Posts By ryovie
1 Against Me! – Transgender Dysphoria Blues (2014) – CD Review
Admittedly, I was nervous when I heard that the new Against Me! record was a concept album about a transgender prostitute with themes of gender dysphoria. Being a fan of the band, I felt that this was their first album I would not relate to. I don’t know anything about the transgender community and I couldn’t see how I would understand someone going through these types of changes in life. Add to that a new producer, a new bass player, and a new drummer, and I felt that it was a recipe for disaster. Yet, after hearing “Fuckmylife666” and “Talking Transgender Dysphoria Blues” on the internet, I knew that this was an album I had to own. Buying Transgender Dysphoria Blues was one of the best decisions I’ve made this year.
Transgender Dysphoria Blues opens with the fantastic “Talking Transgender Dysphoria Blues,” a hard rocking song that immediately opens the eyes of people, like myself, who know little or nothing of what it is like to go through a change of life at that magnitude. The opening drum beats immediately suck the listener in, the blitzing guitar chords hook them, and once Laura Jane Grace starts singing, it is clear that this could be the best Against Me! song ever recorded. Grace sings about the pain of coming out transgender, the desire to just be accepted for who you are, and the pain of being judged everywhere you turn. I immediately realized that my ignorant thoughts of not being able to relate to this album were wrong. While I don’t know the pain of coming out transgender, I do know the pain of not being accepted for who you are and the pain of desire related to wanting to belong. Needless to say, “Talking Transgender Dysphoria Blues” received several plays before I even made it to track number two.
The record takes off from there delivering fine music from start to finish. New drummer Atom Willard makes his presence known immediately, and Laura Jane Grace’s voice is in fine form throughout the album. And even though the band changed the entire rhythm section (drummer Jay Weinberg and bassist Andrew Seward left between albums), both new drummer Atom Willard and new bass guitarist Inge Johansson are able to keep exceptional time and create tight pockets for Grace and guitarist James Bowman to perform over. While these four bandmates have only been together a short time, the results sound as if they have performed with one another for their entire career.
Transgender Dysphoria Blues contains a lot of fast, powerful, hard rocking, punk songs that deliver just the right amount of emotion at exactly the right time. Songs like “Unconditional Love” and “Black Me Out” are bound to go down as Against Me! classics and will be fan favorites in no time. On this album, the band never strays from what they do best, which is making short, blitzkrieg, hard rock songs.
If you like your hard rock mixed with punk and thrash, in addition to an us against the world mentality, you will love Transgender Dysphoria Blues. While not the best Against Me! album ever recorded, it comes very close. If you’ve never listened to Against Me! before, this is a great album to discover the band.
Rating: 
Out of 10
Track Listing:
- Talking Transgender Dysphoria Blues
- True Trans Soul Rebel
- Unconditional Love
- Drinking With The Jocks
- Osama Bin Laden As The Crucified Christ
- FuckMyLife666
- Dead Friend
- Two Coffins
- Paralytic States
- Black Me Out
Against Me! Is:
Laura Jane Grace – Vocals, Guitar
James Bowman – Guitar
Atom Willard – Drums
Inge Johansson – Bass
Reviewed by Ryo Vie
1 Pretty Wild – S/T (2014) – CD Review
The first attention grabber from Pretty Wild is the fact that rock a scream this grand hasn’t been heard since Steelheart was in their prime. That sucked me in right away and set a very high expectation level for what was to come. And the good news is that those expectations were exceeded by the fourth song on Pretty Wild. If you’ve been yearning for some exceptional sleaze rock, welcome to Pretty Wild!
Pretty Wild hails from Sweden and upon formation they had one mission in mind: play the best 80s metal possible. They have certainly reached that feat. Their overall style and sound is an exact replica of the greatest 80s metal bands, but Pretty Wild has a unique signature of their own, which means they are more than a just a carbon copy of great 80s metal, they are also a unique force in the world of 80s hard rock music and Swedish metal in general.
The hard rocking tunes are plentiful on Pretty Wild. The album kicks off with the hard rocking “Are You Ready,” which starts with a pounding bass drum and the chants of “Are you ready, are you ready for me?” Once the guitar started to slowly build up just under the surface, I knew it was only a matter of seconds before the song exploded. And at the center of the explosion was the first rock scream from vocalist Ivan Ivve Hoglund. The fun factor just ramped up from there.
“Staring At The Sun” is a great highway song that should be played at maximum volume with the windows down, the sun on the horizon, and your foot pressing the gas pedal hard. It is a song that is very reminiscent of some of the great sounds from my youth, and “Staring At The Sun” made me feel like I was 17 again. Hoglund’s vocals were tight and glorious, while the guitar work from Axl Ludwig was flat out fun.
Ballads are present and accounted for on Pretty Wild and done in the appropriate power ballad fashion. “All I Want” and “High Enough” are the two stand out ballads, with “High Enough” just edging out “All I Want” as the better ballad overall. Both songs are exceptional, showing off the talents of all band members, and make me yearn for a video that would rule the Dial MTV charts. However, the guitar solo on “High Enough” is so amazing that it gives this song the edge for best ballad on the record.
If you’re yearning for the sound of the 80s with a modern flair, or if you’re just looking for some flat out fun hard rock to add to your collection, check out Pretty Wild. These guys are the real deal and I can guarantee that their debut album is going to get a lot off spins from me.
Notable Tracks: Are You Ready, High Enough, Hold On
Rating: 
Out of 10
Track Listing:
01. Are You Ready
02. Get It On
03. Troubled Water
04. All I Want
05. Alive
06. Staring At The Sun
07. High Enough
08. Ready To Go
09. Wildheart
10. Vampire
11. Blow The Night Away
12. Come Out Tonight
13. Hold On
14. Pretty Wild
Pretty Wild Is:
Ivan Ivve Hoglund – Vocals
Axl Ludwig – Guitar
Kim Chevelle – Bass
Johnny Benson – Drums
Reviewed by Ryo Vie
0 Skillet – Rise (2013)
Coming off the very strong and very fabulous Awake, Skillet has returned with their latest rock record, Rise. Fans have been waiting for a couple of years to see what Skillet had in them for a follow up to one of their most popular (and fantastic) records. Well, we can all rejoice, because Skillet has delivered a record that is every bit as good as its predecessor.
Rise opens with the hard hitting, heavy sounding, title track, “Rise.” If you love a guitar driven, hard rock sound, “Rise” is going to put a smile on your face. The song is a great opener for the record and sets the listener up for the rest of what’s to come—hard hitting rock music with an edge. Keyboards blend with shredding guitar and some hard pounding drums to create a strong, forceful album opener. “Rise” is just a great track.
Pounding drums, wailing guitars, and a steady heavy beat isn’t all that makes “Sick Of It” a hard core rock song. It is also the lyrics and the message behind the song. Almost a modern day “We’re Not Gonna Take It,” “Sick Of It” could be an anthem for a whole new generation. The song screams sing along at a concert, with fists flying in the air. “Sick Of It” speaks to standing up for yourself and fighting for what you believe in. If you’re sick of…whatever…fight it and stand strong.
“Good To Be Alive” takes off on a similar message that “One Day Too Late” (from Awake) had, in the celebration of life and all that we have. A simple steady beat is the backdrop for lead singer John Cooper’s vocals, which are very strong on this song. And while the beat is simple, and the song is not overly complex, it is still quite amazing. “Good To Be Alive” was the first song that really grabbed me from this album and I found myself singing along almost immediately.
Skillet really hits a home run with “Not Gonna Die,” the best song on the album. This song has the perfect blend of guitar, vocals, anthem style rock, and overall fun. “Not Gonna Die” is a solid song that kicks off strong and immediate grabs the listener’s attention. It is also a song with deep meaning about fighting back and overcoming any challenges that life may throw. I always attach to songs like these because they are powerful in spirit, style, and substance. “Not Gonna Die” is no exception and I found myself hitting repeat several times.
And while the rest of the tracks on Rise are solid, it is these first four that pack the hardest punch. Admittedly, I spent much more time listening to these four tracks than I did to the rest of the album, but that’s not to say the rest of the album is weaker, because it’s not. It’s just that these first four songs brought so much enjoyment, that I could not help but constantly hit replay after “Not Gonna Die.”
Skillet has once again delivered a fantastic record that hard rock fans will be sure to enjoy. Packed with an edgier modern rock sound and guitar solos galore, Rise is sure to please fans of both the modern rock genre and the old school rock style.
Rating: 
Out of 10
Track Listing:
- Rise
- Sick Of It
- Good To Be Alive
- Not Gonna Die
- Circus For A Psycho
- American Noise
- Madness In Me
- Salvation
- Fire And Fury
- My Religion
- Hard To Find
- What I Believe
Skillet Is:
John Cooper – Bass, Lead Vocals
Korey Cooper – Rhythm Guitar, Keyboards
Jen Ledger – Drums, Vocals
Seth Morrison – Lead Guitar
Reviewed by Ryo Vie
0 Five Finger Death Punch – The Wrong Side Of Heaven And The Righteous Side Of Hell Volume One (2013)
When it comes to death/doom metal I am not a fan of the vocals at all. Usually the music is stellar, but the growling, gravel eating vocals destroy the song for me. When it comes to Five Finger Death Punch, I never gave them many listens. I had heard one or two songs on the radio and thought they were okay, but the growling vocals immediately had me stereotype the band and not explore them more. When it comes to The Wrong Side Of Heaven And The Righteous Side Of Hell Volume One, I am a huge fan. Five Finger Death Punch has won me over and I will definitely be seeking out their back catalog.
Having not listened to much Five Finger Death Punch, I did not know what to expect when I slipped in my ear buds and fired up The Wrong Side Of Heaven And The Righteous Side Of Hell. What I received was amazing music that blew my senses away. It was a symphony of spectacular sounds drifting through my eardrums and creating a grin on my face. Nothing brings me more joy than discovering a new (to me) band that I want to listen to over and over again.
“Lift Me Up” gets the disc started and it was this song that captured me instantly. There is so much happening on this one little song that it causes an explosion in the brain. With a cataclysm of sound, “Lift Me Up” is a terrific album opener, especially if it is one of the first times you are listening to Five Finger Death Punch. The song drew me in immediately and by the time it was completed, I was hooked and had to hear more.
“Dot Your Eyes” is another excellent song that just demands you jump around, scream and shout. Ivan Moody’s voice is strong and the rhythmic beats and blistering guitar solos will find fists flying in the air on first listen. The power that “Dot Your Eyes” delivers is unrivaled. The song demands attention and action. This would be the perfect song to work out to, rally behind, or start your day with. It’s an instant shot of energy and emotion and one of the best songs that The Wrong Side Of Heaven And The Righteous Side Of Hell has to offer.
My favorite song on the album is “Anywhere But Here.” The song is just magnificent. It revisits a familiar theme of what would you do if there was no tomorrow, but Five Finger Death Punch put their own spin on it. Most songs dealing with the theme of today being your last day on Earth discuss how the final moments should be enjoyed and treasured. Five Finger’s version is a little darker. “Anywhere But Here” approaches the world ending by proclaiming that no tears would be shed and that being anywhere but here but would be for the best. The narrator of the song is clearly not happy with where he is in life and it is time to get out and move on to something better. Throw in a magnificent Jason Hook guitar solo and some fantastic drum beats from Jeremy Spencer and it is easy to see why “Anywhere But Here” is one of the best tracks on this record.
Sad as it is to say, “Mama Said Knock You Out,” is a poor cover of the classic LL Cool J jam. The idea of a hard rock cover of this stupendous hip hop song gave me high hopes, but Five Finger just didn’t deliver as crisply as I had hoped. It is but one of two weaknesses on the album. The follow up song, “Diary Of A Deadman,” is not great either. In short, it’s a blatant rip off of Sixx AM’s Heroin Diaries. Thankfully, these are the last two songs on the record, so there are only two bad songs to endure. The other 9 tracks are flat out stellar.
It’s also worth noting that Five Finger Death Punch included 2 different versions of 3 songs. The first version was their own recording and the other version included guest vocals by Jamey Jasta (“Dot Your Eyes”), Max Cavalera (“I.M. Sin”), and Maria Brink (“Anywhere But Here”). It was interesting to hear the two different takes on each of these songs, and it has added some replay value to the record.
Overall, The Wrong Side Of Heaven And The Righteous Side Of Hell Volume One is a superb record that has me waiting in earnest for volume 2. If you are yearning for a modern rock sound with a real hardcore edge, I highly recommend this record. It has made me a Five Finger Death Punch fan.
Rating: Out of 10
[youtube-http://youtu.be/X-2yuGgp_U8]
Track Listing:
- Lift Me Up (featuring Rob Halford)
- Watch You Bleed
- You
- Wrong Side Of Heaven
- Burn MF
- I.M. Sin
- Anywhere But Here
- Dot Your Eyes
- M.I.N.E. (End This Way)
- Mama Said Knock You Out
- Diary Of A Deadman
- I.M. Sin (featuring Max Cavalera)
- Anywhere But Here (featuring Maria Brink)
- Dot Your Eyes (featuring Jamey Jasta)
Five Finger Death Punch Is:
Ivan Moody – Lead Vocals
Zoltan Bathory – Rhythm Guitar
Jeremy Spencer – Drums
Jason Hook – Lead Guitar, Backing Vocals
Chris Kael – Lead Guitar, Backing Vocals
Reviewed by Ryo Vie
0 Pretty Maids – Motherland (2013)
Synth heavy, hard hitting, and filled with lyrics that give the listener pause, creating thought, Pretty Maids latest album, Motherland is a solid, enjoyable effort from this Danish rock band. While their last effort, 2010’s Pandemonium was a harder edgier affair, Motherland is a strong musical journey and a great next chapter for this band’s long history book.
On first listen, it may appear that Pretty Maids are leaning more toward the album oriented rock melody in their song crafting. Yet, after a few more spins, it is easier to tell that this disc is still based on a solid foundation of shredding guitars, strong and steady stomp drumbeats, and massive guitar solos. Overall Motherland is a little mellower than its predecessor, but it still delivers the hard rock hits.
Motherland is one of those atypical albums where the disc must be played through a few times for the whole effect to take hold. On first listen, I thought that Motherland was a decent record with the stronger songs placed at the end of the album. Then I played it through a few more times only to learn that the songs at the beginning of the record were pretty decent as well.
Loaded with great hooks and shredding solos, Pretty Maids have delivered a fine piece with Motherland. Lead singer Ronnie Atkins’ voice is in top form throughout the record, never wavering or weakening. Ken Hammer continues to deliver on guitar with some exceptional work and fantastic solos. And while the keyboards from Morten Sandager receive plenty of spotlights, they never overtake the music entirely, allowing for a perfect blend of synthesizer, guitar, drums, bass, and vocals. It creates a synthesis of symphonic sound parading through the eardrums with delight.
Motherland reminds me of great synth-rock albums from the 80s, balanced with mid-tempo melodies, hard rockers, and a ballad or two thrown in for good measure. Think Styx, Trixter, Europe, or Winger for a good point of reference. And while Motherland may not be as strong a release as their last record, it is still a decent album worthy of investing your listening time into. Pretty Maids may be heading in a mellower direction, but that doesn’t make them any less grand. And given enough time (and plays) Motherland may overtake any of the bands releases in the last ten years as the record to listen to.
Rating: 
Out of 10
Track Listing:
Mother Of All Lies
To Fool A Nation
Confession
The Iceman
Sad To See You Suffer
Hooligan
Infinity
Why So Serious
Motherland
I See Ghosts
Bullet For You
Who What Where When Why
Wasted
Pretty Maids Are:
Ronnie Atkins – Vocals
Ken Hammer – Guitars
Rene Shades – Bass
Allan Tschicaja – Drums
Morten Sandager – Keyboards
Reviewed by Ryo Vie
0 Pop Evil – Onyx (2013)
Adjectives that can be used to describe Onyx: heavy, different, solid, fantastic, amazing. After a few spins it is easy to state that Onyx is the best Pop Evil album to date. And while that may seem like a bold statement, it is a true statement. Fans expecting to hear “Monster You Made,” or “100 In A 55,” will not find that here. That doesn’t mean those fans will be disappointed, because Pop Evil has still delivered greatness. Acoustic guitars may be absent, and ballads may be few and far between (technically only one ballad appears on Onyx), but phenomenal music is definitely present and accounted for. Here now is Hard Rock Hideout’s track by track breakdown of the latest LP from Pop Evil.
Goodbye My Friend
Opening track, “Goodbye My Friend,” is a solid, hard rocking, modern blast. The addition of Nick Fueling (lead guitar) and Chaci Riot (drums) are felt immediately. And while the absence of Tony Greve and Dylan Allison is noticeable, the new players are taking Pop Evil in a whole different direction. “Goodbye My Friend” sets the tone for what the rest of Onyx is going to sound like: a fast, hard hitting masterpiece. The solos in this song are outstanding and vocalist Leigh Kakaty reaches down and pushes out a growling, gravelly voice that has not been heard previously.
Deal With The Devil
“Deal With The Devil” is a fast song with a hard and heavy beat. This song hit hard right out of the gate and quickly became an instant favorite. I didn’t think that there was a song that I would enjoy more than “Trenches” on this record, but I was wrong. There are multiple songs that are better than “Trenches” and “Deal With The Devil” is one of them. Crunching guitars from Nick Fueling and Dave Grahs dominate this song and turn it into a gem. Add to that Kakaty’s voice in peak form, and there’s high chance for “Deal With The Devil” to become a huge hit.
Trenches
“Trenches” was the first single released for Onyx and for a while I really thought it was the best song on the record. That is no longer the case (as you will see). Yet, “Trenches” is one of the best Pop Evil songs to date. Crunching, heavy guitars open the track and are immediately followed by the pounding drums of Riot. The powerful vocals that Kakaty nails throughout along with the urgency that the song is sung in makes this one of the most powerful anthems to come out of the Pop Evil camp.
Torn To Pieces
This is easily the weakest song on the album. That’s not to say it’s a horrendous song, it’s just not as strong as the other tracks. The subject matter is very touching (Leigh Kakaty wrote it as a tribute after his father passed away), and the song is heartfelt, but “Torn To Pieces” lacks the power that all other Pop Evil ballads have contained. And considering this is the only true ballad on Onyx, it was quite surprising. Heading into the disc, I thought “Torn To Pieces” was going to be a song that I constantly played. However, it looks like it will be just the opposite. I seem to hit skip a lot to get to the next track.
Divide
“Divide” is another strong, hard hitting, modern rock gem that only Pop Evil can deliver. This is also another song that defines the new direction Pop Evil is heading in. There would never be a song like “Divide” on the band’s previous two albums because they hadn’t emerged to that state in their career yet. With “Divide” the band has embraced the modern rock sound that they seemed to be keeping at bay on previous records. Here, they embrace the sound and turned in a strong, enjoyable song.
Beautiful
“Beautiful” is a mid-tempo piece that is quite enjoyable. The subject matter is exceptional, as the message in the music is we are all beautiful to someone in our own way. Regardless of sexual orientation, the color of our skin, personal interests, or anything else, we are all beautiful today and everyday for the rest of our lives. “Beautiful” is a very uplifting song and one that I believe has the potential to be absolutely astonishing in concert. Personally, I can’t wait to hear this song performed live.
Silence & Scars
Another ballad is delivered in the form of “Silence & Scars.” The song emerges with a strange, yet cool, attention grabbing guitar riff. It sets the stage for the rest of the song. Once again, Kakaty’s voice is strong and smooth and while it’s not a true ballad, “Silence & Scars” is up there with “Monster You Made” for one of the best ballads in the Pop Evil catalog. I expect that this will be a chart topping hit in the very near future.
Sick Sense
This is the heaviest song that Pop Evil has ever done. It sounds like a mash up of Marilyn Manson, Rage Against The Machine, and some darker modern rock bands. After the first couple of listens, I didn’t think that I was going to like this song at all. Then, after a few more spins, it started to grow on me. Now, “Sick Sense” is one of my favorite tracks on the record. It clearly shows the evolution of Pop Evil and the deep influence that Fueling and Riot had on the band for the recording of this record. Three years ago, I wouldn’t even consider “Sick Sense” a Pop Evil song. Now, part of me is hoping this is the direction the band heads in over the next couple of albums.
Fly Away
“Fly Away” is a return to the Pop Evil sound that fans have come to know over the years. Hard rocking, clean, and a whole lot of fun, “Fly Away” is one of the strongest Pop Evil songs recorded. This is destined to be a sing along classic in almost no time. “Fly Away” is another song that I am anxious to see the band perform in concert. There is so much raw power and potential for this song to be a climactic moment during their concert. And while the song structure is very simple, the delivery is impeccable, and it is what pushes “Fly Away” over the top.
Behind Closed Doors
This is another song that took a few listens to grow on me. At first, I wasn’t quite sure that I liked this song, but after a few plays, I realized how grand of a song “Behind Closed Doors” is. Starting off slow and then building into a hurried frenzy, “Behind Closed Doors” is a song that has a lot to offer. The song is rich, layered, and deep, which may be why it took so long to grow on me. There is a lot happening within “Behind Closed Doors” and it takes several listens to truly appreciate all of the great music that is being played back at the listener.
Welcome To Reality
Another quick, simple, and highly enjoyable song, “Welcome To Reality” is standard Pop Evil flair. Filled with high energy and strong vocals from Kakaty, “Welcome To Reality” is a song that delivers. If “Trenches” has a sibling, it would be “welcome To Reality.” This is a strong song that serves as a great reminder that music can sometimes just be straight out fun.
Flawed
“Flawed” is an odd song that I haven’t quite decided how I feel about. I love the opening guitar riff from Nick Fueling and I love how the drums come crashing in behind the riff. Yet, there is something about the song that keeps it from standing out as all of the other tracks have. I am unable to identify exactly what is holding this song back, but the simple fact remains that “Flawed” isn’t as grand as 10 of the other Onyx tracks. Maybe it’s due to the fact that it is the last song on the record? I have no idea. What I do know is that it will take several more listens to determine if “Flawed” is one of the better Pop Evil catalog songs.
Rating: 
Out of 10
Track Listing:
01. Goodbye My Friend
02. Deal With The Devil
03. Trenches
04. Torn To Pieces
05. Divide
06. Beautiful
07. Silence & Scars
08. Sick Sense
09. Fly Away
10. Behind Closed Doors
11. Welcome To Reality
12. Flawed
Pop Evil Is:
Leigh Kakaty – Vocals
Matt DiRito – Bass
Dave Grahs – Rhythm Guitar
Nick Fueling – Lead Guitar
Chachi Riot – Drums
0 Suicidal Tendencies – 13 (2013)
“Suicidal is back!” So screams Mike Muir on the lead single to Suicidal Tendencies first album in 13 years, 13. Judging from the collection of songs put on this disc, Suicidal is back indeed. Technically, 13 is the band’s first album since 2000’s Free Your Soul And Save My Mind, hence part of the reasoning for the title 13. 13 years is a long time to be out of the spotlight and away from the fans. The big question on everyone’s mind was could Suicidal still deliver exceptional thrash/metal music after such a long hiatus? The short answer to that question is yes.
Opening with the hard hitting “Shake It Out,” 13 delivers an immediate impact that both long time fans and newcomers alike are bound to enjoy and praise. The opening guitar riff and drum beat scream out this is a hardcore, thrash album that needs to be played loud. A self-celebrating praise of their return, “Shake It Out” is a reminder of how much fun Suicidal Tendencies can be. This is a hard hitting opener that makes me want to listen over and over again.
“God Only Knows…Who I Am” features a solo by Dean Pleasants that is jaw dropping. The song opens slower than most on the album, but it builds in intensity and anticipation as it develops. By the time the chorus arrives, ears are hooked and fists are pumping into the air. This is an immensely pleasing, amazing song. The build up to the chorus is a great set up for the explosion in the middle. The eruption is pure ear candy and “God Only Knows…Who I Am” could be one of the best Suicidal Tendencies song ever recorded.
“Show Some Love…Tear It Down,” highlights guitarists Dean Pleasants’ and Mike Clark’s exceptional abilities and how they are able to weave so well together. The guitars are heavy, the groove is tight, and the song is flat out fun. This is yet another song that will find fans singing along after just one or two listens. I had a grin planted on my face after just one listen. This is a perfect song for moshing or head banging (depending on your preference). And while it slows down in the middle, it just gives the listener a reason to catch their breath before the song takes off in a fit of rage once again.
Overall, 13 is a fantastic album. If you are a fan of How Will I Laugh Tomorrow… or Lights, Camera, Revolution, then you are going to love 13. Layered with multiple infectious grooves, powerful hooks, heavy guitars, and lots of funk and fun, 13 is a powerful album that takes the listener on a journey of musical styles with thrash metal always remaining as the main focus. Suicidal Tendencies did a phenomenal job with this record. There is not a bad song on the album and it is near perfect. When it comes to voting for album of the year, 13 is definitely going to get heavy consideration.
Rating: 
Out of 10
Track Listing:
- Shake It Out
- Smash It!
- This Ain’t A Celebration
- God Only Knows…Who I Am
- Make Your Stand
- Who’s Afraid?
- Show Some Love…Tear It Down
- Cyco Style
- Slam City
- Till My Last Breath
- Living The Fight
- Life…(Can’t Live With It, Can’t Live Without It)
- This World
Suicidal Tendencies Is:
Mike Muir – Lead Vocals
Dean Pleasants – Lead Guitar
Mike Clark – Rhythm Guitar
Steve Bruner – Bass Guitar
Eric Moore – Drums
Reviewed by Ryo Vie
0 Crashdiet – The Savage Playground (2013)
Part glam, part thrash, part progressive, The Savage Playground, Crashdiet’s latest record, is all grand. Highlighting masterpiece guitar solos, sleazy vocals, and good time party lyrics, The Savage Playground is a record that emphasizes fun. And who doesn’t like to have fun?
Opening with a spoken soliloquy reminiscent of Motley Crue’s “…In The Beginning,” The Savage Playground takes hold immediately with glam vocals, sleaze guitars, and a whole lot of hard rocking for the record. After pelting the listener with glam rock for the opener “Change The World,” Crashdiet shifts gear to trash with “Cocaine Cowboys.” This is a turn it up loud and play it real proud party song with a thumping bass beat that goes on for miles.
The guitar work from Martin sweet on this album is exceptional. His solos absolutely shred and add a sophisticated level of depth to the record. Sweet has a great appreciation for scales and solos and applies them at just the right time. His genius stands out on The Savage Playground. The combination of Sweet’s guitar and Simon Cruz’ vocals blend well and bring The Savage Playground to life.
Crashdiet spent a lot of time mixing up their sound for this release. Venturing between glam, sleaze, thrash, progressive, and even a ballad, Crashdiet was not afraid to experiment with different sounds and styles which helped the record stay fresh. It can be disappointing when every song on an album starts to sound the same as the last, but The Savage Playground has none of that. Each track is a new piece that stands out on its own and helps to further cement the versatility of Crashdiet.
If you are looking for a record that rocks hard and is worthy of a few spins this spring while cruising down the highway, or playing air guitar in your basement, give The Savage Playground a try. It’s an album that will get several listens over the course of time. Highly entertaining, heavily rocking, and quite delightful, The Savage Playground is a solid effort from Crashdiet.
Rating: 
Out of 10
Track List:
- Change The World
- Cocaine Cowboys
- Anarchy
- California
- Lickin’ Dog
- Circus
- Sin City
- Tonight’s The Night
- Drinkin’
- Damaged Kid
- Excited
- Babylon
Crashdiet Is:
Simon Cruz – Lead Vocals, Rhythm Guitar
Martin Sweet – Lead Guitar
Peter London – Bass Guitar
Eric Young – Drums
Reviewed by Ryo Vie
0 Hell Or Highwater – Begin Again (2013)
I will admit that I have never listened to Atreyu more than once or twice. They were never a band that hit me right away, so I never spent much time with them. I wasn’t even aware that the band was on hiatus while members worked on side projects and pursued other interests. So when Hell Or Highwater’s Begin Again came across my desk for review, I did not realize that it was Atreyu drummer/vocalist Brandon Saller’s side project. That being said, I am glad that I took the time to review Begin Again.
Begin Again is a solid modern rock record. Packed with hard edged, heavy songs that are completed with melody and harmony, Begin Again is an album that most rock fans will want to hear. And once the album is heard you can’t get it out of your head. Begin Again has staying power and replay value. The album kicks off with the first single, Gimme Love. This is a hard rocking track that is meant to get attention and succeeds. Saller’s vocals are reminiscent of Hinder’s Austin Winkler and the twin guitar attack by Matt Pauling and Neal Tiemann is first rate.
The heavy hits continue with “Hail Mary” and “Terrorized In The Night.” The band plays hard on these heavy tracks and the musical talent of each band member shines through. The songs are high energy and touch on typical hard rock themes of anger, disappointment, rage and fear. The songs are performed with a modern rock flair, heavy drums, exceptional guitars, and solid vocals. The combined elements equal nothing but pure entertainment.
The band doesn’t stop there. Begin Again delivers in the slower/ballad department as well. And although “Tragedy” and “Rock Water’s Edge” aren’t true ballads in the old 80s power ballad sense, they are still slower, bluesy songs that deliver in power and passion. Saller’s lyrics are deep and meaningful and when combined with amazing guitar riffs, it is easy to see how either, or both, of these songs will be a huge radio hit. “When The Morning Comes” is the most radio friendly, mainstream song on the record and it is a song that people will be rocking along with all summer long. Led by a blistering guitar intro followed by an enjoyable chord progression and sing-along lyrics, “When The Morning Comes” is one of the best tracks on this record.
Begin Again is an exceptional album that will rock you on first listen. After that, you will find yourself hitting repeat several times. It is an album that can be played over and over again without getting stale. Saller’s voice is strong, steady, and enjoyable. Pauling and Tiemann are a fantastic guitar duo that play off each other well, each knowing exactly when to hold back so the other can move forward. Their timing is second to none and it is their combined ability that really makes Begin Again come to life and sing.
If you are searching for a new band or a new record that is going to excite you and make you want to hear more, pick up a copy of Begin Again. If you are looking for the next great modern rock sound filled with superb hooks and melodious riffs that tunnel into your eardrums and don’t leave until they are committed to your memory, Begin Again is the record for you. Pick it up.
Rating: 
Out of 10
Track Listing:
- Gimme Love
- Hail Mary!
- Tragedy
- Terrorized In The Night
- Find The Time To Breathe
- Rock Waters Edge
- Go Alone (Featuring M Shadows)
- When The Morning Comes
- Crash & Burn
- Come Alive
- We All Wanna Go Home
- Tragedy (Villain Remix) – Bonus Track
- The Boxer – Bonus Track
- Pretty Penny – Bonus Track
Hell Or Highwater Is:
Brandon Saller – Vocals
Matt Pauling – Guitar
Neal Tiemann – Guitar
Joey Bradford – Bass
Captain Carl – Drums
Reviewed by Ryo Vie
0 Hinder – Welcome To The Freakshow (2012)
I try my best not to be biased when reviewing albums. I prefer to have no expectations, listen with an open ear, and let the music tell me what to write. However, when it came time to review Hinder’s latest album, Welcome To The Freakshow, I must admit that I entered with expectations. Hinder’s last three albums were absolutely incredible, and this band has become one of my “go-to” groups when I don’t know what to listen to. The anticipation of a new Hinder record had me excited and hopeful. These hard rocking greats were going to once again douse my soul with some solid music. Once I listened to the album, I was reminded why I should never have expectations.
Welcome To The Freakshow starts out in typical Hinder fashion with the first track, “Save Me.” And up until the 2-minute mark, “Save Me” sounds like classic Hinder. Then, out of nowhere, violins enter the mix and lead singer Austin Winkler goes into a small rap. That’s right, I said rap, as in hip-hop music. Where did that come from? And while it doesn’t destroy the song, it sets the stage for fans to scratch their heads. The following track, “Ladies Come First” doesn’t do much to persuade me that this record will be a strong effort. Weak vocals, weaker lyrics, and a chorus that sounds like it was ripped right out of a Nickelback song destroy any credibility this track may have had.
The next batch of songs lift Welcome To The Freak Show and gave me hope that this would be a solid album after all. “Should Have Known Better,” is a return to the classic Hinder sound that fans have come to know and love. Although it is a ballad, ballads are where Hinder tend to excel and “Should Have Known Better” is no exception. Possibly the strongest track on the record, “Should Have Known Better” has hit written all over it. The great tunes continued with title track “Welcome To The Freakshow,” and “Talk To Me.” “Welcome To The Freakshow” is classic, hard rocking Hinder with witty lyrics and sexual themes, while “Talk To Me” is another grand ballad performed in the iconic Hinder style. “Get Me Away From You” is another strong ballad, and the following track “Is It Just Me” is a mid-tempo sing along song focusing on themes of doubt and self adjustment.
The real challenge with “Welcome To The Freakshow” is that it is quite ballad heavy. This formula has worked for other bands in the past (Nickelback comes to mind), but I’ve always considered Hinder more of a hard edged band. That’s not to say the ballads are bad, because they aren’t. All of the ballads are actually well written and enjoyable to listen to multiple times through. However, I like the harder edged Hinder and that is what is absent from “Welcome To The Freakshow.” Even the non-ballads are more mid-tempo than flat out rocker, and that takes away from the Hinder that we have come to enjoy. Yes, they kick it up with “Welcome To The Freakshow” and “See You In Hell,” but it isn’t enough to really make Welcome To The Freakshow stand out on its own. Perhaps the band wanted to reach a different audience, or grow the one they have, or branch out in a different direction. I can understand that and don’t fault them for trying something new. However, it makes for a disappointment when coming in with set expectations.
I appreciate that Hinder wanted to be more experimental for their fourth album. And since they have brought me so much joy over the last few years, I am willing to give Hinder a pass this go round. Almost every band, at some point in their career, releases at least one below average record. With that in mind, Hinder is forgiven for Welcome To The Freakshow. While not terrible, it is far from fantastic, and that is what I have come to expect from Hinder—nothing but the best. This time around, the band did not bring their best, but I have every reason to believe that they will make it up to me when they record their next one.
Rating: 
Out of 10
Track Listing:
- Save Me
- Ladies Come First
- Should Have Known Better
- Freakshow
- Talk To Me
- Get Me Away From You
- Is It Just Me
- I Don’t Wanna Believe
- See You In Hell
- Anyone But You
- Wanna Be Rich
Hinder Is:
Austin Winkler – Vocals
Joe Garvey – Lead Guitar
Mark King – Rhythm Guitar
Mike Rodden – Bass Guitar
Cody Hanson – Drums
0 AC/DC – Live At River Plate
Mega celebrated hard rock act AC/DC have released a live album as a compliment to their recent world tour. Live At River Plate is the band’s first live album in 20 years and it could not have come at a better time. With the band not planning on touring or releasing any new music for at least another year or two, fans needed something to help them through the waiting period. Live At River Plate was the answer.
Recorded on December 4, 2009, at River Plate Stadium in Buenoa Aires, Argentina, Live At River Plate brings the joy of an AC/DC concert right to your stereo. Capturing all of the magic of a live AC/DC concert, this double disc set delivers the concert goods in every way that your ear drums can imagine and enjoy. Long time fans will rejoice in the song selection as there are several Bon Scott era songs to be found on this live set. New comers will be delighted to see there are four tracks from the bands last studio album, Black Ice. Simply put there is something for everybody on this collection.
And while the song selection is deep and covers a large amount of the AC/DC catalog, it was disappointing to not have any selections from Stiff Upper Lip represented. I understand that the band recorded a concert and released it as their live album, but I had a similar complaint during the tour as well. Stiff Upper Lip is a fantastic album that was recorded long after the band’s last live album was released. To not have any live cuts from Stiff Upper Lip is a real shame and the absence is noted. I was just as disappointed that “Hard As A Rock” from Ballbreaker was not included. Since it was the band’s first live album in 20 years, I would like to have heard more live versions of the songs that came out in the last 20 years. This, however, is a minor complaint at best.
The songs that are included are done masterfully. While Brian Johnson may not sound like he did 20 years ago, his voice is still great. His vocals soar on classics like “You Shook Me All Night Long,” and “Thunderstruck.” He can also hold his own when singing the Bon Scott beauties like “Hell Ain’t A Bad Place To Be,” and “Let There Be Rock.” And while he may be much older, Brian Johnson still rocks with the best of them. Age hasn’t slowed him down and it is apparent on Live At River Plate.
If you have never witnessed AC/DC live in concert, then this set is a wonderful way to hear the magic. As they always do, AC/DC lets the music do most of the talking, with very little stage rap from Brian Johnson. That’s not to say that he doesn’t work the crowd, he has his own way of doing that, but banter isn’t his way. Instead it’s the musical performances that dominate the record. And a great Angus solo during “Let There Be Rock” is the highlight of the record. Angus Young is still one of the greatest guitar players alive, and his exciting and energized solo on this song just shows how amazing he truly is.
If you missed the Black Ice tour, or if you are just looking for some AC/DC music to hold you over until the next record or tour, pick up a copy of Live At River Plate. It is the perfect album for fans both new and old. Live At River Plate is guaranteed to have your head banging and finding you playing air guitar in no time at all.
Rating: Out of 10
Track Listing:
DISC ONE:
Rock N Roll Train
Hell Ain’t A Bad Place To Be
Back In Black
Big Jack
Dirt Deeds Done Dirt Cheap
Shot Down In Flames
Thunderstruck
Black Ice
The Jack
Hells Bells
DISC TWO:
Shoot To Thrill
War Machine
Dog Eat Dog
You Shook Me All Night Long
T.N.T.
Whole Lotta Rosie
Let There Be Rock
Highway To Hell
For Those About To Rock (We Salute You)
AC/DC is:
Angus Young – Lead Guitar
Malcom Young – Rhythm Guitar
Brian Johnson – Vocals
Cliff Williams – Bass Guitar
Phil Rudd – Drums
Reviewed by Ryo Vie
0 Bullet – Full Pull (2012)
One of the best Swedish Metal band has returned with another fabulous album and I couldn’t be more excited. If you haven’t checked out Bullet yet, this is definitely the time to get to know the band. Full Pull is the fourth album from the Swedish hard rockers and it could be their best album yet.
Hitting with the power of a freight train at full speed, Bullet once again delivers the hard rocking antics on Full Pull. The signature stomp and wail musical style is present and accounted for. The hard rocking, metal madness is all there. And Hell Hofer’s scratchy, screaming vocals are still intact. Hell Hofer has such a unique voice that it is hard for any description to do it justice. Some would categorize it as a voice that you either love or hate, but I don’t think that is 100 percent accurate. Either way, I love Hell’s voice and I feel that it is the perfect accompaniment to Bullet’s fast paced hard rock.
The three-pack of potential hits, “Midnight Oil,” “Full Pull,” and “Running Away,” get Full Pull started with a bang. The songs feature heavy guitar work led by Hampus Klang and complimented beautifully by Erik Almstrom. The guitar playing on Full Pull makes me want to be a teenager again, so that I can perform air guitar in front of my mirror for hours on end. Almstrom and Klang may not get the recognition of a Malmsteen, or a Bettencourt, but they are just as talented, and Full Pull helps prove that. Hofer’s vocals are in fine form and by the time “Running Away” shows up on the player, long time fans will be hooked once again. Hofer’s distinctive style continues to mesmerize.
Full Pull does find Bullet slightly altering their style and direction. While their previous albums have been a lot of “more of the same” (in a very good way), Full Pull finds the band slowing the tempo down at times. I wasn’t sure if that was so old fans could keep up, or an attempt to lure new fans into the fold. Full Pull finds Bullet leaning away from the thrash slightly and creeping toward the mainstream. And while there isn’t a ballad present on Full Pull, I worry that the band may be closer than ever to writing one. That would be a shame, because Bullet is truly about raw power and hard hitting rock and roll. Leave the ballads to the hair metal bands. Please.
Overall, Bullet have delivered another fantastic gem of a record that will have feet stomping, hands clapping, and fans cheering in no time. Bullet has never disappointed with a record release and they continue to follow that trend with Full Pull. If you haven’t taken the time to seek out Bullet, Full Pull is a great album to get you invested in the band. Any true metal music lover will find nothing but redeeming qualities when listening to Full Pull.
Rating:
Out of 10
Track Listing:
- Midnight Oil
- Full Pull
- Running Away
- All Fired Up
- Rolling Home
- In The Heat
- High On The Hog
- Rush Hour
- Free Riding
- Gutterview
Bullet Is:
Hell Hofer –Vocals
Hampus Klang – Lead Guitar
Erik Almstrom – Guitars
Adam Hector – Bass
Gustav Hjortsjo – Drums
1 Loudness – Eve To Dawn (2012)
Heavy, powerful, dominate: all are good adjectives to describe Eve To Dawn, the latest record from Japan’s Loudness. This album is like a fresh kick to the groin in a world of stagnant metal. This is Iron Maiden meets Anthrax turned up to eleven! Even though they have been rocking the masses since 1981, Loudness proves that they still know how to make the hair on the back of your neck stand up while blowing out your eardrums in style.
If you haven’t followed Loudness in a while, Eve To Dawn is a good record to get you back into the band. If you’ve never listened to Loudness, Eve To Dawn is a great record to get you interested in the band (you may even seek out their back catalog after listening to this record). Innovation and style paint this disc in a musical landscape that is amazing to the ears of even the most seasoned heavy metal lover.
Songs like “Gonna Do It My Way” showcase how superb Eve To Dawn is. With smart lyrics, exceptional guitar solos, and gritty vocals from lead singer Minoru Niihara, “Gonna Do It My Way” reminds us all how much fun hard rock music can be. Blistering solos and fantastic finger work on “Hang Tough” are reminiscent of Nuno Bettencourt in his prime. “Hang Tough” is a hard and heavy rocker complete with some great rock screams, dark riffs, and mesmerizing guitar solos.
Guitarist Akira Takasaki provides chops that would put most modern guitar players to shame. The lead guitar work is some of the best that I’ve heard on any album released in 2012. Takasaki’s fret work is simply astonishing. If you are a fan of guitars, guitar solos, and a crisp thrash metal sound, Eve To Dawn should be added to your “must own” list.
The instrumental track, “Emotions” may be one of the best overall tracks on Eve To Dawn. Once again, it is Akira Takasaki’s guitar work that makes this song stand out. His playing is simply mind blowing on “Emotions.” Throughout Eve To Dawn, I continued to be amazed at the ability of Takasaki as a guitar player. The guitar work, changes, and musical prowess really helps solidify Eve To Dawn and raise it from mediocre levels to outstanding.
Eve To Dawn is a terrific record that I highly recommend for any fans of the hard rock/sleaze metal genre. It could be the biggest surprise of 2012. Just as I was blown away by the band’s M3 performance, I am once again blown away by their latest CD release. Hard rock has been made fun again thanks to Loudness and Eve To Dawn.
Rating: Out of 10
Track Listing
- A Light In The Dark
- The Power Of Truth
- Come Alive Again
- Survivior
- Keep You Burning
- Gonna Do It My Way
- Hang Tough
- Emotions
- Comes The Dawn
- Pandra
- Crazy! Crazy! Crazy!
Loudness Is:
Masayoshi Yamashita – Bass
Akira Takasaki – Guitar
Minoru Niihara – Vocals
Masayuki Suzuki – Drums
1 Lita Ford – Living Like A Runaway (2012)
I am always overjoyed when metal bands from the 80s are still taking the time and effort to record new music. It’s nice to know that they are still dedicated to their craft and don’t want to just fall back on their old hit records, touring only behind those songs, or worse, re-record their old hits (something that I’ve never understood). So, when I learned that Lita Ford had a new record out (Living Like A Runaway), I was excited. I was looking forward to listening what Lita had been up to recently. Then I heard the record. My excitement dissipated like the morning fog.
It’s not that Like A Runaway is a terrible record, it’s just not a very exciting album. There are few songs to rally behind and give multiple listens. Most of the album is rather pedestrian and boring. Sometimes that’s worse than putting out a horrendous record. Ford’s vocals are subpar and lack energy, on the songs where she actually sings (as opposed to talking through the vocals).
Lead track, “Branded,” and the follow up song “Hate,” are very weak introductions to the record and it isn’t until the title track (fourth on the album) that things pick up. Again, these songs aren’t terrible, but none of the first three tracks do anything to excite me. None of them make me want to sing along, or get stuck in my head. They all hang in the air and then quickly fade into the oblivion of forgotten.
“Love 2 Hate U” was a song that showed potential early on, but suffered from clichés and weak vocals by both Lita Ford and duet partner Gary Hoey. Add into the mix some lame lyrics (I gave you lovin/your first real lovin/in the backseat/on the night I bought your first real car). Ugh. There is almost no thought in those lyrics. And while the music is somewhat catchy and the guitar riffs rock hard, the terrible vocals and lyrics can’t be overcome.
There are some high points on Living Like A Runaway. A lot of the guitar work is above average, and some of the solos really rock hard. The title track of the album, “Like A Runaway” is a great, nostalgic song that harkens back to Ford’s earliest days as a rock musician in her former band The Runaways. The song has a nice arrangement and overall is quite enjoyable. Ford has a tendency to speak through rather than sing out on the song, which is a recurring problem on most of the album, but otherwise “Like A Runaway” is a solid tune. I expect that it will sell well as a single.
Recent news is that Lita has been getting together with old Runaways band mates, discussing the possibility of a reunion. And maybe there is a reason for that. If she continues to put out lackluster albums like Living Like A Runaway, there won’t be much of a solo career for Lita Ford to fall back on.
Rating: 
Out of 10
Track Listing:
- Branded
- Hate
- The Mask
- Like A Runaway
- Relentless
- Mother
- Devil In My Head
- Asylum
- Love To Hate You
- A Song To Slit Your Wrists By
Reviewed by Ryo Vie
1 The Cult – Choice Of Weapon (2012)
Drawing strongly from their many years as hard rock veterans, The Cult have returned with a superb record, Choice Of Weapon. Filled with grand moments of classic rock, hard rock, dark sounds, metal celebration, and all the classic rock and roll elements that metal heads enjoy, Choice Of Weapon is a grand album that should help fans remember that The Cult are a premier hard rock act.
The Cult has always been one of those bands stuck on the cusp of greatness. In the 80s they had plenty of modest hits, but lacked what would be considered a breakthrough song. With the release of 1989’s Sonic Temple, and their massive hit “Fire Woman” it appeared that The Cult was finally going to take their turn basking in the limelight of the hard rock elite. However, for some reason, that didn’t happen, and the band drifted into the background again. This is something I’ve never been able to figure out regarding The Cult. They are an extremely talented, enjoyable band. Why aren’t they more of a household name?
Hopefully, Choice Of Weapon will be the album that puts them back in print and brings the band to the forefront of recognized hard rock acts. It’s obvious from the wonderful product released, that The Cult only chose their best material when recording Choice Of Weapon.
Ian Astbury’s voice is still a sound of beauty, even though he’s been singing and touring for almost 30 years. Billy Duffy’s ability with the guitar has not faltered over the years either, and is still the perfect compliment to Astbury’s vocals. Astbury and Duffy together still make magic comparable to (or even better than) Tyler/Perry, Simmons/Stanley, and Jagger/Richards.
“Life>Death” is a powerful anthem and one of the best tracks on Choice Of Weapon. Reminiscent of a David Bowie song on steroids, “Life>Death” has a powerful hook and a chorus that draws the listener in and guarantees a hit of the repeat button on the MP3 player (or whatever device is being used to play this beauty). With a brilliant solo, stupendous vocals, and a perfect harmonic blend of assorted rock sounds and styles, “Life>Death” is one of the better rock songs that I have heard this year.
“Wilderness Now” is the first song on the album that I didn’t immediately love. Compared to the rest of the solid class of music, “Wilderness Now” is just boring. Astbury’s voice doesn’t sound as pleasing as on other songs, the guitar work is plain and pedestrian, and the overall beat is slow and lacking in creativity or originality. It is the only blemish on an otherwise amazing record.
“Lucifer” makes up for the lacking “Wilderness Now” by bringing back the punch and energy to Choice Of Weapon. A hard rocking, foot stomping, punch in the face reminiscent of a Rob Zombie anthem, “Lucifer” is an energetic tune packed with passion. Astbury’s voice is at its best and Duffy adds some intense guitar work to finish off this fantastic song. “Lucifer” could be the hit that paves the way for a whole new legion of Cult fans.
If you’ve missed The Cult, or if you are seeking a hard rock beauty to add to your stereo this summer, pick up a copy of Choice Of Weapon. You will not be disappointed. With magnificent riffs, fantastic vocals, and a whole lot of power, Choice Of Weapon satisfies as the choice of album for the summer.
Rating: Out of 10
Track Listing:
- Honey From A Knife
- Elemental Light
- The Wolf
- Life>Death
- For The Animals
- Amnesia
- Wilderness Now
- Lucifer
- A Pale Horse
- This Night In The City Forever
The Cult Is:
Ian Astbury – Vocals
Billy Duffy – Guitars
Chris Wyse – Bass
John Tempesta – Drums
Reviewed by Ryo Vie
2 The Treatment – This Might Hurt (2012)
Blasting out a sound that is a little Taddy Porter, a little Airbourne, and a little American Bang, The Treatment have released a solid hard rock debut entitled This Might Hurt. Although the members of this band are very young, they pack a talent that most veterans of the hard rock scene would kill to have. Formed in Cambridge in 2008, this UK band has unleashed an epic record that fans of hard rock are going to love. Although new to me, this amazing beauty was released in February of 2011, forcing me to wonder why I haven’t heard this great music sooner.
Led by the gritty, sleaze vocals of lead singer Matt Jones, This Might Hurt captures all of the elements that a great rock record should have; superb guitar riffs, a solid bass, mighty, rhythmic drums, and an energetic lead singer that puts his all into every song he sings. The twin guitar attack of Ben Brookland and Tag Grey is so magnificent that it’s hard to believe these young men are recently out of their adolescent years. The lead solos and riffs performed by Brookland and Grey are utterly superb and help to solidify each song on This Might Hurt as exceptional rock and roll fun.
My lone complaint centers on one of my favorite songs on the record. “Nothing To Lose But Our Minds” is certainly one of This Might Hurt’s best songs, but unfortunately, the opening riff is so eerily familiar of a Marvelous 3 tune, that it almost feels as if The Treatment borrowed too heavily from the great late 90s band. It may not be exactly the same, but it’s a little too close for me to call it original. However, Led Zeppelin made a living off “borrowing” riffs, so I suppose I can give The Treatment a pass. The rest of the song, as well as the rest of the album, is clearly theirs.
The rock never stops on This Might Hurt. From the opening notes of “Departed” to the ending of “I Will Be There,” The Treatment has structured each song as an incredible ride for the ears. Layered with plenty of ear candy, This Might Hurt is a strong debut record from a band with plenty of talent and skill.
Be sure to keep your eyes on The Treatment. As they start to gain more notoriety and name recognition, it is certain that everyone will be talking about them in the near future. This young, hungry band is too good to ignore. If they can put together some extensive tour dates, and continue to open for acts like KISS and Motley Crue (which they will be doing this summer), everyone will know who The Treatment is.
Key Tracks: Just Tell Me Why, Nothing To Lose But Our Minds, Winter Sun
Rating: Out of 10
Track Listing:
01. Departed
02. The Doctor
03. I Want Love
04. Just Tell Me Why
05. D***k, F**k, F***t
06. Nothing To Lose But Our Minds
07. Shake The Mountain
08. I Fear Nothing
09. Winter Sun
10. Lady Of The Light
11. Road Rocket
12. Stone Cold Love
13. I Will Be There
14. Just Tell Me Why (Acoustic)
The Treatment Is:
Matt Jones – Vocals
Ben Brookland – Guitar
Tag Grey – Guitar
Dhani Mansworth – Drums
Swoggle – Bass
Reviewed by Ryo Vie
0 Candlelight Red – The Wreckage (2011)
Modern rock fans have a new reason to rejoice and that reason is The Wreckage, the debut album from Candlelight Red. This Pennsylvania quartet has been making their presence known on the hard rock scene, playing several festivals, and opening a number of hot tours in 2012. The Wreckage shows just why Candlelight Red is receiving much attention in the modern rock world. Put simply, Candlelight Red is a hard rock band that makes great music.
Filled with heavy and hard tunes, The Wreckage is a fun-filled album of rock music that satisfies. Any of us that love Three Days Grace, New Medicine, or other similar modern rock darlings are going to enjoy listening to The Wreckage. Candlelight Red have released an album of eight original goodies and one interesting cover song that is getting some airplay as of late.
The band’s original songs are real treasures to the ear. They are not overproduced, and they are not weak, which is usually a winning combination to making great music. And while The Wreckage does not contain any Earth shattering, ground breaking, innovative Pink Floyd-esque tracks, that hardly matters. What The Wreckage does contain is 8 original songs that are immensely enjoyable. And in the end, isn’t that what matters most?
The last track on the record is a cover of “The Look,” a big pop hit for the band Roxette in the late 80s. As a huge fan of the original song, I was curious to see what Candlelight Red would do with this cover. And while I commend them for choosing a more pop-oriented song to cover, I have to admit that I much prefer the band’s original material. I miss the falsetto of Marie Fredriksson, which I always felt made the song such a hit.
That’s not to say that “She’s Got The Look” is unbearable, because it is actually enjoyable from a nostalgic sense. However, it is not something that would have me buying The Wreckage. However, original songs like “The Dirt,” and “Medicated,” would. Perhaps it’s a chance for fans to sing along with the band at concerts while they get their name out there, but I would have much preferred one more original song on The Wreckage.
Cover song aside, Candlelight Red have released a solid album complete with creative, entertaining songs. If you’re looking for some hard rocking new music that will get multiple spins on your IPod, definitely check out Candlelight Red’s The Wreckage.
Rating: Out of 10
Track Listing:
- Intro
- The Dirt
- Closer
- Gone Forever
- The Wreckage
- Bend And Break
- Scream
- Medicated
- In Your Hands
- She’s Got The Look
Candlelight Red Is:
Jeremy Edge – Guitars
Ryan Hoke – Vocals
Jamie Morral – Bass
Brian Dugan – Drums
Reviewed by Ryo Vie
1 Dead Sara – S/T (2012)
Any time a new band catapults onto the scene with loads of hype and praise, I am skeptical. Are the critics all desperately searching for the next darlings of rock? Is the music really as good as everyone claims, or is everyone just drinking the Kool-Aid? Needless to say, when the self-titled debut album from Dead Sara came across my desk, my skepticism was at an all time high. I had heard a lot of great things about this band from critics. It made me wonder if Dead Sara could live up to the hype. I am happy to report that not only can they handle the hype, Dead Sara is even better than any of the praise they have received.
The last time I heard a debut record this fantastic, it was by a little known band named Guns N Roses. We know their story and the fame that they went on to, the question is will Dead Sara do the same? What is most amazing about the debut album from Dead Sara is how every single song is a monster track. There is absolutely zero filler on this record. From “Whispers & Ashes” to “Sorry For It All” every song on this album is intense, rocking, and needs to be listened to multiple times.
If you can imagine the offspring of Evanescence and Flyleaf on steroids, then you have a good idea of what Dead Sara sounds like. The throaty, sultry vocals of Emily Armstrong are what help set Dead Sara apart. A hard rock band that performs incredible music, merged with a blues style powerful female lead singer is hard to come by, but Dead Sara fit that description. From the opening notes of lead track “Whispers & Ashes” it is apparent that something special is being heard. Dead Sara continues to serve mesmerizing songs with “We Are What You Say,” an ode to youth, and the hard hitting first single, “Weatherman.”
Guitarist Siouxsie Medley sets the pace on the harder tracks from Dead Sara. Her guitar playing is a blistering mix of Kurt Cobain, Keith Richards, and Slash, which is fitting when noting that Dead Sara’s influences range from the blues and classic rock to modern punk. Medley is as talented with the ax as Armstrong is with her vocals. Together these two are the most exciting front duo since Tyler/Perry. For anyone that yearns for their music to deliver more, there is now a solution—Dead Sara.
The ballads of the album “Dear Love,” “Face To Face,” and album closer “Sorry For It All,” draw heavy on the blues influence while staying grounded in modern rock. Dead Sara takes the classic power ballad and adds their own twists and turns, creating masterpieces. While the heavier tracks will find many fans banging their heads or jumping around like madmen, the ballads will no doubt find lighters a-plenty, and contain thought provoking lyrics to let the fans linger on the poetic beauty of Armstrong’s highly talented writing.
There is not one negative thing that can be said about Dead Sara. Not one constructive criticism can be made. Dead Sara is about as perfect as an album can be, and the fact that it is a rookie effort, only helps to confirm the fact that Dead Sara is the real deal. If there is only one record that you purchase this year, it needs to be the self titled debut from Dead Sara. You will not hear a better album in 2012.
For more information on Dead Sara and their debut album, visit the band’s website: www.deadsara.com. You can purchase a copy of the CD here!
Rating: 
Out of 10
Track Listing:
Whispers & Ashes
We Are What You Say
Weatherman
Dear Love
Monumental Holiday
I Said You Were Lucky
Face To Face
Test On My Patience
Timed Blues
Lemon Scent
Sorry For It All
Dead Sara Is:
Emily Armstrong – Vocals
Siouxsie Medley – Guitar
Chris Null – Bass
Sean Friday – Drums
Reviewed By Ryo Vie
2 Hurt – The Crux (2012)
Rock fans, rejoice! Hurt has returned with the follow up to 2009’s amazing Goodbye To The Machine. This time around, Hurt brings the rock with The Crux. While Goodbye To The Machine found the band leaning more toward the mainstream sound of modern day radio rock, The Crux is a closer return to the earlier, dark, heavy riffs found on Volume I and Volume II.
With a new lead guitarist and a new drummer in the band, it’s obvious that the sound of The Crux is going to vary from that of Goodbye To The Machine. Guitarist Paul Spatola was an exceptional talent that will be missed. And while Spatola’s guitar is absent from the current record, it allows Hurt the opportunity to venture toward a different direction, or in this case, a return to the sound of their earlier albums. If you like the darker side of Hurt, you will love The Crux.
While the first two tracks on The Crux (“So When” and “Eden”) are solid songs, it is the third track “Links & Waves” that really catches the listener’s attention. The unfortunate part is that this song clocks in at a mere 1:15 in length. All that did was leave me wanting more. It left me curious to know what would have happened had the band decided to expand this song and breathe more life into it.
“Caught In The Rain” is easily my favorite song on the record. As I tend to lean more toward the newer style of Hurt, it only makes sense that I would love this song. Also, the guitar solo ripped out by Michael Roberts is spectacular and worthy of some love. “Caught in the Rain” is a hard rocker with a modern edge, finding Hurt really hitting their groove.
“Cuffed” continues the more modern sounding music that I’ve grown to love from this band. More sharp guitar work from Roberts, and some expert changes overall, make this a powerful and enjoyable piece of music. J. Loren Wince’s rock screams can be heard deep into the track and adds plenty of replay value to the song. “Cuffed” finds Wince’s voice at its finest, and combined with the great Roberts guitar work, this track stands out as one of the best on the record.
“How We End Up Alone” is Hurt’s first single from The Crux. It is easy to understand why the band released this song. Starting out soft and melodic, “How We End Up Alone” builds in intensity to a crescendo bridge and chorus that unveils its true power. A darker, grittier tone is captured which adds character. Roberts solo sings on this song, and if he hadn’t earned his Hurt stripes up until that point, he definitely had them at the end of this song. “How We End Up Alone” is a superb track and one of the best cuts that Hurt has ever released.
As a follow up record, The Crux holds up well. Fans that are looking for more of the Goodbye To The Machine sound may find themselves disappointed. However, long time fans that enjoy early Hurt are going to find The Crux getting several replays on their IPods. The balancing act is the sound that lay between the two discs. Songs like “Caught In The Rain” and “How We End Up Alone” are the perfect hybrid of old and new Hurt. As the band continues to progress and grow, it is my hope that they will focus more on these types of hybrid creations. It could be the best sound Hurt has come up with.
The Crux will be released Tuesday, May 1st. Get Your copy of the CD here!
Rating: Out of 10
Track Listing:
- So When
- Eden
- Links & Waves
- Sally Slips
- When It’s Cold
- Adonal
- Caught In the Rain
- Cuffed
- How We End Up alone
- Numbers
- The Seer
Hurt Is:
J. Loren Wince – Vocals/Guitar
Michael Roberts – Guitar
Rek Mohr – Bass
Victor Ribas – Drums
0 Trixter – New Audio Machine (2012)
Every now and then, bands from yesteryear release a new album trying to cash in on the hopes that their remaining fans will buy some of their new music. At the least, it provides a reason to go out on tour, or join in on the festival circuit. More often than not, these cash-in releases are sub-par and usually best left not purchased. So, you can imagine my expectation level when the new Trixter CD, New Audio Machine came across my desk for review.
It’s so nice to report that this album was more than a pleasant surprise. I don’t know what Trixter has been up to for the last few years, but I do know that I wish they had more great music like what is contained on New Audio Machine. This is the best 80s band release since Whitesnake’s Forevermore.
I’ll admit that I haven’t paid any attention to Trixter since purchasing their debut album over 20 years ago. Their self titled debut was one of the greatest records of 1990, and the follow up, Hear, was decent, but was also a victim of bad timing. Nirvana and Soundgarden had emerged as the new sound of hard rock, knocking most 80s rock bands to the side. Trixter disappeared shortly thereafter and wouldn’t resurface until 2007. Now back with their first album of new material since 1992, Trixter is ready to rock with New Audio Machine.
New Audio Machine kicks off with the very catchy tune, “Drag Me Down.” An acoustic guitar romp opens the track reminiscent of Blue Murder’s “Jelly Roll,” before the song kicks into high gear, pounding the senses with some serious hard rock sounds. This song works very well as the lead track and reintroduction to Trixter It’s been 20 years since fans have heard new, original material from this band, and “Drag Me Down” is a great reminder of the superb music they can make.
“Live For Today” is one of two ballads on the record. While not the classic power ballad that hair metal is known for, “Live For Today” is a pretty song with meaning. Trixter has grown both emotionally and musically as a band, and this shows on “Live For Today.” With 20 years of history in their rearview mirror, Trixter is taking a moment to reflect on how fast life rips by us. The message in the music is to slow down and enjoy today for what it is. Tomorrow may not come, but if it does, let’s worry about it tomorrow. For all of us aging rockers, that is a poignant message.
“Tattoos & Misery,” the record’s first single, is the best song on the album and recalls the glory days of the 80s, being lived in the current decade. Blending the classic sound of Trixter’s debut with a touch of modern rock, “Tattoos & Misery” harkens back to the bad relationships of high school days while staying rooted in the modern template of today’s relationship struggles. Pete Loran’s voice is strong on this single and the harmony vocals by P.J. Farley and Steve Brown are exceptional. If you’re looking for a summer song to blast out of the stereo while cruising the highway with the windows down, this would be a solid choice.
It’s nice to see Trixter return to recording new material after a long absence. If New Audio Machine is any indication of the creativity that the band has left in them, then I can only hope that Trixter continues to record new material. New Audio Machine is the perfect blend of old and new, a worthy disc to reconnect fans with a long lost, often forgotten, solid rock and roll band. New Audio Machine is definitely worth checking out.
Rating: Out of 10
New Audio Machine is available in stores now! Get yours here!
Track Listing:
- Drag Me Down
- Get On It
- Dirty Love
- Machine
- Live For The Day
- Ride
- Physical Attraction
- Tattoos & Misery
- The Coolest Thing
- Save Your Soul
- Walk With A Stranger
Trixter Is:
Pete Loran – Vocals
Steve Brown – Guitar
P.J. Farley – Bass
Mark “Gus” Scott – Drums
0 The Veer Union – Divide The Blackened Sky (2012)
Like any vice, The Veer Union is enjoyed more and more over time. At first listen, Divide The Blackened Sky is a decent record that has some potential. After a few listens, it is recognized more as a great album that needs to be heard. After several listens, it is classified as one of the strongest modern rock releases this year that everyone needs to hear.
Divide The Blackened Sky is the sophomore effort for modern rock darlings, The Veer Union. Following up their successful debut, Against The Grain, The Veer Union have released another album filled with modern rock delights. Hard rocking power riffs, strong vocals, and excellent drum beats all combine to make Divide The Blackened Sky an excellent release.
“Borderline” starts the album and shows off The Veer Union’s strengths—powerful rock, with a heavy beat. This is modern rock with an edge. The influences of bands like Breaking Benjamin and Three Days Grace can be heard throughout the disc, but “Borderline” is where these influences stand out the most. If you are a Breaking Benjamin fan, you will love the lead track from Divide The Blackened Sky.
On their sophomore release, The Veer Union decided to go all power. No ballads made an appearance on this record, however, they aren’t missed. Usually modern rock records need balance between the hard rock hits, and the loving ballads. Divide The Blackened Sky mixes melody and power so well, that the lack of ballads isn’t a deterrent to the record.
“Inside Our Scars” is the strongest song on the disc and the most enjoyable track as well. Lead singer Crispin Earl has a chance to show off the true power of his vocals and sings like a siren. While the intro of the song might have listeners thinking that it is a ballad, the song kicks in so heavy halfway through, that the hard rock prevails. Drummer Neil Beaton shows off his talents as well, playing some of the best drums of the record on “Inside Our Scars.”
Divide The Blackened Sky is a strong release, especially considering the expectations following such a solid debut. The Veer Union didn’t shy away from the challenge and put out a heavy, dark, hard rocking record, worthy of being called the follow up to their first release. If you’ve been looking for a new band to add to your rotation, I highly recommend The Veer Union. Divide The Blackened Sky is an addictive record. The more you spin it, the more you want to hear it.
Rating: Out of 10
Track Listing:
01. Borderline
02. Bitter End
03. I Will Remain
04. Buried In The Ground
05. Inside Our Scars
06. Live Another Day
07. Divide The Blackened Sky
08. Silent Gun
09. Last Days Of Life
10. Stolen
The Veer Union Is:
Crispin Earl – Vocals
James Fiddler – Lead Guitar
Eric Schraeder – Rhythm Guitar
Marc Roots – Bass
Neil Beaton – Drums
Reviewed by Ryo Vie
0 Bang Tango – Pistol Whipped In The Bible Belt (2011)
Although lead singer Joe Leste has put together a whole new incarnation of Bang Tango and remains the only original member of the group, the sound of sleaze rock is still strong on their latest effort, Pistol Whipped In The Bible Belt. As an added bonus, the new disc really kicks some hard rock ass! If you like your rock hard, sleazy, and mired in sex, drugs, and rock and roll, then Pistol Whipped In The Bible Belt is an album that should be added to your collection.
“Dick In The System” starts the record off. This song is an ode to a cheating girl, and sets the table for the sleazy sex tinged portraits painted on the rest of the record. Crunchy guitar and throaty, raspy vocals dominate, making the song enjoyable from the first note. Leste and company found a groove and used it to their advantage. “Dick In The System” is a great lead track and a perfect re-introduction to those of us who may have almost forgotten about the band, Bang Tango.
The band doesn’t just mire all of their tracks in sleaze and sex (not that there is anything wrong with that). They also show off their softer side on the album’s lone ballad “Have You Seen Her?” This is a solid, 80s style ballad that is bound to have cigarette lighters waving when the song is played in concert. Guitarist Scott LaFlamme handles the guitar work exceptionally well and his solo on this track stands out. I expect a lot of summer compilations to include “Have You Seen Her?” on the track list.
“Boom Box Séance” is without a doubt the best track on the record. Totally cool, unique title notwithstanding, this song is fantastic. Combining fresh, tongue-in-cheek lyrics with the best guitar work of the record, “Boom Box Séance” is invigorating in its ability to maintain originality. The underlying theme of sleaze is still present and accounted for, but the entire vibe of the song has a fresh feel not present on the other tracks. That does not mean the other tracks are bad, it just solidifies why “Boom Box Séance” is the best song on the record. If you like a foot stomping, funk and groove rock song, “Boom Box Séance” will be your choice for song of the record as well.
It’s been a while since Bang Tango was a common household name (okay, it’s been a while since some people might have heard of the band), but that doesn’t mean that they have been stale or disappeared. Pistol Whipped In The Bible Belt is a strong effort and hopefully Bang Tango will be on the road this summer so that fans can hear the great music Bang Tango recorded. Chock of full of sharp, hard hitting, rock and roll, Pistol Whipped In The Bible Belt is rock music for the sleaze enthusiast. Bring on the strippers and booze!
Rating: Out of 10
Track Listing:
- Dick In The System
- Suck It Up
- Our Way
- Bring On The World
- Have You Seen Her
- Live Life
- I Like It
- Boom Box Séance
- Drivin’
- Pistol Whipped In The Bible Belt
Bang Tango Is:
Joe Leste – Vocals
Scott LaFlamme – Guitars
Lance Eric – Bass
Trent Anderson – Drums
0 Staind – S/T (2011)
I’ll admit that I haven’t paid much attention to Staind over the last few years. After the release of 14 Shades Of Gray, I found the band heading in an uncertain direction. No longer sure of their voice or where their music was heading, I was disappointed and bored, and thus moved on to other bands. After hearing their latest single, “Eyes Wide Open,” I decided to give the band another chance and picked up a copy of their self-titled release. It was one of the best musical decisions I have made in recent years. Staind have found their current voice and the end result is spectacular.
Still fused fully in the dark side of rock, the recent change for Staind is the bands’ desire to unleash their anger in the music. Whereas past albums were dark and depressing, wondering how to survive the future, their latest disc is filled with fight. Songs like “Wannabe” and “Now” are anthems to haters and doubters that they’d better back off. Staind isn’t going to stand around and be your punching bag. They even take the time to call out those that would download their music for free (i.e. steal it) and then trash it online.
Blending grunge and hardcore rock, Staind’s latest record takes their enjoyable sound to a level not previously achieved. The crisp guitar solos by Mike Mushok obliterate any of his previous work and the structure of each of song is impeccable. “The Bottom” has a striking melody that sounds like a cross between Nine Inch Nails industrial rock and a Poison Power Ballad. It is a beautiful melody punctuated by Lewis’ amazing voice. “Now” is a solid, hard rocking smack in the face complete with finger shredding guitar work worthy of a Mastodon comparison. “Wannabe” is a war cry for the haters to go away and find somewhere else to waste their time. Hearing Staind call out the freeloaders was the highlight of the record.
Staind finds the band pulling no punches, and musically, it finds the band meshing the likes of which they haven’t since the late 90s. This is Staind at the top of their game and it’s a welcome thing of beauty. Lead singer Aaron Lewis’ voice is as powerful as ever. His singing ability has never failed to amaze me and even more so on Staind. Mike Mushok is firing on all cylinders, exploding through blistering guitar solos, and keeping the melodies in perfect harmony with the rest of the music. The rhythm section of Johnny April and Jon Wysocki (no longer a member of the band) round out the music nicely.
Less is more was a theory that the band obviously subscribed to, and it paid huge dividends. While Staind only comes with 10 tracks, each of these masterfully crafted beauties are works of art worthy of cherishing for several years to come. Had I given this record a chance sooner than 2012, it’s possible that it may have cracked my top 10 for 2011. Well, there’s always the top ten for the decade.
Rating: Out of 10
Track Listing:
- Eyes Wide Open
- Not Again
- Failing
- Wannabe
- Throw It All Away
- Take A Breath
- The Bottom
- Now
- Paper Wings
- Something To Remind You
Staind Is:
Aaron Lewis – Lead Vocals, Rhythm Guitar
Mike Mushok – Lead Guitar
Johnny April – Bass
Jon Wysocki – Drums
6 Bruce Springsteen – Wrecking Ball (2012)
In what could be his best release since Darkness On The Edge Of Town, Bruce Springsteen has returned with a magnificent album fueled by anger, poignant with insight, and offering a glimmer of hope for the future. That album is Wrecking Ball, and it is the first album Springsteen has recorded since the death of his dear friend, and founding E-Street Band member, Clarence (Big Man) Clemons.
While the last Springsteen album (2009’s Working On A Dream) was criticized as being too rushed, too polished, and too pop oriented, none of those comments can be regurgitated for this record. Wrecking Ball is the antithesis of Working On A Dream. Musically, the album is heavier. Lyrically, the album is angrier. Spiritually, the album is much more uplifting and inspiring. Wrecking Ball is a request to a nation; regain the fire that once burned bright in their belly.
If Working On A Dream was themed with hope, opportunity, and a chance for change, Wrecking Ball is a call to action for that change to happen now. The frustration and demand is felt in these songs written by a man mired in blue collar roots who is saddened by the current state of his America. The current situation has cheated us with empty promises and side mouth talking. The time to act upon those promises is now. It’s time for people to rebound and put in the hard work, as a group, not as individuals, required to take back the strength we all once commanded. There is hope in the future. The hope comes with a price though. We have to be willing to put in the sweat required today in order to receive a brighter tomorrow.
While not as patriotic as Born In The USA, Wrecking Ball speaks to the American public. The cynicism of modern day Bruce is immediately felt on opening track “We Take Care Of Our Own.” The lyrics cry out that we feel cheated. The promises of a better today have not arrived and need to. Springsteen sings that “the road of good intentions has gone dry as a bone,” letting us know that the time for talk is behind us and the time for immediate action is upon us. If we join together and take care of our own, we will be able to accomplish anything that we desire.
Calls of unity and group action (“We Take Care Of Our Own”), overcoming tragic loss and still moving forward (“This Depression”), taking the worst that comes and conquering (“Wrecking Ball”) and seeing hope in the future (“Land Of Hope And Dreams”) dominate this record. Springsteen has reached back to a style of writing reminiscent of his early, mid-70s career and composed music with a message and a meaning. The time to stand up and fight for what we believe in is now. There can be no tomorrow if we don’t take action today. The challenge is laid forth. We can overcome it and become greater than we ever imagined.
Recording this album also found Bruce Springsteen in the studio without his best friend and longtime band mate, Clarence Clemons. The trademark saxophone has been replaced by trumpets and horns, electronic drum tracking and plenty of fiddle. Songs like “Rocky Ground” and “This Depression” contain dual messages that not only center on the current state of our nation, but also describe the pain of moving forward after losing someone that has meant so much for so many years. How does a man move forward from that? Strength, determination, and remembering what the friendship stood for are some of the key ways.
Blending his 70s style blue collar rock with his more recent Irish folk flavor, and mixing in some good old fashioned classic guitar rock, Bruce Springsteen has struck gold with his latest release. There is something for everyone on Wrecking Ball. From ballads to blues, from guitar solos, to foot stomping folk songs, Wrecking Ball has it all. That is what makes it such a great treasure. After 40 years, Bruce Springsteen still knows how to rock and roll and Wrecking Ball is the current proof of his lasting musical genius.
Rating: Out of 10
Track Listing:
- We Take Care Of Our Own
- Easy Money
- Shackled And Drawn
- Jack Of All Trades
- Death To My Hometown
- This Depression
- Wrecking Ball
- You’ve Got It
- Rocky Ground
- Land Of Hope And Dreams
- We Are Alive
0 Mecca – Undeniable (2012)
Reach deep into the memory banks and recall such classic Survivor hits as “The Search Is Over” and “Burning Heart.” Once that image/sound is conjured into the cerebrum, the brain will be in tune with the sound of Mecca. Mecca is a strong band that performs Album Oriented Rock (AOR) and was considered to be one of the best in the business when their debut album was released in 2002.
Mecca is a melody waiting to erupt. Keyboard driven rock with blistering guitars serve as the footprint for Undeniable. There is a lot of passion to be felt on the songs contained within Undeniable. Strong vocals combined with solid guitars and layers of keyboards are what make Mecca’s Undeniable an enjoyable album. What’s most enjoyable about this disc is the positive, uplifting hope that the lyrics and melody provide.
Opening track, “Perfect World,” sets the stage for the good vibes that can be felt throughout the record. Lead singer Joey Vana sings of how a perfect world would contain harmony and bliss. There would be no war, no crime, and no anger. In a perfect world there would be no need for money or time, because everyone would have all that they need. The message in the song is clear—if we all try hard enough, we can live in this peaceful, perfect world.
“From The Start” is decidedly the best song on Undeniable and the real gem of the record. Vana’s voice sounds exceptional and the guitar work from both Vana and Mark Alano provides an incredible musical backdrop. The song can transport the listener back to the days of youth, when getting over a heartbreak was the worst thing in the world. If I were a lovesick teenager once again, “From The Start,” would be at the top of my playlist. A passionate song sung with power and feeling, dealing with heartache and loss, “From The Start,” is an incredible song that has “hit” written all over it.
It is absolutely clear that Joey Vana has a solid voice. His strong vocals and high octave range are worthy of a melodic rock lead singer and may even leave other singers in the genre a little jealous. Vana’s vocal chords deliver the goods in a most enjoyable way. Basically, the man can sing with the best of them. While it may have taken Mecca nine years to record and release this album, it was well worth the wait. Vana’s vocals never falter, the guitar solos are blistering and fantastic, and the keyboards/synthesizers tie the melodies together in perfect harmony. What more could you ask for in a record?
If you are a fan of the heavier side of rock (speed metal, thrash), then Undeniable is probably not for you. However, if you are looking to discover some darned good music from a band that you may not be familiar with, then you should definitely give Mecca’s Undeniable a try. It’s a solid record that will bring your ears some joy.
Rating: Out of 10
Track Listing:
- Perfect World
- Closing Time
- Ten Lifetimes
- Life’s Too Short
- I Know
- Did It For Love
- From The Start
- Deceptive Cadence
- W2W
- Undeniable
- As I Walk Alone
Mecca Is:
Joey Vana – Vocals and Guitars
Brian Moritz – Keyboards
Paul Pisciotto – Synthesizers
Wally Hustin – Bass
Rick Vitek – Drums
Mark Alano – Guitars
0 Coastland Ride – On Top Of The World (2011)
Elegant, melodic rock is the first impression garnered when listening to On Top Of The World by Coastland Ride. On Top Of The World is the second release from Sweden’s Coastland Ride. Their self titled debut was released in 2003 and the band was finally able to release their sophomore effort late last year thanks to signing a new record deal with Avenue of Allies.
On Top Of The World contains all of the general flavor that one would expect from a melodic rock band. Leaning toward the softer side of rock, Coastland Ride and similar bands of the genre create a sound driven by keyboards and melody. While this is not something a listener will bang a head to, it is still good music to jam when the mood strikes.
Embracing the soft rock sound, Coastland Ride have gone heavy on the keys and melodies for On Top Of The World. Opening track “Act Of Faith (One Million Reasons)” sets the stage for what’s to come. Vocalist Markus Nordenberg’s voice hits the ears immediately and causes a slight smile to form. The smile grows as the album plays on. Songs like “Made Up My Mind” and “Lodestar” are bound to be regular spins once they’ve been heard just once.
“Made Up My Mind” is a terrific song of destiny and overcoming hard times and difficult challenges to achieve goals. There are always times when we want to give up and forget the goal we have in our hearts, but songs like “Made Up My Mind” are a great reminder that we shouldn’t give up and we should always give our all to achieve what our heart desires. A great track, with a solid guitar solo and a strong message, “Made Up My Mind” is one of the best cuts on this album.
The funk and groove of “Lodestar” makes it a stand out track from On Top Of The World. The beat is different from most of the other tracks and really has feet tapping. “Lodestar” is an enjoyable treat with a crisp bass line, tight vocals, and dancing keyboards that make the song come alive. “Lodestar” is certainly a favorite that may find you dancing along while the song plays on.
While it’s been a long time in between albums for Coastland Ride, it hasn’t made the quality of their music suffer. If you’re a fan of the softer side of rock, melodic melodies, or album oriented rock, Coastland Ride’s On Top Of The World is a good addition to your collection.
Rating: Out of 10
Track Listing:
Act Of Faith (One Million Reasons)
Wait
On Top Of The World
Second Chance
Made Up My Mind
Sandra
Save You From Yourself
Lodestar
Strange Confusion
Jericho Falls
Nail Me To The Cross
Coastland Ride Are:
Anders Rybank – keyboards, guitars, bass, & drums
Mikael Bohlin – keyboards, guitars
Markus Nordenberg – vocals
5 UFO – Seven Deadly (2012)
Most Hard Rock enthusiasts would agree that it is the presence of a guitar solo that truly defines whether a song should be considered Hard Rock. Should that definition be used as a litmus test to what is or isn’t Hard Rock, then UFO has passed with flying colors. The most enjoyable part of their new disc, Seven Deadly, is the fact that every song gets a guitar solo — rock, the way it ought to be!
It never ceases to amaze me how musicians like UFO that have been around for such a long time can still put out poignant, high quality music for the masses. UFO’s debut album came out in 1970 and they’ve been rocking the world ever since. Seven Deadly is the band’s 22nd record, and while there have been numerous upon numerous lineup changes, original members Phil Mogg and Andy Parker are part of the latest disc.
Combining southern rock, blues, a twinge of 80s metal, and hard riffs, UFO has created an outstanding record that both longtime fans and “Johnny-come-lately” are going to be ecstatic about. The creative outpouring on Seven Deadly is attributable to the band’s veteran dedication to their craft. After 22 albums, one might think the band would decide to rest on their laurels, or release some sub-par material that had been sitting around for years, not making it on other albums. That is definitely not the case with Seven Deadly. UFO proves they still have what it takes and that nothing less than the best will do for the band and their fans.
“Fight Night” kicks the record off in style and immediately brings forth the hard rocking, bluesy sound of UFO. Guitarist Vinne Moore immediately establishes himself as an amazing lead guitarist and the centerpiece of the magnificent music that is bursting from the speakers.
Phil Mogg’s voice has held up well over the years. That is most evident on the track “Angel Station.” This is the slower, prerequisite ballad of the disc, but it is performed with passion and power. Mogg can still hit the high notes and sing with such clarity that it’s hard to believe his age. “Angel Station” is a brilliant song that moves the listener. Mogg does an incredible service to the vocals on this song and the finished piece is proof of his ability with the microphone.
Not enough great things can be said about lead guitarist Vinnie Moore. His best solo comes on the track “The Last Stone Rider.” Combining blues, metal, and finger picking at its best, Vinnie Moore shows some great, flashy techniques with the axe in his hand. His guitar playing prowess is evident all over Seven Deadly and one of the best treats of the album. If you are not a fan of Vinnie Moore, you will be after listening to Seven Deadly” His guitar work takes the album from great to outstanding.
Album closer, “Waving Goodbye,” is a perfect way to end such an esteemed album. A bluesy, ballad that contains another magnificent Moore solo and passionately sung lyrics, this is one of the best songs contained on Seven Deadly and it is worthy of multiple listens. If ever there was a song to add to the joys of summer playlist, “Waving Goodbye” is it.
If you’re seeking new rock from a classic artist that sounds as grand as ever, Seven Deadly by UFO is an album for you. The brilliance of the music and the magnificence of Vinnie Moore make it a record worthy of adding to the collection. UFO has struck gold once again.
Key Tracks: Year of the Gun, Waving Goodbye
Rating: Out of 10
Track Listing
- Fight Night
- Wonderland
- Mojo Town
- Angel Station
- Year Of The Gun
- The Last Stone Rider
- Steal Yourself
- Burn Your House Down
- The Fear
- Waving Goodbye
UFO Is:
Phil Mogg – Vocals
Vinnie Moore – Lead Guitar
Paul Raymond – Rhythm Guitar, Keyboards
Andy Parker – Drums
0 Glyder – Backroads To Byzantium (2011)
Irish band Glyder recently released their fourth album, Backroads To Byzantium. This was my first exposure to the band and what stood out immediately was Glyder’s 70s style rock sound. While there is not one 70s band in particular they can be compared to, Glyder’s sound is an amalgamation of all 70s rock, from Fleetwood Mac to T-Rex. The band certainly falls into the soft rock category much more than the hard rock side.
While Backroads To Byzantium didn’t wow me out of the gate, it still has its moments and gems. “Even If I Don’t Know Where I’m Gonna Go” is a great highway cruising song and the slide guitar by Bat Kinane and Pete Fisher are stupendous. In fact, the guitar work throughout Backroads To Byzantium is in the upper echelon of greatness. Kinane and Fisher are both expert guitarists and their ability is stamped all over this album.
At the center of the songs is lead singer Jackie Robinson. His smoky voice is a blend of Skynyrd and Allman. Robinson solidifies the 70s style rock and roll that Glyder performs and his voice, while limited in range, is a unique and memorable force. Robinson is the perfect singer for Glyder as his vocal style is an exceptional accompaniment to the music Glyder performs.
The best song on Backroads To Byzantium is easily the last one. “Motions Of Time” is the big ballad and final track of the record. Armed with a memorable hook and fantastic guitar picking, “Motions Of Time,” is as emotional as a ballad should be and left me wanting to hear more songs like this. Obviously Glyder didn’t want to put out an album of ballads, but it appears to be one of the bands strengths. “Motions Of Time” is a blissful mix of blues and acoustic rock.
If you are a fan of the softer side of rock, then Backroads To Byzantium is something you are bound to enjoy. The guitar work alone makes the album worthy of a few spins. However, if you are looking for something a little heavier, then it’s best to pass this one by.
Rating: 
Out of 10
Track Listing:
- Chronicled Deceit
- Long Gone
- Fade To Dust
- Even If I Don’t Know Where I’m Gonna Go
- Don’t Make Their Mistake
- Down & Out
- Something She Knows
- Two Wrongs
- End Of The Line
- Motions Of Time
Glyder Is:
Jackie Robinson – Vocals
Bat Kinane – Guitars
Pete Fisher – Guitars
Graham McClatchie – Bass
Des McEvoy – Drums
2 Roxx Gang – Boxx Of Roxx (2011)
The semi-famous, yet quite memorable, hair metal talent, Roxx Gang, have recently released a swan song box set titled, Boxx Of Roxx. This gem contains all the goods that a hair metal fan could want. The set contains a disc of previously unreleased rarities, a disc of live music, and a DVD of videos. Many may question whether a group that had such a short lived time with their original lineup (1989 – 1991) should be worthy of releasing a box set. What they would fail to realize is that Roxx Gang continued on, releasing several solid albums in the mid and late 90s after hair metal was left for dead.
While purists who love the band will be the first to scream that Roxx Gang is not hair metal (more of a hybrid of punk and blues), the music speaks for itself…this is hair metal. There are some bands that were never comfortable with the hair metal moniker (Def Leppard, Dokken, Bon Jovi) and Roxx Gang is one of those bands. However, it should not be deemed an insult to be labeled a “hair metal” band. In fact, it should be an honor. Listening to the rarities disc on Boxx Of Roxx makes it obvious that this is hair metal music and it is pretty darned good.
The disc of outtakes harkens back to the bands early days with unreleased radio edits of beloved songs such as “Scratch My Back,” and “No Easy Way Out.” These songs show up again on the live disc and videos DVD. Seeing as how they are the most cherished songs in the Roxx Gang repertoire, it makes sense that they would be contained on all three discs.
The real gems on Boxx Of Roxx are the recordings with original guitarist Eric Carroll who died mysteriously in the late 80s before the band gained their true notoriety. Boxx Of Roxx takes the listener on a time-traveling journey, spanning the entire career of Roxx Gang, but the three Eric Carroll tracks stand out as the ones with the most potential. They are, after all, the songs that got the record companies attention in the late 80s and rightfully so.
The live disc was recorded in Texas in 1989 featuring the bands most famous and beloved lineup. Ripping through their hit songs and early material, this live album gives us a taste of what a Roxx Gang show was like back in their heyday. Those fortunate enough to have seen the band live, witnessed a real treat, as Roxx Gang built their reputation on their live performances. It would have been nicer if the band was able to release this concert as a DVD for the set, but fans should be ecstatic with the existing audio to enjoy.
Overall, if you’re a hair metal fan, a lover of Roxx Gang, or someone that enjoys re-discovering some of the forgotten acts of the 80s, Boxx Of Roxx is worth the investment.
Rating: Out of 10
Track Listing:
DISC ONE – ROUGH DIAMONDS
Scratch My Back
No Easy Way Out
Danger
Kill Or Be Killed
Ballbreaker
Hot Shot Of Love
Into The Black
Steals My Heart Away
Time To Rock
Seven Deadly Sins
Rockin’ Horse
Who’s Your Daddy?
Santa Clause Is Back In Town
DISC TWO – RARE LIVE BOOTLEG
Race With The Devil
Daddy’s Farm
Fastest Gun In Town
Nine Lives
Ball ‘n’ Chain
Red Rose
Live Fast Die Young
Hot ‘Lanta
Scratch My Back
No Easy Way Out
Need Your Sex
DVD – THE VIDEOS
No Easy Way Out
Scratch My Back
Time Bomb
Hot For Love
Tiger Lily
Star Trip
Red Rose
ROXX GANG IS/WAS:
Kevin Steele – Vocals
Jeff Vitolo – Lead Guitar
Vinnie Granese – Bass
Tommy Weder – Drums
Eric Carrol – Guitar
Jeff Taylor Blanchard – Guitar
Stacey Blades – Guitar
Wade Hayes – Guitar
Roby Strine – Bass
David James Blackshire – Drums
Dallas Perkins – Guitar
Andy James – Drums
Dorian Sage – Bass & Backing Vocals
0 Cyco Miko – The Mad Mad Muir Musical Tour (2011)
In the late 80s, Suicidal Tendencies ruled the thrash realm alongside bands like Megadeth and Anthrax. By 1989, the band’s popularity dwarfed that of their comrades. With hits like “Institutionalized,” “Join The Army,” and “How Will I Laugh Tomorrow, When I Can’t Even Smile Today,” Suicidal Tendencies were at the top of their game. In 2001, the band took a long hiatus before releasing a few compilation albums. During that time, lead singer, Mike Muir, released some solo CDs, under the moniker Cyco Miko. His latest Cyco Miko effort, The Mad Mad Muir Musical Tour is a gift to fans of Suicidal Tendencies everywhere.
Opening with the instrumental “MMM,” Mike Muir and company draw from Muir’s days in Suicidal Tendencies with an in your face, heart pounding, hard thrash opening. The album erupts from there, spilling out all of Muir’s influences. Muir reminds us all why we loved Suicidal Tendencies so much in the 80s and makes us long for a new album from the band. Gleaning bits of Suicidal Tendencies, The Red Hot Chili Peppers, and Primus, Cyco Miko combines thrash, funk, alternative, and groove, yet never clearly depicts one particular sound. Some fans will love the variety contained on this record, others will wish that Muir could make up his mind.
Overall, The Mad Mad Muir Musical Tour is a great disc. Heavy songs with deep lyrics like “Happiness” and “Done Gone Stupid,” will find fists in the air and forge shout-alongs in no time. The slower ballads like the Suicidal Tendencies cover “Alone,” and “Logical Thoughts Of A Lunatic” express the pain life puts everyone through. The deep spiritual growth contained in the songs can resonate with fans old and young. The style of music may be all over the map, but the sound is clearly enjoyable. Cyco Miko may not be able to proclaim one particular genre, but that’s all right. The strong songs found on The Mad Mad Muir Musical Tour don’t need to be pigeonholed into one category. They can all fall under the same label of great music.
Notable Tracks: “Happiness,” “Done Gone Stupid,” “Hang On (The Fight Song)
Rating: Out of 10
Track Listing:
- MMM
- Happiness
- All The Way
- Got Feeling
- Alone
- Slightly
- Done Gone Stupid
- Full Of It
- Hang On (The Fight Song)
- Logical Thoughts Of A Lunatic
- Who’s Next
- What It Is
- S. Lo Death
- Soulvation
