Today is the 4th Anniversary of the death of Pantera/Damageplan guitarist “Dimebag” Darrell Abbott. I still remember hearing about his murder on the evening news. Not only was I stunned that this happened during a club show but it was also one that I had been to in the past. I was a fan of Darrell’s while he was in Pantera. He helped make some amazing music during the Pantera years, and the heavy metal community lost one hell of an awesome guitar player.
If you have stories about “Dimebag”, feel free to share them in the comments.
Rest in Peace Darrell. You are missed!
The songs below are how I remember Dimebag best.
Pantera – Cowboy’s From Hell
Pantera – Walk
Pantera – Cemetary Gates
Pantera – This Love
If you have been wanting to check out Nikki Sixx’s book, “The Heroin Diaries: A Year in the Life of a Shattered Rock Star”, and the price has been too high for you for the hard back book, you are in luck.
On October 28th, A paperback version of the book has been released, and HardRockHideout.com has a copy to give away to one lucky reader!
The Hard back edition of the book debuted at #7 on the New York Times Best Seller List when it was released last September.
The Heroin Diaries is a collection of diary entries written between Christmas of 1986 and Christmas of 1987 chronicling Sixx’s wild lifestyle, drug addiction, descent into paranoia and depression, and his subsequent recovery. The book includes a whole bunch of amazing black-and-white photographs, lyrics, random thoughts and artwork.
You can read the Hard Rock Hideout review of The Heroin Diaries here.
If you would like to put your name in the drawing for a copy of the book, please submit your name and email address in the box below!
“Tomorrow,” which is featured on the hit CD The Heroin Diaries Soundtrack, is the follow up to the #1 rock track “Life Is Beautiful” and is a tale of accountability and hope for those battling addiction and for those in recovery. Sixx:A.M. released the CD soundtrack in conjunction with the New York Times bestselling book, The Heroin Diaries.
You can watch a copy of the Sixx A.M. video Tomorrow below.
You can also download a free (legal) copy of the Tomorrow mp3 file at this link!
Like everybody else I am waiting the release of the new Danger Danger album, which will hopefully see the light of day in 2009. But if you think Ted Poley is just sitting around doing nothing you would be sadly mistaken. Not only is he preparing for the release of Poley/Rivera’s Only Human in the middle of November, he also found the time to record the debut album “For Your Personal Amusement” with his band mates in Pleasure Dome. Poley teams up with David Tsien (guitars), Charlie Calv (keyboards), Ed Avila (bass) and John Hummel (drums) in what amounts to a melodic rock supergroup. Some of the bands the members have been involved with in the past include, Shotgun Symphony, Arcara, Shoot the Doctor, Skin Tag and Melodica.
After a short musical intro everything kicks off with “Trapped” which is a heavy melodic song filled with some great bass lines from Avila and keyboards from Calv. For someone known more for party rock Poley does a great job of handling the vocals on this song and Tsien completes the song perfectly with his guitar work.
“One & Only” could easily pass for a Danger Danger song or a song off Poley’s solo albums. It is a catchy sing a long song with great vocals and even more great guitar work from Tsien. I hope some radio station gives this song a chance because it deserves it and has hit written all over it.
“the Aura That Surrounds You” is another heavy melodic song with some haunting keyboards and great bass from Calv and Avila. With every song Tsien’s playing impresses me more and more. His playing along with Poley’s vocals shine throughout the album.
“Praying For A Miracle” is an acoustic based mid tempo rocker, which I believe was first recorded for Liberty N’ Justice’s “Independence Day” album that Poley also sang a track on.
“Always Tomorrow” follows the same formula as “Trapped” and “Aura That Surrounds You”. “Love Is A Game” is a duet between Poley and unfortunately an unknown female singer. She also returns to join the band again on “I Won’t Cry”.
“Seems Like A Dream” is an unusual song as it is mostly an instrumental but it does have about a minute worth of vocals in the middle of the song but there is some great playing nonetheless.
“Return To Zero” is by far the heaviest song on the album, while it is a decent song I could live without it and it wouldn’t leave a hole in the album.
Comic book fans should all love (Who Will) Save the World as this rocker talks about how the world needs a new super hero as all the well known heroes from D.C. and Marvel alike are all busy with their own problems. This song gets my vote for best song on the album.
“For Your Personal Amusement” is a good album and a great introduction to the band. Hopefully we will get a chance to hear their work again. I believe the guys just started scratching the surface of what they are capable of doing together.
Check out Pleasure Dome on myspace at this link.
- For Your Personal Amusement Intro
- One And Only
- The Aura That Surrounds You
- Praying For A Miracle
- Always Tomorrow
- Love Is A Game
- Seems Like A Dream
- I Won’t Cry
- Return To Zero
- Who Will Save The World
- For Your Personal Amusement Outro
Pleasure Dome is:
Ted Poley – vocals
Dave Tsien – guitars
Charlie Calv – keyboards
Ed Avila Jnr – bass
John Hummel – drums
Fans Create Warriors of Time Video Using Game Footage and Live Concert Clips to Win Huge Prizes
Gamecock Media Group and Interscope Records today announced that they have brought together heavy metal stars Black Tide with Spark Unlimited, developer of the acclaimed action game of mythic proportions, Legendary, for a contest that puts fans in the director’s seat.
By visiting www.blacktidemusic.com/legendary, fans of Black Tide and Legendary will be able to combine live concert footage of the band with clips from the video game to create a music video for the song Warriors of Time. Once completed, videos are uploaded to YouTube with links to the video posted to the competition website.
On February 22nd, 2009 the best videos will be chosen by Black Tide and Spark, and a bevy of prizes will be awarded. Prizes that will be given to the winners include:
– Gaming Computer, Schecter Guitar, Original Game Artwork, a copy of the game, T-shirt + CD + Poster
Runner Up (2) Prizes:
-T-shirt + CD+ Poster and a copy of the game
The deadline for entry is February 22nd so be sure to go to the website and start creating your masterpiece right away!
For a mashup of gaming and rock, check out the video example
Breakout rock band Saving Abel will join Seether as openers for Nickelback on their North American tour beginning February 25th in Nashville, TN (full schedule below). Saving Abel’s largest outing to date will hit arenas in over 30 cities across the continent. Tickets go on sale beginning Dec. 5th at www.LiveNation.com.
“We’re thrilled to be opening for Nickelback. It’s crazy, a year ago we were playing small bars and clubs around Memphis and now we’re touring the country in a bus and will be playing with one of the biggest touring rock bands in arenas,” said Saving Abel frontman Jared Weeks.
Saving Abel have been on the road non-stop since the March, 2008 release of their self titled debut from Virgin records and have played with rock heavy weights such as Buckcherry, Avenged Sevenfold, Puddle of Mudd and Shinedown. The band has enjoyed impressive success with their chart-topping, multi-format smash debut single “Addicted,” which hit #1 at mainstream rock radio, spent 11 consecutive weeks at #2 on the active rock chart and reached #7 at alternative radio. At press time, the track is the most played song of 2008 at the active rock format. “Addicted” found a whole new life in July when it impacted Top 40 radio. The run away hit is now sitting in the top 10 at the format and is top 15 at Hot AC. While “Addicted” is topping the pop charts, Saving Abel’s second single “18 Days,” a huge rock ballad dedicated to the troops, is heating up at rock radio where it is already top 10 at active rock and top 20 at alternative radio. Videos for both tracks have witnessed major play across all video channels including MTV2, VH1, Fuse and Music Choice where “Addicted” is currently the #1 played video an their “Hit List” channel.
Saving Abel continues to reach new heights on the sales charts as well. The album spent 3 consecutive weeks at #1 on Billboard’s Heatseekers chart before debuting on the Billboard 200 in July. It has sold over 240,000 copies to date. ”Addicted” hit #20 on the digital singles chart and is approaching platinum success with over 800,000 singles sold thus far.
Saving Abel – named after the Biblical sibling of Cain – was formed by Jared Weeks and guitarist Jason Null in 2004 in their hometown of Corinth, Mississippi. Now based in Memphis, Tennessee, the band’s lineup includes guitarist Scott Bartlett, bassist Eric Taylor and drummer Blake Dixon. Combining influences of southern rock, hard rock and alternative music, the band was first heard on a 2005 EP, produced by Skidd Mills (12 Stones, Saliva, Submersed).
Saving Abel on Tour
Dec-6 W. Palm Beach, FL Sound Advice Amphitheatre (WPBZ radio show)
Dec-7 Tampa, FL Ford Amphitheater (WSUN radio show)
Dec-15 Richmond, VA Toad’s Place (WRXL xmas radio show)
Dec-17 Chicago, IL House of Blues (Q101 xmas radio show)
Dec-10 Allentown, PA Crocodile Rock Cafe
Dec-11 Hartford, CT Webster Theatre
Dec-12 Portland, ME The Station
Dec-13 Townson, MD Recher Theater
Dec-18 St. Louis, MO The Pageant
Dec-19 Cincinnati, OH Bogart’s
Dec-20 Indianapolis, MN The Vogue
Dec-27 Memphis, TN New Daisy Theatre
Dec-31 Jackson, MI Michigan Theatre
Jan-2 Traverse City, MI Streeters
Saving Abel with Seether and Nickelback
Feb-25 Nashville, TN Sommet Center
Feb-27 Lexington, KY Rupp Arena
Feb-28 Detroit, MI Joe Louis Arena
Mar-02 Toronto,ON Air Canada Centre
Mar-03 Hamilton, ON Copps Coliseum
Mar-05 Worcester, MA DSU Center
Mar-06 E. Rutherford, NJ IZOD Center
Mar-08 Uncasville, CT Mohegan Sun Arena
Mar-09 Philadelphia, PA Wachovia Center
Mar-11 Columbus, OH Nationwide Arena
Mar-12 Rosemont, IL Allstate Arena
Mar-14 Milwaukee, WI Bradley Center
Mar-15 Moline, IL i Wireless Center
Mar-17 Omaha, NE Qwest Center
Mar-18 Des Moines, IA Wells Fargo Arena
Apr-01 Edmonton, AL Rexall Centre
Apr-02 Calgary, AL Pengrowth Saddledome
Apr-04 Saskatoon, SK Credit Union Centre
Apr-05 Winnipeg, MT MTS Centre
Apr-07 Minneapolis, MN Target Center
Apr-08 Kansas City, MO Sprint Center
Apr-10 Tulsa, OK BOK Center
Apr-13 Bossier City, LA CenturyTel Center
Apr-14 San Antonio, TX AT&T Center
Apr-16 Houston Toyota Center
Apr-17 New Orleans, LA New Orleans Arena
Apr-19 Little Rock, AR Alltel Arena
Apr-22 Jacksonville, FL Veterans Memorial Arena
Apr-23 Columbia, SC Colonial Life Arena
America’s most diverse hard rock festival just keeps getting better. That’s because national recording artists Saliva and Tantric have joined the already impressive Rock Gone Wild lineup. Classic Glam rockers Tigertailz will also bring their unique presence to the festival. Rock Gone Wild is slated for August 20-23, 2009 in Algona, Iowa. Tickets are available now by visiting www.rockgonewild.com.
Mainstream rock stars Saliva are no strangers to the Billboard charts. As the band prepares to release their new album Cinco Diablo on Island later this month, Saliva will look to repeat past album success. Five albums, platinum records and many sold-out shows later, Saliva promises an in-your-face set on the main stage at Rock Gone Wild. Saliva is Josey Scott, Wayne Swinny, Dave Novotny, Paul Crosby and Jonathan Montoya.
Tantric rock harder with each passing year. Forming in 1999, the band has released three albums, reaching the much-coveted platinum status. Fans love the band’s self-titled debut, featuring the hit single “Breakdown.” Around for about a decade, Tantric has evolved and now embraces a heavier sound and invites an active pit at shows. The band released The End Begins earlier this year on their new label Silent Majority. Tantric is Hugo Ferreira, Richie Monica, Joe Pessia, Erik Leonhardt and Marcus Ratzenboeck.
Tigertailz bring an international flair to Rock Gone Wild. The Wales-based band formed in the 1980s and instantly gained fans, thanks in part to their image. Heavy make-up and wild hair became the calling card of Tigertailz. It doesn’t hurt that the band creates songs with memorable hooks. Tigertailz has released eight albums, with Bezerk spawning the band’s signature tune “Love Bomb Baby.” Tigertailz are Kim Hooker, Jay Pepper and Matt Blakout.
Thousands are expected to attend the inaugural Rock Gone Wild festival, bringing significant revenue to the state of Iowa. Bands already announced for Rock Gone Wild include Puddle of Mudd, Skid Row, Kix, Great White, Hardcore Superstar, Lizzy Borden, Dangerous Toys, Helix, Saigon Kick, Rhino Bucket and Junkyard with many more to come!
Rock Gone Wild will take place at the Freedom Park festival grounds, located at 2507- 160th Avenue in Algona, Iowa.
If you build it, they will rock.
Limited Edition Package Contains Early 1997 Bonus Concert From Hollywood’s Famous Whiskey On Sunset Strip
Los Angeles-based metal quartet Static-X have just announced the release of their first full-length live concert DVD, entitled Cannibal Killers Live, which will be released by Reprise Records on October 7th, 2008. The footage was shot during a show in Spokane, WA, on June 2, 2007, shortly after the release of the band’s latest studio album Cannibal. The 17-song set compiled from the tour includes material from Static-X’s entire 14-year career, showcasing old favorites like “Push It” and “Bled For Days,” along with newer songs from Cannibal, like the album single “Destroyer” and everything in between. Wayne Static, who dubs his brand of metal “evil disco,” posted the following message to fans on the band’s website: “Cannibal Killers Live looks and sounds absolutely awesome and I can’t wait to share it with you!”
A complete video history will also be included in the special package, with every video Static-X has ever made, along with an audio CD of the concert (track listing below). In addition, a limited-edition package will be released on October 7th that includes a bonus DVD featuring the band’s 1997 concert at Hollywood’s famous Whiskey A Go-Go club, which was recorded two years prior to the release of Static-X’s platinum-selling debut Wisconsin Death Trip. Pre-order details will be announced shortly on the band’s website.
Static-X garnered rave reviews for their appearances on the mainstage at Ozzfest 2007. The Los Angeles Times praised them for pumping out “a tight, ultra-loud set of rhythm-obsessed ‘evil disco’.” The Seattle Post-Intelligencer noted that their “straight-up sonic brutality through feverish riffs and rhythmic bombasts cast shrapnel-like grenades into the audience,” while the O.C. Register raved: “Static-X found its groove early on, amping up the crowd with its brand of hyperactive dissonance.”
Cannibal, which was released April 3, 2007, debuted at Number 36 on Billboard’s Top 200 album chart, selling more than 30,000 its first week out. The album has gone on to sell more than 160,000 copies, solidifying the band’s place as one of the metal’s pre-eminent artists.
Static –X, which is Wayne Static (vocals, guitar, programming), Tony Campos (bass, backing vocals), Koichi Fukuda (lead guitar, keyboards, programming) and Nick Oshiro (drums) will go into the studio this fall for work on their sixth studio album, to be released in 2009.
TRACK LISTING FOR CANNIBAL KILLERS LIVE CD/DVD:
3. Sh** In A Bag
4. I’m With Stupid
5. Bled For Days
6. No Submission
8. Destroy All
10. Black And White
12. The Enemy
13. The Trance Is The Motion
14. This Is Not
15. Love Dump
16. Push It
17. Get To The
California rockers Y&T have issued the following:
“Happy holidays to our fans around the world, from all of us in Y&T! We loved spending our busiest year so far this decade with those of you who came to the 2008 shows, talked with us in person, and communicated with us online through our forum. We care what you have to say and love hearing from you. We never forget or take for granted that the success of the shows we do each year are in large part made possible because of the dedication of you great fans who come out to see our shows every year. As long as you keep coming, we’ll keep playing.
We want to give a very special thanks to those who work so hard for us in front of and behind the scenes each and every year. Our great crew – Tom, Chrys, Rolf, and our amazing manager Jill. You keep us moving forward and running smoothly, ensuring we always come across the best we can. We’re blessed with your hard work, dedication, great talents, class, and most of all–your friendship.
And now we look ahead to 2009, which is to be a banner year for Y&T. Not only will it be our 35th year anniversary as a band, but we will be starting the year out by immediately getting into the studio to write for the first new original material Y&T record in over a decade. And depending on our tour schedule, and with any luck, we will be shooting for a late 2009 release.
We look forward to kicking some serious ass and sharing this upcoming monumental year with as many of you as we can, as we head back out to tour around the world again.
Thanks, again, for an amazing year!”
Courtesy of Bravewords.com
If you have been a regular reader at HardRockHideout.com, you have heard me carry on more than a few times about this awesome new band from Northern Ireland called The Answer. Hard Rock Hideout recently had the pleasure of speaking with The Answer’s Cormac Neeson. We talked about the history of The Answer so far, the bands’ current tour with AC/DC, and their soon to be released album. Take a few minutes, and get to know The Answer!
The Answer is:
Cormac Neeson – Lead Vocals
Paul Mahon – Guitar
Micky Waters – Bass
James Heatley – Drums
HRH: Tell us a little about the history of the Answer. How long have you been together?
Cormac Neeson: We have been together close to eight years. We got together. Originally it was Paul Mahon’s idea to get a band idea together to play this hard rock like we are currently playing. They have been in out of different bands from fourteen years of age. They wanted to do it right this time. They got in touch with me. I was back in America at the time. I was working in a pizza place in New Jersey. They sent me a letter and said if you are coming home any time soon to look them up and get the band up and running. As luck would have it, I was heading home a month later to enroll in the University. As it turns out I was in the same class as Paul, which was quite a bizarre twist of fate. So we got a practice organized and got James on board on drums, and after that we haven’t really looked back since.
HRH: It almost sounds like it was meant to be.
Cormac Neeson: It sounds like it yeah, I am afraid so. (laughs).
HRH: Who are some of the key influences in your music?
Cormac Neeson: Key Influences would included a lot of late 60’s and 70’s rock and roll bands, like Led Zeppelin, The Who, and The Rolling Stones and stuff like that, but also I suppose The Black Crowes and a lot of varying influences. Paul is into the 80’s metal. We all have different influences, but the music we play is kind of where we all meet in the middle.
HRH: Are you listening to any of the current artists that are out there today?
Cormac Neeson: I suppose today we are into bands like Queens of the Stone Age, The Raconteurs. Any bands that are playing the hard style of rock and roll we would be in to.
HRH: How do you think the music scene differs in the United States as compared to Ireland?
Cormac Neeson: I think there are a lot more choices in America. I think a lot of that has to do is the number of radio stations playing the different genres of music over here. At home everybody listens to two or three of the same radio stations and thats about it, you know. Definitely there is a lot more diversity, which is very healthy, I think at home. A lot of people kind of fall into specific categories that are heavily influenced by whatever radio DJ they are listening to. Over here you have so much choice. People tend to make up their own minds, which is a very good positive thing I think.
HRH: I first found out about The Answer when you won Classic Rock Magazine’s Best New Band of 2005. What was it like receiving such a cool award, and how has that affected your career so far?
Cormac Neeson: That was great. That was the first taste of success that the band had. We haven’t even released our first album at that stage, it was all based on a couple of EP’s that had been released before hand. I suppose more than anything else, it was a great boost and great encouragement, and obviously it got us a lot of positive press off of the back of it. It was a nice platform, from which to release our debut album and kind of take things from there. It was an enjoyable experience that I can look back on. I got to meet Jimmy Page that night. It was great.
HRH: Prior to your tour with AC/DC, you have played with Whitesnake, Aerosmith, Deep Purple, The Who and in front of 80,000 people with the Rolling Stones in Serbia. What has it been like playing with so many classic hard rock acts?
Cormac Neeson: It has been amazing. If I had to pick a favorite gig that we have played, that would probably be it. The sheer number of people, standing and clapping their hands. It was breath taking. It was as far as the eye could see. Up to this point, we haven’t managed to play for more than 80,000 you know. The fact that is was supporting the Rolling Stones you know, I mean The Rolling Stones and AC/DC are probably the two greatest rock and roll bands still currently touring. It was unbelievable and breath taking.
HRH: How have these bands reacted to your music? Have they given you any advice?
Cormac Neeson: Different bands react in different ways. Some bands like to keep to themselves. Other bands like to take us on, and take us in as part of the family. AC/DC is one of those bands. Brian Johnson is consistently coming in to the dressing room and making sure that we are all right, and having a good time. When we toured with Whitesnake we were made part of that touring family which was great, you know. A band is going to give you advice, it is always to keep our heads down, to not to do many drinks and drugs. The usual kind of stuff. It is nice to know we have friends in high places that keep an eye on our progress.
HRH: When did you find out that you landed the AC/DC tour, and what was your reaction?
Cormac Neeson: We found out literally, two weeks before we packed our bags and headed for America. It was a whirlwind. It was an unbelievable shock for the band, but obviously a great shock. One day we were in London recording B-Sides for a future single. He took us out for a pint and sat a paper face down on the table in front of us, and said boys, I have some band news. You can’t do the European tour that we had planned for you this November. I said “Why”, he said flip that page over and you will find out. There were 42 dates on the page with AC/DC for all of across America. It was a real cause for celebration. It happened so fast we really haven’t had time to step back and think about it all. We have a week and a half off at Christmas. We will take stock of where we are at. This is a great opportunity, and hopefully we will make the best of it.
Cormac Neeson: We were yes. That was the initial plan, but obviously you can’t turn down a band like AC/DC if they ask you to come on tour with them. Black Stone Cherry are a great band. We were very much looking forward to that tour, but it wasn’t meant to be.
HRH: How have the U.S. fans reacted to your live show?
Cormac Neeson: Very positively. I think the cold weather, the rain and the wind, helps get everyone into the arena. We are playing to 80 to 90 percent in arenas every night. We were told and warned in fact that the support slot for AC/DC is no easy task. They haven’t played here in 7 years or whatever it is. You expect crowds to be very impatient. We have been getting standing ovations every night, and a lot of hits on our myspace, and a lot of positive stuff. We seem to be really devolping a good solid fan base over here, which is great considering this is our first tour of America.
HRH: Last Christmas you performed with Paul Rodgers at the Planet Rock Christmas party, which you later turned into a live CD later on. How did that opportunity come together, and what was the experience like playing with Paul?
Cormac Neeson: It was a dream come true for myself. Paul Rodgers is probably my greatest influence as a singer. It all came together, just a lucky coincidence really. Paul Rodgers was supporting Led Zeppelin the night before our gig in London. He got word that we were playing, and said he wanted to come down. We suggested that he get up and do a song or two. He came down, and we rattled through “Mover” and “The Hunter” during soundcheck, and decided we would give it a go. We had a great gig from the offset, and the fact that Paul got up and did two songs with us was amazing. It was also great that we caught it on tape and could release it as an official bootleg. It was nice to have that part of history documented.
HRH: Why did you choose to release the Never Too Late EP instead of your CD “Rise” in the U.S.?
Cormac Neeson: Unfortunately we tried very hard to get our first album released over here, but we just couldn’t get the label to get a date over here in time to release it. By the time we released Never Too Late a few weeks ago, we have our second album ready to go with the released date of 17th of February. Rather than release two albums in such quick succession, we thought we will release an EP, and whet peoples appetites a little bit. Then we will hit them with a full album in February. People can always go back to Rise if they like what they hear. Our opinion is the second album is better than the first, so why not give America the best we have to start with. Then people can trace us back to our roots.
HRH: Do you foresee Rise getting a release in the United States at a later date?
Cormac Neeson: I am sure it will be released later on down the road. We don’t want to short change our audience. We will keep putting out fresh material. If there is a demand for it, we will put it out there.
HRH: You recently had a couple of your songs used in the video games Guitar Hero World Tour, and Pure for the Playstation 3. How did that come together?
Cormac Neeson: To be honest, I don’t really know, their must be somebody in the gaming industry that likes the band, and puts our songs in those games. That is an unbelievable opportunity to get our name out there. Guitar Hero sells millions and millions of copies worldwide. In fact on the AC/DC tour, coming in every day, I hear “hey man I was playing your songs on Guitar Hero last night, drinking beers”. Between that and that AC/DC tour, and our new album, it is all coming together nicely for us.
Cormac Neeson: I have my fingers crossed. (laughs)
HRH: You have a new album coming out in February. What will the new album be called?
Cormac Neeson: The new album will be called Everyday Demons.
HRH: What was the writing process like for the new disc?
Cormac Neeson: It was very positive, and completely different from the process of the first album. Obviously, every bands’ first album is going to be a collection of tunes basically dating right back to the very beginnings of the band. In our case we had three or four years worth of songs to choose from. In contrast, this album was written in six months just before last Christmas. As a result it is a lot more consistent, and a statement that we are trying to make is a lot more fluent. The band is captured where we are right now in our song writing, musical ability and everything like that. It is a true statement where The Answer are currently at. It is good.
HRH: How long did it take you to record it?
Cormac Neeson: It took us two months. We did 5 weeks in L.A., we did a couple of weeks pre-production before we came to L.A. and then Paul did some more guitars in London for about a week and a half on the way back from America. It was very intense and very hard work and not a lot of breathing space, but the end result was well worth it.
HRH: With so many cool videos under your belt already, do you have videos planned for the new record?
Cormac Neeson: We actually just made a video for a song called On and On, which is the third track on the album. It is going to be the first single on the album. We had a gig in East Rutherford, New Jersey recently. We had the day off the next day, and went to Brooklyn to a big studio and set up a lot of different backgrounds, and shot a video for On and On. It was great you know. I got to a lot of work with a with a beautiful model which is never a bad thing.
HRH: Do you know when the single will be released?
HRH: What do you feel are some of the highlights of your career so far?
Cormac Neeson: Nothing is bigger than the current tour we are on, but as we already mentioned the Serbia gig with the Rolling Stones, we got to meet them as well, they are living legends you know, signing with Paul Rodgers and supporting Paul Rodgers in the Albert Hall was amazing. We always really enjoy getting out on tour for ourselves. We would like to be playing for an hour forty or an hour fifty minutes, getting to really entertain the audience for long stints of time. We did a couple of tours in Australia and Japan which was a great experience. It is always great to get back to Belfast at the end of a long tour to do homecoming gigs.
HRH: How long do you expect to be on the road with AC/DC?
Cormac Neeson: We honestly don’t know, we are hoping that they will give us some of the European bits. Nothing has been confirmed yet, so we can’t really presume that we are doing that. We are on tour with them until the end of January all across America. If that is all we get, we will be happy with that, but obviously if we get some more gigs, we will be even happier. (laughs)
HRH: If not, hopefully you can come back to the U.S. and do a tour of your own.
Cormac Neeson: Absolutely, as soon as we come off of tour with AC/DC, we are going to start having to do tours of our own in America, and Europe and Japan and Australia. It is going to be a very busy couple of years.
HRH: What would you like to tell all of your fans?
Cormac Neeson: I would like to say keep your ear to the ground, and don’t forget about us. Check us out. If you are into your rock and roll, we are a good honest hard hitting rock and roll band. I think you will enjoy us very much. I hope to see you very soon at a gig of our own, where we can entertain you for a couple of hours, and have a few beers with you after the show.
I must admit that I haven’t been much of a Papa Roach fan over the years. After seeing their high energy set in Cruefest this summer, I decided to check out some of the Papa Roach’s back catalog, starting off with the bands’ 2004 CD, “Getting Away With Murder“. If it wasn’t for that live performance, I may not have picked this CD up. Much to my chagrin, I should have picked this disc up much sooner than I did.
I always considered Papa Roach to be more of a nu-metal or rap metal act, but as I quickly discovered, Papa Roach’s sound has been changing quite a bit over the years. Their current sound is more of a modern hard rock approach that blends in bits of pop, rock, and maybe even a dash of hardcore.
Jacoby Shaddix can go from a regular singing voice to a metal/hardcore like scream in a blink of an eye. Luckily their isn’t too many cookie monsterisms in his singing, which makes this disc a little more palatable to my tastes. If this CD has any faults, it is the lack of guitar solos, but the music style is quite common for rock artists today.
Not every song on this disc are instant classics, but there are quite a few good ones. Some of my favorite cuts on this disc are “Getting Away With Murder”, “Be Free”, and “Scars”.
“Getting Away With Murder” is Papa Roach’s 2nd CD to achieve a platinum selling status. (The first was the multi-platinum selling CD, “Infest”). If you are into today’s modern rock artists, you ought to give Papa Roach a chance. I was surprised to find that I liked the majority of the songs on this disc, and I think many of you will too. You can check out Papa Roach on the web at this link.
1. Blood (Empty Promises)
2. Not Listening
3. Stop Looking/Start Seeing
4. Take Me
5. Getting Away with Murder
6. Be Free
7. Done with You
10. Blanket of Fear
11. Tyranny Normality
12. Do or Die
Papa Roach is:
Jacoby Shaddix – vocals
Jerry Horton – guitar / vocals
Tobin Esperance – bass / guitar / vocals
Dave Buckner – drums / vocals
On August 16th of 2008, Poison brought their Live, Raw and Uncut Tour to Cincinnati. The band usually brings their tour here each summer, and usually plays to near sell out crowds.
I have gone to their concert for the last couple of years, and while the band was excellent last year, this time around I was a little disappointed. Big John from Rock of Love was the emcee for this show, which for me added nothing to the concert. Personally, I don’t think Bret Michaels should be mixing his Poison and Rock of Love thing together, but that is just me. The band also seemed to play a shorter set, so Bret could leave and attend an after party at a local club, the Blue Note in Cincinnati.
The set list for the show this year was something like this:
“Look What the Cat Dragged In”, ” I Want Action”, “Ride The Wind”, “I Won’t Forget You”, “What I Like About You”, “Something To Believe In”, “Your Mama Don’t Dance”, “Unskinny Bop”, “Every Rose Has It’s Thorn”, “Fallen Angel”, and the set closer “Nothin’ But A Good Time”.
Luckily Poison doesn’t overcharge their fans for their tickets, which is a good thing, but the lack of new material (no surprise there), and Bret Michael’s voice being a little off was somewhat of a disappointment to me. This was my stepdaughter’s first Poison experience, and she enjoyed it. I guess that is all that matters in the long run.
Hopefully Bret Michaels will walk away from his Rock of Love thing, and start writing some new music with Poison.
The clips below are from the show. Enjoy!
Nothin’ But A Good Time
Collective Soul announces the re-release of their 8th studio album, Afterwords, on December 9th to all retail and digital outlets. The album was originally released in August 2007 via exclusive deals with Target and iTunes. This brand new edition includes for the very first time three solo songs by songwriter and singer Ed Roland; “An Evening With,” “Ain’t That Enough” and “Give.” The physical album also included a year’s membership to the band’s fan club, The Collective Souls. The digital album includes a Deluxe Edition with a 7 minute video diary from the band’s trip to Peru in early 2008.
Afterwords debuted in the Top 25 of Billboard’s Album Chart and on the iTunes Top 10 when it was originally released last year. At the same time, the disc’s first single, “Hollywood,” was used in commercials by American Idol throughout their lengthy audition process. By sheer coincidence winner David Cook was a big fan, performing Collective Soul’s classic hit, “The World I Know,” on the show’s finale, causing Entertainment Weekly to note that Cook “staked his entire Idol career on a Collective Soul cover,” and won. Songs from Afterwords have also been featured in television shows The Hills, 90210, Celebrity Apprentice, Womens Murder Club, Brothers and Sisters and Shark.
Currently, Collective Soul has a song featured in the new blockbuster film Twilight as well as the accompanying chart topping soundtrack. The soundtrack held the #1 positions on both iTunes and the Billboard charts the week it was released.
Collective Soul have released a total of 8 studio albums in their 14 year career, with nineteen singles landing in the Billboard charts, seven of those reaching the #1 spot on the magazine’s radio charts.
Frontiers Records is excited to announce the signing for a multi album deal of the mighty VISION DIVINE, Italy’s Melodic Metal Finest. The new cooperation will bring the first fruits with the release of the band’s brand new studio album “9 Degrees West of the Moon” on January 23rd 2009.
Born as a side project of the esteemed guitarist and songwriter of Labyrinth, Olaf Thorsen, to keep his working relationship with Fabio Lione (former Labyrinth vocalist who had moved on to Rhapsody) Vision Divine evolved during the years in a real band who released 5 acclaimed studio albums, one DVD and toured several times in Japan, South and North America and played in several European countries.
The new album is particularly important in the history of the band as it marks the return of Fabio Lione on lead vocals, after Thorsen’s decision to say goodbye to Michele Luppi in June 2008. “Fabio’s return is like going back to square one for us”, comments the band’s creative mastermind Olaf “However Vision Divine is a band that did always move forward and I think that with his voice and interpretation he has enriched the songs and gave them a very peculiar and personal edge. I am truly enthusiast of his return in the band and look forward to bring this record out there with his amazing vocal abilities”. Vision Divine line-up is completed by Alessio Lucatti on keyboards, Cristiano Bertocchi (ex-Labyrinth) on bass, Federico Puleri on guitar and Alessandro Bissa on drums.
Produced by none other than the former Stratovarius mainman Timo Tolkki, Vision Divine created what is easily their most mature and intense record to date. Entitled “9 Degrees West of The Moon”, this is Vision Divine ‘s heaviest, but yet most melodic and catchy album ever, showing why they are now the number 1 band in the Italian Metal scene. “Melodies are the most important element of our music. However our songwriting is very diverse” explains Olaf, who adds “all the songs have very different atmospheres and can go from melodic songs like Violet Loneliness to very aggressive and heavy ones. I think there is something for everyone on this record“.
“Vision Divine are also working hard on putting up a new World Tour which will bring the band to play again in Asia, South America and possibly Europe outside their homeland Italy. “9 Degrees West Of The Moon” is a fantastic journey that fans will consider as the true Vision Divine career defining statement!
The album’s final tracklisting includes: Violet Loneliness; Fading Shadow; Angels In Disguise; The Killing Speed of Time; The Streets Of Laudomia; Fly; Out In Open Space; 9 Degrees West of The Moon; A Touch Of Evil; Fading Shadow (demo version – Exclusive Bonus Track for Europe)
Check it out online at this link: http://www.trebleradiorocks.com/
GOTTHARD have been elected for the finale of Switzerland ´s biggest music TV show called “The Greatest Swiss Hits”. 27,52% of the audience chose the wonderful hit single ballad “Heaven”. With this result, GOTTHARD are number one with entering the finale, followed by PETER, SUE UND MARC with «Io Senza Te» (15.39 %) and FABIENNE LOUVES & MARC SWAY with «Hemmigslos Liebe» (10.28 %).
On November, 30th, the great finale will take place, broadcasted by SF – Swiss TV. Good luck for GOTTHARD and we hope for a lot of votings on November 30th!
Check out the video for Gotthard’s Heaven below.
One of Norway’s most successful bands since the 80’s are releasing a new album in 2009.
With album classics like Commandos,Stage Dolls and Stripped Stage Dolls dominated the Norwegian music-scene in the 80’s and early 90’s.
After continuous touring in Norway followed by USA the single Love cries went into the American Bilboard top 100 (46#) and 3# in the Album Rock Charts.
The album is planned for release Spring 2009 in Norway and Europe followed up by touring.
Today is the 17th anniversary of the death of KISS drummer Eric Carr. He past away in 1991 after a battle with heart cancer.
I still remember the day I heard the news of his death. I was in complete shock. I could not believe that Eric had died.
I still enjoy the music that Eric recorded with KISS today. I still have a lot of fond memories of his time in KISS.
The videos below are a small representation of the songs that Eric recorded with KISS. Check them out!
Rest in Peace Eric…..you are missed!!
KISS – Lick It Up
KISS – Heaven’s On Fire
KISS – Tears are Falling
KISS – Uh! All Night
It is hard to talk about Guns N’ Roses without mentioning that this disc is some odd thirteen years overdue. Millions of dollars were spent in creating this much ballyhooed album. I don’t think anyone expects this album to meet their expectations (self included).
I for one am glad this album is finally out, and Axl Rose can finally get this King Kong sized monkey off of his back. Long before this album was released, I heard leaks of several of these tunes. I wasn’t very impressed by the the rougher versions of these songs. I must admit the final product is much better than I thought it would be.
At times, it seems as if the multitude of producers tried to help reproduce Slash’s guitar tones, in order to preserve that classic Guns N’ Roses sound. The end result is an album that won’t sound completely unfamiliar to Guns N’ Roses fans, even though Axl Rose is the only remaining member of the original band.
I have not been a huge Axl Rose fan in the past, but I have to admit it is pretty damned good to hear his distinct voice one more. It has been far too long. The opening and title track “Chinese Democracy” is a pretty rocking good way to start off this disc. Almost immediately, I thought this disc might be a lot better than expected. “Shackler’s Revenge” on the other hand left me scratching my head. This song doesn’t seem to know if wants to be hard rock, Industrial, or techno. It seems to blend elements of all three. It actually isn’t too bad, once you get past the beginning of the song.
I believe “Better” could be one of the best Guns N’ Roses songs ever. Even though this song has some unusual guitar sounds mixed through it, it still feels like a modernized G N’ R song. This is easily my favorite on Chinese Democracy.
“Street of Dreams” was completely unexpected. This is a piano driven ballad with a fairly decent guitar solo in the middle. Early in this song I thought Axl’s voice sounded odd as he was hitting some unusual low notes with his voice. His pure singing voice (thankfully) takes over quickly. What this song is missing is Slash. With Slash’s guitar playing, this could song could have been another taken to new heights. Even still, this song is pretty good, and definitely one of the better ones on “Chinese Democracy”.
Is it just me, or does “If The World” sound like a Lenny Kravitz tune? This is a pop tune with a hard edge and a rhythm with a little bit of funk in it. I wouldn’t expect to hear something like this on a hard rock record, especially a Guns N’ Roses record.
“There Was A Time” has a 70’s classic rock vibe that reminds me a bit of the Moody Blues mixed with some harder guitar parts. This is one of those songs that has the potential to grow on you if given the chance.
At this point in the album, I could have used a really hard driving song. “Catcher In the Rye” is definitely not that. This song also has a classic rock vibe about it, but it doesn’t sound like a G N’ R tune.
I really dislike the intro on “Scraped” but the rest of the song is pretty cool. There is a pretty good groove all throughout “Scraped”.
Riad N’ The Bedouins has more of that familiar Guns N’ Roses sound that I prefer. There are a lot more heavy guitar parts on this song, than on most of the tunes on Chinese Democracy.
“Sorry” sounds as if Axl was trying to channel his inner Pink Floyd. I like Pink Floyd, but I don’t want to hear it on a Guns N’ Roses album. It just sounds odd to me.
The first time I heard I.R.S. I thought the song had a heavier slant to it. This finished product adds a dated keyboard sound, which detracts from the industrial edge it had. It isn’t a bad tune, but I liked the previous versions I heard better.
I didn’t care for “Madagascar” the first time around, but after a couple of listens, I started to realize that this song is a lot better than I originally thought. This song has an epic feel to it that reminds me of “November Rain” somewhat.
Chinese Democracy closes out with two piano based numbers “This I Love” and “Prostitute”. Both songs are solid enough, but not what I would expect to hear from this band.
If you are listening to “Chinese Democracy” for the first time, and are looking for another “Appetite for Destruction” you aren’t going to find it here. This album seemingly expands on the sounds of the Use Your Illusion records, but has a much more experimental feel to it. There are moments of brilliance on “Chinese Democracy”, but those looking for a quick hard rock fix may not give this album a chance to find them.
Was this album worth the wait, and all of the hoopla? Probably not. I would recommend checking out the songs for yourself on the Guns N’ Roses myspace site.
- Chinese Democracy
- Shackler´s Revenge
- Street Of Dreams
- If The World
- There Was A Time
- Catcher In The Rye
- Riad N´ The Bedouins
- This I Love
This is band is often referred to online as a Skid Row clone. I greatly disagree with that statement. Singer Jeffrey Michael Bonds is no Sebastian Bach. There are some guitar parts that might be a little Skid Row like, but as a whole, I don’t think they sound even close to the same. If fact, Dirty Rhythm sounds a lot more like another early 90’s band, Cry Wolf. With that being said, “Hard as a Rock” is still a very solid hard rock disc.
“Hard As A Rock” was produced by Loverboy’s Paul Dean. As a result the production quality is top notch, and the songs shine as a result. The music styling is typical pop metal. This is the sound that was quite common for hard rock acts in the early 90’s. Some of my favorite tracks are “Feel the Fire“, the awesome power ballad “I Can’t Wait“, the Warrant like “Hard As A Rock“, “Backside of Love” and “Bad Girls“.
This CD is very out of print. I finally scored a copy of the CD, after months of unsuccessful bidding on EBay. If you are a hair metal fan, it is worth checking out (if you can find it).
For more information on Dirty Rhythm, check out their myspace page at this link.
01. Feel The Fire
02. I Can’t Wait
04. Hot N’ Cold
05. Hard As A Rock
06. Backside Of Love
07. Reach Out
08. One Summer Night
09. Hold On (Forever Tonight)
10. Waiting For The Money
11. Burn Out The Night
12. Bad Girls
Dirty Rhythm is:
Jeffrey Michael Bonds – vocals and guitar
Brian Harrison – guitar & keyboards
Anthony Brian Greenham – bass
Troy Miller – drums
To celebrate the release of Dimebag Darrell: He Came to Rock—the official biography of the fallen guitar hero—HardRockHideout.com is giving one lucky reader a chance to win a copy of this awesome retrospective of Dimebag’s life.
The book, written by Susan Doll and David Morrow, is a 400-plus photo driven biography assembled from the private and personal collections of friends and family including Dime’s father, Jerry Abbott, and his brother, former Pantera and current Hellyeah drummer Vinnie Paul. The book also contains anecdotes from Dime’s metal peers such as Kerry King and Zakk Wylde.
Also included is a revised version of Dimevision on DVD that includes some never-before-seen bonus clips made by Dimebag himself.
In order to win a copy of the book, all you have to do is answer the following Trivia Questions, and submit your name and email address, with the answers in the box below.
Question #1 Name the first singer of Pantera.
Question #2 Which Guitar company has signature Dimebag Darrell models?
Question #3 What was Darrell’s nickname before he was called “Dimebag”?
Having recently completed a 30-plus-date European tour, Kiss will “eventually when we’re ready tour America,” co-founder Gene Simmons said during a keynote address today (Nov. 20) at the fifth annual Billboard Touring Conference, held at the Roosevelt Hotel in New York.
Referring to Kiss as the “juggernaut of all rock’n’roll brands,” Simmons said the band is currently working out future tour details. “We’ve been talking with [manager Doc McGhee] about Europe and then doing a year-long tour maybe this coming summer, but we’ll see,” Simmons said. “Kiss and Queen, that would be a smash. That would kill. So far (it’s) 50/50.”
During the address, Simmons, who is also a reality TV star and entrepreneur, stressed the duties of being a live performer. “I don’t care if you’re Axl Rose, forgot to tie your shoelaces or your father molested you when you were three — you’re a bitch if you don’t show up onstage when it says 9 o’clock,” he said, drawing loud applause from the audience.
“You need to have the integrity and self-respect to respect the promoter who paid you the money in advance, the hall and the people who makes all our lives possible,” he continued.
Speaking to an audience of primarily concert promoters, venue officials and booking agents, Simmons warned those in the live entertainment industry that it wouldn’t be wise to lower concert ticket prices. “Don’t do that, you’re training an entire generation of people to pay less for something and then more for something else,” he said. “They won’t know what the value is and they’d rather pay less every time.”
Simmons stressed that the touring business needs to quickly think about the future of its model. “Thank God you’re the last vestiges of a dying breed, because the record industry is already dead, because we trained the people [that] they don’t have to pay for stuff that they used to pay for,” he said. “The record industry allowed that and people are shocked they’re out of business.”
Meanwhile, Simmons expressed his discontent with the fact that Kiss, which he co-founded in 1972, has not yet been inducted into the Rock and Roll Hall of Fame. “A lot of those guys on the board can go and get my sandwich when I want, and I mean that in the nicest way,” he said. “There are disco bands, rap bands, Yiddish folk song bands in the Rock and Roll Hall of Fame, but not Kiss. I believe we have more gold records in America than any other group, but it’s OK.”
Billboard executive director of content and programming for touring and live entertainment Ray Waddell conducted today’s Q&A with Simmons. The keynote address was filmed for an episode of his A&E reality show “Gene Simmons Family Jewels,” currently in its third season.
When HRH was offered the opportunity to review the new Twilight soundtrack, I jumped at the chance. Any movie soundtrack that is capable of taking a huge bite out of AC/DC’s sales is something worth investigating. A quick look at the artists on this disc, and there aren’t many that fall into the hard rock genre, although Linkin Park and Collective Soul might come close. A quick listen of the CD, and I passed this disc over to the resident Twilight expert in my household (my wife). She has read the Twilight series of books, and is much more knowledgeable on the subject matter of this disc than I.
With that being said, the review below is written by my wife Bonnie, the biggest Twilight fan that I know.
Being a huge fan of the Twilight book (and the others in the saga), and being very impatient for the movie release date to get here, I was really excited to find out that Hard Rock Hideout would be reviewing the soundtrack. Unfortunately, that excitement faded pretty fast as I gave a listen. My first impression of the soundtrack was that it was a bit strange. I have now listened to it at least 20 times, and I still can’t find a better description for it. For the most part, the lyrics to most of the songs are just bizarre, but the music itself is pleasant enough that you find yourself listening anyway.
That being said, there are a few songs on the disc worth mentioning…”Leave Out All The Rest” by Linkin Park is by far my favorite, and was immediately. The flow of the music, the lyrics…it just works. I had never listened to Linkin Park prior to this, but I am definitely a fan now.
“Spotlight” by Mutemath is a catchy little tune that immediately has you singing along. Not hard to do considering the same lyrics lace the majority of the song, but even so, it’s one of the better songs on the disc.
Paramore has two tracks on the CD, “Decode” and “I Caught Myself”, both of which are likeable in their own way. The band has a distinctive guitar sound which adds to their charm.
“Full Moon” by the Black Ghosts reminds me of something by Manheim Steamroller. Different is the only word that comes to mind, but it’s nice to listen to.
The hottest vampire living, Robert Pattinson, aka Edward Cullen, also has a spot on the CD with “Never Think”. The guitar is very nice, and I read that it is actually him playing, but the lyrics are mumbled and hard to understand. I really wanted to LOVE this song, and even though it is Edward, and that sexy vampire accent of his, I hope his acting impresses me more than this tune.
Wrapping up, the movie has to be better than this soundtrack, or my months of excitement and anticipation will have been wasted time. As much as I wanted to enjoy this record, I found it to be unusual and slightly disappointing. Three or four of the songs on the disc are above average, but the majority of them leave me longing for a rainy day in the forests of Forks, and a chance meeting with a vampire.
1. Supermassive Black Hole – Muse
2. Decode – Paramore
3. Full Moon – The Black Ghosts
4. Leave Out All The Rest – Linkin Park
5. Spotlight [Twilight Mix] – Mutemath
6. Go All The Way [Into the Twilight] – Perry Farrell
7. Tremble For My Beloved – Collective Soul
8. I Caught Myself – Paramore
9. Eyes On Fire – Blue Foundation
10. Never Think – Rob Pattinson
11. Flightless Bird, American Mouth – Iron & Wine
12. Bella’s Lullaby – Carter Burwell
Guns N’ Roses will be world premiering their long-awaited Chinese Democracy on their MySpace page tonight at 12AM EST. The album will be hitting Best Buy stores exclusively on November 23rd. The band leaked a new song, “Better,” earlier this week and the title track single is all over radio.
Check out Chinese Democracy in it’s entirety at www.MySpace.com/GunsNRoses at 12AM EST tonight!