thing I love about them. Leslie is fresh but dirty at the same time.
Take a moment and go check out some of their stuff: www.myspace.com/leslierock. If you’re not impressed, then you should probably get your hearing checked. Seriously.
And to learn more about Lynyrd Skynyrd’s Simple Man Cruise, go to my blog.
Welcome to the first installment of Rock Whiplash! My name is Christine and you can normally find me on my music blog, Hell on High Heels, dishing out my sassy opinion on all things music. The crew at Hard Rock Hideout was gracious enough to invite me over here to share my thoughts and opinions with you. So let’s get this party started!
What makes a band or a song rock? This is a question I’ve been pondering since VH1 announced their 100 Greatest Hard Rock Songs(there’s not enough room on this blog for me to even begin bitching about that list). I know what I think rocks, but it may not be what everyone else thinks rocks. Then I started shuffling through all the different types of music that I listen to trying to decipher whether or not I think it rocks.
I like Justin Timberlake, but I don’t think he necessarily rocks (Yeah, I know. He’s one of my many flaws). Motley Crue definitely rocks. There’s no question that Pantera rocks. I think Poison rocks; however, I don’t think Bret Michaels solo rocks (and Bret Michaels wearing his own shirts certainly doesn’t rock). I don’t think 3 Doors Down rocks at all and wouldn’t know what rock was if it jumped up and bit what little talent they have right off. I can’t stand Rush, but there’s no denying that they do rock. There’s a plethora of current bands out on the radio today who most would say rock, but I would probably beg to differ.
So what are the main ingredients that one needs to rock? For me, it’s all about feeling. Sure, guitar shredding plays a major roll in rocking, but it’s not going to rock unless you the listener can feel it. Do you know what I mean? It’s the feeling you get in your gut when your favorite songs come on the radio. You reach for the volume and turn it to 11. And as you’re listening to that song , you think to yourself, “How the f*ck could anyone create a song this bad ass?” In that instant, you know it rocks.
That’s why I say 3 Doors Down doesn’t rock. I can’t feel anything when I listen to their music, and it’s even worse to listen to them live. However, even though I don’t like Rush, I can certainly still feel emotion and soul in their music. When I hear Led Zeppelin’s Kashmir, I can’t imagine anything holier or more spine tingling than that song; it makes me stop whatever I’m doing to sit back and really listen, enjoy, appreciate, and feel the music.
So who do you think rocks? And what makes a song or a band rock?